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The Nice Ones
by
Elizabeth
Zelvin
My Aunt Marion told
me about her
next-door neighbors when she lived up north. The family was a father and
mother, a boy, and three girls. The mother was a downtrodden woman, too scared
of her own shadow, Aunt Marion said, to have a conversation with a neighbor.
The boy was the apple of the father’s eye. You could hear his voice booming,
“my son,” all around the neighborhood. The girls fended for themselves.
One night, the boy
went into the
oldest girl’s room and assaulted her. Aunt Marion heard screeching and then a
lot of shouting from the boy and his dad. Aunt Marion hesitated to call the
police, but other neighbors did. In the end, it was all brushed off as a misunderstanding.
The father went around telling everyone what a good brother his boy was to his
sisters for a week afterward. After that, the girls all locked their bedroom
doors at night until one night, the oldest sister forgot. The brother went in
with an axe and split her head open. She died instantly. Even then, the father
insisted his boy was a good boy, and the girl, his dead daughter, must have
started it somehow. Aunt Marion thought that made the father as insane as the
son, who never stood trial and ended up in a mental institution.
The State itself being
unhinged,
Aunt Marion said, the two remaining girls were considered safe in the family
now, with a father who never ceased to bemoan the loss of his wonderful son and
a mother who, having formerly been inattentive to all her children equally, now
mourned her dead daughter while continuing to neglect the two who still lived.
Her depression worsened until she stopped going out of the house at all. A year
after the tragedy, she hanged herself.
Their mother’s
suicide finally
got the girls out of there. They clung to each other, cried, and begged so hard
not to be separated that they were even placed together in an excellent foster
family in a different neighborhood. They were two of the nice ones, Aunt Marion
said. But the damage was done. They didn’t get the sympathy they deserved. By
that time, the story had spread and warped, as stories do. Most people thought
that the two girls themselves had killed “all those people,” although some
believed they killed them only because they were so desperate to get away and
into a home where they might experience some kindness.
I remembered that
when I married
my own abusive pervert of a husband. I thought of those two girls the night I
leaned over in the bed where he slept beside me and cut him right across the
jugular. I’m not one of the nice ones. Sorry, Aunt Marion.
Elizabeth Zelvin writes the
Bruce Kohler
Mysteries and the Mendoza Family Saga. Her stories appear in Ellery
Queen's Mystery Magazine, Alfred Hitchcock's Mystery Magazine, and Black
Cat Mystery Magazine, as well as Yellow Mama.
Bernice Holtzman’s paintings and collages have appeared in shows at
various venues in Manhattan, including the Back Fence in Greenwich
Village, the Producer’s Club, the Black Door Gallery on
W. 26th St., and one other place she can’t remember,
but it was in a basement, and she was well received. She is the Assistant Art Director
for Yellow Mama.
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