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Dark Tales from Gent's Pens

Nemo Arator: After the Essay

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Art by Zachary Wilhide with Darkmatterzone © 2025

AFTER THE ESSAY

 

By Nemo Arator

 

 

After writing an essay in a building on the old Wascana campus, I emerged to find that night had fallen while I was inside. I was unsure what else to do right then, so I lit a cigarette and loitered there awhile, smoking and reeling in this feeling. The nicotine now a rarity, combined with the elation of having done, I nearly swooned in that rush. I had no idea what time it was, only that it was now well after dark.

It was mid-November and the season had set in: the snow, the cold. Moonlight shone through the leafless branches of the trees. Lamps glowed atop ornate black posts along the paths between buildings; the orbs encasing the bulbs seemed to float in the gloom. While I stood there, I could sometimes see shapes moving in the darkness, which I imagined must be other late-night students, hunched over in the chill as they trundled from the warmth of one place to another.

I smoked the cigarette down to the filter, then ground it out with my foot. I was dizzy and I still didn’t know what to do. I was about to light another one when I looked up and saw the tall handsome shape of my friend Scott approaching from out of the darkness. He saw me too; it took that moment to recognize, then we went to each other and shook hands.

“How’s it going, man? Good to see you again,” he said.

“Good to see you too,” I said. “What are you doing here?”

“I just came to drop some stuff off,” he said. “And yourself?”

“I just wrote my supervised exegetical attempt,” I said.

“Oh yes? The big deal, right? How did it go?” he asked.

“I don’t know,” I said. “Either way, I suppose. Either I passed or I failed. I have no idea.”

He nodded thoughtfully, then laughed. “Yeah, it’s hard to tell with those things. Well, why don’t you come over to my place then? We’ll celebrate. I’m just going to drop off these assignments and then I’ll be right back. Anna Katabasis and Wheelchair Stephen are already there. I think Dante, Virgil, and Patrick are coming by later.”

“Okay, cool,” I said.

Some workers had been repairing the façade over the main entrance when I arrived; I must have bumped my head on their scaffold while entering the building. I watched to see if Scott did too, but he passed beneath unharmed. I rubbed the sore spot under my toque and leaned against the wall. I looked out at the night around me and was suddenly very happy.

Of all the people to spend time with so soon after writing that essay, I was glad it could be these particular friends. That essay was the final stage of my formal training, the last barrier I had to cross, the outcome of which would determine whether I passed and my study became my work – or I failed, and was diverted onto some other different path. But until the verdict came, I was in limbo; all I could do now was wait.

When he returned, we trekked across the campus together. We had to cross the one busy thoroughfare on the western edge of the property, and after that, it was just a long walk down the deserted boulevard to Scott’s place. He rented a huge dungeon-like suite in the basement of a massive run-down old tenement called Verdant Greens.

The road to get there from school went on for miles, and had massive elms arching overhead to completely shelter above; the broad meridian between opposing lanes had troughs that bloomed with flowers in summer, but in winter was just another snow-covered mound. For such a wide street, I almost never saw any vehicles traveling on it, only pedestrians. Even as we stood at the intersection waiting to cross, I could see down its length and not a soul was in sight.

Several people were crammed inside a nearby bus shelter. It seemed they were calling and beckoning us, though in the dark, we didn’t immediately notice. We couldn’t understand what they were saying, so we went over to find out. It looked like seven or eight people; two or three girls and maybe four or five guys. They wanted to know if we knew somewhere they could stay, someplace they could crash for the night and be gone in the morning, but it had to be somewhere they could all stay.

“I might know a place,” said Scott. “But you can’t stay with me. There’s too many of you. I’ve got a full house already. But I’ll go make a phone call and come back and tell you.”

“Okay, friend. Sounds good. Thank you so much,” they said.

Then the light changed and we crossed the street into the familiar enclosure of the old neighborhood, safe beneath the towering elms; the blank-faced house-fronts stared starkly as we passed. Given its proximity to the campus, most of these houses were being rented or leased by students.

“Did you know those people?” I asked.

“No, but I might know a place they can stay,” he said.

Then he started to hum the melody of “A Night on Bald Mountain” as we walked, perfectly capturing the sinister glory of its blooming intonations.

