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Through the Eyes of the Turtle: Fiction by Daniel G. Snethen
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Life: Flash Fiction by Bruce Costello
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Richard: Flash Fiction by Peter Cherches
In Articulo Mortis: Flash Fiction by Jamey Toner
The $12 Special: Flash Fiction by Cindy Rosmus
Crash Course: Extinction 101: Poem by Chris Litsey
D.I.Y.O.A.: Poem by Harris Coverley
Life Buoy: Poem by Wayne F. Burke
Venom and Bite: Poem by Jay Sturner
Walking the Suburb: Poem by Jay Sturner
Among the Living: Poem by Christopher Hivner
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Wild One: Poem by Ian Mullins
Found Out: Poem by Ian Mullins
murder and discomfort: Poem by J. J. Campbell
subjective at best: Poem by J. J. Campbell
In the Serene River: Poem by Luis Cuauhtémoc Berriozábal
Who Does Not Love You: Poem by Luis Cuauhtémoc Berriozábal
Abject Lesson: Poem by Paul Hostovsky
Benedict Arnold: Poem by Paul Hostovsky
Looking Around for Something Dead to Roll Around In: Poem by Paul Hostovsky
Disposable Heart: Poem by Wayne Russell
Implosion: Poem by Wayne Russell
Skeeter and Elmer: Poem by Wayne Russell
Hell: Poem by Craig Kirchner
Purgatory Blvd.: Poem by Craig Kirchner
Labyrinths: Poem by Craig Kirchner
Candy-Colored Clown: Poem by Daniel G. Snethen
Harbinger: Poem by Daniel G. Snethen
Whitechapel Jack-Pudding: Poem by Daniel G. Snethen
Dire Wolf Consequences: Poem by Juliet Cook & Daniel G. Snethen
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Dark Tales from Gent's Pens

Cindy Rosmus: The $12 Special

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Art by Bernice Holtzman © 2024

THE $12 SPECIAL

 

by

 

Cindy Rosmus

 

 

          Who expected that? So horrific. And right before Christmas.

          But then, when else but at Christmas?

Twenty years ago, before they redid the Lodge. That night it was still ancient, decrepit. Like any minute, the ceiling would cave in. I tended bar, and that little creep ran the karaoke.

          Gino, that werewolf-looking mama’s boy. With the fat ass and unibrow that the Santa cap couldn’t hide. “Put your hands together,” he said, with that old system echoing, “For Nelly!”

My heart sank. Nelly was the worst. Still, as she trudged up front, we all clapped.

Boring, tone-deaf Nelly. A fixture at karaoke. The year before, her off-key version of “Crazy” made drunks howl with laughter.

Then, suddenly, she vanished. For months. “Where’s our diva?” Butchie, the day bartender, said.

That night, she was back. As she reached for the mic, her hand looked skeletal.

Cancer, I thought.

She opened her mouth, and “Cra-zy” came out hoarsely, off-beat. Around her, the same drunks that had laughed at her looked down into their drinks.

          In the front row, Gino’s mama, Josephine, clapped. As old as the Lodge itself, Josephine still wore roll-up stockings. Why?, I wondered, since they fell down. Even at our Christmas party.

          The Lodge’s “special”: For twelve bucks: a baked ziti and meatball dinner, karaoke, and all the beer you could drink.

“You can’t go wrong!” Butchie told everybody. On line with their empty pitchers, I couldn’t pour beer fast enough.

That’s why they came. Not for ziti, slaved over by Mary Kopec Elementary’s retired cook. Or Gino’s lame karaoke, with Elvis wannabes singing “Burning Love.” Nobody cared that the building smelled like rotting wood. 

“Susie! Not so much foam!” Butchie said. But the keg was going.

Behind him, a hairy face kept popping in and out of the line. “Susie!” Gino said. “My mom needs a drink!”

Wine from a box was Mom’s best bet. In a clear plastic cup like I served the beers.

As I turned back around, I saw him.

It.

This black-cloaked, hooded figure. So out of place at a Christmas party, even this one. With its spangly pink tree and Toys for Tots. Strolling around among the regulars in their ugly Santa sweaters.

The Ghost, I thought, of Christmas Future.

“Susie?” Gino said. “What’s wrong?”

The cloaked figure was gone.

When Butchie touched my arm, I jumped.

“Let’s bring up the keg,” he said. I looked around nervously, before we went down to the cellar.

For an old guy, he was pretty strong. Like that Jack LaLanne guy, muscles stuck out in his arms. All that beer and ziti went to his gut.

When we got back, the cloaked figure was there again. Right behind Nelly. Sipping her beer, she seemed unaware.

The cloak slid up, so a bony hand was revealed. When it stroked Nelly’s hair, I felt sick.

She didn’t react.

“Butch—” I said.

Butchie was tapping the keg. “Doing your job,” he joked.

When I looked again, Nelly was alone.

She’s gonna die, I realized, soon.

Butchie helped me tend bar. People drank beer like mad. Like this was a frat party, instead of the twelve-buck special.

Or like tonight, they would all die.

For the next hour, I peered around, waiting for the cloaked figure’s return.

Who would it pick next?

By now, Josephine’s stockings should be down to her ankles. I wondered if she’d wear roll-ups in her casket.

Gino would be lost without her. Sobbing through “After the Lovin’,” his closing song. Karaoke wouldn’t be the same.

From behind me, I sensed someone. Butchie? I thought.

But I knew.

Before I even turned and saw it hover over Butchie.

When the register dinged, the bell tolled for all of us.

This loud rumbling we heard, like the world was coming down around us. Not just the Lodge’s ceiling and walls. The building splitting apart was long overdue.

People screamed. In their rush to get out the front entrance, they knocked each other down, trampled each other. Cement and rotten wood fell, crushing the pink tree, the toys that tots would never enjoy.

Right off the bar was an exit only staff used. I pushed the door open, smelled cold air outside.

“C’mon!” I told Butchie, whose face was gray. But he didn’t move.

Looking back, I saw Nelly with the mic.

Without music, she began the closing number: “O Holy Night . . .”

Beautifully.

To Death’s standing ovation.

 

 

Cindy Rosmus originally hails from the Ironbound section of Newark, NJ, once voted the “unfriendliest city on the planet.” She talks like Anybodys from West Side Story and everybody from Saturday Night Fever. Her noir/horror/bizarro stories have been published in places like Shotgun HoneyMegazineDark Dossier, Danse Macabre, The Rye Whiskey Review, Under the Bleachers, and Rock and a Hard Place. She is the editor/art director of Yellow Mama and has published seven collections of short stories. Cindy is a Gemini, a Christian, and an animal rights advocate. 

Bernice Holtzman’s paintings and collages have appeared in shows at various venues in Manhattan, including the Back Fence in Greenwich Village, the Producer’s Club, the Black Door Gallery on W. 26th St., and one other place she can’t remember, but it was in a basement, and she was well received. She is the Assistant Art Director for Yellow Mama.

In Association with Black Petals & Fossil Publications © 2024