Black Petals Issue #111 Spring, 2025

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A Psalm, Unsung: Fiction by Paul Radcliffe
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Storytime in Cell Block 12: Fiction by Roy Dorman
Taconite Falls: Fiction by John Leppik
The Lizard in a Woman's Skin: Fiction by Jeff Turner
The Loch Ness Monster: Fiction by Martin Taulbut
The Morning After: Fiction by S. J. Townend
The Wall of St. Francis: Fiction by Nathan Poole Shannon
Futuristic Vermiculture & The Demise of The Universe: Flash Fiction by Daniel G. Snethen
Hell to Pay: Flash Fiction by Cindy Rosmus
Noir: Flash Fiction by Zvi A. Sesling
That Soft Exhalation: Flash Fiction by Steven French
The Anxiety Tree: Flash Fiction by Paul Radcliffe
Unremarkable: Flash Fiction by Jason Frederick Myers
Are Those Days Gone: Poem by Grant Woodside
Doorways of Life: Poem by Grant Woodside
I Have: Poem by Daniel G. Snethen
I Have 2: Poem by Daniel G. Snethen
The Nekraverse: Poem by A J Dalton
Underspace: Poem by A J Dalton
Unseen: Poem by A J Dalton
A Brief History of My Cinema: Poem by Sandy DeLuca
Dad Loved Hitchcock: Poem by Sandy DeLuca
Birds and Vampires: Films Inspire Poetry: Poem by Sandy DeLuca
Frankenstein, On Reflection: Poem by David Barber
Gods of the Gaps: Poem by Simon MacCulloch
Godsblood: Poem by Simon MacCulloch
In The Witch Museum: Poem by Simon MacCulloch
Bake at 400 Degrees: Poem by Christopher Hivner
Time of the Season: Poem by Christopher Hivner
The Werewolf as a Schoolboy: Poem by LindaAnn LoSchiavo
Moonlight's No Longer for Mating: Poem by LindaAnn LoSchiavo
Hallowe'en Howl: Poem by LindaAnn LoSchiavo

Nathan Poole Shannon: The Wall of St. Francis

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Art by Bernice Holtzman © 2025

The Wall of Saint Francis

 

By

 

Nathan Poole Shannon

 

The town I grew up in was filled with Catholic churches, so I guess I shouldn’t have been surprised when I started seeing ghosts.

There were seven different Catholic parishes in Brownsville. My family never attended any of them—the God in our house had no name—but I was captivated by them. The Gothic architecture, the gargoyles, the stained glass. I found the stark appearance of the churches intimidating when I was young, and even to this day, I still do, somewhat. Religion is always shot through with fear.

When I was a kid, I had a blue bike that I rode everywhere in and around Brownsville. The city, then, was only mid-sized, and easily covered by preteen legs pushing pedals. I had sped past those churches so many times, that I felt like I almost knew the story of Jesus solely by whizzing past the rows of stained-glass windows.

The house I grew up in was on North Rogers Street. If I got on my blue bike and rode two blocks down and three over, I would pass St. Francis church, closest to our house. A few of my friends lived over near there, and as soon as I was granted enough freedom, I would ride over to see them and pass St. Francis nearly every day. This is the church that sticks out the most in my memory.

From the street, the church rose, huge and stone. There were six or seven low, wide steps leading to a landing and the heavy oak doors of the church. There was a Latin slogan inscribed on the brick ringing the doors, and beyond that, the wall was made of rough-hewn granite that was very uneven and had lots of gaps between the blocks. On the outer wall, above the doors, there was a twelve-foot crucifix with Jesus on it. The crucifix had been on the wall for forty years back then, and was a topic of hushed conversations of the local worshippers. When I was maybe six or seven, my mother once had a friend, Mrs. Kirkpatrick, over for tea and I overheard them discussing it. Mrs. Kirkpatrick hated that crucifix so much she was considering switching parishes.

She was telling my mother about how it had come to be on the wall. The priest at the time was a puritan, Father Lowery, a man firm in his primal belief in God. He was a fundamentalist and near-radical in his belief of an Old Testament, vengeful God who would strike sinners down. He believed that people sinned because they had lost sight of God, and thought that the sight of Jesus on the cross, peacefully dying, his eyes rolled to Heaven, wasn’t a strong enough image to convey the power and the gravity behind the symbol. He ordered the crucifix to be sculpted as soon as the parish got its fiscal budget in March 1926, and the result was hung in June of that year.

The older, weatherbeaten cross was pulled off the wall by a construction crew, and replaced with the new one. Even forty years later, in my youth, the image was striking and terrible. It loudly proclaimed Lowery’s message long after he passed away, and served for many years as a great intimidator.

