Black Petals Issue #110, Winter, 2025

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Editor's Page
Artist's Page
Mars-News, Views and Commentary
Bait and Switch: Fiction by Hillary Lyon
Dark: Fiction by David Barber
Hungry Ghosts: Fiction by Andre Bertolino
Milk and Honey: Fiction by James McIntire
Serialised: Fiction by Marvin Reif
The Evidence: Fiction by Eric Burbridge
The Good Boy: Fiction by Lena Abou-Khalil
The Old People: Fiction by Susan Savage Lee
Workin' Overtime: Fiction by Roy Dorman
Coyote: Flash Fiction by Zvi A. Sesling
Get Up and Dance!: Flash Fiction by Cindy Rosmus
New Bedford Incident: Flash Fiction by Zvi A. Sesling
Snowcorn: Flash Fiction by Rick McQuiston
The Muskie: Flash Fiction by Charles C. Cole
Shock Waves in Metropolis: Poem by Joseph Danoski
The House of Flies: Poem by Joseph Danoski
The Man on the Mountain on the Moon: Poem by Joseph Danoski
Black Mirrored Hot Pink Tears: Poem by Casey Renee Kiser
Candy Necklace: Poem by Casey Renee Kiser
Graveyard of the Sea: Poem by Kenneth Vincent Walker
Nefelibata Rises: Poem by Kenneth Vincent Walker
Skeleton Key: Poem by Kenneth Vincent Walker
Banana Fever: Poem by Craig Kirchner
Anointing: Poem by Craig Kirchner
Exit-Clear of Regret: Poem by Craig Kirchner
Parasite Mine: Poem by Lisa Lahey
Sea Change: Poem by Simon MacCulloch
Son of a Gun: Poem by Simon MacCulloch
Birds of Pray: Poem by Simon MacCulloch
Vengeance: Poem by Stephanie Smith
While I bleed: Poem by Donna Dallas
Scratched: Poem by Donna Dallas
Malady: Poem by Donna Dallas

Andre Bertolino: Hungry Ghosts

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Art by J. Elliott © 2025

Hungry Ghosts

 

Andre Bertolino

 

 

     Late September 2001: Four people are sitting in a dark basement; two of them are the people that this story sketches. They are invoking a spirit into a wooden triangle. The triangle has felt feet that rest upon a square glass tabletop. Through the glass they can see the letters of the alphabet and the words “yes” and “no” written on cardboard strips. They asked the spirit, “Do you have any messages for us?” It said “yes, Bio-weapons, Miami, Stevens, 4 days.” The message was cryptic as usual. Anyone who has messed around with a Ouija board knows that there are malicious elementals floating around like radio waves, who would tell you anything they think you might want to hear. Only an amateur medium would take them seriously, but Gregor was a guided medium. He asked for more details and waited for the planchette to make an answer. All it said was, “BIO WEAPON, STEVENS, MIAMI.” Robert Stevens was a 63-year old photo editor for the Sun, a supermarket tabloid specializing in sensationalism who was at that moment in a hospital in Miami Florida dying of an unknown illness. He was feverish, nauseated, and barely conscious.

Gregor asked the spirit why this is important and the spirit told him, “ANTHRAX DEAD.” Bob Stevens indeed had Anthrax and he was soon to become the first official bioterrorism fatality in America. He had the misfortune of receiving and opening an envelope dosed with Bacillus Anthracis, manufactured by a microbiologist at Fort Detrick, Maryland. The envelope arrived at the offices of the Sun via New Jersey.

(By the 4th of October Bob Stevens’ diagnosis was beginning to hit the media, but the threat of bioterrorism and the fact that agents from the F.B.I. were involved was downplayed to the public until another case was diagnosed. In the end, five people died of inhalation Anthrax and a dozen contracted the coetaneous version resulting in lesions on the skin. Over 200 hoaxes were recorded that October and everyone was taking Ciprofloxacin Y, or Cipro. Gas masks and protective chemical suits were selling briskly.)

Within this backdrop of panic Gregor fled to New Hampshire, with Moxie. It was beautiful and quiet. While everyone else was concentrating on the dead and who was responsible for their murder, they were concentrating on each other. Not that they did so splendidly with those.

There is always some disconnect in the affairs of men and women, some transfiguring inebriation. They had met one month prior in the bookstore where Gregor was working.

