Black Petals Issue #111 Spring, 2025

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A Psalm, Unsung: Fiction by Paul Radcliffe
Amalgam: Fiction by Andre Bertolino
Bugged: Fiction by Eric Burbridge
Facing It: Fiction by Garr Parks
He's Getting Here Soon: Fiction by James McIntire
Storytime in Cell Block 12: Fiction by Roy Dorman
Taconite Falls: Fiction by John Leppik
The Lizard in a Woman's Skin: Fiction by Jeff Turner
The Loch Ness Monster: Fiction by Martin Taulbut
The Morning After: Fiction by S. J. Townend
The Wall of St. Francis: Fiction by Nathan Poole Shannon
Futuristic Vermiculture & The Demise of The Universe: Flash Fiction by Daniel G. Snethen
Hell to Pay: Flash Fiction by Cindy Rosmus
Noir: Flash Fiction by Zvi A. Sesling
That Soft Exhalation: Flash Fiction by Steven French
The Anxiety Tree: Flash Fiction by Paul Radcliffe
Unremarkable: Flash Fiction by Jason Frederick Myers
Are Those Days Gone: Poem by Grant Woodside
Doorways of Life: Poem by Grant Woodside
I Have: Poem by Daniel G. Snethen
I Have 2: Poem by Daniel G. Snethen
The Nekraverse: Poem by A J Dalton
Underspace: Poem by A J Dalton
Unseen: Poem by A J Dalton
A Brief History of My Cinema: Poem by Sandy DeLuca
Dad Loved Hitchcock: Poem by Sandy DeLuca
Birds and Vampires: Films Inspire Poetry: Poem by Sandy DeLuca
Frankenstein, On Reflection: Poem by David Barber
Gods of the Gaps: Poem by Simon MacCulloch
Godsblood: Poem by Simon MacCulloch
In The Witch Museum: Poem by Simon MacCulloch
Bake at 400 Degrees: Poem by Christopher Hivner
Time of the Season: Poem by Christopher Hivner
The Werewolf as a Schoolboy: Poem by LindaAnn LoSchiavo
Moonlight's No Longer for Mating: Poem by LindaAnn LoSchiavo
Hallowe'en Howl: Poem by LindaAnn LoSchiavo

S. J. Townend: The Morning After

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Art by Andrew Graber © 2025

The Morning After

 

By SJ Townend

 

 

You can’t help but feel nauseated as you watch the lady lift her red-faced wailing baby out of its pram across the other side of the cafe as you sit and wait for your partner — each babe you’ve carried you’ve bled out dead, in rivers. She lifts her blouse, places her bundled newborn to her breast. The crying stops. The lady closes her eyes and leans back in her chair. You have to look away. The scene is all too much.

 The brownie you’ve orderedthe cheapest item on the menu sticks to the roof of your mouth as you take your first bite. Are you enjoying it? Not sure. Everything tastes funny today. Could just be nerves, you think. Clearing your throat fails to dislodge it so you wash it down with water. Just eat slowly, you tell yourself, plus, you can’t really afford to order anything else while you wait for James to arrive—it’s nearing the end of the month and it’ll be Christmas soon.

The string of fairy lights around the cafe window blink. You stare at them instead. Staccato thoughts flit in and out of your mind: the credit card bill you’ll have to somehow find the funds to pay off, the slipped roof tile at home which is allowing water in—another job your partner said he’d remedy but still hasn’t ‘managed to get around to’ yet. And there are so many seasonal gifts you need to purchaseyour younger sister has three children, spoilt brats. They’ll each demand something expensive.

It’s already half twelve. James said he’d meet you here are midday. Surely he won’t be much longer? Waiting is such a drag. Yet, as you’ve grown older, you’ve noticed the passing of each year grows quicker. Time moves faster since turning forty-eight. “At least you’re still bleeding,” Mother will always say when you complain to her about a new grey hair or the crow’s feet which branch like cobwebs from the corners of your eyes. “Menopause is awful,” she’ll usually follow that flippant comment with.

As you take a second bite of claggy cake, you think of your last blasted monthly, and all the mess it’d made. It’d been atrocious. But James had insisted he didn’t care, had wanted to do the deed anyway; as he had a few days ago. You tolerate his bi-weekly demands.

Bless him. He’d fumbled in your knickers as if winding up an old wristwatch, then he’d mounted you, and wriggled around on top, in and out, and then in and out again. Over and over he’d pumped for perhaps a matter of minutes, asking more than once if he’d been ‘hitting the right spot’. Ultimately, he’d let you know he was on his way and then he’d dumped his load inside you. Afterwards, he’d rolled off and pecked you on the cheek in the same way he always does, as if kissing his mother, and then he’d fallen asleep immediately.

He tries, bless him. Always manages to get it to stand to attention, and oh, how he always tries, even though it’s always over too ‘early’.

