Black Petals Issue #110, Winter, 2025

Home
Editor's Page
Artist's Page
Mars-News, Views and Commentary
Bait and Switch: Fiction by Hillary Lyon
Dark: Fiction by David Barber
Hungry Ghosts: Fiction by Andre Bertolino
Milk and Honey: Fiction by James McIntire
Serialised: Fiction by Marvin Reif
The Evidence: Fiction by Eric Burbridge
The Good Boy: Fiction by Lena Abou-Khalil
The Old People: Fiction by Susan Savage Lee
Workin' Overtime: Fiction by Roy Dorman
Coyote: Flash Fiction by Zvi A. Sesling
Get Up and Dance!: Flash Fiction by Cindy Rosmus
New Bedford Incident: Flash Fiction by Zvi A. Sesling
Snowcorn: Flash Fiction by Rick McQuiston
The Muskie: Flash Fiction by Charles C. Cole
Shock Waves in Metropolis: Poem by Joseph Danoski
The House of Flies: Poem by Joseph Danoski
The Man on the Mountain on the Moon: Poem by Joseph Danoski
Black Mirrored Hot Pink Tears: Poem by Casey Renee Kiser
Candy Necklace: Poem by Casey Renee Kiser
Graveyard of the Sea: Poem by Kenneth Vincent Walker
Nefelibata Rises: Poem by Kenneth Vincent Walker
Skeleton Key: Poem by Kenneth Vincent Walker
Banana Fever: Poem by Craig Kirchner
Anointing: Poem by Craig Kirchner
Exit-Clear of Regret: Poem by Craig Kirchner
Parasite Mine: Poem by Lisa Lahey
Sea Change: Poem by Simon MacCulloch
Son of a Gun: Poem by Simon MacCulloch
Birds of Pray: Poem by Simon MacCulloch
Vengeance: Poem by Stephanie Smith
While I bleed: Poem by Donna Dallas
Scratched: Poem by Donna Dallas
Malady: Poem by Donna Dallas

Cindy Rosmus: Get Up and Dance!

110_bp_getupanddance_bernice.jpg
Art by Bernice Holtzman © 2025

GET UP AND DANCE!

 

by

 

Cindy Rosmus

 

 

          Like musical chairs, but in reverse. Each time a good song comes on . . .

          Get up and dance!

          Like a party, but not really. You can’t remember when you got here. Not sure where you are. All you know is, you’ve got to . . .

          Get up and dance!

          Outside, the sky is charcoal-gray. Like it’s going to storm but never does. Inside, it’s bright, and disco-y, but with no sequined ball. A guy who looks familiar weaves in and out of the crowd of maniacal dancers. People of all ages who you don’t know. All you know, is they’ve got to . . .

          Get up and dance!

          “Judy in Disguise” plays the most often. That ‘60s tune by John Fred and those geeky Playboys. Judy and those stupid glasses. It came out when you were a kid. But, were you ever a kid? All you remember is dancing to it.

Vaguely, you recall mean nun teachers. Drinking a foul soda called Tab. But now, all you know is this jumping up, and twisting around, like you’ve got so much energy, as old as you are. But maybe you’re really still a kid.

          The “Dancing Plague,” back in the Middle Ages, was a real thing! People just couldn’t stop. Sometimes, they collapsed. And sometimes, you try not to think, they . . . died.

          “Born . . .” As the familiar-looking guy walks past you, the next song starts. “Born . . . to be alive!” A classic disco masterpiece.

As you jump up, you wonder if you’re dead.  

He half-smiles.

          How else could you keep this up? All the pain you’re in, with no memory of how it started. A car accident? A leap off a building? Your head feels like your neck is twisted at an impossible angle.

Did you hang yourself?

“Judy,” again! In that disguise, with those glasses. You haven’t sat down, since you were born . . . “to be alive!”

A dance marathon, you recall, in the ‘70s, back at Liberty State College. When there was a sequined ball. Thirty-six hours, but . . . “I couldn’t last thirty-six minutes,” you told the sponsors.

 

Till now.

In They Shoot Horses, Don’t They?, people danced for their lives. Desperate Gloria half-carried Sailor on her back during the derby. His heart gave out.

When will yours?

The song stops, suddenly. As you sink down, you recall an ER bed, behind a curtain. A gown that barely covered your ass. A guy with a familiar face pulling a blankie over yours. No!, you screamed, but no one heard you. No!, you screamed, louder, as he shoved you, head first, into that drawer.

And “Judy” starts again! Still in disguise, but without glasses, this time.

‘Cos they were never Judy’s.

They’re yours.

It’s always been you in disguise.

Smiling, Familiar Face gets closer. Around you, it’s even grayer and darker than outside.

Though they’re all still dancing, the others watch. Your chest swells, and swells, till you can’t bear it anymore. You go down.

And, just like in the song . . .

He takes your glasses.

 

THE END

Cindy originally hails from the Ironbound section of Newark, NJ, once voted the “unfriendliest city on the planet.” She talks like Anybodys from West Side Story and everybody from Saturday Night Fever. Her noir/horror/bizarro stories have been published in the coolest places, such as Shotgun HoneyMegazineDark DossierThe Rye Whiskey Review, Under the Bleachers, and Rock and a Hard Place. She is the editor/art director of Yellow Mama. She’s published seven collections of short stories. Cindy is a Gemini, a Christian, and an animal rights advocate.

Bernice Holtzman’s paintings and collages have appeared in shows at various venues in Manhattan, including the Back Fence in Greenwich Village, the Producer’s Club, the Black Door Gallery on W. 26th St., and one other place she can’t remember, but it was in a basement, and she was well received. She is the Assistant Art Director for Yellow Mama.

Site Maintained by Fossil Publications