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Dark Tales from Gent's Pens

Kenneth James Crist: The Bystanders

106_ym_thebystanders_dblanch.jpg
Art by Darren Blanch © 2024

The Bystanders

 

by

 

Kenneth James Crist

 

 

Darkness. Wet streets pooled with reflected city lights. No rain now, but rain-smell still thickening the air. Other smells, too. Blood. Oil. Antifreeze.

Spinning red and blue lights, strobing hypnotically off windows, people's faces, other traffic.

Sounds of two-way radios crackling, amplified over speakers on the fire company's engine and the police vehicles.

Patrolman Donovan Penchley noticed the hooker in the short yellow dress as he looked up from some measurements he was taking. A light-skinned black girl, quite pretty in a dusky, tarty way. All done up in mesh stockings and too much makeup. Half her ass showing. She was with the rest of the "looky-loos," behind yellow crime scene tape. Her dress was a perfect match to the crime scene tape and much too short for the cool weather. Visible steam rose from busted radiators, and the red and blue of the emergency lights sparkled off her earrings and her eyes, and off glittering broken glass underfoot.

"Hey, Marty," Donovan said quietly to his partner, a few steps away, "check her out." Marty glanced up briefly, then went back to his work with a derisive snort. "Wonder what corner she came off of?" he said.

When they had finished up the accident scene and the crowd began drifting away, Donovan looked for her again, but she was already gone.

 

                                                  *     *     *

 

"Hey, Donovan. There's your girlfriend." Marty nodded at the crowd and Donovan turned to look. It was later in the shift. They were uptown in the projects, where a mother had shot her boyfriend over his continuing advances toward her twelve-year-old daughter. The hooker's stare was very direct and there was no doubt it was the same girl. Same dress, same stockings, same makeup. It was colder now, and he could tell she was freezing her ass off by the way she stood stiffly with her jaw clenched. Why didn't she put a coat on?

When he and Marty were getting ready to leave the scene, she had again faded into the urban squalor.

As the days passed, Donovan found himself paying more attention to the crowd.

 

                                                     *     *     *

 

"She's really got ya hung up, hah?"

Donovan looked across the table at his partner and he could feel himself reddening. Marty was an older, more cynical cop, and he was taking great delight in giving Donovan shit about the hooker. They were having lunch, and Donovan had been deep in thought.

"Naw, I just think there's somethin' goin' on. Somethin' weird."

"Only thing weird is how you could get a rise in yer Levis over that gal."

"I don't have a rise, as you put it, but have you noticed it's always the same people?"

"Yeah. Goddamn ghouls. All they give a fuck about is seein' some blood."

"But Marty . . . how do they know?"

"Whattaya mean?" Marty laid his fork down and suppressed a belch.

Donovan leaned forward in his chair and his voice got quieter.

"Sometimes they get there before we do. I mean, we got radios, red lights, sirens and fast cars. They're on foot. How do they do it?"

"It's just yer imagination, kid," Marty said, picking up his water glass, "they just happen ta be in the area."

"Well . . . I dunno, seems pretty strange to me." Donovan didn't want to dispute his partner, but he thought Marty was full of shit.

In his case book, he began writing down descriptions of persons in the crowd. He couldn't get them all, but once in a while he would jot down someone who caught his attention. During the next two weeks, he saw the hooker in the yellow dress twice more, once at another wreck six blocks from uptown and once at a fire they'd been sent off their beat to handle, miles away in a warehouse district. Donovan wondered how the hell she got way out there.

He diligently recorded descriptions of a burly white man with a red plaid coat and gapped teeth. A Mexican kid on a chrome bicycle. Two old bag ladies, pulling granny carts. A postman, always in his uniform, but never working. His record of the crowd kept growing, and a pattern seemed to confirm itself. The same people seemed to show up in the crowd, no matter where he went. Not every time, but often enough to be disturbing. How the hell did they know? How did they zero in on tragedy? How could they find where the next wreck was going to occur, where the next person would get shot or stabbed? To Donovan, with his analytical cop's mind, it was baffling.

Of course, Marty just sipped his coffee, ate his jelly doughnut and smiled tolerantly at the Rookie, seeing patterns in everything.

"You're just goin' through yer conspiracy phase," he told Donovan. "It happens to all rookies. Ya start thinkin' everything's connected ta everything else. That all this shit really makes sense. When ya finally realize that it doesn't make any fuckin' sense at all, that it's just random violence, you'll be a better cop. You'll start gettin' tough and salty."

