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An $11 Lotto Ticket Retirement Plan: Poem by Richard LeDue
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The Setting on Fire of Michael Menson in London of 1997: Poem by Peter Mladinic
On the Death of Det. Sgt. Monica Mosely: Poem by Peter Mladinic
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Dark Tales from Gent's Pens

David Hagerty: Photos Never Lie

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Art by Bernice Holtzman © 2025

Photos Never Lie

 

by David Hagerty

 

You can call me Gray. Not because it’s my real name, nor even my stage name, but because it describes my legacy. I sit alone in a dusky attic above my Hollywood mansion, staring at my face in a mirror. Unlike most aging celebs, and contrary to what you’d expect, I look as good as I did thirty years ago. Nearby sit photos from my youth, when I was acclaimed for my beauty, which has changed not at all.

Only now I notice not the soft skin, golden hair, and chiseled cheeks that gossip columnists and publicists exulted, but a stiff, unmoving face that betrays no emotion, no humanity. I’ve become a statue, a soulless reflection, my own wax mannequin.

How did I evolve to this unnatural state?

I hit hard and fast in the movie scene, a star from my first minor role as boy toy to an older woman. Publicists acclaimed not just my looks but my magnetism. They called me a modern James Dean, a man who embodied the innocent mischief of adolescence. With just a flash of my pale blue eyes, I could seduce anyone. Journalists forecast I’d be an icon for the 21st century.

Only my agent warned me: beauty and celebrity fade. He advised me to take acting lessons, study the craft of filmmaking, watch classic movies, so I understood how stars of old prolonged their fame. “It takes work,” he said.

Being young and foolish, I didn’t listen. Instead, I flaunted myself at every venue: on red carpets, at hip clubs, in trendy restaurants. I was the prototypical celebrity whore, chasing the paparazzi as relentlessly as they chased me. I loved the adulation, even for something I couldn’t control. I’d inherited a blessed face, and it took little effort at that age to maintain it.

Except I learned it couldn’t last. All around me I saw aging actors whose looks had faded, and along with it, their careers. My leading lady in that first film never got another part half as good. My next director had moved behind the camera because no one wanted to see his craggy face. Even most producers were washed-up stars.

I didn’t want that. I didn’t spend three years waiting tables and going to auditions to be a blip in the spotlight, a one-hit wonder. I didn’t want temporary fame. I wanted immortality.

So I asked makeup artists, fitness trainers, and plastic surgeons how to preserve my appeal. They all had techniques, which they shared for large fees, yet those only disguised the decay. In the mirror, I saw ruin edging around my eyes.

Then I heard about Doctor Henry—homeopath to the stars. He claimed to have a formula for eternal youth. His treatments didn’t involve shots, pills, or surgeries. A few drops of his potion could reverse a year of aging.

“How?” I said.

“Mithridatism.”

“Myth-what?”

“Mithridates was the sixth king of Pontus. He worried about being assassinated, so he took doses of toxins to develop an immunity.”

“You’d poison me?”

“In amounts too small to do any harm. To trigger your immune system. Like vaccines or antivenom. Treating aging with the causes of aging.”

I wanted to believe him, but after meeting so many false prophets, I doubted his promises. Not because I didn’t understand the science (the art had been practiced for centuries) but because it sounded too good to be true. How could a few drops counteract nature?

So I tested it. The potion tasted vile, like death in a concentrate. Still, I bought a small dose, then spent all night tanning, drinking, drugging, and screwing. Everything my agent warned me to avoid. The next morning, I saw a glow on my skin and a sheen in my hair. Only my ruined clothes offered evidence of the damage.

“This works no matter what I do?” I asked.

“Indulge all your desires,” Dr. Henry said. “Self-denial is the greatest cause of decay.”

I did as he prescribed. I drove fast cars, dated fast women, took drugs to make me faster still. My breath always tasted of Champagne, and my skin emitted pheromones. No velvet ropes could contain me. Soon, I became infamous for my hedonism.

Contrary to what my agent said, my bad reputation only enhanced my career. Magazines put me on their covers. Promoters begged me to appear at their events. Actors competed to be in my movies. Celeb magazine proclaimed me the Alpha Male of the industry.

Hollywood had changed. Once scandal could ruin a career—even for Charlie Chaplin—but in the 21st century it could propel one. No bad press existed on social media. All attention enhanced my image.

Once and again, I’d compare my appearance to my earlier one, holding up my first head shot against my reflection. True to Doctor Henry’s prediction, I grew not uglier but more handsome. Meanwhile, I came to disdain my younger self. In those early pictures, I saw naiveté. With half my later wisdom, I could have owned the industry in a year rather than a decade.

Then I met Sibyl. She was an adolescent model acclaimed for her precocious beauty, but also an aspiring actress, eager to learn the business. Her mother introduced us, asked me to apprentice her. A true stage mom, living vicariously through her child. Called herself a manager, though really she was more like a madam.

I heard that Sibyl’s mom once worked as a showgirl, but that glamour had passed. Her face looked skeletal, her skin cracked and sallow. She stank of hair spray and cold cream. I assumed she was compensating for her own aging by promoting her daughter’s beauty. 

I’ll admit to being taken by Sibyl’s innocence. She smelled of talcum, and her flesh bore not a freckle. Yet like mine, her baby face hid a taste for the depraved. She quickly became my best girl. Not my only one, of course—that would undermine my image—but the costar I appeared with most often.

The gossip rags tagged us as a couple—a rumor inflamed by her mother—but I didn’t deny the innuendo. Despite our age gap, which should have cast me as her father figure, we were partners. I taught her the ways of fame in the modern era: the titillating selfies, the shocking quotes, the public feuds. She proved to be an A student, clawing her way onto the A list.

