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Dark Tales from Gent's Pens

Bruce Costello: Of Frogs and Men

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Art by KJ Hannah Greenberg © 2024

Of Frogs and Men

by Bruce Costello

 

There’s not a cloud to be seen. The brown grass has a hopeless, despairing look, as if afraid it will never be green again. The forest is motionless, and seems to be peeping out through its leaves, expecting something awful to happen. A hawk rises from the almost dry creek that runs between the railway line and the roadway, a frog dangling from its beak.

Mr Lamb is beginning the journey into town for his annual haircut. His wife has escorted him to the bus stop. She gives him money to cover the fares there and back, plus $25.00 to pay the barber. She instructs him to come straight home afterwards, as there’s work to be done around the farm. Mr Lamb boards the bus and his wife returns home on foot.

*

At the barber's shop, a radio program is blaring from a speaker mounted high up a wall. The barber is working on someone’s head while Mr Lamb and a few other men await their turn on bench seats around the walls.

On the radio, a sociologist is being interviewed about climate change.

"Can you please explain to our listeners what you mean by Boiled Frog Syndrome," the announcer is saying.

 "Sure thing," replies the sociologist, who sounds like an American wearing a bow tie. "Boiled Frog Syndrome is based on the demonstrably fallacious notion that, if you place a frog in boiling water, it'll jump out, but if you place it in cold water and apply heat slowly, the frog will fail to perceive the danger and will be boiled to death."

             "So, ah, it's about not recognising, or failing to deal with a problem, and by the time you do, it's too late to avert disaster?" asks the announcer.

 "Exactly, dead in the water," replies the learned man with a learned chuckle. "The same principle operates in other areas of life, too, like in relationships, as I expect some of your listeners will know only too well."

One of the waiting men, a red-faced fellow with a paunch, leaps to his feet.

         "My bloody oath!” he shouts. “A mate of mine wanted to throw himself under a train last week but didn’t have the guts to do it. Silly bastard had let his wife run his life for forty years, and by the time he realised what was happening, it was too late. The poor bugger. He’d completely lost his mojo. Couldn’t even do himself in. Bossy bloody women!"

         "It's not a gender problem," says the radio  announcer, as if in answer to the fat man. "It's a people problem. It's what people do to people."

         “Yes, indeed,” agrees the sociologist. “And it’s common in marriages today. The controlling spouse isolates the subordinate spouse and whittles away at them until they’ve got little left of themselves. It’s destruction of another person’s individuality, a kind of soul murder, you could say.”

The barber quickly turns the radio off as if he’s heard enough, and knows it all, anyway. He finishes the head he’s been working on, takes the man’s money and sees him to the door.

 Mr Lamb is next in line. The barber turns to him.

Mr Lamb is gaping open-mouthed and wide-eyed at the silent wall speaker, as if a revelation had been delivered to his head without warning. A thunderbolt from a clear blue sky.

 The barber helps Mr Lamb into the chair, asking how his day is going, but he seems not to hear and doesn’t reply. Once seated, Mr Lamb stares at the mirror on the wall in front of him. His eyes are hardly blinking. They seem to focus on some distant horizon far beyond the mirror.

The Barber sets to work removing a year’s growth from Mr Lamb’s head.

When the arduous task is completed, he holds out his palm. Mr Lamb drops money in it and runs from the shop.

It is lunchtime. The footpath is full of people.

Mr Lamb heads in the direction of the bus stop, half walking, half running, with a strange rolling gait, brushing against others crowding the footpath. They move quickly aside, swearing and muttering. Mr Lamb appears not to notice.

He wrinkles his brow oddly, like a man with strange thoughts buzzing about his brain, in the way that blowflies buzz about a poo pile.

Perhaps seeking to escape the swarm, he suddenly enters a tavern, looking about as if he’s never been in a tavern before. Discerning a bar with a barman, he feels in his back pocket, finds some money, and buys a beer.

Three men are seated around a table, talking loudly, and laughing. One glances up at Mr Lamb and pulls out a chair.

“Come and join us, mate.”

Mr Lamb sits at the table and drinks his beer. The three men are talking about fishing, rugby, and cars. Mr Lamb looks out of place, like someone who doesn’t fish, doesn’t follow the rugby and doesn’t drive.

A bull-headed man without a neck who looks like a football player asks Mr Lamb whether he’s a Ford or a Holden man. Mr Lamb opens his mouth, but no words emerge. He looks wildly about the room.

 There is a large TV on the wall. On the screen, Mr Lamb sees his wife. She is seated behind a desk reading a breaking news item about an atomic bomb exploding over New Zealand and killing a whole lot of people.

Then he sees his wife leap from the TV onto the floor of the tavern. With her long-nosed face and her opening and shutting beak , she resembles a terrifying bird looking for someone to devour.

Mr Lamb throws up his hands in horror as he suddenly realises what he has done. He has spent some of his bus money on buying a beer.

He doesn’t notice how the other men at the table are now staring at him wide-eyed, nor how the barman is watching him. He doesn’t see the barman pick up the phone. He doesn’t hear the siren coming, nor notice how it grows louder and then stops abruptly. He doesn’t see a paramedic run into the tavern, talk briefly to the barman then approach the table. But he does look up when the man taps him on the shoulder.

The paramedic has a face like the bum of a baboon and hands the size of baseball gloves, but Mr Lamb seems reassured by his gentle manner.

“You don’t look too good, Sir. Would you like to come with me, and we’ll find a quiet space to have a chat? Maybe there is something you will permit me to assist you with.”

They drive to the ambulance station and the paramedic sits Mr Lamb down in a pleasant room, where he finds his voice and the two of them talk for a while, but not about anything in particular.

Mr Lamb tells the paramedic he has no money to catch the bus home, whereupon the kind man opens his wallet and passes over a $20 note. Mr Lamb thanks him profusely, departs and hurries to the bus stop.

Half an hour later, when he disembarks from the bus and is about to begin the short walk back to the farm, he sees, stomping towards him, the identical huge bird that had terrified him in the tavern. This time she is breathing fire and making ghastly noises.

Fortunately, there’s a train coming from the other direction, and it looks like the train will arrive first.

There is only one thing to do.

And Mr Lamb does it .

                                                          *

His wife arrives on the scene just as Mr Lamb’s head, complete with new $25 haircut, flies out from under a wheel of the train, to splatter against her left leg, completely ruining her nylon stockings.

And somewhere nearby a frog croaks.

In 2010, New Zealander Bruce Costello retired from work and city life, retreated to the seaside village of Hampden, joined the Waitaki Writers’ Group and took up writing as a pastime. Since then, he has had 157 short story successes— publications in literary journals (including Yellow Mama) anthologies and popular magazines, and contest places and wins.

KJ Hannah Greenberg is eclectic. She’s played oboe, participated in martial arts, learned basket weaving, and studied Middle Eastern dancing. What’s more, she’s a certified herbalist, and an AP College Board-authorized teacher of calculus.

Her creative efforts have been nominated once for The Best of the Net in poetry, once for The Best of the Net in art, three times for the Pushcart Prize in Literature for poetry, once for the Pushcart Prize in Literature for fiction, once for the Million Writers Award for fiction, and once for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. To boot, Hannah’s had more than forty-five books published and has served as an editor for several literary journals.

Check out her latest short fiction collection, An Orbit of Chairs:

https://www.amazon.com/Orbit-Chairs-KJ-Hannah-Greenberg/dp/B0CWMMM73T

 Within its pages are two tales originally published at Yellow Mama: "Alive Another Day" and "Light Notes."



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