The
Last Victim of
Vlad the Impaler
Mehmet
Akgönül
I was the new tree to be planted—
in the garden of corpses—
whose facial muscles twisted
with pain—
had made a strange expression
on their faces.
I was a simple farmer—
who could not pay the Voivode
his taxes.
If you saw people impaled from
afar—
you would think they were smiling.
This is the strange expression
I was talking about.
Before Vlad The Impaler’s
capturing—
by the Great Sultan of the Turks,
I was the last innocent who
would be slaughtered.
I'm in the garden smelling—
rotten human flesh and dried
blood.
I pray that God takes my life
before I am impaled.
What kind of flowers will bloom—
from this soil watered with
our blood.
So many innocent screams will
be stuck on this earth.
Vlad the Impaler will be called
Dracula—
and accused of sucking our blood.
But the only thing he sucked
from us—
was the games we would play
with our children.
And kisses we gave to our wives—
that we have under the moonlight.
I watch them rub oil on the
stake—
and for the first time, I notice—
that my eyelids have muscle.
Because they are so tight—
that I can't close my eyes.
Vlad approaches me—
and cuts my wrist with his dagger.
He drips my blood into his glass
of wine—
and is winking at me.
The beast snaps his fingers
and his puppets impale me—
to stake calmly as if they had
no souls.
He makes the final touch—
of his perverted artwork with
me.
I think just before my screams
and drown in my own blood—
Dracula must be more ruthless
than the devil himself!
My moans in pain, tearing the
clouds, reached God—
Even God turned a blind eye
to the cruelty done to us.
The sky where angels should
glide is full of crows.
The crows are as crowded as
the victims.
I can not even breathe because
of the stake—
I'm going to die, I'm dying,
I'm dead.
Mehmet
Akgönül is a poet who lives in Ankara, Turkey. He is studying at Hacettepe
University Department of History. He worked as an editor in an online newspaper
GazeteHacettepe. His
poems were published in Bosphorus Review
of Books, The Nonconformist Literary
Magazine, The Rye Whiskey Review, Punk Noir Magazine, Close to The Bone 4.4
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