Black Petals Issue #113, Autumn, 2025

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Deadly Depictions: Fiction by Carolyn O'Brien
Last Call: Fiction by Gene Lass
Lost Years: Fiction by Billy Ramone
New Hell: Fiction by Arón Reinhold
Recess: Fiction by Stephen Lochton Kincaid
The Chicken or the Egg: Fiction by Roy Dorman
The Fungal Frequency: Fiction by Emely Taveras
The Secret: Fiction by M. B. Manteufel
The Siren: Fiction by Kalliope Mikros
You're Not Wrong: Fiction by James McIntire
Transformation: Fiction by Stephen Myer
Lucky: Fiction by Jessica Elliott
Icing It: Fiction by Cindy Rosmus
Joe Meets the Wizard:Flash Fiction by Stephen Lochton Kincaid
The Sex Life of Royals: Flash Fiction by David Barber
"68":Flash Fiction by Cindy Rosmus
Acme Bio-Refrigeration Services, Inc.: Flash Fiction by Hillary Lyon
The Yellow Room: Flash Fiction by Bernice Holtzman
The Beast of Warehouse 9: Flash Fiction by Hillary Lyon
Burn at Both Ends Baby Please: Poem by Donna Dallas
I Know the Time in the Road: Poem by Donna Dallas
Manhattan 15th Street 1986: Poem by Donna Dallas
Rita's Off the Charts: Poem by Donna Dallas
Only Me: Poem by Joseph Danoski
Opening Day: Poem by Joseph Danoski
Rising Star (Sixth Magnitude): Poem by Joseph Danoski
The Nomads of No-Man's Land: Poem by Joseph Danoski
+o remEMBER: Poem by Casey Renee Kiser
No One Came: Poem by Peter Mladinic
Pink Ball: Poem by Peter Mladinic
The People, The People: Poem by Peter Mladinic
Remote: Poem by Peter Mladinic
Have a Blessed Day: Poem by Peter Mladinic
by the way: Poem by John Yamrus
he rubbed the wet: Poem by John Yamrus
you ready for this?: poem by John Yamrus
The Dream Exhibit: Poem by Stephanie Smith
An Evening Lament: Poem by Stephanie Smith
Black Night: Poem by Stephanie Smith

Hillary Lyon: Acme Bio-Refrigeration Services, Inc.

113_bp_acmerefrigeration_andrewgraber.jpg
Art by Andrew Graber © 2025

Acme Bio-Refrigeration Services, Inc.

Hillary Lyon

 

Diving home on Mabry Avenue, the setting sun is positioned just right to induce blindness; it’s too low for the visor to block. Paying more attention to this than to traffic, it came as no surprise when the Acme Bio-Refrigeration Services truck hit me broadside.  The driver said I ran a red light; maybe, but how would I know? I couldn't see it.

One minute I’m listening to talk radio, messing with my visor, and planning dinner, then the next minute I’m smothered by the air bag and tasting blood. My whole body is limp and numb. Someone opens my door and pulls me from my mangled car.

Between the driver and his companion there is much discussion as to my condition, and what an unhappy situation this has put him in: now he'll be late, if the police get involved he'll be fired for sure, ambulance drivers will ask too many questions, and the collision destroyed one piece of his precious cargo—which must be replaced ASAP.

Somebody wraps me in rough blanket. They lift me up, then gently lay me down on something cold and corrugated. I hear a heavy door slide down, and clang shut. A lock clicks, a generator hums, and clouds cold air float down to bury me.

***

I wake up—where? On a bunk, I think; maybe more like a shelf. Several feet off the ground.  I feel so small. If I twist my shoulders, I can turn enough to look around the room. So I twist, I turn. I float. If I could bring my hands up, they would press against the glass confines of my pod. I don't know what liquid fills this glass prison, but it tastes slightly salty, like thin sea water. Through it, the room has a vaguely green cast.