He first saw her down the aisle reading a book about the Freemasons. She saw him watching her and figured that he fancied her. Really he was trying to decide whether she was a male or female. If she would go to the trouble of shaving her head and dressing like a boy than maybe she also had liposuction, silicone implants, a trachea & brow shave, scalp advance, forehead realignment, rhino contouring, maxomilliary operations, electrolysis, hormones and antiandrogens.

He spoke to her briefly while ringing her mother up, in the manner of retail clerks. He asked her why she didn’t join the Freemasons and she said “because I’m a girl.” He was intrigued. A lonely man takes the first hand that is offered him. They went their separate ways. This meeting would have been of no consequence if he had not met her again shortly after in another bookstore he worked at called Media Play on September 10th 2001. She was alone this time, looking for “Fear and Loathing in Las Vegas.” He had only been working there for a week and could not find it, so he recommended another title and asked her name. “Moxie,” she told him.

Suddenly, a predatory expression flashed across her face, a stubborn wish to snatch from life more than it could give, she turned around and headed for the sliding doors at nearly a run, leaving the book he had given her at the register. He repeated her name over and over in his head and even out loud so that he would not forget it.

When he left work on 9/11/01 and approached his bike he saw an envelope attached to the handlebars. His first impression was that he had received a ticket for illegally locking onto a stop sign. However, upon closer examination, he noticed it was addressed to “Gregor of the bookstores.” In the envelope was a Halloween card inscribed with metallic silver ink. The inscription, placement and timing were so offbeat that he was certain she was insane. He didn’t care, what he needed was to fuck up so bad that he couldn’t save himself. He hoped Moxie could help him. He figured that, since he was trained to do life the right way, the bigger the mistake the better chance he would have to break out and live a real life, and Moxie, with her resemblance to a German Sinead O’Connor, looked like a big mistake, so he was attracted to her. He regarded her as a symbol with a cryptic correspondence to himself. An alien creature who had attached herself to him, with her secret locked within her. He could see that real discoveries come from chaos, from that place that looks wrong, stupid and foolish and the dog card was all of those things. He called her as soon as he could find a payphone, and they met the next day. He thought she was pretty in a skeletal sort of way, a slight girl imaginative and serious who smelled like peppered ham, Nova lox and tobacco. When she showed up at the Middletown library the front seat of her Subaru was strewn with empty Marlboro boxes and coffee cups, her back seats were covered in old clothes and blankets and her trunk was occupied by an old Car door. The odor of curdled milk predominated. On the way to her place they listened to music and smiled like teenagers. When they arrived at her pad he met her mother and scoped the place out. It was like her car only shittier. She steered him to her room then left to take a quick shower. There weren’t any chairs in her room so he just sat on her bed and tried to stay calm.

From the start, people are trained not to take off their clothes in front of complete strangers. Keeping one’s clothes on is actually the number one rule of civilization. Even rabbits and dogs look civilized when clothed. Moxie returned from her shower and simply removed her towel. Since he had been conditioned to approach sex as negotiation, he was surprised to discover that it could be as perfunctory as brushing his teeth. When Moxie suddenly dropped her towel he became aware of what she was doing slower than a twenty year old should have. He looked over as she approached. That she saw him looking changed nothing.

She stood there naked like a chicken or a cat for a moment before she began advancing toward him leisurely. She stopped a couple feet away. There was something about her persuasiveness at that poignant moment. She knew she was the life of the party. Naked, she stepped closer to him and said, very simply, as if it were as insignificant to her as it was significant to him, “Do you want to?” At twenty, no expert but no virgin, he lived in a permanent state of want to.  She tossed herself on the bed, with legs hanging off the side. He liked her after that, so well that he went back after work the next day, to have another shot at it. Again her hidden spring worked its radiant enchantment.

     Moxie was promiscuous even in middle school; she was thoroughly satisfied with her role, enjoyed it in fact, except when her cigarettes ran out or her drugs, trivial exterior problems of no account, nothing that ate into her soul, nothing that created torment. Most of the time she enjoyed it—or gave the illusion of enjoying it. It made a difference of course whom she went with—or came with. But the principal thing was a man’s attention. That was all she craved. A man with something that could give her a sense of connection, a sense of life.

