Black Petals Issue #109 Autumn, 2024

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Alone: Fiction by Ed Teja
An Empty Tank: Fiction by Rivka Crowbourne
Anne of the Thousand Years: Fiction by Kenneth James Crist
Contract Re-negotiation: Fiction by Martin Taulbut
Dark in Motion: Fiction by Jamey Toner
Hidey-Hole: Fiction by Cindy Rosmus
Men, Like Flies: Fiction by R. J. Melby
Rats Are a Garbage Man's Best Friend: Fiction by Tom Koperwas
The Catalyst: Fiction by David Hagerty
The Farmhouse: Fiction by Fred Leary
The Bridge: Fiction by Jim Wright
Walk in the Park: Fiction by R. L. Schumacher
What It's Like: Fiction by James McIntire
Aired Teeth: Flash Fiction by James Perkins
Cackling Rose: Flash Fiction by Hillary Lyon
He Said He Was Drunk When He Dropped the Candle...Poem by Juleigh Howard-Hobson
Once it Begins: Poem by Juleigh Howard-Hobson
Unexpected Request at the Psychic Faire: Poem by Juleigh Howard-Hobson
The Wolf Man and the Sex Trafficker: Poem by LindaAnn LoSchiavo
NONET Transformed: Poem by LindaAnn LoSchiavo
Wolf Girl Relishes the Wolf Moonrise: Poem by LindaAnn LoSchiavo
Attack of the Twarnock: Poem by Daniel Snethen
Reign of the Dragon: Poem by Daniel Snethen
And Renfield Eats: Poem by Daniel Snethen
Babylon: Poem by Craig Kirchner
Surfing Senators: Poem by Craig Kirchner
Sizar of Xanadu: Poem by Craig Kirchner
In Loving Memory of Our Aunt, Lisa Pizzaro: Poem by Craig Kirchner
Madeline: Poem by Simon MacCulloch
Cobwebbery: Poem by Simon MacCulloch
The Melted Man: Poem by Simon MacCulloch
Blood Tub: Poem by Simon MacCulloch
Jack the Necromancer: Poem by Simon MacCulloch
Dead Man's Body: Poem by Simon MacCulloch
As On Our Sinner's Path We Go: Poem by Vincent Vurchio
Beware the Glory: Poem by Grant Woodside
Scattered Journey: Poem by Grant Woodside
summer gold is only sand: Poem by Grant Woodside
you can't teach the wrong loyalty new tricks: Poem by Renee Kiser
House of Dark Spells: Poem by Sandy DeLuca
In My Pyramid Texts: Poem by Sandy DeLuca
Monsters Then and Now: Poem by Sandy DeLuca
Lord of the Flies: Poem by David Barber
Revenge Notification: Sophia Wiseman-Rose
When Hope Has Gone: Poem by Michael Pendragon
Witches' Moon: Poem by Michael Pendragon

David Hagerty: The Catalyst

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Art by Henry Stanton © 2024

The Catalyst

 

by David Hagerty

 

Carrie awoke to find a low, gray cloud hovering over her town and a thick ash covering her garden. Since her retirement, she’d spent many hours a day watering, weeding, fertilizing, and pruning it. As a widow with no children, she diverted her motherly impulses toward her plants. She worried that the ash—which felt tacky and smelled of ammonia—would damage the leaves, so she sponged them clean and cleared the debris from around the roots.

She assumed the ash emanated from the refinery, which occupied half the city’s land mass, with smoke stacks several times the height of the tallest building. Locals could ignore occasional flaring, when the chimneys lit up like blow torches, but not this belching of contaminant. It resembled nothing they’d seen before, and it left an acrid odor long after the ocean breezes should have cleansed the air.

Still, officials made no declarations that day. The refinery put out no announcement, nor the mayor’s office. Carrie checked with the city police and the Central Coast Air Management District, but neither offered any information beyond what she knew already: the streets were covered in this dense, vaporous sludge. The regulators acted inured to the secretions of these industrial beasts, which dotted the coastline like dormant volcanoes.

That evening brought the most brilliant sunset anyone could remember, a kaleidoscope of hues blurring from orange to red to purple. People crowded the beaches to record it with their cameras and cell phones. Carrie watched the show from the porch of her bungalow, gossiping with her neighbors, Bill and Sidney.