The door on the other side of the room opens. I see someone’s moving silhouette. I don’t hear footsteps so much as feel the vibrations in my jar.  Yes, my jar. That's what I call it now, as it's sides are rounded. The shadow walks over to the wall closest to my jar.  It's a man, and he reaches up to the dial on the wall—the thermostat—and adjusts it. This means it's going to get colder.  He comes to my shelf, to my very jar.  He looks right at me—we make eye contact! I blink at him, hard, and say the brine-muffled words, "Jose TKO'd in the fourth round!" Exactly what this refers to, I don't know, but it made him flinch. He cocks an eyebrow, squints at me. Looks down, scribbles something on his clipboard, leaves.  And with him the lights go too; the temperature drops. Who said Hell had to be hot?

***

Some clumsy dolt is moving my jar, rudely waking me up. A pair of enormous man-hands lifts my habitat, sloshing me around in it as he walks across the room. He places me—not very gently!—on a cart with several other jars. I twist around, coming face to face with the jar next to mine. Howdy, neighbor. Damn! He looks like a freakishly large fetus with a man-head stuck on top. A sleepy-eyed, slack-jawed, waxy-fleshed, man-head. Maybe once handsome in a cave-man kind of way, but definitely not viable breeding stock now.  I mean, really.

The cart lurches, shaking me out of my musings. I now see the rest of the room. More metal shelves, with hundreds of jars just like mine.

We trundle down a wide aisle, towards a flickering light. The fluid in my jar gradually warms up. We approach a blindingly bright, increasing hot place—like flying up to the sun. If I was wax, I'd begin to melt. I wonder if waxy-fleshed man-head beside me is melting? If I was on a beach, I'd begin to tan. No, now it's more like burn.   

Man-hands lift jars off the cart, out of my way.  I see the source of the heat—a marvelously massive hearth! Like something out of a frightening fairy-tale. Brick floor, soot-blackened walls. Roomy enough for a grown man to walk into without bending over.  Man-hands methodically unscrews the tops of the other jars, and unceremoniously pours the contents onto the blazing fire. Steam and screams and smoke. Crackling and hissing. Did I really hear tiny shrieks? Maybe not. Maybe that's the sound of green wood burning.

Man-hands comes to my jar last. We make eye contact. My eyes flare, and I say, "Daisy Dumpling takes the triple crown!"  He laughs, and replaces my jar on the cart before wheeling me back down the aisle.

***

Man-hands calls me Miss Sibyl. When he asks me questions, I provide answers.  Sometimes when we make eye contact, I spontaneously mumble absurd combinations of words. Which must mean something to him. 

Now he wants to share me with the world, because lately he brings other people in, one at a time, to ask me whatever is on their mind. Their questions usually concern professional sports.

Man-hands keeps my jar on a polished brass platter, suspended from the ceiling with red silk ropes. Classy! I like that. In  winter-time I'm hung close to the fireplace and TV, so I stay toasty-warm and amused. In summer, he hangs me near the window unit A/C, so I stay relatively cool—cool, but never cold, like in that old Acme Bio-Refrigeration Services warehouse. In spring, my most favorite time of year,  I hold court outside, on his lush and dappled patio, atop a small pedestal fashioned to resemble a Doric column. And every night, without fail, he smiles at me, tells me what a wonder I am. Unscrews my lid, scatters flakes of dried fish food for me to nibble. Yummy! The flakes fall like angels, drifting down in my jar—I pretend I'm in a snow-globe!   

Life is good.

Hillary Lyon founded and for 20 years acted as senior editor for the independent poetry publisher, Subsynchronous Press. Her stories have appeared lately in 365tomorrows, Black Petals, Sirens Call, Night to Dawn, 50 Word Stories, Legends of Night drabble series anthology, and Revelations drabble series anthology. She’s the Art Director for Black Petals and is also an illustrator for horror & pulp fiction magazines. 

https://hillarylyon.wordpress.com/

Andrew Graber a self taught visual artist who enjoys using his wild imagination when he creates various forms of visual art, fiction, and poetry. 

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