But in every other aspect of his life, he’s always late. Always never on time. “He’s a good man though, a good man,” your mother often tells you, despite his many flaws: the trail of crumbs he leaves in the kitchen, the way he ogles other women in the supermarket, the park, the way he’s so frugal with money. “He’s a good man, Laura, because he stuck by your side, took you back, even after he had that low period and slept with his receptionist. You have to understand, dear, he’s a red-blooded male— And men have wants and needs.”

Here he is. The jingle of the cafe door as it opens jolts you from your downward spiral. James spots you and takes the chair opposite at your table. “Here you go, Love. They weren’t happy issuing it to a man though, said they really should’ve spoken with you.” He slides the packet across. “If you ever need it again, the pharmacist said you’ll have to speak to him directly, no matter how embarrassed you feel.”

The shape of a small cardboard box is apparent, despite the purchase being sealed inside a brown paper bag with “Hill Street Pharmacy” printed on the top. “Cost a fortune. £12.99. Bloody Big Pharma,” he says. He rolls his eyes. “Pay me back later, into my Lloyds account.” You thank him quietly then he stands and leans and pecks you on the forehead before heading to the counter to order the most expensive latte. You sigh and pick at the remnants of your cheap chocolate treat.

Plate cleared, you push it aside and pull the package closer. Should I open it here and get started? you think, or shall I wait until we’re home? You’ve heard the side-effects can be quite savage, and you don’t want to vomit in public.

After prising the package open, and reading the accompanying bumpf, you decide to pop the first of two pills there and then. ‘Side-effects may manifest several hours after the second tablet,’ the information tells you, but you won’t be taking the second until twelve hours after the first. You pop the small beige pill from its foil and knock it back with more water.

Within seconds, you feel something unnatural, a scrape of sorts deep down within, you swear you do, and you grapple at your stomach and watch on, trying to hide the discomfort on your face as James leers at the young brunette serving his fancy coffee. If he left you again, you’d feel so lonely. You’d struggle, wouldn’t you? You’d probably end up on antidepressants, become a ghost in your own home, need phone-call prompts from Mother to remind you to shower and eat. You panic: have you made the right decision?

The new mother across the way places her baby into its pram and pushes it towards the exit. She’s struggling to manoeuvre the pram and open the heavy door at the same time and you feel you should probably get up and offer help. But you can’t. You can’t go near it: the smell of talc and milk, the woman, the baby, the pram. The child is calm now, at least, not making any noise. But you’ve always been awkward around newborns.

A wave of brownie travels back up your throat and you manage to swallow away. No, not here, I can’t be sick here, you think, unsure if it’s the medication—you know, all those hormones—or the rich cake or the sight of the woman with her child that’s making you queasy. Phone, scarf, loose change: you pack up your belongings and put on your coat as James darts from the counter to the cafe door, which he opens. His hands are loose as he assists the mother. Surely there’s no need for him to be touching her shoulder like that, as she jimmies her pram over the threshold, no need at all for him to be quite so close to that woman and her child?

He returns to you and, together, you make your way back to the car where he asks you if you think it’s working yet, the tablet. “You’re white as a sheet,” he says after insisting that he drives. “Use your phone while I drive, to pay me back for the tablets.” He’s a good man, you think as he talks to you but stares at a passing generously bosomed lady who’s pulling a whining toddler along the pavement, he just has male needs.

Twelve hours pass. You’ve found it hard to stay up so late, feel much sleepier than normal. “Your eyes were closing,” says James as he prods you in the side. “It’s half eleven, time to take the next dose.” He brings you warm tea, pops the second pill out of the packet, and places it in your hand.

“Thanks.” You eye up the oval tablet which pops against the white of your palm. This one’s larger than the first, treble the size, and it’s red. Different. You shrug and knock it back and James tells you to go to bed.

“Just try and sleep through, then you won’t notice any side-effects,” he says, and, “are you sure this is what you want?” A little too late, you think, the second tablet now certainly deep within your gut. But are you sure, you wonder.

On the sideboard as you journey towards the bedroom, you catch sight of a Christmas card:  Mary and Joseph either side of baby Jesus sleeping in his crib. Baby Jesus; so still, so tiny. And you do vomit this time. There’s nothing you can do to hold it down, but at least you make it to the kitchen. James follows. “Oh dear,” he says without any passion. He pats you on the back as you retch and puke for ages, then, as you stand straight, steadying yourself with both hands on the edge of the sink, he reaches around and tries to place a hand on your stomachan act of reassurance he wants you to think. But you’re sure you feel his uncertain fingertips probing, nosing there for signs. Your stomach hurts. A cramping pain not dissimilar to the ones you experience before your monthlies. “Are you sure this is what you want?” he says again.

“Yes.” You say, your voice weak, your lips and chin still christened with vomit. “Yes it is. The leaflet said the side-effects will pass fast.” You bat his hand away; your body, your choice. He passes you a dirty tea-towel. “Clean your face,” he says. You refuse it and brush past him, still green around the gills, but confident the wave of sickness has elapsed, then you help yourself to a clean tissue from a box on the table before climbing the stairs to ready yourself for bed.

