Black Petals Issue #109 Autumn, 2024

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Editor's Page
Artists' Page
BP Guidelines
Mars-News, Views and Commentary
Alone: Fiction by Ed Teja
An Empty Tank: Fiction by Rivka Crowbourne
Anne of the Thousand Years: Fiction by Kenneth James Crist
Contract Re-negotiation: Fiction by Martin Taulbut
Dark in Motion: Fiction by Jamey Toner
Hidey-Hole: Fiction by Cindy Rosmus
Men, Like Flies: Fiction by R. J. Melby
Rats Are a Garbage Man's Best Friend: Fiction by Tom Koperwas
The Catalyst: Fiction by David Hagerty
The Farmhouse: Fiction by Fred Leary
The Bridge: Fiction by Jim Wright
Walk in the Park: Fiction by R. L. Schumacher
What It's Like: Fiction by James McIntire
Aired Teeth: Flash Fiction by James Perkins
Cackling Rose: Flash Fiction by Hillary Lyon
He Said He Was Drunk When He Dropped the Candle...Poem by Juleigh Howard-Hobson
Once it Begins: Poem by Juleigh Howard-Hobson
Unexpected Request at the Psychic Faire: Poem by Juleigh Howard-Hobson
The Wolf Man and the Sex Trafficker: Poem by LindaAnn LoSchiavo
NONET Transformed: Poem by LindaAnn LoSchiavo
Wolf Girl Relishes the Wolf Moonrise: Poem by LindaAnn LoSchiavo
Attack of the Twarnock: Poem by Daniel Snethen
Reign of the Dragon: Poem by Daniel Snethen
And Renfield Eats: Poem by Daniel Snethen
Babylon: Poem by Craig Kirchner
Surfing Senators: Poem by Craig Kirchner
Sizar of Xanadu: Poem by Craig Kirchner
In Loving Memory of Our Aunt, Lisa Pizzaro: Poem by Craig Kirchner
Madeline: Poem by Simon MacCulloch
Cobwebbery: Poem by Simon MacCulloch
The Melted Man: Poem by Simon MacCulloch
Blood Tub: Poem by Simon MacCulloch
Jack the Necromancer: Poem by Simon MacCulloch
Dead Man's Body: Poem by Simon MacCulloch
As On Our Sinner's Path We Go: Poem by Vincent Vurchio
Beware the Glory: Poem by Grant Woodside
Scattered Journey: Poem by Grant Woodside
summer gold is only sand: Poem by Grant Woodside
you can't teach the wrong loyalty new tricks: Poem by Renee Kiser
House of Dark Spells: Poem by Sandy DeLuca
In My Pyramid Texts: Poem by Sandy DeLuca
Monsters Then and Now: Poem by Sandy DeLuca
Lord of the Flies: Poem by David Barber
Revenge Notification: Sophia Wiseman-Rose
When Hope Has Gone: Poem by Michael Pendragon
Witches' Moon: Poem by Michael Pendragon

Fred Leary: The Farmhouse

109_bp_farmhouse_april_lafleur.jpeg
Art by April Lafleur © 2024

The Farmhouse

 

Fred Leary

 

He had bought Elderberry Farm through a local real estate dealer named Gerry Weisel in the spring of 1965. He was some type of doctor, but those in the town all knew him simply as Reginald Snowe, when he made his furtive visits to town for groceries. For the most part, he kept to himself in the unobtrusive, natural-shingled farm house on a little knoll at the end of Elderberry Lane.

The fields had gone fallow and the collapsing barn had not seen a cow or a chicken for a very long time. However, in a shed behind the house, lived a man named Raoule. Snowe referred to him as a “farm hand” on a town census form.

