Black Petals Issue #110, Winter, 2025

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Editor's Page
Artist's Page
Mars-News, Views and Commentary
Bait and Switch: Fiction by Hillary Lyon
Dark: Fiction by David Barber
Hungry Ghosts: Fiction by Andre Bertolino
Milk and Honey: Fiction by James McIntire
Serialised: Fiction by Marvin Reif
The Evidence: Fiction by Eric Burbridge
The Good Boy: Fiction by Lena Abou-Khalil
The Old People: Fiction by Susan Savage Lee
Workin' Overtime: Fiction by Roy Dorman
Coyote: Flash Fiction by Zvi A. Sesling
Get Up and Dance!: Flash Fiction by Cindy Rosmus
New Bedford Incident: Flash Fiction by Zvi A. Sesling
Snowcorn: Flash Fiction by Rick McQuiston
The Muskie: Flash Fiction by Charles C. Cole
Shock Waves in Metropolis: Poem by Joseph Danoski
The House of Flies: Poem by Joseph Danoski
The Man on the Mountain on the Moon: Poem by Joseph Danoski
Black Mirrored Hot Pink Tears: Poem by Casey Renee Kiser
Candy Necklace: Poem by Casey Renee Kiser
Graveyard of the Sea: Poem by Kenneth Vincent Walker
Nefelibata Rises: Poem by Kenneth Vincent Walker
Skeleton Key: Poem by Kenneth Vincent Walker
Banana Fever: Poem by Craig Kirchner
Anointing: Poem by Craig Kirchner
Exit-Clear of Regret: Poem by Craig Kirchner
Parasite Mine: Poem by Lisa Lahey
Sea Change: Poem by Simon MacCulloch
Son of a Gun: Poem by Simon MacCulloch
Birds of Pray: Poem by Simon MacCulloch
Vengeance: Poem by Stephanie Smith
While I bleed: Poem by Donna Dallas
Scratched: Poem by Donna Dallas
Malady: Poem by Donna Dallas

David Barber: Dark

110_bp_dark_kellymoyer.jpg
Art by Kelly Moyer © 2025

Dark

 

by David Barber

 

 

She swerved to avoid a sudden deer and clipped a tree. The air bag saved her, but the car was a wreck.

Back in the city you just took a charged battery to a showroom and drove out a new car. Here, she hiked all afternoon before spotting the man loading boxes into a cargo van.

The gas station on the highway had been gutted long ago; today Frank was scavenging the straggle of buildings behind it, where a pair of rusting cars blocked the only street, nose to nose, doors open, as if their drivers had just got out to argue. It meant he had to carry each load back to his van and it took so long the autumn light was beginning to fail.

This was his last, anxious haul: a cardboard box full of candles and books.

Gotta get back, gotta get back, he hummed. Gotta get back with the paperbacks.

"Keep hold of the box," said the woman, pointing a rifle. "I just want the keys to your van."

He had the wild hair and unwashed look of a loner, and he refused to hand over the keys, just kept repeating he wouldn’t get back before dark if he did that.

"I made a house safe," he explained earnestly. His gaze shifted everywhere except to meet hers. "You can hide there tonight and we’ll find you a car tomorrow."

He sounded so matter-of-fact, it almost made sense.

She’d once shot a man who tried to corner her, but this one was just bewildered and lost and her finger eased off the trigger. In the end, she found herself in the back of his van as he drove, trying to ignore the reek that came off him.

After a while he volunteered his name. "Name's Frank."

"Jane," she said, not sure why she lied.

Frank, Frank, safe as a bank, he hummed to reassure her as they drove down empty roads, past deserted farms, bumping over rusty railroad crossings.

The house had planks nailed across the windows and shiny new bolts fitted to the doors, with a kind of panic room upstairs. It was bare except for a heavy dresser that Frank heaved across the door.

"They’ve never tried to get in," he admitted. "But I keep the shotgun handy because I can't stay awake all night."

He gave her a hopeful smile, one she suspected wasn’t used much.