“Probably just the ash,” said Bill, an aging hippie with a biker’s handlebar moustache and a gray ponytail. He read the news each day on his front porch while enjoying a coffee and a smoke, but the local paper gave no explanation for the release.

“That’s no smog,” Sid said. “It’s toxic!” She held up a bare arm, which was speckled with dust.

“If you buy a house near the airport,” Bill said, “you can’t complain about plane noise.”

Carrie had known them since she moved into town a dozen years before. Although they bickered frequently, they were always warm and kind to her. This time, Carrie sensed a deeper acrimony. Before he retired, Bill sometimes fit pipe for the refinery. Sid kidded she never forgave him for his complicity.

The next day brought no new discharges, yet downtown Carrie overheard people talking about it as if an earthquake had shaken their foundations and cracked their windows. They speculated about what was in the sludge, which was so thick that no broom or hose could remove it from their cars and front porches. Was it safe to touch? To breathe? Should they bag it for the trash man or haul it to the hazardous waste facility?

Finally, two days after the extrusion, the city council put out a statement assuring residents that the release was merely a “catalyst” no more harmful to human health than steam. As a “precaution,” it recommended that citizens refrain from eating foods produced by their gardens.

Carrie resisted the advice. Her front yard contained flowering natives, like yarrow and wild lilac and Santa Barbara daisy, which held up under the heavy ash. However, in back she grew an array of vegetables, including squash and peppers more flavorful than anything from the supermarket, plus fragrant mediterranean herbs (basil, rosemary, sage), which thrived in NorCal. Most of the edibles had already blossomed, and it was too late into spring to replace them. She refused to waste their produce because of some air pollution, so she carried the potted ones, the tomato stalks and budding beans, into the house as protection against future discharges.

If the town’s leaders hoped locals would quickly forget, they had to reassess a few days later when hundreds of citizens attended a council meeting to question, complain, and speculate about what had fallen upon them. Carrie attended in hopes of learning something more definitive about the soil contamination. The mayor again assured everyone that their neighbors at the refinery would have disclosed any hazards created by the discharge.

“The refinery has been here since the city’s founding,” Mayor McBride said. “Over a hundred years. Longer than any of us have been alive.”

“Or will be if this acid rain keeps up,” yelled Stan Smith, a local restauranteur who’d closed his outdoor seating when the ash stained his patio an off-putting gray.

“Many of our own neighbors work there,” Mayor McBride said.

“You mean your campaign contributors,” Smith said.

Although no one from the refinery attended the meeting, the mayor said it had “kindly” offered a free car wash to every resident who requested it and had donated a ton (literally) of topsoil to replace that in their gardens. His defense sounded genuine—except McBride worked as a realtor and guarded against any scandal that could harm housing prices.

“What about the plants?” Carrie asked.

“What about the people!” Smith shouted.

Rather than answer either question, the mayor called on other speakers, then repeated the same weak assurances. In such a small town, the refinery possessed more clout than all the residents combined. However, frequent coughing from the audience interrupted the debate—whether genuine or put on, Carrie couldn’t tell.

That night, after she returned home, Carrie noticed her squash blossoms had turned gray. Most of her other plants struggled on, but several had withered. She harvested what produce she could and pruned the remaining stems as she would before winter. From a few she took clippings to place in the sill of her window, hoping to coax some new roots.

The next day, Carrie overheard people at the grocery and the pharmacy comparing new signs of illness: fatigue and forgetfulness. They described aches in their joints and difficulty standing up straight. Since all these symptoms were invisible and unmeasurable, she ascribed them to fear and anxiety, most likely psychosomatic.

Still, when Carrie monitored herself, she noted more trouble sleeping through the night, more stiffness while bending in her garden—as if she had suddenly grown old. In her later years, she’d maintained her health with daily walking, yet lately she felt short of breath. Probably just a side-effect of listening to so much hypochondria.

However, she considered herself a scientist as well. She’d read many books on botany and horticulture. Instead of fretting, she filled a mason jar with some dirt from her yard and sent it to a lab that would analyze anyone’s topsoil for a small fee.

While she waited patiently for the results, other residents grew restless. They wrote angry and accusatory letters to the newspaper. They posted long, rambling screeds online about their new maladies. They marched outside the refinery, with picket signs such as “Can the Catalyst” and “Stop Purple Rain.”