Donovan wasn't convinced. He was sure something strange was going on.

The next time Donovan noticed the hooker, he and Marty were going to yet another "hot" call, running with red lights and siren to the report of a jumper on a building. He was watching for familiar faces, curious as to whether he would see anyone he recognized before they arrived. Then, two blocks from the scene, he saw that yellow dress.

"Marty! It's her! Look, behind us!"

"Yeah, I see her. So what?"

"She wasn't there a minute ago, when we passed by. Now she's there!"

"Yeah, she was probably in a doorway, givin' some guy head."

At the scene, the jumper had already done his thing. His sprawled and exploded form was on the sidewalk, covered with an old blanket. As Marty interviewed witnesses, Donovan watched the crowd. There was the postman, there the two bag ladies. Over there, the burly man with the red plaid coat. They were all here and he began jotting down times and locations.

 

                                                     *     *     *

 

"You still keepin' track of all that shit?" Marty asked.

It was several days later, and Donovan's impromptu investigation of the crowd continued.

"Yeah, I'm keepin' a list of everyone I see in the crowd more than once. I'm logging where they show up, and whether they get there before we do or show up after."

"A waste of time."

"Maybe."

Donovan was adding new ones all the time. Some never showed up again and were eventually crossed off as "normal." Others made the list by showing up time and again at varied and widely spaced scenes around the city. He had begun to suspect there was a whole other world he knew nothing about, co-existing with the familiar.

"I bought a police scanner and put it in my car." Donovan said.

"What the hell for? Ya don't get enough-a this crap in eight hours?" Marty asked.

"I've started going to calls off duty, just to see who shows up."

"Now I know you've lost it, kid." Marty said, rolling his eyes.

"Marty, this is important. These people never sleep. It's impossible, but they're always out there. They show up at one scene after another, 'round the clock. They're attracted to the blood and suffering. Tell ya the truth, they're startin' to scare me a little."

For once, Marty had nothing to say.

Donovan really started getting scared one afternoon when he tried to follow his hooker away from a scene. He was in his own car, and he watched her walk along the sidewalk until it went into the dark of a railroad underpass tunnel. He drove boldly through, knowing she wouldn't recognize him in civilian clothes, in his own car. The tunnel was empty. Donovan felt the hair on the back of his neck trying to rise. He went back and looked again. She was not there. She had swung her flashy ass into the tunnel and simply disappeared. Donovan nurtured a feeling of dread all the way home.

 

                                                *     *     *

 

"Check this out, Marty." Donovan handed his partner a mug shot.

Marty looked at the picture of Donovan's hooker and then read the back. "Charlene Pryor, 27, B/Fe, 5' 7", 127 lbs., black hair, brown eyes. Yup, that's her. She's even wearin' that same dress."

"Yeah, an' guess what? She had six busts for prostitution and pandering, nine years ago."

" Nine years? Hell, she looks just the same now as in her mug."

"Yeah. Exactly my point. Nothing since then, either."

"What, ya think she cleaned up her act?"

"Naw. Not likely. But I took her rap sheet over to Vice."

"What did they say?"

"Well, I had trouble finding anyone who even remembered her. I finally found one old vice cop who said she'd disappeared a long time ago. They just assumed she'd left town."

The day after Donovan found the hooker in the police records, he and Marty were parked in an alley downtown. Donovan hadn't slept well and neither of them felt like doing much.

"Hey, there's the guy in the plaid coat!"

"Yeah?"

"Yeah! He's in a hurry, too! Crank it up. Let's see where he's headed."

As they drove up the street there was a horrendous crash at the intersection ahead and cars spun around, bouncing off lamp posts and coming to rest. The man in the plaid coat was just running up to the scene. So was Donovan's hooker and the Mexican kid on the chrome bike. As Marty cut on the emergency lights and the red and blue flashes illuminated the crowd, Donovan began to feel as if he was caught up in some drama that would never end. The cast of characters would always be the same and he and Marty would always respond and speak their lines. His sense of déjà vu was so acute that for a moment he knew exactly what Marty would say next and precisely where his hooker would be when he next looked at the crowd. Then the feeling faded, and Donovan took a shaky breath and crawled out of the squad car, and they got to work.

During the next month, Donovan watched for any of "his people" running or heading in one particular direction. On two occasions he was led to scenes where the crime or accident had not yet occurred. On two others, he was just barely late, and at one shooting scene they caught the perp coming out the door of the liquor store solely because he had seen the two bag ladies loitering out front and had turned around and driven back.