Moxie was hollow all the way through, to her vacant, flaccid, burnt out heart. It could be touched for a moment but it had no reference to any fixed point. It could detach itself for a moment from its true center. However depraved and constricting the world which she created for herself was, she could function in it superbly. That in itself was the refreshing thing about her.

Moxie was a hustler. She didn’t wait for you to come to her—she went out and grabbed you. Years later Gregor watched her practice her vocation with others. He observed as she resorted to expressions and tricks that were identical to the ones she had with him. The same Moonlit walk by the river, the same book recommendations, the same table in the same restaurant. He watched her stand at the bar and with blind defiance, throw back a gin or 10 to warm herself and to summon up strength and courage. But the fire of it penetrated her.

 

Moxie could not escape the world, and she was not responsible for the ugly way she looked. She wasn’t responsible for how she felt or what she said or how she acted or anything she did. Because she was obviously imbalanced, it was all out of her hands and he liked that. Moxie was persistent and he liked that too, so they did it in honor of man and woman, in honor of beast, in honor of god. They did it because we had been released, because we were home free, alive, and (sort of) private, because they couldn’t wait any longer, couldn’t wait for the right time or place, couldn’t wait for the future, for peace in Palestine. They did it because of the bomb, because of pollution, because of the four horsemen of the apocalypse, because extinction might be a blink away. They did it because it was Wednesday night and everyone who could was having terror sex.

She sent him home that night with her diaries, a four-year log of every time her co-workers sexually harassed her. Every botched relationship and suicide attempt, every morsel that she consumed, and the feelings—mostly self-loathing that the struggle with a disobedient appetite aroused. He found the cumulative tedium of this diary revolting yet irresistible. He could not understand her motive for giving him this. Was she trying to make her obsession formally explicit? Was it a cry for help? A warning that she was not to be trifled with? Or an expression of compulsion? Unable to answer any of these questions he put them out of his mind and focused on what he could grasp from what he had read. It seemed she found the present world offered too little in the way of satisfaction and too much in the way of uncertainty. The media led her to believe that she lived in a perpetually hostile world, and there is nothing anyone can do about it. Apocalyptic scenarios assaulted her imagination so she began to issue warnings about what was becoming imminent to anyone who would listen (which was no one). He speculated that her bulimia was an expression of chronic, anticipatory mourning for a world about to be lost. He noted that she described her compulsion in the Catholic terms. It was a rite of exorcism, purification, or redemption depending on what she ate.

The diaries assisted him in knowing that she wasn’t any more accountable for how she appeared than her car was. She was a creation of her parents and her teachers and her church and her culture. A hard drive is not to blame for its testimony, and neither was she. She was about as free to comport herself as an encoded microchip. She could not imagine any way to escape the culture she was trapped in.

She had to make a lot more decisions than her parents did because her parents couldn’t tell her what to do. They didn’t know what to do, they didn’t have the answers; they just putzed along trying not to think. So she listened to the lyrics of rappers and rock stars for answers but they had nothing to offer but Misogyny,  Nihilism and Hedonism. Moxie expected something of herself that much was apparent from the journal. She wanted to do right, to be good, and to sign up for something—the army, the track team, a deli even. She wanted to be worthy, if someone could just tell her what worth was.

It is difficult to describe the form of dread an undiagnosed schizophrenic like Moxie lived in, but it might resemble the excessive immediacy of everything, the unclean proximity of all that touches, advances and infiltrates without resistance, and no protection, not even from her own body. The schizoid is bereft of every scene, open to everything in spite of herself, living in the greatest confusion. She is herself obscene, the obscene prey of the world’s obscenity. What characterizes her is less the loss of the real, the years of estrangement from the real, but very much to the contrary, the absolute proximity, the total instantaneity of things. The feeling of no defense, no retreat. It is the end of interiority and intimacy, the overexposure and transparency of the world which traverses her without obstacle. She can no longer produce the limits of her own being, can no longer arrange or point at herself, can no longer construct herself as mirror for anyone. She is only a pure screen, a switching center for all the networks of influence.

Gregor had no leisure to regret what he had lost; in Manhattan. He was so entirely concerned with what he had obtained, Moxie asked him to move to New Hampshire with her the next day. He accepted the invitation and followed her family’s three car caravan shortly after.