The company remained quiet, keeping its gates locked and its lights low. In fact, the facility appeared to have shut down. Not even the thin smoke it usually produced escaped its chimneys. Only a few unmarked panel vans occupied its parking lots, and other than the guards at the front gate, no workers appeared inside.

Late one night, someone breached the fence and sprayed painted a single word across a storage tank in neon orange: Bio-hazard. The next day, the local paper reported that guards had detained two men at the entrance who impersonated workers. Refinery officials said that they planned to sabotage the plant, as though amateurs could sleuth out the weak spot in a huge tangle of pipes controlled by PhDs.

Finally, the company posted a statement at its gateway in large print.

“We recognize the distress that a recent emission has caused this community and regret any inconvenience. However, as scientists, we can assure our neighbors that the discharge poses no threat to human health. We are proud of our safety record. Thus, we pledge to inform local officials and educate local citizens about the operations of this facility.”

Bill shrugged it off. “What did people expect, a signed confession?”

“How about an apology,” Sid said. “A mea culpa. An act of contrition?”

Other townspeople echoed her skepticism. A small mob formed a human fence to block the entrance to the refinery. They demanded a full accounting, opposed all operations until the company heads spoke to them. Police in plastic shields and latex gloves pushed them back off the streets with batons, but the next morning they returned and lay down in the driveway. This time, officers carted them away in barred vans.

Carrie continued her rational analysis, monitoring her symptoms each day and recording them in a journal. She noted more difficulty hearing low sounds or reading small print, plus a light headedness when she stood too quickly, and a sour taste on her tongue that no mouthwash could relieve. Nothing she could quantify, but harder to dismiss.

All the while she tended her plants, which proved more resilient. Those she’d cut back quickly showed new growth. Even the squash blossoms, which appeared dead only a few weeks before, had sprouted new leaves and blooms. If anything, the emission stimulated them. The tomatoes had gained three inches, the peas exhibited new buds, the flowers looked more colorful. Instead of the pale yellow they usually produced, her marigolds tinged purple, like the stems sold by florists that had been soaked in food dye. Carrie examined the petals closely but saw no other variance from their usual shape, size, or texture. Even their sweet smell remained the same, suggesting the “acid rain,” as Smith termed it, contained only some harmless chemicals.

At last, the soil sample came back. The envelope looked thinner than she expected, with only a single sheet of paper inside. It included a short analysis of the chemical content, the nitrogen, carbon, hydrogen and oxygen, which measured typical for the region. Yet in the section marked contaminants, the lab listed one: unidentified substance.

What did that mean? In all her years of gardening, the lab had never failed to isolate a component. Was it some element not included on the periodic table? Some new synthetic compound? And did that explain the sudden rebirth of her plants?

Regardless, the town withered. The stores along Main Street emptied. Some hung up signs: closed due to illness. The parks sat vacant except for a few dogs running free off leash, as though their owners were too fatigued to walk them.

Carrie also noted her own difficulty summoning the energy to stand or eat much less garden or walk, as though she were aging prematurely. She charted how much activity she could tolerate. Over the span of several weeks, the average fell from ten hours per day to eight, then five. It was all she could do to feed and care for herself and her houseplants.

On a particularly bad morning, as she was sitting in a brain fog staring at the stems she’d left on the windowsill, she noticed a profusion of new roots so thick and dense they pressed against the walls of the glass, dangling like the tentacles of a jellyfish.

She removed one stem to examine it more closely. The roots felt not only wet but slick and rubbery. When she bent them, instead of breaking, they flexed. As a test, she tried to pull one loose but failed—whether due to their strength or her weakness, she couldn’t tell.

Which gave her an idea.

She placed the stem in a pot of water on the stove. Maybe if she distilled it to a tea, she could capture some of its resilience. She watched the liquid come to a roiling boil, but the root did not shrivel under the heat. Instead, it colored the water a brilliant, phosphorescent green, a tint so bright that Carrie would have assumed it was unnatural had she not known its origin.