People who trespassed on the property, day or night, were quickly met by Raoule and his Winchester shotgun. The man was better than a watchdog. Rumors abounded in the rural Connecticut town, but no one could say just what Snowe was “up to.” They only knew that occasionally on clear, starry nights, a strange vibration apparently emanating from the farmhouse, could be felt through the shoes on your feet…

Whatever he was doing also interfered with radio and television reception and some folks claimed that they got a strange “ticking” sensation in their heads. Snowe frequently left the farm in his old GMC panel truck. No One knew where he went. A feller named Darby Conant and his son Ebb were coming back from fishin’ one day. They decided to chance cutting through the posted property.

The panel truck had just backed up to the rear of the house. Darby and Ebb hid in the bushes and watched. Raoule came out and he and Snowe unloaded the contents of the truck into the walkout basement. Boxes. “Emerson Radio Co.,” and “Radiomarine Corp.” There were rolls of Bx wire and rolls of rubber hose, several metal drums and bundles of copper and brass tubing.

Another time, Snowe had a truckload of lumber delivered and he and Raoule constructed an oversized, eight-sided cupola on the roof of the house. At night sometimes a low whirring noise came from the church-steeple-like addition. When things became too noisome, the county Sheriff, Hank Kudgel, got wind of it and decided to have a look-see and find out just what was going on at the lone farmhouse.

When the Sheriff’s black-and-white ’55 Ford “radio car” pulled into the long dirt driveway, the place looked deserted. The lawman had not gotten to the front door, before Raoule came from another door around the corner of the covered porch.

“Can I help you, Sir?” he said.

Kudgel tipped his Smoky Bear hat back on his grey buzz-cut hair.

“I believe you can. Is Dr. Snowe at home?” the Sheriff asked.

“He’s busy. He doesn’t want to be disturbed.”

“Well, that’s what I come about. What the devil are you two up to out here anyway?”

“Up to?” Raoule asked, smirking.

“Yeah, up to!”

“Meteorology.”

“Meteor-whategy?”

“Studying the weather,” Raoule said dryly.

“You ain’t some kinda commie spies, are ya?”

“Hardly,” Raoule retorted. “The Doctor may need my assistance. May I go?”

“I guess so, but I’ll be back to see the Doctor at some point.”

“Righto,” Raoule said and went back in and shut the door.

Sheriff Kudgel fixed his hat, sidled over to his car, got in and roared backwards out of the driveway. If he had known what they were really “up to,” he would have called in higher authorities…

 

It was a clear night. The moon looked like a big, yellow disc. Jupiter and Saturn were visible to the eye and spun broodingly in the western sky. The “machine” Dr. Snowe and Raoule called “Adornis 607” literally filled every room of the dwelling. The machine that was constructed with “Avium-K,” (an alien fuel source, which went missing from the government’s 1947 Roswell site collection) had found its way into Snowe’s possession. (one grain of Avium-K, roughly the size of a BB) could power 50,000 homes for a hundred years. It was the machine that they painstakingly built over ten years, in several locations before they found the isolated farmhouse. Dr. Snowe was sitting in a seat, in front of a 12” diameter, black-and-white picture tube, (round).

“All right, activate #51, Raoule…now, #16, now #31…they went through a long list. Innumerable gauges sprang to life. Ichorous dark green liquid filled miles of clear tubing. Hundreds of vacuum tubes glowed. The doctor slowly turned the “gradated modulating dials.” The “lens cone” in the cupola on the roof moved its invisible beam, probing planets in far away galaxies, in the unplumbed depths of outer space.

The snowy screen suddenly became a blurry alien landscape…Dr. Snowe held the lens cone position and turned a series of fine-tuning knobs. He switched on a nearby sound speaker. In the foreground, there was a clump of tree-like tubes with serpentine-like “heads,” swaying hypnotically. From the right side of the screen came what looked like a metal wire “tumbleweed,” with a glowing ball of brilliant light at its center. The eyeless “serpent heads” all bit onto it and a fight ensued. Snowe watched intently. The faraway battle reflected in his bulging eyes. Eventually, the ball of light was consumed by the translucent serpent stalks and  lighted their bodies. The metallic-looking sand at its base began to fall away and the “thing’s” segmented lower body, looking like a giant shrimp, “fanned” its way free and it moved out of view.

