Weird World
Bruce Costello
Feet on the
coffee table, hands on the windowsill, a shaggy dog is conversing with the moon.
Hearing human noises, he leaps down. His young man enters the room with a female
person. They’re holding paws.
The
dog recognises the female’s body smell from regular inspections of his man’s
clothes and hands, though she’s obviously been trying to disguise her natural
aroma by rolling in stinky female stuff.
“So that’s what she looks like,” the dog
thinks.
“Oh, you’ve got a mutt!” the female exclaims. “Does it
shake hands?”
The
dog brushes past her outstretched arm and sniffs her crotch. She yelps.
“Down,
boy!” says the man.
The
two humans lick each other for a time and then shut themselves in the bedroom.
The
dog returns to the window, which is now wet with condensation. Two blobs of
water slide down the glass collide and merge.
The
dog runs to the bedroom door and smells around its edges. He whines, slumps onto
the carpet, stretches out his front paws and lays his head on them. Time
passes, about as long as it takes to eat a bowl of biscuits. He drops off to sleep,
but twitches and cries.
Waking
with a start, he hurries into the kitchen, where he’d left a pig’s ear on the
floor. With his snout, he pushes it into
the spidery space between the fridge and the wall.
In the morning, the humans emerge
from
the bedroom. The man looks dog-tired, as if he’s been chasing cats all night. The
female struts about like she’s got two tails,
head held high, ears perked up, eyes bright. Says she’s gotta see a dog
about a man, leaves the room, and returns looking mighty pleased with herself.
The dog runs to the kitchen to check on his pig’s ear, but it’s still where he
left it amid the dust and cobwebs.
The
female has a thing she calls a bong. She sniffs smoke from it.
“Please
don’t,” says the man. “My father was an addict and my mother taught me to hate
that bullshit.”
“Just
try it. For me. You’re only young once.”
That
day the man stays home.
The female remains at the
house for many moons until they start to fight. Then she runs away and doesn’t
come back.
The
man gets his own bong, gives up going out
every morning and mopes around the flat with a hang-dog look. He stops grooming
himself and hair grows wild all over his face. He won’t take the dog for walks
and sometimes gets very growly.
The
dog experiences a spiritual crisis, no longer converses with the moon and
starts peeing inside.
Day
follows day and night follows night.
Something’s not right. The
dog pricks up his ears, sniffs, and runs to his man. Water is falling from the
man’s eyes and over his face. It’s like rain, but tastes different. The man is
making strange noises. He tells the dog his mother has died. The dog nuzzles
into him and that night returns to his rightful place in the man’s bed.
More days, more nights.
There’s a knocking at the
door. A young woman is there with kind brown eyes and a gentle smell. The dog
stares at her, head cocked to the side, tail thumping against the porch wall.
“Oh,
hullo, Pooch. Just thought I’d pop around to see if Peter’s alright. We miss
him at work, you know.”
“I’m
fine!” the man shouts. “Bugger off.”
The
dog seems to shake his head. His tail quivers, and then curls between his legs.
“Thanks,
fella,” the woman whispers, ruffling the dog’s head.
She
calls out: “I’m worried about you, Peter,” and enters the flat.
The
man is sitting on the sofa. The dog leaps onto his lap and looks expectantly at
the young woman, his big brown eyes glowing through straggly eyebrows.
“They
do say people grow to resemble their dogs,” the young woman jokes. She sniffs
the air, and looks from dog to man, and from man to dog, as if she can’t tell
one from the other.
The
man’s face cracks a smile.
The
humans talk and talk, slowly at first, with grunts and silence from the man,
and softness from the woman. Then words start to fall fast and loud from the
man, like biscuits into a bowl. The dog hurries to the kitchen to retrieve his
pig’s ear. He wolfs it down,
and returns to the sofa, but gets bored with talk
talk and goes to his place by the window.
The
sky is dark. The dog lifts his head and bays, then watches as the clouds
scamper off and the moon appears, big, bright and odourless. It winks at the
shaggy dog and frowns down disapprovingly on the human world.
The
end.
In
2010, New Zealander Bruce Costello retired from work and city life, retreated
to the seaside village of Hampden, joined the Waitaki Writers’ Group and took
up writing as a pastime. Since then, he has had 148 short story successes—
publications in literary journals (including Yellow Mama) anthologies
and popular magazines, and contest places and wins.
It's
well known that an artist becomes more popular by dying, so our pal Steve
Cartwright is typing his bio with one hand while pummeling
his head with a frozen mackerel with the other. Stop, Steve! Death by mackerel
is no way to go! He (Steve, not the mackerel) has a collection of spooky toons, Suddenly
Halloween!, available at Amazon.com. He's done art for several magazines, newspapers,
websites, commercial and governmental clients, books, and scribbling - but mostly drooling
- on tavern napkins. He also creates art pro bono for several animal rescue groups. He
was awarded the 2004 James Award for his cover art for Champagne Shivers. He
recently illustrated the Cimarron Review, Stories for Children, and Still Crazy
magazine covers. Take a gander ( or a goose ) at his online gallery: www.angelfire.com/sc2/cartoonsbycartwright . And please hurry with your response - that mackerel's
killin' your pal, Steve Cartwright.