She waited anxiously for the brew to cool, anticipating it would taste bitter and earthy, like black tea. Instead, her first sip reminded her of ginger, with a spicy sweetness that tingled her tongue. Shortly, her cheeks flushed and her belly warmed far in excess of the small dose she’d ingested. Somehow, that plant had not only cleansed the contaminant but transformed it into nourishment.

By the time she finished the entire cup, she felt more energized than she had in years.

Each morning for a week, she brewed more tea from her new stems, which could be reused half a dozen times before they failed to yield the same flavor. Meanwhile, she charted her health in the journal. Her activity not only rebounded but exceeded that before the ashy release. It was as though the tea could reverse the new signs of aging. She gardened for hours without breaks and walked for miles.

Downtown, the streets remained empty, and few stores had reopened. The five-and-dime stayed locked and dark. The hardware store hung out a for rent sign. She heard no cars passing, smelled no food cooking, not even at Stan Smith’s diner, which usually served from 6:00 a.m. to midnight. Even the clanging trains that carried goods from the refinery seemed less frequent.

Nature reacted the opposite. In untended gardens and open spaces across town, bees buzzed, hummingbirds hovered, and insects abounded. The plants had regenerated without any nourishment from their owners, despite the dry heat of summer. And the smell was astonishing!—of rosemary and marigold and hydrangea—as though every species had bloomed at once.

As people moved out, animals moved back in. Deer descended from the hillsides to nibble on private yards. Skunks and possums, which previously appeared mostly as roadkill, moved through the city streets during daylight. Carrie even found prints from a mountain lion.

She returned from her loop feeling optimistic about nature’s resilience—until she saw Bill and Sid sitting motionless on their front porch. She waved, but they only nodded in response. Even at rest, both looked exhausted.

“How are you?” she asked.

“We’re dying,” Sid said.

 Bill swatted her playfully. “I think we got a bug. Laid us both out.”

Their skin looked papery, their eyes unfocused, their faces gaunt. A pulse of guilt pounded inside Carrie, accusing her of neglecting her friends. She thought of offering up her home brew but hesitated, not wanting to pull them into her experiment. Wouldn’t that be unethical? No. Her treatment was therapeutic.

“I have something that might help,” Carrie said and retrieved a jar of her home brew. Briefly, she explained the elixir it had been for her.

Sid studied the green liquid skeptically. “What is it?”

“Don’t worry,” Carrie said. “It’s all natural. From my garden.”

Bill sipped it, then smiled at Sid. “It tastes good—like those energy drinks, but better.”

Within minutes, the color returned to his face and the strength to his posture.

“You should sell that,” Bill said. “You could charge more per ounce than pot.”

Yet Carrie didn’t know enough about how the concoction worked. Did only one plant yield these results, or would any stem? She needed to test it.

For the next week, she brewed tea from several different plants, which all produced the same vibrant water. To her they tasted similar, of ginger and honey, but with a tangy finish. It had to be the catalyst.

Heartened, she tried to contact a rep from the refinery. She called their P.R. office but reached only a voicemail. When she emailed them, she received only an automated reply. Early one morning, before the few remaining protestors arrived, she approached the gate with a bottle of her tea, yet the guards turned her away as though she were a terrorist bearing poison.

Finally, an employee who declined to identify himself called. “You should dispose of that,” he said, and hung up.

Cowed by the warning, Carrie stopped drinking the tea and resolved to forget her discovery.

Yet within a few days, her symptoms returned—only more strongly. She felt too tired to walk or work, could hardly focus her thoughts long enough to eat. When the doorbell rang, she dragged herself across the house to find Bill and Sid sagging on her porch.

“You have some more of that home brew?” Sid asked.

They shared a slug and quickly experienced the same effects as before, only heightened. Within minutes, Carrie could see more clearly, hear more sharply, taste more fully.

Perhaps, like many medicines, she needed to wean herself. The company had called the release a “catalyst.” Did that equate to a stimulant, like caffeine or ephedrine? If so, should she taper until . . . what? Her garden gave out? Or her body did? Maybe it needed to generate those chemicals itself. There were worse cures than a tasty drink—but still. Even as she aged, Carrie never wanted to depend on pharmaceuticals.

She tried cutting back the dosage by a fourth and then a third, but the effects reduced proportionally. True, she could get through her day, but she missed the rejuvenation she’d felt. She hesitated to call it an addiction, but she did sense a dependency forming in herself and her neighbors, who equally craved that release. Plus, what would she do if she ran out of roots? Could she stretch their sustenance over the long hibernation of winter?

