SINGERS AND SINNERS
by
Cindy Rosmus
Yeah,
that’s right. Tony Z. Outside my
house, by the Padre Pio shrine.
And
don’t act like you don’t know.
The whole
town knows. Like they all
knew Tony Z. At least, people who liked cheap drinks down the Lodge and who lived
for Saturday Night Karaoke.
Tony
Z., that smug-faced fuck who came prancing in, at midnight, once the place was
jumping. Off-key regulars up my ass, with song requests. Like Bananas, who
tortured us with Journey. “Susie,” old Nelly begged, “Can I do ‘Crazy’ next?” It’d
be the sixth time she sang.
“Umm
. . . no,” I said.
“I,”
Tony Z. announced, from the door, “am in the house!” And assholes cheered, like
Elvis himself had up and walked in, from the grave.
But he
already had. Donny Dugan was there. Our town’s official Elvis impersonator,
who did shows down the Senior Center. Sometimes he showed up in gold lame and
greasy wig, but not tonight.
Donny
wasn’t cheering. Clutching his Scotch, he glared as Tony Z. grabbed the mic out
of Nelly’s hand. “It’s my turn,” Tony
Z. told me, “Put on ‘Suspicious Minds.’ ”
Donny’s signature tune. What he was singing next.
“Gotta
wait,” I said. “Donny’s ahead of you.”
They
loomed over my booth. Tony Z. smirking, Donny stone-faced, as they both clutched
the mic from opposite sides.
Like
oversized brats, they acted, though both were pushing sixty. And neither was
what they seemed to be.
A
big gambler, Tony Z. owed people big-time. But he loved his Italian mother more
than life, itself.
Donny
was more than an Elvis wannabe; he was a ruthless bookie . . .
Who
could make you disappear.
So
how does St. Padre Pio fit in, with all this? In our town, he’s our favorite
Italian saint. He worked lots of miracles. Since he took his first steps, Tony
Z. was devoted to him. So when his old mom got sick . . .
Who
did he beg, for a miracle?
And
why outside my house?
Years
back, when she’d beat melanoma, my mom put up the shrine in the front yard,
behind the pansies. St. Padre Pio had the kindest eyes. At least, the statue’s
did.
From
all over, people came to pray. All types: Weepy Mrs. Fratellis, with their
black veils and rosaries. Junkies, politicians. One drunken night, I’d staggered
home to find ex-Mayor Piccolo kneeling, before the shrine. Hey, it saved his
marriage.
When
my mom passed, I got the house, the bills, and the shrine.
“Saint
Padre,” I prayed, “Send me a job.”
I
was broke as shit. What he sent, was the worst job, ever: tending bar and
running karaoke at the Lodge. My boss, Googie, had three chins and watched me
like a hawk. “No freebies,” he said, in his gravelly voice.
Still, I was blessed.
Till
I lost it. One minute, I was between Tony Z. and Donny. Fists were flying, and
I got splashed with blood.
Next,
I was outside, pleading with cops. “They’re like brothers,” I lied. “They’ll
make up.”
Tony
Z.’s lip curled. He had some shiner. But he could still sing. Glaring at him,
Donny spat out bloody teeth.
“Please,”
I begged one cop, “don’t tell my boss.”
“Thanks
to you,” Googie said, next day. “Tony Zaino’ll never come in here again. Why
didn’t you just let him sing?”
“It
was Donny’s turn.”
“You
know how much money Tony drops?”
“He
drinks two-dollar Nips,” I said.
“Says
it’s you, or him. Let’s see, lemme choose . . .” He fingered his third chin. “Moneybags,
or Grumpy Cat?”
Moneybags
won.
Till
he disappeared.
“No,”
Bananas told me, at 7-11. “He didn’t really disappear. I don’t think.”
We both peered around, like Donny
was hiding behind the Slurpee machine. “His mom’s real sick. Shit, she’s over
ninety.”
Outside,
Bananas waited for me. “He’s hiding,” he whispered. “From Donny.” Again, he
peered around. “Didn’t think he owed him that
much.”
In
case Tony Z. was gone for good, Googie took me back, bartending. But not for
karaoke. That, he did himself, next Saturday night. “Hey!” he yelled, to Nelly.
“Sing that shit, bitch!”
Donny
showed up, just to drink. “No songs tonight?” I said.
His
open mouth showed missing teeth. How could I forget?
“And
I’m still pissed,” he said, in a muffled voice. “That song-stealing mother-. .
.”
I
hid my smile.
“He
ratted you out, Susie,” Donny said. ‘Cos you sided with me.”
A
hundred-dollar bill appeared on the bar, next to his empty. “I like that you
sided with me.”
It was your song,” I said.
But this was about
more than karaoke.
This
could lead to something big.
‘Cos
of Tony Z., I’d lost my job. And if he came back . . .
I
watched Donny, carefully, as I slid the hundred across the bar. “His mom’s real
sick,” I said. “Almost dead.”
No
reaction.
“They
called the priest. But Tony . . .” I poured Donny a double Scotch. “He wants .
. . a miracle.”
Donny’s
eyes gleamed.
“Maybe
he’ll find one.” Donny closed his hand over mine, which still clutched the
bill. He squeezed, tightly.
How
the killer knew when Tony Z. would be
there, nobody knew.
But
when the bullets shattered the back of his head, he was on his knees, before
the shrine. Bloody chunks of skull, and brain flying all over, onto the grass, and
pansies.
I
mean, that’s what the M.E. must’ve told the cops, later.
Hey,
watching from my window, they could’ve got me, too . . .
But
they didn’t.
THE END
“Singers and
Sinners” originally appeared in Rock and a Hard Place Magazine, Issue 2: Winter
/ Spring 2020.
Cindy is a Jersey girl who
looks like a Mob Wife and talks like Anybodys from West Side Story. Her
noir/horror/bizarro stories have been published in the coolest places, such as Shotgun
Honey; Megazine; Dark Dossier; Horror, Sleaze, Trash;
and Rock and a Hard Place. She is the editor/art director of Yellow
Mama and the art director of Black Petals. Her seventh collection of
short stories, Backwards: Growing Up Catholic, and Weird, in the 60s (Hekate
Publishing), is out, now! Cindy is a Gemini, a Christian, and an animal rights
advocate.
If Charles Addams, Edgar Allan Poe, and Willy Wonka sired a
bastard child it would be the fat asthmatic by the name of Michael D. Davis. He has been called warped
by dear friends and a freak by passing strangers. Michael started drawing cartoons when
he was ten, and his skill has improved with his humor, which isn’t saying much. He
is for the most part self-taught, only ever crediting the help of one great high school
art teacher. His art has been shown at his local library for multiple years only
during October due to its macabre nature. If you want to see more of Michael’s
strange, odd, weird, cartoons you can follow him on Instagram at
mad_hatters_mania.