When we arrived at the building, Scott pressed the buzzer before unlocking the door, that way alerting whoever was inside that he had returned. Due to the ever-increasing price of rent in the city, he had to take on several roommates in order to afford the place, and thus, was often hosting three or four or more guests simultaneously. We went inside and down to the basement. His door was right there at the foot of the stairs and he knocked loudly before unlocking it.

Then he said, “Come on in, man,” and we went inside.

The main room was a long rectangular space illuminated solely by the flickering light of a medium-sized television. It was still furnished with the same couch and coffee-table I remembered, as well as an enormous bookshelf that took up an entire wall. I could see two people sitting on the couch; it looked like they were watching a movie.

At this distance and in the dimness, it was hard to tell who they were, but as we neared, I saw it was indeed our mutual friends Wheelchair Stephen and Anna Katabasis. Stephen was in his wheelchair, of course, not actually on the couch, but parked close beside it. Anna was sitting on the furthest end of it away from him. (Her real name was Stacia; I never figured out why people called her that, but that’s how she was always introduced and thus the moniker stuck.)

I sensed tension in the room as we approached; the air was electric. Neither said anything, not even when we were close enough they couldn’t ignore us anymore; they both pretended to focus intently on the film.

“What are you guys watching?” I asked.

Stephen scowled irritably and picked up the remote control and paused the video. He stared at the frozen image onscreen, refusing to acknowledge us any further. Anna looked at him, then turned to us and shrugged. When I looked back at Stephen, he was cleaning his glasses. Scott leaned over the coffee-table, his eyes scanning its debris-littered surface, then picked up a translucent plastic tray and held it out to me and said, “Cookie?”

“Sure, thanks,” I said and plucked one of the two little black biscuits remaining. I popped it in my mouth and munched it into an icky sweetness. I brushed my fingers on my coat and watched the crumbs fall to the floor. It was then I noticed numerous large dark stains on the carpet; in the shimmering light, it was hard to tell what had caused those stains, but I was suddenly glad to have kept my shoes on, as Scott had done.

“I’ll go make that phone call,” he said and went into the other room.

“What are you guys watching?” I asked.

But Stephen merely picked up the remote and pressed play, and the image onscreen started moving and making sounds.

“Did you want to watch it with us?” said Anna.

“What’s it called?” I asked.

“It’s called Synchronis Fantasia,” said Stephen. “It’s based on a story by Yamir Kaurropot. You’ve probably never heard of him.”

“Sure I have,” I said. “He wrote the book Limbic Stasis Delirium.”

“Yeah, that’s right,” said Stephen, suddenly enthused. He paused the movie again and looked at me. “You like that guy? There’s actually a play of his going on at the Sunnyside Theater next month. It’s called Igoas Riol. Anna and I are going. Maybe you’d like to join us.”

As he said that, my eyes drifted past them to the far side of the room, to the doorway I knew led to a bedroom because I’ve crashed there before. Until now, I hadn’t noticed a light was on inside because the door was mostly closed, but it was a steady saffron glow that could only be candles. And it was by that light I could just barely discern the shape of a big round kiddie-pool outside the room, that light faintly gleaming on the water.

I heard myself say, “Sure,” and then I saw Anna’s face wrinkle in disgust, as if I’d just committed some horrible faux-pas.

I sat down and tried to ignore them by focusing on the movie. But the plot was hard to follow, if there even was any; it seemed more like a fugue or a series of vignettes, repetition with variations, mostly mundane and only slightly odd.

Then the buzzer rang and I jumped to my feet, glad for an excuse to be away from them. I glanced at the door Scott had gone through, but it was closed. Before answering the intercom, I took a peek through the window to see who was out there: it was a short stocky fellow wearing a hooded sweater and a baseball cap. He stood out there alone, waiting patiently; it looked like one of the people from the bus shelter.

“He must have followed us here,” said Scott.

Startled, I turned and saw him standing right beside me and also looking out the window.

“I’ll go have a talk with him,” he said and went out the door.

