by Tom Fillion
I can taste
the queen
In the honey
But not the sting
In the upside down
Orange blossom tree
In the Hoosier cabinet
dispensed
by gravity
and worker bees
that live fifty days
transporting nectar and pollen
according to the queen’s
five-year plan
as tribute
to her six-sided mason jars
in the hive
capped by wax
and royal ferment
a new queen is born
as larva
for the next coronation
happens when the old queen abdicates
and leaves behind
her successor,
the new virgin queen
has her choice of drones
whose sole purpose
is to pollinate her
then die
so she may live a lifetime
as a widow
without a honeymoon
or a sugar daddy
Thomas Fillion is the
author of 5 novels and 2 books of poetry.
A new novel, The Year of Broken Glass, is in the works. A number of his
short stories and poems reside online. He graduated from the University of
South Florida in Tampa and is the third generation of his family to work at Mt.
Washington Cog Railroad in New Hampshire. His experience as a waterbed set-up
man inspired The Dream Mechanic, a colorful look at 1970s Me Generation. His
teaching career began at Hillsborough County Adult High School as an English
and math instructor. In 1991, Desert Storm, he was an English language trainer
for the Royal Saudi Air Force in Taif, Saudi Arabia. He has also taught
Ringling circus children and was a private tutor for Nick Carter of the
Backstreet Boys. For twenty years he taught math and coached track, tennis, and
golf at Robinson High School. He is now gainfully unemployed, i.e., retired,
and spends his time writing, riding a bicycle along Tampa’s Bayshore Boulevard
and Riverwalk, picking a guitar, grilling some dinner, and traveling to New
Mexico and Vermont. Most recently his new book of poems, Everyone Gets a
Trophy, has become available on Amazon. Kirkus gave it a good review. @dream_mechanic,
facebook.com/dreammechanic,
https://thomasmfillion.substack.com/
Bernice Holtzman’s paintings and collages have appeared in shows at various venues
in Manhattan, including the Back Fence in Greenwich Village, the Producer’s
Club, the Black Door Gallery on W. 26th St., and one other place she can’t remember,
but it was in a basement, and she was well received. She is the Assistant Art Director for Yellow
Mama.
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