She shook her head and sank down in the corner opposite him. She took the shells from his shotgun and leaned it next to her rifle.

"I’ve got..." He examined dented tins stacked by a primus stove. "Food, if you want it."

What she didn’t want was to hear his story. He sat with his arms round his knees, rocking and rocking, and eventually her eyes grew heavy. She was woken by a thump on the wall behind her.

He leapt across the room and they struggled for her rifle, his eyes wide with panic.

"It’s old," she managed to say. "Old houses settle."

They stood like statues while the window rattled and there were bangs as if someone was using a lump hammer on the brick.

In the sudden silence his grip on the barrel loosened.

"You’re being stalked, Frank." By some other pitiful, deranged loner.

She pried the rifle loose. "Let’s find out."

But he shrank away, terrified, and she saw how it must be for him, barricading himself in this room night after night, devoured by dread and loneliness.

"You don’t understand," he said finally, and began to whisper a nightmare of childhood about something coming back from the dark, like in olden times, when all we had were caves to huddle in and campfires to keep it away.

She told him to be quiet and pulled the blanket tight around her, blaming the cold.

Next morning, they jump-started an abandoned SUV, the last vehicle in an ancient two-lane traffic jam, and as she siphoned gas from car after car, he rambled on about the expiry dates on cans, asking what the women in her commune would do when the tinned food ran out.

The date on the tin, the date on the tin, he hummed. Tells you about the state it’s in.

"Let me come with you," he blurted suddenly.

Of course they’d never vote him in, but she found she couldn’t say no to his face. Instead, she explained what she’d been doing out here, hunting down items for her group, like the nitrous oxide cylinder she’d left in the crash.

"We have a doctor. Well, a paramedic. Maybe you could locate stuff for her. You’d be good at that."

"I’d still be on my own."

"We’ll make sure your stalker doesn’t follow us."

He tried to explain about victims, but she didn’t understand. She didn't even seem to know how strong she was. Wolves go for the weak and sickly. All victims know that.

As they drove in convoy towards the city, backtracking around blocked roads, he wondered what she did to pass the time. He hummed the victim, the victim, the wolves always pick 'im.

When it was obvious they wouldn’t make it before dark, he signalled a halt and was panic-struck when he found she planned to sleep in her SUV.

"Safer together," he insisted. "Unless I can have my gun back."

So she watched him getting the van ready, performing the rituals to keep them safe inside, and was startled awake in the night by someone banging on the outside of the van.

"How did they follow us?" she yelled over the din.

Of course, he’d padlocked the back doors, so to get out she had to shove past him into the cab with her rifle, and he was still struggling with her when the booming stopped.

She knew it was wrong bringing him back with her. For a time, she’d imagined sending him off like a dog to fetch useful stuff, rescuing him with her company and her reasonable words.

Perhaps after a haircut, bathing again, less mad, but she knew it wasn’t possible, that it was a responsibility she didn’t want.

As they neared the city, she kept looking behind her, but no one was following.

"You have to trust me," she told him, "While I go and explain things."

His van dwindled in her driving mirror, the only vehicle in a Whole Foods parking lot gleaming with rain.

She put off going back the next day, and the next.

His drivers’ door was open and the van was empty, his shotgun and a lamp on the asphalt. He’d listened to her and tried to be brave.

So many thoughts before, so many loud voices. Now the world lay defenceless.

She never told her people, but afterwards she was always back before dark, repeatedly checking the doors were locked, safe in their kitchen, with company and chatter, in the soft glow of the oil lamps.

The dark, the dark, she hummed. Not scared of the Dark.

 

 

The End

David Barber lives in the UK. His poems have sometimes appeared in Star*Line, Apex, Strange Horizons and Asimov’s. (He framed the cheque). Though nominated, he has never won the Rhysling Award.

Kelly Moyer is an accomplished poet, photographer and fiber artist, who pursues her muse through the cobbled streets of New Orleans’s French Quarter. Her collection of short-form poetry, Hushpuppy, was recently released by Nun Prophet Press.

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