I stayed at the window and watched. I could hear him clunking up the stairs, and then he appeared on the doorstep outside. I watched him talk to this fellow, watched the process of communication unfold: words, tone, facial expression, posture, gestures, etc. It appeared they reached some sort of amicable conclusion, for they shook hands and then the hooded guy left.

Scott stood there awhile longer, looking down at something in his hand; he had a pleasantly befuddled expression on his face. He was standing there for such a long time, I decided I better go see if he’s okay, so I went upstairs and out onto the step. I don’t know where the balloons came from, but he was now holding a bunch of them in his formerly free hand.

“Look at this,” he said. “That dude just gave me two tickets to the play you guys were talking about. What a coincidence, eh?”

“Yes, indeed,” I said.

“Here, take these, would you? I gotta go talk to that guy. I just figured out where they can stay.”

Scott handed me the tickets and the knotted end of the balloon strings and started running down the street toward the shape that was barely visible moving into the distance. As I headed back downstairs, I thought to myself, This isn’t real. This has already happened. We’re like a bunch of sleepwalkers, just going through the motions all over again.

When I got back to the suite, I found it mysteriously deserted – there was no sign of either Stephen or Anna. I felt inexplicably apprehensive as I approached the empty couch. I wondered if they left some salt or residue like a stain, but there was nothing on the fabric where she sat. The air seemed colder than it did before and the movie was still playing. I tossed the tickets onto the coffee-table and let the balloons float to the ceiling. The bedroom door on the far wall was still ajar, still that same saffron glow inside. The door to the other room was closed.

It wasn’t until I felt the frigid caress of cold air wisping over me that I realized there must be a window open – it was the front window, which faced the street, and thus, was usually covered by a heavy black drape. But now it was pushed to one side and the sliding pane was wide open. The window was large enough for a person to crawl through; it was also large enough to haul a wheelchair through, if one were so inclined, as they must have been, for I saw its tracks in the snow leading away.

Looking through that open window, shivering in the breeze, I saw nothing else at first. But then I leaned further out and saw a group of people gathered in the middle of the street. It appeared Scott, Stephen, and Anna were among them; the rest looked like people from the bus shelter.

They were standing in front of a large ramshackle old house, and it seemed to be the subject of discussion, for every once in a while, someone gestured at it as they earnestly conversed. It occurred to me that this might be the preliminary phase of a lynch mob; these people gathered together and now they were going to do something, drawn like molecules to the nucleus of an idea, right before something happens.

Just then, the house burst out with music, emanating a dark pulsing electronica, throbbing in the air, sinister mocking. Suddenly, I noticed the whole sky was faintly glowing, much more so than could be accounted for by the city-lights being reflected back down by low-lying cloud cover; though it was surely well before sunrise, it was that same sort of glow.

From where I stood at the window, I was that much closer to the kiddie-pool, and I could see the dull shimmering water that filled it near to brimming. I walked over and stared at it, trying to figure out why it was here. Staring as if hypnotized by that greasy glimmering body of water, I briefly considered dunking my head into it, but decided that might be unwise.

And then I heard a sound, like a sigh, or an exhaling breath, from within the nearby bedroom. The door would have swung inward if I had pushed on it, but I didn’t. A horizontal metal bar had been placed across the doorway midway up from the ground; it didn’t prevent access to the room, but one had to crouch to enter, as it was too high to hop over easily.

I tapped on the door and said, “Hello? Is everything okay in there?”

I waited, but nobody answered, so I slipped under the bar and went into the room. Inside, it was illuminated solely by the dozens of candles that were clustered on a small table centered against the far wall, radiating their meager heat and light. The visible space was hazy and aswirl with ghostly intangible shapes. It must have been smoke from the candles, or incense burning somewhere, for there was a heaviness, a density in the air, that made it hard to breathe.

It took a moment to recover myself, and when I turned around, I was startled to discover a naked woman lying on the bare mattress of the bed behind me. She was sweating and gyrating, the languid clenched movements of a woman somewhat prior to orgasm. She was clearly far gone, deep in the throes of some powerful drug or altered state. It looked like a really intense MDA experience, when merely to draw a breath or even feel the slightest current pass over one’s ultra-sensitized skin, to feel the very blood pulsing through one’s veins, to get up and walk around, the whole mosaic of sensations that constitute organic existence somehow miraculously transformed into a delirium of ecstasy.