Now Marty was starting to take as much interest as Donovan and they were trying to figure out how they might capture and question one of "Donovan's people." They decided they'd get together over a few beers on their next night off and try to come up with a plan.

 

                                                   *     *     *

 

Donovan and Marty were headed home. They had been to O'Reilly's Tavern, a popular cop watering hole and it was after midnight. They really hadn't come up with much in the way of a plan, but they'd had a damn good time. They were both half lit, and Marty was driving a little faster than he would have normally, when Donovan saw the hooker. She was running at a fast clip, straight ahead. Then he saw the postman, in uniform, running the same direction.

"Step on it, Marty! There's somethin' goin' down up ahead!" Then he saw the Mexican kid flying down the sidewalk, nearly bowling over the bag ladies, who were hustling as fast as they could go in their hunched-over shuffle.

"It's gonna be somethin' big, Marty! They're all here!" As they reached the intersection, Donovan had just enough time to see the truck bearing down on them and to open his mouth to shout a warning. He died with a scream frozen in his throat.

 

                                                  *     *     *

 

It was almost five months before Patrolman Marty LaFange got back to work. Part of that time was spent in the hospital, recovering from injuries he received in the wreck that killed his partner. Part of it was spent at home, on suspension from the drunk driving charge. He was lucky he didn't wind up doing time. The fact that the truck ran the red light, and the driver was charged worked in his favor.

He had been to the department shrink any number of times, trying to deal with the loss of his partner and the memory loss he was also experiencing. They had finally released him for duty and dumped him right back into the fray.

 

                                                 *     *     *

Darkness. Wet streets pooled with reflected city lights. No rain now, but rain-smell still thickening the air. Other smells, too. Blood. Shit. Dog smell.

Spinning red and blue lights, strobing hypnotically off windows, people's faces, other traffic.

Sounds of two-way radios crackling, amplified over speakers on the fire company's rescue squad and the police vehicles.

 

It was his third night back on the job, and Marty was at a scene where a lady had been mauled to death in her own front yard by her neighbor's three pit bulls. He looked over the crowd and saw a young black hooker in a yellow dress. There was something familiar about her, but he couldn't quite put his finger on it. The guy she was hanging all over bore a striking resemblance to his former partner, Donovan Penchley, too.

Marty stared for a minute, then shook his head and went back to work. Goddamn looky-loos, he thought, they never seem to get enough blood.

 

Published in The Edge, Feb., 1999

Kenneth James Crist is Editor of Black Petals Magazine and is on staff at Yellow Mama ezine. He has been a published writer since 1998, having had almost two hundred short stories and poems in venues ranging from Skin and Bones and The Edge-Tales of Suspense to Kudzu Monthly. He is particularly fond of supernatural biker stories. He reads everything he can get his hands on, not just in horror or sci-fi, but in mystery, hardboiled, biographies, westerns and adventure tales. He retired from the Wichita, Kansas police department in 1992 and from the security department at Wesley Medical Center in Wichita in 2016. Now 80, he is an avid motorcyclist and handgun shooter. He is active in the American Legion Riders and the Patriot Guard, helping to honor and look after our military. He is the owner of Fossil Publications, a desktop publishing venture that seems incapable of making any money at all. His zombie book, Groaning for Burial, has been released by Hekate Publishing in Kindle format and paperback late this year. On June the ninth, 2018, he did his first (and last) parachute jump and crossed that shit off his bucket list.

Darren Blanch, Aussie creator of visions which tell you a tale long after first glimpses have teased your peepers. With early influence from America's Norman Rockwell to show life as life, Blanch has branched out mere art form to impact multi-dimensions of color and connotation. People as people, emotions speaking their greater glory. Visual illusions expanding the ways and means of any story.

Digital arts mastery provides what Darren wishes a reader or viewer to take away in how their own minds are moved. His evocative stylistics are an ongoing process which sync intrinsically to the expression of the nearby written or implied word he has been called upon to render.

View the vivid energy of IVSMA (Darren Blanch) works at: www.facebook.com/ivsma3Dart, YELLOW MAMA, Sympatico Studio - www.facebook.com/SympaticoStudio, DeviantArt - www.deviantart.com/ivsma and launching in 2019, as Art Director for suspense author / intrigue promoter Kate Pilarcik's line of books and publishing promotion - SeaHaven Intrigue Publishing-Promotion.

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