Snowe and Raoule watched as the “mountain range” in the background raised up on uncountable legs and lumbered away like a gargantuan silverfish. The doctor noted a dozen coordinates on a steno-pad under the heading of, “Planet #GT-1.” Afterward, a vacuum tube popped and the picture tube went all fuzzy. Raoule replaced the blown tube. They had lost the signal.

After spending night after night in the glow of the picture tube, scanning deep space, “Look!” Raoule shouted. A dirge-like groaning came from the speaker. On the screen, a long procession of tall, gaunt, robed figures endlessly marched out of the aether. Each carried a spinning orb. When they reached a certain point in dark space, like a blank curtain with a large tear in it, exposing a brilliant, blinding light. As each passed the glaring furnace, they solemnly threw the planet they carried into the inferno. Then they crept away, to gather more planets. The doctor and Raoule watched in horror as worlds were destroyed. They eventually shut it down. The sun was coming up. That day, they didn’t energize “Adornis 607.” Instead, Raoule got drunk and Dr. Snowe sat in an Adirondack chair on the porch, chain smoking cigarettes.

Two nights later, the machine energized on its own! The machine had been left on the coordinates, “PS-2,” or so they thought. There were troubling sounds coming from the speaker. When they hurried into the room, there was a silhouette on the television of a humanoid entity with 6” horns on its head. Its facial features were mercifully hidden in the shadows. A thundering, echoing voice said, “I am Sicatur Adastra, the Omnimpotent one from the stars. Who dares to disturb me? Congratulations, Son of Dirt, you have learned secrets no human-insect should know…your world now must be purged in my fire! We are following your signal!”

Raoule screamed, “Turn it off!”

“No, Raoule, the Earth must be purged. All hail Sicatur Adastra!”

“You’ve gone mad!” Raoule shrieked. “They’ve located us!”

“Kneel before the Great One!” Dr. Snowe shouted.

“Shut it off!”

“No, you fool,” the doctor said and he shoved Raoule down the open cellar stairs.

“We’ve almost located you,” the loud crackling voice said from the speaker.

Raoule, impaled by a steel rod, through his midsection, staggered in the kitchen door, holding the shotgun. The first barrel blasted Dr. Snowe. The second barrel blasted “Adornis 607,” blowing out a bank of vacuum tubes. The picture tube went dark.

The bodies of Dr. Reginald Snowe and his “farmhand” were found in the rubble of the farmhouse that had been inexplicably crushed flat, into its foundation hole. Raoule’s shed was also flattened as well as the collapsing barn and several large oak trees. Even more disconcerting was the pilot that had flown over the site days afterward and reported that, from the air, the indenture in the ground, which encompassed Elderberry farm, looked like a giant footprint…

Sheriff Hank Kudgel said it was an explosion! No one cared to disagree…

Finis!

Fred Leary was born in a town South of Boston in 1963. Fred attended the University of Bridgeport. He did a variety of jobs; store clerk, truck driver, carpenter, asbestos worker, cartoonist and his last 18 years of employment as a municipal health inspector. He was married for 25 years and has 4 adult daughters and 3 grandchildren. He has done many things in his life but has remained true to his art.

April Lafleur’s distinctive painting style is inspired by German Expressionism, emphasizing the artist’s deep-rooted feelings or ideas, evoking powerful reactions-abandoning reality, characterized by simplified shapes, bright colors, gestural marks and brush strokes. Masters like Kirshner and Marc come to mind when viewing April’s dynamic paintings.

April has earned an AFA at the Community College of Rhode Island, where she had the privilege of studying with Bob Judge, a masterful painter who has worked as an artist for over sixty years. Her studio is located at the Agawam Mill in Rhode Island.

https://www.aprillafleurart.com/

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