Black Petals Issue #108, Summer, 2024

Home
Editor's Page
BP Artist's Page
BP Guidelines
Mars-News, Views and Commentary
A Tension Economy: Fiction by Adam Parker
Body Canvas: Fiction by James McIntire
Emergence: Fiction by M. W. Lockwood
Gibbous Moon over Manderson: Fiction by Daniel Snethen
Morning Rush: Fiction by Mark Mitchell
The APP: Fiction by J. Elliott
The Fanbase: Fiction by Gabriel White
The Pocket: Fiction by Randall Avilez
Laughter and the Devil: Fiction by Nemo Arator
Bed Bugs: Flash Fiction by Zvi A. Sesling
Not a Pebble: Flash Fiction by K. J. Watson
Sleepless: Flash Fiction by David Barber
The Abyss' Embrace: Flash Fiction by Daniel Lenois
The Dispossession: Flash Fiction by Alan Watkins
Unfinished Business: Flash Fiction by Charles C. Cole
Do Not Touch: Flash Fiction by Samantha Brooke
Ghost: Poem by Michael Pendragon
Dark Mistress: Poem by Michael Pendragon
A Pocket of Time: Poem by Joseph Danoski
Nothing in the Night: Poem by Joseph Danoski
The Last Tenant in a House out of Time: Poem by Joseph Danoski
Disassembly: Mine: Poem by Anthony Berstein
The Dream House of Abominations: Poem by Anthony Bernstein
4 Untitled Haiku: Haiku by Ayaz Daryl Nielsen
Time Eaters and 2 Untitled Haiku: Poems by Christopher Hivner
Mary and Polidori: Poem by Kenneth Vincent Walker
Slither Away: Poem by Kenneth Vincent Walker
The Hotel LaNeau: Poem by Sandy DeLuca
The Girl from Providence: Poem by Sandy DeLuca
Returning Home: Poem by Sophia Wiseman-Rose
The Good Stepmother: Poem by Peter Mladinic
Airtime: Poem by Peter Mladinic
Gloria: Poem by Peter Mladinic
There Was a Father: Poem by Peter Mladinic
Toll Booth: Poem by Leyla Guirand
This Hour: Poem by Leyla Guirand
Urban: Poem by Simon MacCulloch

Alan Watkins: The Dispossession

108_bp_dispossession_swiseman_rose.jpg
Art by Sophia Wiseman-Rose © 2024

The Dispossession


by Alan Watkins

 

   Father Garcia slings another stream of holy water onto Jeff Simmons’ face as he writhes on the bed with demonic red eyes.  The younger Father Torelli looks on from the other side of the bed and wields a giant crucifix as steam rises from the line of holy water that was just splattered across Simmons’ face.  The demon within him screams as Father Garcia yells, “Leave this vessel, demon, I command you, in the name of Christ who cast your father into the pit of hell! Leave NOW!”

   “This soul is consumed, holy man!  Your efforts are futile!” the demon spits back.

   “Then leave this man, demon,” Father Garcia screams, “and return from whence you came!  I command you in the name of Christ!”

   Simmons convulses as he is doused with more holy water and a cross is dangled over his face.  Finally, he relaxes, exhales and collapses to his side with his eyes open.  The red hue that engulfed his pupils is gone, but he has paid the ultimate price of his life to be rid of the red-eyed demon. Father Torelli relaxes, but Father Garcia warns him, “Be ready, just because it has vacated doesn't mean it has left yet.  We must send it back and close the door to prevent others from crossing over.” 

   This is not Father Garcia’s first exorcism, and he knows that this is not the time to let his guard down.  Sure enough, he sees the demon rise on Father Torelli’s side of the bed, black from head to toe except for those cat-like red eyes.  The demon’s body shimmers as if covered in some type of gel.  The demon is within striking distance of Father Torelli.  Father Garcia exclaims, “Father Torelli!  Send him back!  Every second matters!”  The demon spews forth a demonic voice which must come from within somehow with the way its tongue seems to continuously roll in and out of its mouth, almost snake-like in appearance. 

   “We will taste your soul next Torelli!” the demon hisses.  Father Torelli, eyes wide and mouth open, is frozen stiff from fear.  The crucifix still dangles from his raised right hand, but it is as useless as a weapon that is too heavy for its possessor to lift.  Father Garcia flies across the bed, grabbing the crucifix from Father Torelli’s hand and shoves him back across the bed just as the demon is advancing.  Father Garcia then leaps upon the demon, pressing the crucifix deep into its forehead as they both crash to the floor. 

“Back to HELL demon!” Father Garcia exclaims, as he keeps the crucifix pressed into the blackness of the demon’s face.  As the demon shrieks, there is a steady flow of steam, like when fire touches ice, from where the holy crucifix touches the unholy creature’s body.  Finally, the steam subsides and there is nothing left of red-eye except a black outline on the floor.   Farther Garcia collapses in exhaustion with his back against the bed facing away from Father Torelli.

   “I froze!” Father Torelli says, “I’m sorry, I froze.”  He puts his head in his hands.

   “At some point we all freeze,” Father Garcia says, “it’s why we never do this alone.”  Father Torelli looks up raising his eyebrows and says, “How long was the door to hell open?”

   “Not long,” Father Garcia assures him, “we should be ok…until they find another way, and they always do.” 

   As Father Garcia says these last words, something black behind Father Torelli quietly approaches.  Father Torelli hears only the slightest guttural sound to his left as he turns to see what made it.  What he is faced with is a demon almost identical to the one they just fought, the only difference being this one has green eyes instead of red.   Before he can move, the green-eyed demon leaps on him as he lets out a yelp.  On the other side of the bed, Father Garcia sighs and briefly closes his eyes, knowing he is about to have to spring into battle again.  He mutters to himself, “That’s why we never do it alone.”

Alan Watkins is a storyteller from North Carolina.  Most of his stories are told through film, but occasionally there are stories that do not fit the film medium very well, and those come through as the written word.  A fan of flash fiction, he likes to write a lot of stories in that realm.  Most of his stories would be classified under the horror genre.

Sophia Wiseman-Rose (aka Sr. Sophia Rose) is a Paramedic and an Anglican novice Franciscan nun, in the UK.  Both careers have given Sophia a great deal of exposure to the extremes in life and have provided great inspiration for her.  

 She has travelled too many countries, on medical missions and for modelling (many years ago), but has spent most of her life between the USA and the UK. She is currently residing in a rural Franciscan community and will soon be moving to London to be with a community there.  

 In addition, Sophia had a few poems and short stories in editions of Black Petals Horror/Science Fiction Magazine

The majority of her artwork can be found on her website.

 

https://www.artstation.com/sophiaw-r6

Site maintained by Fossil Publications