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Fighting My Demons: Fiction by Marcelo Medone
Sunday Morning: Fiction by Richard Brown
Freelancer: Fiction by Bill Mesce, Jr.
Not Your Father's Son: Fiction by Roy Dorman
Sorry: Fiction by Victor Kreuiter
A Sad and Frightening Tale: Fiction by Gene Lass
The Knowing Day: Fiction by Mike Dwyer
A Well-Played Hand: Fiction by Jacob Graysol
The Park: Fiction by Allen Bell
The Little Boy With a Gun: Fiction by John Helden
Stupid, Silly Ideas: Fiction by John J. Dillon
Dominant Species: Fiction by Kenneth James Crist
Hello? Flash Fiction by Ian C. Smith
Burden of Proof: Flash Fiction by Anthony Lukas
The Taste of Blood: Flash Fiction by Cindy Rosmus
Rosie: Flash Fiction by Billy Ramone
This Is Where It Happens: Flash Fiction by Louella Lester
Sentenced: Poem by Paul Hostovsky
Doc Hawk: Poem by Daniel G. Snethen
Theodora: Poem by Daniel G. Snethen
The Price of Okra: Poem by Damon Hubbs
Radio Signals: Poem by Michael Keshigian
A Widow Without a Honeymoon or a Sugar Daddy: Poem by Tom Fillion
Watch the Unwatchable: Poem by Luis Cuauhtémoc Berriozábal
Lingerie: Poem by Peter Mladinic
Holden and Jane: Poem by Cindy Rosmus
Late August Afternoon on the Porch Reading Charles Simic: Poem by Anthony DeGregorio
Alligator: Poem by Anthony DeGregorio
Everyone Says I'm Looking Well: Poem by Bernice Holtzman
The Refrigerator Door is Broken: Poem by Bernice Holtzman
My Wives: Poem by John Grey
A Vivid Imagination: Poem by John Grey
Roafie: Poem by Craig Kirchner
Side Effect: Poem by Craig Kirchner
Tides: Poem by Craig Kirchner
the walking heart: Poem by rob plath
room # 5: Poem by rob plath
vincent the flower: Poem by rob plath
my mother now like the wind: Poem by rob plath
The Difference: Poem by Elizabeth Zelvin
Goliath: Poem by Elizabeth Zelvin
Lilith Goes Trans: Poem by Elizabeth Zelvin
Ultimate Peace: Poem by Elizabeth Zelvin
Cartoons by Cartwright
Hail, Tiger!
Strange Gardens
ALAT
Dark Tales from Gent's Pens

Elizabeth Zelvin: The Difference

111_ym_thedifference_bernice.jpg
Art by Bernice Holtzman © 2025

THE DIFFERENCE

 

Elizabeth Zelvin

 

the difference between a hookup nowadays

and what we called a one-night stand

is that the girls we were back then

were always looking for love

yes, every single time we hoped

that moment of connection had to lead 

to more, we wanted more, we wanted love

 

we didn’t care which boy bestowed it

never noticed he had none to give

 

the boy I’d flirted with for weeks at the office

finally snagged at a weekend party

on the rooftop under the stars

said Get out the moment it was over

ignored me at the copier on Monday

 

the boy in the cornfield on the camping trip

after mixing grain and grape and hop

a mistake I never made again

we worked together for the next two years

he would never meet my eyes

never spoke to me in all that time

 

the boy who said Everything human is natural to me

the Roman poet Terence, more correctly

Nothing human is alien to me

more comfortable quoting the classics

to justify himself than asking my permission

yet another way to ignore No

 

my granddaughters are young women now

joyous, beautiful, full of life

rich in women friends

so far treat the boys they know as buddies

both their parents were late bloomers

please, God, let my girls skip the hookup phase

fly, when they’re ready, straight to love



Elizabeth Zelvin is the author of two books of poetry, I Am the Daughter (1981), and Gifts and Secrets (1999), and recipient of a CAPS Award for Poetry from the New York State Council on the Arts. A third volume, The Old Lady Shows Her Mettle, is on the way. During the Second Wave of the women’s movement, her work was widely published in feminist and Jewish women’s journals. Her poems currently appear in Yellow Mama and other journals. Liz has also published seven novels and more than sixty short stories, including the Bruce Kohler Mysteries and the Mendoza Family Saga.

Bernice Holtzman’s paintings and collages have appeared in shows at various venues in Manhattan, including the Back Fence in Greenwich Village, the Producer’s Club, the Black Door Gallery on W. 26th St., and one other place she can’t remember, but it was in a basement, and she was well received. She is the Assistant Art Director for Yellow Mama.

In Association with Black Petals & Fossil Publications © 2025