Black Petals Issue #109 Autumn, 2024

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Editor's Page
Artists' Page
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Mars-News, Views and Commentary
Alone: Fiction by Ed Teja
An Empty Tank: Fiction by Rivka Crowbourne
Anne of the Thousand Years: Fiction by Kenneth James Crist
Contract Re-negotiation: Fiction by Martin Taulbut
Dark in Motion: Fiction by Jamey Toner
Hidey-Hole: Fiction by Cindy Rosmus
Men, Like Flies: Fiction by R. J. Melby
Rats Are a Garbage Man's Best Friend: Fiction by Tom Koperwas
The Catalyst: Fiction by David Hagerty
The Farmhouse: Fiction by Fred Leary
The Bridge: Fiction by Jim Wright
Walk in the Park: Fiction by R. L. Schumacher
What It's Like: Fiction by James McIntire
Aired Teeth: Flash Fiction by James Perkins
Cackling Rose: Flash Fiction by Hillary Lyon
He Said He Was Drunk When He Dropped the Candle...Poem by Juleigh Howard-Hobson
Once it Begins: Poem by Juleigh Howard-Hobson
Unexpected Request at the Psychic Faire: Poem by Juleigh Howard-Hobson
The Wolf Man and the Sex Trafficker: Poem by LindaAnn LoSchiavo
NONET Transformed: Poem by LindaAnn LoSchiavo
Wolf Girl Relishes the Wolf Moonrise: Poem by LindaAnn LoSchiavo
Attack of the Twarnock: Poem by Daniel Snethen
Reign of the Dragon: Poem by Daniel Snethen
And Renfield Eats: Poem by Daniel Snethen
Babylon: Poem by Craig Kirchner
Surfing Senators: Poem by Craig Kirchner
Sizar of Xanadu: Poem by Craig Kirchner
In Loving Memory of Our Aunt, Lisa Pizzaro: Poem by Craig Kirchner
Madeline: Poem by Simon MacCulloch
Cobwebbery: Poem by Simon MacCulloch
The Melted Man: Poem by Simon MacCulloch
Blood Tub: Poem by Simon MacCulloch
Jack the Necromancer: Poem by Simon MacCulloch
Dead Man's Body: Poem by Simon MacCulloch
As On Our Sinner's Path We Go: Poem by Vincent Vurchio
Beware the Glory: Poem by Grant Woodside
Scattered Journey: Poem by Grant Woodside
summer gold is only sand: Poem by Grant Woodside
you can't teach the wrong loyalty new tricks: Poem by Renee Kiser
House of Dark Spells: Poem by Sandy DeLuca
In My Pyramid Texts: Poem by Sandy DeLuca
Monsters Then and Now: Poem by Sandy DeLuca
Lord of the Flies: Poem by David Barber
Revenge Notification: Sophia Wiseman-Rose
When Hope Has Gone: Poem by Michael Pendragon
Witches' Moon: Poem by Michael Pendragon

Cindy Rosmus: Hidey-Hole

109_bp_hideyhole_bernie.jpg
Art by Bernice Holtzman © 2024

HIDEY-HOLE

 

by

 

Cindy Rosmus

 

 

Atlantic City, 1972

 

 

         

          “Stay out of sight,” Mrs. Marshall warned me.

          Why?, I thought. Could they really be looking? Could anybody want, or care, about me?

          Here, in Atlantic City, I tried to disappear. Hiding out at Mrs. Marshall’s fortune-telling place, off the boardwalk. Her old house smelled of the sea. Shabby, with huge, dusty furniture and thick drapes. And those beaded curtains that tinkled each time she walked through them. She was so nice to let me stay.

I had no money, ‘cept for what Mom had kept in her “hidey-hole.” In that pink satin lingerie bag I’d loved rubbing my face against, even though I hated her.

And now, Mom was dead.

          Weeks I’d been “missing.” If anybody cared. But ‘cos I was fourteen, you couldn’t just disappear. They had to find you. Especially after what happened.

At the hotel, they’d found Mom: nude, spread-eagled, that gold turban askew. When Jessie the maid screamed, the whole world came running.

 That guy—with the creepy eyes—had killed her.

          That’s what Mrs. Marshall had predicted. “Beware . . .” she’d told Mom, who laughed.

“This guy, right?” In the lobby, Mom crossed her tanned legs. “Said he’d been watching me for a while.” She looked around, like he was lurking behind the check-in desk. “Pammy, I could . . . feel . . . his eyes on me!”

 

Pammy. My nickname when I was four.

“Yeah.” She squirmed in her seat. “He’s the one, all right.”

          Maybe Creepy Eyes killed me, too. The fourteen-year-old daughter. I bet that’s what they thought.

Thanks to those ghouls, my Pop was dead, too.

Whoever called Pop . . . What they said . . . How they said it . . .

          Made me cry, all over again.

          “They lied,” Mrs. Marshall said. “Told him you were both dead! Someone . . .” She snorted. “Had just seen you in the lobby . . . alive.”

          Howard, I thought miserably. Who’d looked right through me. Like I really was dead.

Howard, the hotel owner’s son, who I still loved so much, even after he’d dumped me for other girl guests.

          “Your father’s heart gave out,” Mrs. Marshall said, sadly. “Believing you died, too.”

          No more Pop, smelling of beer, and kielbasy. Watery eyes too scared to meet mine, or Mom’s. Her lip had curled, just thinking of him. Those hellish months carrying his baby.  “You’ll love him,” she said he’d told her. “After he’s born. You’ll see.” Pop poured another shot. “Him, or . . . her.”

