BEER-CRAVING ZOMBIE
by Bradford Middleton
As the clock
counted down at work, typical
Of my luck of late
it was the first day we
Stay open late, I
stood counting the seconds
Until I could get
out because tonight wasn’t
Going to be just
another night of smoke and
Losing myself in
some soap opera. It was
Going to be the
night I had grown desperate
For during the
whole prolonged nightmare
Of drinking out on
the pavement battling all
That goddamn wind
and rain, hence only
Venturing out a
couple of times but trust me
There was almost
temptation every single
One of those days
counting . . .
Counting . . .
Counting . . .
Until that moment
when they’d let us back
Inside and
tonight, well tonight, was that
Night and almost
instantly, upon walking
Back through that
hallowed door I felt myself
Grow calm and like
a King returning to take
Up his throne. I
found an empty table looking
Out on the street
of ill-repute and as my drinks
Came over I saw
her. One for the age
A green-haired
creature of dizzying size and
Shape, and
suddenly I was back living the life
Of the bars’ living dead.
Bradford Middleton lives in
Brighton on the UK’s southeast coast. He was born in London during the
long hot summer of 1971 and growing up on a council estate and attending the local
school, he learnt two things; if he didn’t kick back he’d never get anywhere in
this life, merely becoming another cog in the wheel, and has been kicking
against those pricks his entire life.
He began writing when he arrived in Brighton in the early years
of the new century and began reading his poems to often stunned and confused
onlookers until one day Mad Swirl asked to publish one of his poems.
He’s had four chapbooks published since then and has hundreds of poems dotted
all over the internet. His work has featured in the Chiron Review,
Evening Street Review, New Reader Magazine, Paper & Ink Lit
Zine, Horror Sleaze Trash, and Razur Cuts, amongst other
places including, of course, Yellow Mama. Follow him on Twitter
@BradfordMiddle5.
Bernice Holtzman’s paintings and collages have appeared in shows at various
venues in Manhattan, including the Back Fence in Greenwich
Village, the Producer’s Club, the Black Door Gallery on W. 26th St., and
one other place she can’t remember, but it was in a basement, and she was well received.