Christ, standing above the doors of St. Francis, was captured by his sculptor in the grasp of a scream of death-agony. This Jesus found no peace in death, of returning to His Heavenly Father. He was wracked with terrible pain, and it showed. His chest, swollen with breath to feed the screams, was crossed over and over with bleeding lashes, the gash in his side rendered in terrific detail. The crown of thorns upon His head dug in and tore at the sculpted skin, trickling incredibly realistic blood into the Lord’s eyes, clenched shut in pain. The spikes in His wrists and feet were rusty, the wood of the body pushed inward under their force. His mouth was frozen wide in a scream, and all the cords and muscles in His neck bulged, straining to give voice to His horrific death.

When I was young, this crucifix frightened me. I’m not ashamed to admit that at all. I like to think of myself now as a practical man, not given to spooks and specters, but that crucifix was absolutely terrifying as a child. Many of the adult parishioners didn’t like it. More than once, I heard of grownups—grownups! —having nightmares in which the suffering Christ was after them. But even as a young boy, when my fear was greatest, it was always tempered by curiosity.

In my youth, I had a friend, Robby Hutchence. He and I went to the same school and he lived close by. We chummed around a lot, playing seasonal sports, rode bikes around aimlessly. One time in the summer when I was 12 (which would have been 1965, for anyone counting back on their fingers), he and I were out, riding around to no place in particular. We passed St. Francis and Robby, ahead of me on the sidewalk, suddenly swerved and hit his brakes. I had to stop or else I would have rear-ended him and probably warped a tire.

“Creepy, isn’t it?” he asked, straddling his bike, staring up at the crucifix. “Who wants to go to Heaven if that’s what’s waiting for you?”

“It’s not so scary,” I said, lying through my teeth. I hoped Robby had just stopped to tie his shoe or something—it was nasty when a loose shoelace wrapped around the bike chain—and wasn’t planning on staying. But, being twelve and filled with the simple bravado that only came to boys that age, I would not be the one to suggest leaving.

“Yeah, right, Delorme,” he snickered at me. “That thing’s meant to scare people on purpose. Don’t you know that?”

“I know,” I answered indignantly.

“And it doesn’t scare you? Not Ronnie Delorme, Iron Balls?”

“Not a bit.” I hoped my colour was okay, because I felt flushed. Robby turned his back from me and looked up at the crucifix again. He stood like that for a moment, and turned to face me again. He was smiling a wicked, Robby-Hutchence-has-a-wonderful-idea smile.

“Why don’t you climb up at touch it?”

“What do you mean? How the hell am I supposed to get all the way up there?”

“Climb the wall, stupid,” he said. This, apparently, was the most obvious thing in the world. “Look at those stones. You could climb that with only one leg.”
        “I don’t know,” I said doubtfully. I wracked my brain for a reason not to go up. “What if the priest catches us?”

“He won’t catch us. What’s wrong, are you yellow?” I half-expected him to stick his thumbs in his armpits and to the Chicken Dance. “Scared, Delorme?”

“I’m not scared,” I said. “Watch this.”

I’ve mentioned that I’m a rational, practical man. I see my doctor every six months. I don’t smoke or drink to excess. I’m a sensible person by my own estimate. But for the life of me, I have no idea what came over me on that hot July day in 1965, because I kicked my bike over and marched towards the church wall.

The only thing I can rationalize my actions with was hoping Robby would call off the dare. I knew he was scared (not as badly as I was, but scared nonetheless) and I hoped, in my heart of hearts, that when he saw I meant business, he’d call if off.

But he didn’t. Of course he didn’t. He egged me on with every step.

“Come on, Delorme, I ain’t got all day,” he called to me when I paused ever so slightly at the base of the steps. “Hurry it up! I ain’t getting’ any younger over here!” I cursed him in my head for his insistence.

“Chill out, I’m going, I’m going!”

“Give him a kiss!” Robby called, laughing. I noticed that already, his voice seemed so much further away.

I went right up to the church wall and looked up at the screaming Christ. I’d never been so close to Him—it—and had never seen it from that angle. I was thankful that at least His face was turned Heavenward, as if screaming to God to end his torment. At least I didn’t have to look on His awful face. There, at the base of the church wall, I wondered for the briefest second if I actually had to guts to go through with it.

It felt almost like I were being pushed forward by a giant, invisible hand. The hand pressed me up against the wall, and it made my hands and feet search for and find holds on the wall, as if I were a living marionette. I barely noticed what I was doing as I climbed, letting the strange puppeteer that was leading me do his work. I didn’t notice that I’d barked my shin on an edge of a stone, didn’t notice that I was starting to sweat with heat, effort and terror. I didn’t notice that my shirt had come untucked from my shorts as I climbed. The puppeteer led me upwards.