A couple of hours later, you wake with worse pain: your stomach, and horrible stabbing in your vagina, a relentless pounding in your lower back. The entirety of your lower body throbs and burns worse than when you caught that infection—the infection that later brought light to the second affair James had had. It’s then you realise your bed is damp. Forehead and chest, sodden, you’re totally drenched in sweat. As your hands find your way to your womb, you sit up fast as you discover your distended torso. You read about this in the pamphlet. It’s normal, you tell yourself. ‘Some swelling is to be expected.’ But the pain! ‘Only one in ten women will experience ‘significant’ pain’. It seems that one in ten is you. Just my luck, you think. Then you consider what your body is going through, is about to go through, and you remember a quote from a television program, one of those ‘comical’ panel shows, but in this moment, you’re pretty certain nothing could make you laugh: ‘83% of statistics are made up on the spot.’ As if what these pills are doing to your body could never hurt! Lies! You’ve never known anyone go through what you’re experiencing without at least some emotional or physical malaise.

But you can’t take any pain relief. You won’t—because you don’t want to risk ‘interactions’. You don’t want the treatment not to work. It can’t not work. Could there be anything worse than the tablets failing? You’re far too old for that.  

Like a volcano erupting, severe pain bulks within you, almost enough to make you sick. You panic, think about waking James. He’s snoring by your side. But what use will he be? Christ, this hurts, you think as you slowly swing your legs round and out of the bed and place your bare feet on the carpeted floor. The pain. You try to channel it into your tightly-balled fists but you can’t and as the agony intensifies—an eternal crescendo in your womb—you hobble as fast as you can, buckled over, into the bathroom, where, unable to hold back any longer, you projectile vomit all over the tiles.

And then the bleeding starts. And despite the mess your body makes, you know you’ve made the right decision. James might well be a ‘good man’ in your mother’s eyes, but he could never be a good father. And now, you just want this thing out.

You tug on the bathroom light. The brightness sends you dizzy. You slide your right hand between your legs and grip the side of the bathtub with your left. Red. From down below, sticky vermillion gushes everywhere. Your bathroom now stinks of chunder and coppers. Your hand is covered in blood, as are the insides of your thighs. You yank down your knickers and stagger to sit on the toilet—seems like the right place to be, especially now your belly is so swollen and your innards are pulsing out and down and your legs feel useless, like they aren’t even part of you, like they’re two numb shanks of raw lamb.

Your body pulses, rattles even, and you can’t help it, you let out the most violent scream. The vibration of it all causes the mirror above the sink to crack. That side effect hadn’t been in the pamphlet. What the fuck is going on? Unable to contain your fear any longer, “Help me,” you holler.

James stands in the bathroom doorway, gasping at all the damage. Palms raised, “Glass of water?” is all he manages to say.

“Fuck off,” you shout as a tornado of agony cascades from your spine down into your groin. “Just fuck off!” He goes. You’re alone again.

Slumped on the toilet seat, you feel the descent begin from within; a bowling ball perhaps, purging out from your cunt? You scream louder, cursing inwardly your partner’s infertility, then slide your hands down between your legs, into the toilet bowel, to pull something out. So fast.

And now you’re no longer alone. Your blood baby is here, as red as that second tablet; a baby. And it’s at least three kilos. It starts to breathe, and then it screams with you.  The tablets have worked. Relief. Your chemical labour is over.

You lift your bundle of clots and joy up and kiss its coagulated forehead and place its feeding slit around your left nipple where it sinks sharp canines into your breast. ‘It may hurt more than a traditional birth,’ the pamphlet had said. Fuck yeah, it hurt, you think, then, “It hurts,” you cry out as the light of the morning sun pours in through a gap in the bathroom blinds.

Postpartum now, you’re a little tearful because your baby will always be a tendrilous clump of red, will always need to feed on the blood of your breast, even in adulthood— But as its tiny dripping nearly-fingers curl around your index finger, you grin. At last, you won’t need James for company any more.

You’ve never been happier.

SJ Townend is a Bristolian single mother of two young children, a teacher of science, and an author of dark fiction. She has stories published with Vastarien, Ghost Orchid Press, Gravely Unusual Magazine, Dark Matter Magazine, and Timber Ghost Press. Her first horror collection, Sick Girl Screams, introduced by Robert Shearman, is out now (Brigid’s Gate Press) and her second horror collection, Your Final Sunset, is coming - for you - in 2025 (Sley House Press). 

Twitter:@HYPERLINK "https://x.com/sjtownend"SJTownend 

Blue-sky: https://bsky.app/profile/sjtownend.bsky.social

Andrew Graber a self-taught visual artist who enjoys using his wild imagination when he creates various forms of visual art, fiction, and poetry.

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