          But Mom didn’t. An orphan, I was, now. Like in those stupid Dickens books we read in school. Like Oliver Twist.

          With Mrs. Marshall as Fagin, or crazy Miss Havisham, in her rotted wedding dress.

 What did I really know about her? Just that she read palms, and tarot cards, and wore blonde flip wigs from the ‘60s. She had to be like 70. Come to think of it, I’d never seen her eyes, ‘cos she always wore those leopard sunglasses. 

          Still, she’d took me in.

          But, to do what with me?

          “For now,” she said, “stay out of sight.” She pointed to a storage closet, inside her fortune-telling parlor. “From in there, you can watch. And listen, so you know how it’s done.”

          How it’s done?

          Meaning, none of it was real? 

Twice, I was here with Mom, while “it was done.” In the waiting room I sat, while Mrs. Marshall read Mom’s palm, or the cards, or whatever tipped her off about Mom’s creepy-eyed killer.

Was he even real?

Was Pop really dead?

          Stay out of sight.

          In that hidey-hole. Smelling of dust, and incense, like in church. No canned foods, like you’d expect. Mrs. Marshall never cooked. She brought us hot dogs, frozen custards, from the boardwalk.

          “What do you mean,” the fat lady said, “my heart line is ‘broken?’”

          From my secret spot, I saw Mrs. Marshall’s smirk. “What do you think that means, sweetie?”

          As she read more of the lady’s chubby palm, I crept out of the closet and out the back door.

          Somewhere on the boardwalk I would find a phone.

          In broad daylight I was, “not” out of sight. At the Steeplechase Pier, I heard kids screeching on rides. In the background, Alice Cooper’s “School’s Out” played. School was out, all right. Forever, at least for me.

Further down the boardwalk, I walked past tacky souvenir shops. Smelling fresh bread pretzels from the stand where Howard worked. There he was, flirting with girls that didn’t stay at his dad’s hotel. How jealous I was!

A new one, Howard had now. The sea breeze blew her hair in her eyes, and gently, he tucked it behind her ear. Like he had done, with me.

It felt like years, not weeks, since that happened.

          Across from Howard’s stand were pay phones. No booths, no hidey-holes, just phones, where people could see me talking. Know that I wasn’t dead, like Mom.

          And I didn’t care.

          I grabbed the receiver, then realized I had no change. I’d have to call collect. If Pop was alive, he would accept the charges.

But if he was dead . . .

“Operator,” I said, when she answered. “I . . .”

From behind me, I felt something, like I’d been stung. I brushed off my back, but nothing was there.

“Hello?” the operator said.

“Reverse the charges, please.”

As the phone rang, I got that same sensation. Like I’d been touched. But I hadn’t . . . not yet. Something was coming, something worse than I’d thought.

Worse than Pop being dead.

I turned around.

When I saw those eyes, I left the receiver swinging. I ran like mad back the way I’d come.

In my mind, I could still see them. Eyes so black like round windows to a Steeplechase Pier in hell. A roller coaster spinning out of control, spitting out kids and screaming mommies.

 

I ran until I couldn’t, anymore. Breathlessly, I looked around. If he was behind me, I didn’t see him. Or feel his eyes on me.

I trudged back to Mrs. Marshall’s.

“’MADAME MARSHALL,’” her tin sign said, “PSYCHIC READINGS. KNOW YOUR DESTINY!’” With a cloudy-looking eye under her name. Almost like it was seen through a veil.

Strange, I thought, on my way inside. I’d never noticed that eye, before.

Never seen her eyes, period.

Inside, it was too quiet. No clients in the waiting room. And no voices, so Mrs. Marshall wasn’t giving a reading.

By now, the fat lady’s would’ve been over. Were all Mrs. Marshall’s readings tragic? Maybe, I thought, heart lines could get mended.   

It felt late, but outside it was still light out.

I wanted to call out but was too scared. Even here. Right now, this hidey-hole was the safest place I knew. 

The beaded curtains jangled a warning.

The parlor was a mess. Cards everywhere, mostly on where she lay, on the floor. The little I knew about Tarot, I bet one would be Death.

My heart raced.

Like a broken doll, she looked, her arms and limbs splayed out. Her throat all purple. She was still dressed, but with that blonde 60s wig askew. Like Mom’s gold turban.

The sunglasses were still on her face.

Slowly, I moved toward her. “Beware,” I heard, as I reached for them.

Without the sunglasses, the eyes I’d never seen were cloudy. Like she watched me through a veil.

Once I put them on, I saw everything clearly: A kid toppling off a roller coaster . . . Pop doubling over in his chair . . .

A black eye winking.

 

 

THE END

Cindy originally hails from the Ironbound section of Newark, NJ, once voted the “unfriendliest city on the planet.” She talks like Anybodys from West Side Story and everybody from Saturday Night Fever. Her noir/horror/bizarro stories have been published in the coolest places, such as Shotgun HoneyMegazineDark DossierThe Rye Whiskey Review, Under the Bleachers, and Rock and a Hard Place. She is the editor/art director of Yellow Mama. She’s published seven collections of short stories. Cindy is a Gemini, a Christian, and an animal rights advocate.

Bernice Holtzman’s paintings and collages have appeared in shows at various venues in Manhattan, including the Back Fence in Greenwich Village, the Producer’s Club, the Black Door Gallery on W. 26th St., and one other place she can’t remember, but it was in a basement, and she was well received. She is the Assistant Art Director for Yellow Mama.

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