Before I even realized how far I had climbed, I was within arm’s reach of the crucifix. I had no intention of getting any closer to it than necessary, just a quick reach to touch the Lord’s foot and then get the hell off of that wall. I steadied my feet on the little grooves they’d nestled in, and pressed the tips of my right-hand fingers into the stone until they hurt. I settled my weight as best I could, and reached out. I looked up to gauge the distance.

And Jesus looked down on me.

Time stopped right then and there, on that wall. Silence surrounded me—it seemed as if the world had swum out of focus. The only thing that was really clear at all was the Lord and I on St. Francis’ wall.

It was terrible. His mouth was still set in that sculpted scream, His eyes still screwed closed in pain. His head was bent so far forward I thought it might topple off and fall on me. But as if in answer to my fear, the rest of His body began to move as well, and it became clear to me in that instant that the terrifying crucifix had come to life.

His shoulders writhed, and His head began to slink side to side, like a snake angling to strike. His hands began to move around the spikes that held them in place, as if He were trying to reach the spikes and pull them out. The creak and moan of the nails moving was the only sound I could hear, heavy and wretched, like a door in a haunted house. With every movement, the spikes in His wrists loosened, as each movement of the wooden iron in His flesh drew fresh blood that ran from the wounds and dripped off towards the ground below. His knees flexed and bent, and I could actually see the crucifixion nails sliding outwards as His movements wriggled them loose. My hand was but eight inches away from Jesus’ squirming, working feet, and the thought of touching them (or them touching me, which seemed more and more likely) filled me with a dread I’ve never felt again. But I was transfixed, held still by the puppeteer. I could only watch.

Jesus’ eyes opened then. They were blank and sinister, made of empty wood. No pupils or irises had been carved beneath his eyelids in 1926, and there were none there in 1965. Jesus’ horribly blind eyes stared down at me in a terrifying rapture as He tried to free Himself from His prison on that stone church wall.

I don’t know what caused me to see that crucifix come to life that day when I was twelve years old. I never had an explanation for what I saw, and I’ve never been able to find one in the forty-some years that have passed since. I have tried to explain it away as any number of things—a waking nightmare, a hallucination—it had been a very hot day, and maybe I’d had some sort of heat stroke on the wall. The idea that Jesus Christ, the Son of God, was coming for me was ridiculous. But I’ve never been able to explain what I saw that day.

I don’t have any better clue as to what finally broke the rapture between the crucifix and I. One second, I was on the wall, feeling my heart racing at breakneck speed, frozen in terror watching Jesus try to free Himself from the cross. The next, everything snapped back to normal. It was almost as if nothing had happened. I clung to the wall, frozen, wondering if I could move, if I should move. Then I did.

I reached my hand over and touched the feet quickly. Low and near the toes, not any closer to the carved crucifixion nails than needed. It did not feel like flesh; it felt like carved, painted wood that had been outside through nearly forty Brownsville winters. And I jumped down off the wall. It must have been twelve or thirteen feet to the ground, the cement landing before the church entrance. The impact vibrated and quivered up my legs to my spine. It hurt, badly, and I was sore for most of a week afterwards. I was so glad to be down, and away from that awful thing, that I barely noticed at the time.

The force of my fall sent me into a rolling somersault, and I skidded to a stop against the side of a stone flowerbed built into the landing, near the low stairs. Again, I looked back up at the crucifix, and it was normal. As if there were anything ‘normal’ about that terrifying image.

“Man, you do have balls!” I heard Robby say, laughing. His voice still seemed distant, but clarity was returning. I turned towards his voice and saw him walking towards me. His bike was toppled over next to mine, and he was smiling broadly and clapping his hands. “I wouldn’t have done it!”

“That’s me,” I said, wincing, feeling the shock of my landing in my knees and legs. “Iron Balls, right?”

“I guess so!” he agreed, laughing. His expression hardened as he knelt beside me. “You okay, Ronnie? You’re pale.”

“Yeah, I’m fine,” I lied. “Just spooky up there. How long was I up there, anyway?” It had felt like hours.

“I dunno,” Robby answered. “Ten seconds? Fifteen? I don’t have a watch on.” He slapped his wrist to prove it to me. “Why?”

“Oh, just timing myself.” That bravado was already creeping back in. “I hope to have that trip, up, touch him and down, to under ten seconds by end of summer.” I fake-smiled. I couldn’t tell him why I wanted to know how long I’d been up there, because I was worried if I told him he wouldn’t want to be my friend anymore. “Think I can do it that fast?”

