Black Petals Issue #108, Summer, 2024

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A Tension Economy: Fiction by Adam Parker
Body Canvas: Fiction by James McIntire
Emergence: Fiction by M. W. Lockwood
Gibbous Moon over Manderson: Fiction by Daniel Snethen
Morning Rush: Fiction by Mark Mitchell
The APP: Fiction by J. Elliott
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Laughter and the Devil: Fiction by Nemo Arator
Bed Bugs: Flash Fiction by Zvi A. Sesling
Not a Pebble: Flash Fiction by K. J. Watson
Sleepless: Flash Fiction by David Barber
The Abyss' Embrace: Flash Fiction by Daniel Lenois
The Dispossession: Flash Fiction by Alan Watkins
Unfinished Business: Flash Fiction by Charles C. Cole
Do Not Touch: Flash Fiction by Samantha Brooke
Ghost: Poem by Michael Pendragon
Dark Mistress: Poem by Michael Pendragon
A Pocket of Time: Poem by Joseph Danoski
Nothing in the Night: Poem by Joseph Danoski
The Last Tenant in a House out of Time: Poem by Joseph Danoski
Disassembly: Mine: Poem by Anthony Berstein
The Dream House of Abominations: Poem by Anthony Bernstein
4 Untitled Haiku: Haiku by Ayaz Daryl Nielsen
Time Eaters and 2 Untitled Haiku: Poems by Christopher Hivner
Mary and Polidori: Poem by Kenneth Vincent Walker
Slither Away: Poem by Kenneth Vincent Walker
The Hotel LaNeau: Poem by Sandy DeLuca
The Girl from Providence: Poem by Sandy DeLuca
Returning Home: Poem by Sophia Wiseman-Rose
The Good Stepmother: Poem by Peter Mladinic
Airtime: Poem by Peter Mladinic
Gloria: Poem by Peter Mladinic
There Was a Father: Poem by Peter Mladinic
Toll Booth: Poem by Leyla Guirand
This Hour: Poem by Leyla Guirand
Urban: Poem by Simon MacCulloch

David Barber: Sleepless

108_bp_sleepless_kellymoyer.jpg
Art by Kelly Moyer © 2024

Sleepless

 

by David Barber

 

 

 

"Coachman, halt at the brow of the hill."

"Your new home," he tells his bride, pointing out Langmoor house and the estate stretching to the coast, though today the sea is veiled by mist.

"Drive on, coachman."

He can see she is weary. It has been a long journey over roads that barely deserve the name. He has caught her eyes closing until the roadway jolted her awake again.

"There should be no secrets between man and wife. Is there anything you wish to ask me?"

Her family must have heard rumours, though nothing to prevent an advantageous match.

No, he cannot recall if he ever slept as an infant, but does not think so, and if a day exercised him particularly, he sits until any weariness passes, like recovering his breath. But the urge to sleep? No, he has never felt it.

She regards him with large eyes, her best feature. Though she is pretty enough, with lace and ribbons, she was sure to become as plump and double-chinned as her mother in time. That was not a concern, of course.

"Three generations," he explains. "Some felt it was a curse, though I see it as a gift.

"My grandfather inherited Langmoor from a distant relative and seems to have been the first affected. Who can say what being the only one of his kind does to a man?

"He believed he was the victim of a cruel disease, and endlessly tried doctors, quacks and potions. Of course, sleeping draughts will bludgeon consciousness from the brain, but their effect lessens with habit and they have unwonted drawbacks. My father described him as a man not content with his fate."

He gazes out the coach at sodden fields.

"In later life he roamed this countryside after dark. Perhaps he sought distraction, though that is being charitable. Neighbours heard cries at night; some even claimed he peered in at their windows.

"When my father was just eighteen, my grandfather was discovered fallen at the foot of the cliffs. A sympathetic coroner declared he must have lost his way in the dark.

"Do not distress yourself, it was long ago and I never knew him."

Now he has started, he finds it a relief to unburden himself.

"By contrast, my father said it was enough that sleep no longer squandered years of his life. He said sleeping was the quick pretending to be dead.

"His late half-brother, my Uncle Silas, who aspired to be an author, wrote that sleep is akin to death, yet sleepers welcome it, then return like Lazarus. He believed the hours gained would water his creative drought, though mostly we seek a second occupation."

His father had managed the estate during daylight hours and at night carried out his experiments.

"On animals. He thought the family curse might be explained by a sufficient understanding of the brain. His efforts gained him an unsavoury reputation and he was shunned by his neighbours. He was a recluse all his life."

The carriage passed familiar woods and hedgerows. The light was going, the early gloom of an autumn afternoon.

"I have not mentioned my mother. She died young; as did my grandfather’s first and second wives, causing speculation at the time. My father never remarried. He must have had his reasons."

But then his father had been mad, like his father before him. He does not say this.

"Fools ask how long I have been awake, as if politely inquiring about an illness. Do they not see I gain years of living denied them! Nor have I succumbed to the mistakes of my forbearers. I am neither sick nor cursed, and medical men are wrong about the need for dreams to keep us sane.

"Did you know the eyes of dreamers follow that private show beneath closed lids?"

Her head nods with the motion of the carriage.

Soon they will turn into the drive of Langmoor and perhaps he should wake her to see it.

After all, he can watch her nightly as she sleeps, the tides of her breath, her downy cheek, the pulse in her defenceless throat.

 

 

The End

David Barber lives in the UK. His ambition is to continue doing this.

Kelly Moyer is an accomplished poet, photographer and fiber artist, who pursues her muse through the cobbled streets of New Orleans’s French Quarter. Her collection of short-form poetry, Hushpuppy, was recently released by Nun Prophet Press.

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