Her skin glistened, a crystalline sheen like a glaze. Her epiderm seemed to warp and ripple as she continued her contortions by candlelight; all over her body patches of discoloration like random spontaneous bruises were forming and subsiding, blooming and wilting. Her eyes were like black holes, pupils dilated to blot the iris; those all-seeing eyes combined with her permanent grin had an unnerving effect. Who knows how long she had been in here, it could have been days.

I was about to leave before she noticed me, when she twisted her head around and looked directly at me, her eyes refocusing. She was back on Earth now, back in this room, and started laughing gleefully.

“Oh wow, am I ever fucking high right now! Weee! It would be so much fun to fuck like this. Did you want to?”

It was those eyes, piercing through me – and her sudden lucidity –I was taken aback and stammered awkwardly, “I think you are perhaps too much under the influence right now. I’d feel much better about it if you were sober.”

She sighed and said, “Yeah, I guess you’re right,” and turned away.

I stood there a moment further, taking that moment to gaze upon her lovely shape without the threat of reciprocating scrutiny, my eyes feasting upon the wild sweaty mass of hair, delicate little arms, supple curve of spine down the sacral place, the ripe swell of her hips and luscious round globules of buttock, tapered smoothness of leg finished by perfect little feet – staring down at her naked body lying there before me, I regretted my decision so powerfully it hurt.

Then I swiftly departed from there, ducking under the bar and back into the forsaken suite. It was freezing cold in here now; I could see my breath plume. I went to the window and slammed it shut. I peered through the pane, but I couldn’t see anyone out on the street anymore.

I looked around at the empty apartment and it felt like the world stopped – nothing else could happen here now. The movie was over; the TV blared static white noise, garbling incessantly in the room. Everything looked subtly different, as though all the furniture had been moved half a foot out of place.

I tottered over to the couch. Perhaps I’ll stay here awhile, I thought. I had nowhere else to go right now anyway. I pulled off my toque. I’ll watch that movie again. I know I saw it before, but I couldn’t remember how it went, so I picked up the remote and pressed play. The film started automatically from the beginning, and I leaned back on the sofa and let my mind go along with it.

As I watched the movie, however, I gradually became aware of something near the top of my head, a spot like a swollen numbness. Absentmindedly, I reached up to scratch it, my fingers raking over a scab-like bump that instantly made me feel queasy. Investigating more carefully afterward, my fingers gentle blind sifting through hair until they found a definite foreign object: a small flat round disc almost flush with the scalp, solidly embedded and protruding slightly.

Just enough that I could get my fingernails under. My stomach lurched at the feel of it, my jaw clenched and my mouth went dry as I suddenly pulled before I could stop myself – and I felt the hideous slithering as something was drawn out of my head.

I brought it down to eye-level. But somehow I already knew, before seeing, that it was a nail – a tiny bloody spike pinched between my fingers, about two inches long and streaked with gore and bits of hair. I held it there and stared for what seemed like an eternity, not quite believing what I was seeing. I wondered how I could have possibly gotten a nail in the head without noticing, which gave way to the question of how long it had been there.

And then I realized: I should have left it in. The nail was just fine where it was. I hadn’t been impaired in any detectable way, other than somehow overlooking this rather serious brain trauma – and now I had a literal hole in the head; I needed this about as much as anything else.

But it was too late to do anything about it now. I certainly wasn’t going to try sticking it back in and re-plug the wound like a stuck tire, for the odds of successful reinsertion without causing additional damage were minimal enough to nullify the idea of trying.

I had to find a doctor immediately.

Nemo Arator is a writer from Saskatchewan. He studied Journalism at the University of Regina and worked at various odd jobs while writing his first book. A surrealist, he seeks gnosis through dreams, intoxication, and objective chance. This story is from his forthcoming book To What End.

Zachary Wilhide is a writer and artist who lives in Virginia Beach, VA with his wife and cats.  He has previously had stories published in Spelk Fiction, Close To The BoneYellow Mama Magazine, and Shotgun Honey, among others.  His art currently resides at https://www.deviantart.com/whytedevil



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