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Dark Tales from Gent's Pens

Cindy Rosmus: Soup's On!

105_ym_soupson_bernie.jpg
Art by Bernice Holtzman © 2024

SOUP’S ON!

 

by

 

Cindy Rosmus

 

 

 

          “No!” I told Donny. “No soup!” Through gritted teeth, I added, “You’re . . . not . . . getting . . . soup . . . from me!”

          The “Soup Nazi,” from Seinfeld, I sounded like. But too bad.

          “You don’t care!” On speaker, he sounded even whinier. “I’ve been homeless for a year!”

          Outside my building, a new neighbor eyed me like I was scum. Pulled his French bulldog past me.

          “All I want,” Donny said, “Is a dollar and thirteen cents for a can of soup. Chicken noodle. Not even the name brand.”

          Two years ago, we had a thing. My place after the bar closed. Overpriced beers-to-go, sometimes a slice at that pizzeria that stayed open late. Once he even paid.

          “One-thirteen. One-one-three,” he said sarcastically. Like “one-three-zero” was such a huge jump.

          “No!” I yelled, so loud I scared birds out of a tree. 

          Donny. And soup. This weird connection. Mostly chicken noodle. Picky bastard, he liked it just so. At self-serve joints, he’d hold up the line while carefully scooping enough noodles without too much broth or even lumps of luscious white-meat chicken. “Too much,” he’d mutter, like a mad scientist on the verge of something great. More Mr. Hyde than Dr. Jekyll.

And oyster crackers vs. saltines, or bread. “Excuse me!” he’d yell at the overworked cashier. I cringed.

“You kidding me?” Someone behind us always said.

          Sure, he was homeless. He couldn’t keep a job.

Picture that nitpicky noodle-nabber at work. Anywhere. Once my dad hired him to help paint an apartment. Donny took so long fussing over woodworks, he got fired. “‘Father of the Year,’” Donny said, laughing.

On my way upstairs, his last text came: “PLEASE!” With a screenshot of a red-and-white soup can.

Shoplifter!, I thought.

That’s when it happened.

The minimart was blocks away, but I still heard the crash. Of all things, the truck that smashed Donny was loaded with no-frills canned stuff: fruit cocktail, gravy, beans.

Soup.

When I found out he died, I couldn’t cry. Instead, I felt sick. Inside, it was like worms came alive in me, eating me up.

Pain or not, that night, I woke up to the strangest smell. Delicious, like the world’s homiest chef had filled a pot with savory ingredients, and they were simmering on my stove.

I had to be dreaming.

Clutching my stomach, I got up and headed to the kitchen.

On my way, I kicked something that sounded metallic, and it rolled under the couch.

In the dark kitchen, a huge, steaming pot appeared to glow on the stove. I edged closer.

Inside the pot, golden noodles waved hypnotically. Like they were communicating with me. Like they loved me.

I couldn’t stop watching them.

Even after they changed into long, fat worms. Strangling what looked like hairless baby chicks.

Then vanishing.

No soup, Donny whispered, from far away.

Not even for you.

 

 

 

          Cindy Rosmus originally hails from the Ironbound section of Newark, NJ, once voted the “unfriendliest city on the planet.” She talks like Anybodys from West Side Story and everybody from Saturday Night Fever. Her noir/horror/bizarro stories have been published in places like Shotgun HoneyMegazineDark Dossier, Danse Macabre, The Rye Whiskey Review, Under the Bleachers, and Rock and a Hard Place. She is the editor/art director of Yellow Mama and has published seven collections of short stories. Cindy is a Gemini, a Christian, and an animal rights advocate. 

Bernice Holtzman’s paintings and collages have appeared in shows at various venues in Manhattan, including the Back Fence in Greenwich Village, the Producer’s Club, the Black Door Gallery on W. 26th St., and one other place she can’t remember, but it was in a basement, and she was well received. She is the Assistant Art Director for Yellow Mama.

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