She’d text me asking for advice, but really she only needed validation. Should I date a bad boy? Why stop at one. Should I get a lewd tattoo? Why not two. Should I pose nude? Every chance you get. Only after each episode, proclaim you did it for the purest reasons: to empower women, to defy society’s conventions, to set an example for others. Never admit that it was for yourself.

I’ll confess to enjoying her company. Women my own age bored me. They were too inhibited, too controlled. I needed the free spirit of youth to match my own eternal adolescence.

Soon mom had lost control of Sibyl, who’d yet to reach the age of majority, but who petitioned the court for emancipation. Once that happened, once young Sibyl managed her own finances, mom would be destitute. And she couldn’t allow that.

Instead, she accused me of corrupting her daughter. Following my usual pattern, I answered with indifference. Then she claimed that I’d set Sibyl on a self-destructive path. Again, I didn’t deny it. To anger mom more, I told the scandalmongers Sibyl was mature enough to make her own decisions. That was the tipping point.

Without any evidence, mom reported me to the FBI for violating the Mann Act: transporting her daughter across state lines for immoral purposes. I’ll admit to having crossed that border a few times with former ingénues, and I suspected others had with Sibyl—but never me. I respected her too much to take such advantage.

The feds tried to entrap me with my own antics. They showed me press photos of us arm in arm, claimed it proved my lascivious intent.

“It’s a grip and grin,” I said. “All VIPs take them.”

They quoted interviews where she credited me with teaching her the ways of stardom, said it proved grooming.

“Nothing a good agent wouldn’t do.”

They took an affidavit from her mom, alleged I’d seduced the girl.

“How would she know? They only speak through lawyers.”

Without better evidence, they couldn’t bring criminal charges. Instead, they assassinated my character in the media: walked me past photographers into their headquarters, identified me as the subject of an ongoing investigation, slipped rumors to reporters about their suspicions.

For once, the bad press boomeranged on me. Instead of being cast as a bad boy, I got typed as a pedophile villain. Studios stopped sending me scripts. Endorsers stopped using my image. Promoters stopped asking me to their events. Even my agent stopped calling.

For the first time, I found myself home alone, a pariah. I’d been blacklisted, my career cancelled.

One of those lonely nights, I broke out my old publicity stills. I hoped for consolation in my enduring beauty. What I saw shocked me. While my features remained unchanged, their effect had transformed. Instead of innocent youth, I projected the weariness of wisdom.

Incensed, I drove to Doctor Henry’s office, demanded to see him. Typically, it took weeks to get an appointment—largely because I’d credited him publicly for my longevity—but for his best client, Dr. Henry cleared his schedule. I threw down that old photo, demanded to know why his treatments had stopped working.

He examined my face, so close up I could smell his tooth polish. I’d experienced that same intimacy many times in makeup chairs, but there it felt intrusive. After probing my pores, he sounded vindicated.

“The treatments work as they ever have,” he said. “It’s your mood that’s changed.”

“But you promised I’d never age.”

“On the outside. The inside, only you can control.”

Anger coursed through me like adrenaline. In an instant, I saw not a miracle worker but a charlatan. I knocked over his vanity lights, which crackled and hissed with exposed energy, then loomed over him like Frankenstein’s monster.

“You told me to indulge my worst impulses.”

“To satisfy your desires. But when that satisfaction fades . . .”

“You lied!”

“Other doctors attend to the mind—”

Before he could make more excuses, I grabbed a vial of his potions and smashed it atop his head, releasing a funk of chemical death. He looked stunned, then ran to the sink to wash away the poison. He was too slow. It had soaked into his skin, dripped into his eyes, seeped into his lips. By the time he’d rinsed it off, his face had turned pale, and his breathing had grown labored. He clutched his throat, then collapsed. I left him there to die.

Now, as I sit alone before my looking glass, I understand what he meant. He could head off physical deterioration but not mental decay. Never during my heyday did I feel depressed. I was too busy chasing immediate gratification. But even a sybarite can indulge only so much. I have exceeded not my own tolerance but the public’s.

In the distance, I hear sirens approaching. Truly, the devil has come calling. And resignation seeps over me.

I had my run. It lasted longer than most—thirty good years—but all stars burn out. In time, even those immortalized on a walk of fame elicit shrugs and questions of “who”?

So, I commit myself to the one thing that might prolong my celebrity. I pick up my old photo. As I gaze upon it, I feel I’m looking not at myself but at a stranger. With such detachment, I flick the lighter that has ignited so many acts of self-destruction and set my image ablaze. I let it burn until the flames singe my fingers, then watch the embers catch on my hardwood floors. As the fire surrounds me, I take one final, vain look in the mirror and wish only that I will be remembered as a shining star who refused to fade.

 

In honor of the greatest bad boy of literature, Oscar Wilde.

David Hagerty is the author of the Duncan Cochrane mystery series, which chronicles crime and dirty politics in his hometown of Chicago. Real events inspired all four novels, including the murder of a politician’s daughter six weeks before election day (They Tell Me You Are Wicked), a series of sniper killings in the city’s most notorious housing project (They Tell Me You Are Crooked), the Tylenol poisonings (They Tell Me You Are Brutal), and the false convictions of ten men on Illinois’ death row (They Tell Me You Are Cunning). He has also published more than 50 short stories online and in print.

Bernice Holtzman’s paintings and collages have appeared in shows at various venues in Manhattan, including the Back Fence in Greenwich Village, the Producer’s Club, the Black Door Gallery on W. 26th St., and one other place she can’t remember, but it was in a basement, and she was well received. She is the Assistant Art Director for Yellow Mama.

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