To hedge against shortages, she took cuttings from every plant in her garden that could survive pruning and assembled a line of mason jars along her window sills. Yet when she checked them in the days after, only some exhibited new growth. The perennials rebounded, but the annuals all shriveled. She blamed the summer doldrums, when many plants struggled to survive the heat.

Then, the first person died, an older woman in poor health. Carrie read about her in the local newspaper. Absent any official acknowledgement of the plague, people blamed the contamination. The paper reported their rumors and gossip as though they were facts.

When a man succumbed to his symptoms—which mirrored those Carrie noted in herself, fatigue and forgetfulness—it amplified everyone’s fears. He was middle-aged and previously in good health, the paper reported. Carrie wrote a letter to the editor, suggesting the catalyst had accelerated the effects of aging and urging the townspeople to try her tea cure.

The night her note appeared in print, someone snuck into her yard and dug up half a dozen plants. The empty holes looked like graves for an impending funeral.

After that, Carrie kept her discovery to herself. She couldn’t share her produce with everyone and hope it would last through the winter. Only Bill and Sid seemed to follow her advice, brewing tea from their own plants.

Meanwhile, the city emptied. Businesses that had closed never reopened, for sale signs sprouted outside houses like mushrooms, moving vans proliferated, and the refinery remained stagnant. Even the protestors had dispersed like the cloud of ash that precipitated it all. The town had grown up around the refinery, but now it was dying along with it.

Carrie hated the idea of moving, especially after she’d found the cure in her own back yard. True, she could uproot and relocate the plants, but would they reproduce the same medicinal effects elsewhere? Even someplace a few miles distant would have different soil, light, and drainage, especially one untouched by the catalyst. Would the symptoms she’d experienced move with her? The paper published no news of the émigrés, suggesting they had all disappeared. Or maybe died.

Carrie resolved to stay as long as her stock of medicines held out. To protect against the long dormancy of winter, she took clippings of perennials throughout the town and set up a grow station in her dining room worthy of a pot farm. She calculated their produce and rationed herself to just enough tea to get through each day.

Then she sat back on her front porch and watched the town empty. By fall, only Bill and Sid remained. They developed a ritual each morning, downing the tea like it was the blood of Christ, transubstantiated into an elixir.

As Carrie gazed out over her front yard, it looked as vital and healthy as ever. The sage was fragrant and green, the yarrow burst with yellow stems, and sparrows called to each other in the Oaks.

Perhaps nature would redeem the town in ways its inhabitants could not.

 

END

     David Hagerty has published more than 50 short stories online and in print. He has also authored the Duncan Cochrane mystery series, which chronicles crime and dirty politics in his hometown of Chicago. Real events inspired all four novels, including the murder of a politician’s daughter six weeks before election day (They Tell Me You Are Wicked), a series of sniper killings in the city’s most notorious housing project (They Tell Me You Are Crooked), the Tylenol poisonings (They Tell Me You Are Brutal), and the false convictions of ten men on Illinois’ death row (They Tell Me You Are Cunning).

Henry Stanton's fiction, poetry and paintings appear in 2River, The A3 Review, Avatar, The Baltimore City Paper, The Baltimore Sun Magazine, High Shelf Press, Kestrel, North of Oxford, Outlaw Poetry, PCC Inscape, Pindeldyboz, Rusty Truck, Salt & Syntax, SmokeLong Quarterly, The William and Mary Review, Word Riot, The Write Launch, and Yellow Mama, among other publications. 

His poetry was selected for the A3 Review Poetry Prize and was shortlisted for the Eyewear 9th Fortnight Prize for Poetry.  His fiction received an Honorable Mention acceptance for the Salt & Syntax Fiction Contest and was selected as a finalist for the Pen 2 Paper Annual Writing Contest.

A selection of Henry Stanton's paintings are currently on show at Atwater's Catonsville and can be viewed at the following website www.brightportfal.com.  A selection of Henry Stanton’s published fiction and poetry can be located for reading in the library at www.brightportfal.com.

Henry Stanton is the Founding & Managing Editor of The Raw Art Reviewwww.therawartreview.com.

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