“Man, you don’t have to do it again,” he said, slightly awestruck. “I didn’t even think you’d do it once! But, I mean, if you wanna crawl back up there and have a chat with the Lord, you go right ahead. I won’t stop you.”

“Ah, we’ll see,” I said. I had absolutely no intention of ever getting close to that awful thing again. As I recall, after that I treated St. Francis like most kids treat a nighttime graveyard. Fear and a little respect. The keeping of distance. I wouldn’t ride my bike by it unless it was unavoidable, and to this day I still know all the alternate routes around town so I don’t even drive by it in my car.

“Listen, man, I gotta get going. It’s getting late,” Robby informed me. I looked up and somehow the sun had dipped behind the roof of the church. “If I’m late for supper one more time, my mom’ll skin me alive. No fake.”

“I gotcha,” I told him. I’d been late myself many times, incurring my own mom’s wrath. “Get outta here, then. I just need a second here. My knees are killing me after jumping down.”

“You sure you’re okay?” I assured him that I was, and he stood up. We made plans for the next day, probably hitting fly balls at each other in the Station Yard. We said our goodbyes then, and he went over, picked up his bike, and was gone.

I didn’t know then—couldn’t have known—that Robby Hutchence would never fully outgrow the child I was with that afternoon, and most of that summer. Six years later, just weeks after his eighteenth birthday, he and his girlfriend were out on a date. It was never fully explained why, but the story went that the car left the road, crashed through a guardrail, and into a rock cut. Both of them were killed instantly.

Thankfully, Robby’s funeral wasn’t at St. Francis. I’m not sure I could have gone if it had been. I remembered sitting in the pew, picking at my too-tight shirt collar, and thinking how he’d always be Robby to everyone, and never Robert, or Bob. He would always be a boy, never a man.

After my friend left that July day, I tested my aching knees. They seemed to be okay, but hurt like hell. I stood and duck-walked over to my dumped bike. I pedaled slowly home, trying to think of anything but the sheer terror I’d felt that afternoon. As I rode along, gently swerving side to side due to my aching knees, I glanced down into my lap. My shirt had come untucked during the climb, and I could see in the crotch of the shorts I’d been wearing, a dark patch about the size of a softball. I had been so scared on that wall that I’d wet myself.

I got home, and awkwardly scuttled into the house. As quick as I could with my aching joints, I scampered up the stairs to my room, avoiding my parents. I changed quickly out of my wet shorts, soaked them in water to try and hide the spot. I shoved them down towards the bottom of my laundry hamper and went downstairs for supper.

As only a kid can, I started to forget about what I’d seen. That night I dreamed of it, but faintly, like it had been a show on TV where I’d seen the thing move. Come for me. The next day I didn’t dwell much on it. I never did see the crucifix move again, and I always kept such a busy schedule that I didn’t leave myself much time to think about it. It began to fade.

But a couple of days later, in the downstairs hallway, my mother accosted me and it came screaming back. Tucked under her arm and balanced against her hip was a basket full of laundry.

“What do you have to say for yourself?” she asked me, more frustrated than angry. My mind scrambled, trying to think what she was talking about, and I remembered the shorts I’d wet on St. Francis’ wall. My face flushed hot and I looked down at my feet, terribly, utterly embarrassed.

“I’m sorry mom,” I said meekly. “I couldn’t help it.”

“Couldn’t help it?” she asked incredulously. “My word, Ronnie, what have I told you about going around with that awful Marsh boy? Mark my words, he’s going to grow up to be a serial killer! How do you explain this?” I was confused, and she thrust a piece of my clothing at me. Not stained shorts, but a stained shirt. I took it from her, recognizing it as the one that had come untucked on the church wall.

On the shoulder, and just below the collar, there were several nickel-sized drops of dried, stained blood. The blood that had fallen off of the crucifix as its wounds reopened under the strain of movement.

“I can’t explain this, mom,” I said flatly, and went upstairs to my room. I stayed there.

 

The End

Nathan Poole Shannon is an emerging writer of strange and the macabre. Creepy and weird stories, whether they be modern or historically set, are his specialty. From oozing monsters to cryptic curses, he is only beginning to share with the world. He lives in Ottawa, Canada, with his wife and a small menagerie of pets who are decidedly not creepy- but from time to time, inspire something that is.

Bernice Holtzman’s paintings and collages have appeared in shows at various venues in Manhattan, including the Back Fence in Greenwich Village, the Producer’s Club, the Black Door Gallery on W. 26th St., and one other place she can’t remember, but it was in a basement, and she was well received. She is the Assistant Art Director for Yellow Mama.

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