Four hours of scenery went by behind the safety glass. Some stony unkempt mountains. Pine trees producing pine cones. Mammals spending all day trying to get laid. Various native plants growing wherever they wanted, their flowers, the genitalia of alien life forms, blowing in the wind. The kind of stuff you find outside. At the second rest stop Moxie bought two dozen donuts. Shortly thereafter we all arrived at the two-story pre-fab on Waldron hill. It wasn’t a real house; it is a re-creation of a period revival house, patterned after a copy of a copy of a copy of a New Englander/ mock Tudor manor.

Gregor began to unload the cars, with Moxie’s brother Jeremiah. The senior Bellicose’s had a lot of stuff because they were 70 years old and they spent all of their free time participating in “collecting” rituals. The father collected manly things like remote controls, lighters, belts, razors, screwdrivers, flashlights, eyeglasses, hammers, glue, crosses and guns. While the mother collected feminine things like dolls, children, pets, romance novels, aluminum foil, Jell-O, napkins, toilet paper from around the world, worry beads and the cotton balls from all the vitamins she ever took. They had so many religious artifacts because they had been devout Catholics for most of their lives, that is until they discovered father Papala had given their son Jeremiah Herpes at summer bible camp. But they refused to acknowledge that.

After a couple hours of carrying their crap Gregor went in to get a donut but they were all gone. He asked Moxie’s Mom “Mrs. Bellicose, where are the donuts?” “Moxie ate them.” She replied flatly.

“All of them?”

“Yes all of them Andre, didn’t you know?” She was annoyed by his surprise and disgust, mostly because she often did the same thing. Moxie had warned him about this but he had either forgotten or simply wasn’t prepared for it. How could anyone prepare you for something you had never known? He was unfamiliar with the ailment, its physical difficulties and economic repercussions. Moxie was in the bathroom vomiting into the toilet.

It is hard to think of an addiction, sin, perversion, or taboo, that doesn’t in a shame- free age have its bard. Bulimia however, is one of the most persistently unglamorous of dirty secrets and bulimics do not transcend their own threshold of disgust. They are a stealthy tribe, rotten teeth sometimes give them away, but Moxie managed to conceal her daily ritual for a month before he caught on.

So they had difficulties from the beginning but these were tolerable because he had a plan for curing her, they would get their own place! See, he was a reasonable fellow, but the more he drove himself into ways he believed to be sensible, the screwier he became. They couldn’t help each other because they were both drowning in troubles and too emotionally involved to be analytical. Love is an animal that is called by different names in the literature and the descriptions have gaps big enough to drive a truck through. One wishes for a symbol or avatar. Love is inarticulate when it does appear. It’s just lazy speech-love talk. It’s not specific and you can’t exchange it for much, so equivocation will have to take the place of argument here. Love is lazy and she won’t come to her name being called and called. She is a poor interlocutress. One re-encounters the consequences of love again and again.

In October they made their first excursion to Podunkville, the state capitol, because it was the nearest city. Gregor liked cities because they held the promise/threat of the future, but Podunkville was different.

For a Colonial city to exist and thrive a hundred miles from its Homeland takes two essential things: An unquestionable sense of rightness, and an unlimited supply of a raw material of great value. Podunkville had Granite. Its sibling, Manchvegas, had water. Podunkville was built on the edge of a quarry so it could feed on the stone and process its raw magnificence into functional dimensions.

The Scottish, German township with streets named after settlers who were killed by Native Americans, would eat at the quarries forever. The settlers had dug deep trenches into the heart of the earth. They might have come out the other side if the quarries hadn’t fought back.

The Elite families that made up the Granite Guild owned the city from roots to rooftops. Old established, German rules of conduct and commerce made it efficient and prosperous and watertight against the forces of Paganism that throbbed in every lumen of sunlight in this Abenaki territory.

No one could have foreseen that the quarries had a malign influence at their very core. Or that the hungry ghosts of the Abenaki Indians would seek their revenge on the astral plane.

Andre Bertolino has been previously published twice. A Poem in "Hart" Magazine in 1997 and some non-fiction in "Messing Around In Boats" in 2019. We're glad he decided to give BP a try...

J. Elliott is an author and artist living in a small patch of old, rural Florida. Think Spanish moss, live oak trees, snakes, armadillos, mosquitoes. She has published (and illustrated) three collections of ghost stories and three books in a funny, cozy series. She also penned a ghost story novel, Jiko Bukken, set in Kyoto, Japan in the winter of '92-'93. Available in  Paperback and eBook on Amazon.

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