Unremarkable
By
Jason
Frederick
Myers
I am everywhere and nowhere.
I am not confined to an
old
house or distant forest. No coffin or cemetery can hold me. I am free from the
constraints of mortal existence. Nothing can hinder my desires, no spell,
prayer, or holy artifact. I am a monster by definition only, for I can take
many shapes. I blend in amongst your kind, unencumbered by time, the light as
much of an ally as the darkness. I do not need knives and axes; my power lies
in my utility. I kill or maim at will and yet leave no trace. I can be anything
and yet nothing. You’ve seen my victims on TV and social media, their deaths
camouflaged amongst the everyday accidents and misfortunes of your world.
Living a good life will
not protect
you. There is no pattern, quota, or full moon to guide my motives. I am my own
master, and my wrath is that of indifference. I need not lurk in your closet or
under your bed waiting for you to fall asleep, for I am just as likely your
favorite comforter waiting for your eyes to succumb to fatigue, your skin
delicately beginning to tingle as I tighten my grip to smother you in your
sleep. I’m the shiny waistbelt that caught your eye online, slithering up to
wrap around your neck when you are alone in your room. I am a creature, yes,
but one of comforts. I come to my victims not with fangs but as the circuit
breaker you thought was off, waiting in silence to cook the organs inside you.
The shiny new ladder hanging in the garage, ready to snap your bones into
pieces. The lifejacket you trust to keep you afloat, waiting for the right
moment to pull you under when no one is watching.
Nowhere is safe from my
reach,
for I am at the top of the food chain, a killer with a higher body count than
all the other monstrosities of your world combined. I can even get inside you, a
loose gas line infiltrating your lungs, poisoning the blood in your veins. By the
time you feel my presence, it's too late, and even those that do survive will
never be the same. After all, who will believe them?
In the end, there is no
need for
fear or worry. Such human emotions are futile. There is nothing you can do to
stop me. Though
my ways may be unassuming, my desires can never be assuaged. This is just my
nature.
But just maybe, if you're
lucky,
our paths will never cross. Perhaps I will lose interest and move on from your
world, an invisible storm rolling through the universe, looking for other
lifeforms to extinguish. Maybe you’ll live a long, oblivious life like many of
your kind.
Then again, maybe our paths
have
already crossed. Perhaps I am the pillow providing you comfort, or the hoodie
you’re wearing beginning to feel a little too tight. I could be the screen you
are watching or reading on, waiting for you to lean in closer to explode in
your face. You may have even caught a glimpse of me, a tiny face in the pattern
of a wood board you’re about to cut with a saw, waiting to bathe in your blood,
or a friendly smile on the surface of your favorite food ready to be consumed
so my claws can expand in your throat.
But, in the end, it matters
little. You will write me off as a strange coincidence, a trick of the eye, not
worth a second look, for I am many things and still nothing. I am nowhere, then
suddenly as close as a whisper. I will
not lurch from the shadows, a hairy beast ready to rip out your throat, or a
pale haunter of the night thirsty for blood, for what I am is far more
terrifying.
I am unremarkable.
END
Jason
Frederick Myers (He/Him) lives in the upstate of South Carolina, USA. A
lifelong horror fan, he grew up reading Clive Barker, Shirley Jackson, and
Stephen King and draws inspiration from the classics that terrified him as
a child. His fiction can be found or is forthcoming in DarkWinter Lit, Black
Sheep, Anvil Magazine, The Horror Zine, and various anthologies. Follow
him on X @Jasonfmyers
April
Lafleur’s distinctive painting style is inspired by German Expressionism, emphasizing the
artist’s deep-rooted feelings or ideas, evoking powerful
reactions-abandoning reality, characterized by simplified
shapes, bright colors, gestural marks and brush strokes. Masters like Kirshner
and Marc come to mind when viewing April’s dynamic paintings.
April has earned an AFA at the Community College of Rhode Island, where she
had the privilege of studying with Bob Judge, a masterful
painter who has worked as an artist for over sixty years.
Her studio is located at the Agawam Mill in Rhode Island.
https://www.aprillafleurart.com/
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