Black Petals Issue #111 Spring, 2025

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A Psalm, Unsung: Fiction by Paul Radcliffe
Amalgam: Fiction by Andre Bertolino
Bugged: Fiction by Eric Burbridge
Facing It: Fiction by Garr Parks
He's Getting Here Soon: Fiction by James McIntire
Storytime in Cell Block 12: Fiction by Roy Dorman
Taconite Falls: Fiction by John Leppik
The Lizard in a Woman's Skin: Fiction by Jeff Turner
The Loch Ness Monster: Fiction by Martin Taulbut
The Morning After: Fiction by S. J. Townend
The Wall of St. Francis: Fiction by Nathan Poole Shannon
Futuristic Vermiculture & The Demise of The Universe: Flash Fiction by Daniel G. Snethen
Hell to Pay: Flash Fiction by Cindy Rosmus
Noir: Flash Fiction by Zvi A. Sesling
That Soft Exhalation: Flash Fiction by Steven French
The Anxiety Tree: Flash Fiction by Paul Radcliffe
Unremarkable: Flash Fiction by Jason Frederick Myers
Are Those Days Gone: Poem by Grant Woodside
Doorways of Life: Poem by Grant Woodside
I Have: Poem by Daniel G. Snethen
I Have 2: Poem by Daniel G. Snethen
The Nekraverse: Poem by A J Dalton
Underspace: Poem by A J Dalton
Unseen: Poem by A J Dalton
A Brief History of My Cinema: Poem by Sandy DeLuca
Dad Loved Hitchcock: Poem by Sandy DeLuca
Birds and Vampires: Films Inspire Poetry: Poem by Sandy DeLuca
Frankenstein, On Reflection: Poem by David Barber
Gods of the Gaps: Poem by Simon MacCulloch
Godsblood: Poem by Simon MacCulloch
In The Witch Museum: Poem by Simon MacCulloch
Bake at 400 Degrees: Poem by Christopher Hivner
Time of the Season: Poem by Christopher Hivner
The Werewolf as a Schoolboy: Poem by LindaAnn LoSchiavo
Moonlight's No Longer for Mating: Poem by LindaAnn LoSchiavo
Hallowe'en Howl: Poem by LindaAnn LoSchiavo

Cindy Rosmus: Hell to Pay

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Art by Bernice Holtzman © 2025

HELL TO PAY

 

by

 

Cindy Rosmus

 

 

          Squatters, we felt like, on a construction site. Nonstop sawing, drilling, banging. On Sundays, too. Even God, I thought, took a day off.

          Like that weird mansion, the Winchester, in California. That never stopped building itself! I pictured stairways leading to doors that opened to . . . nowhere.

          Except . . . hell.

          When we saw them in the hall, the workers looked right through us.

          One day, I thought, I’d sneak through one of those doors.

          We paid rent. But not enough for these new landlords. Trying to squeeze us out, like the last bit of toothpaste from a no-frills tube. Greedy, inconsiderate fucks.

But old-timers, like Dan Brennan in 2-C, and Miss Roberts in 1-C, defied them. Refused to leave. Forty years they lived here. Reaganomics, Hair Metal bands like Poison, Motley Crüe; my wild youth was just taking off when they moved in plastic-covered couches, and other gross stuff. Most I’m sure was still here.

If they could torch us, we’d be ashes.

But we came with the building. Brennan’s empty snake tank with the new blonde wood floors. The stench of cat piss with antique white walls. Creaking, old bones with marble shower tiles. The lack of heat in those fancy-pants bathrooms would make new tenants sick.

Like us.

Radiators died. DIY heating units took over, with remotes we couldn’t figure out. Forced to pay our own heat now, so Miss Roberts slept under five afghan shawls, topped by shivering cats. On her sad monthly check, she couldn’t afford food for herself.

So she shared theirs.

Freezing hallways, too. So you saw your breath in the air. But not the workers’.

This had to stop.

One day, on the workers’ lunch break, I walked the halls in my own afghan. So many rooms had been destroyed and rebuilt. Like a war zone, debris was everywhere. In one corner, an empty Coors Light bottle. A foil-wrapped half-sandwich. A banana peel.

Dust swirled in front of me. Like a Dickensian ghost, it beckoned.

My stomach tightened. “No.”

It turned and seemed to float up the stairs.

I started back to my own place. But where was it? Suddenly, I felt confused. Lost, in my own apartment building!

“It’s not fair!” I yelled up the stairs. “This is my home!”

Is it?

Wrapping myself snugly in the afghan, I followed the spectral voice up to the next floor, then the next, then one more.

Not realizing that we’d passed the top floor a while back, I walked into a palatial, toasty-warm room. In the distance, was familiar laughter, meows. A cork popping. The smell of meatballs in gravy like only I could make.

I left the afghan where it fell.

 

 

Cindy Rosmus originally hails from the Ironbound section of Newark, NJ, once voted the “unfriendliest city on the planet.” She talks like Anybodys from West Side Story and everybody from Saturday Night Fever. Her noir/horror/bizarro stories have been published in places like Shotgun HoneyMegazineDark Dossier, Danse Macabre, The Rye Whiskey Review, Under the Bleachers, Punk Noir, and Rock and a Hard Place. She is the editor/art director of Yellow Mama and has published seven collections of short stories. Cindy is a Gemini, a Christian, and an animal rights advocate. 

Bernice Holtzman’s paintings and collages have appeared in shows at various venues in Manhattan, including the Back Fence in Greenwich Village, the Producer’s Club, the Black Door Gallery on W. 26th St., and one other place she can’t remember, but it was in a basement, and she was well received. She is the Assistant Art Director for Yellow Mama.

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