The Meaning of
“Tele”
By Rebecca
N.
McKinnon
Stories sticky as
Elmer's, pasted permanent
and loud LOUD,
closing some gaps yes,
but at the expense
of other ones opening
I want you to know
the second person's
one step away from
guilt and
always the
blameless compliment
the same
imagination
that condemns the
very child to suffer
nameless dread in
darkness
every night, my
terror—
Ah, but it's all
flashes now, isn't it?
Something for me
to say at parties,
answering the call
of some card game
It was that one
scene from The Shining!
I shout, having
lost
myself
purposefully
running around
myself
to see more of
myself
So much I have
forgiven
only needs a bleak
winter
to be faulted once
more
Every day in life
makes me laugh
more and more
until I'm nothing
but teeth
So look alive in
your pretty
dress, pretending
you're not dead
Meanwhile I'm not
a child anymore,
barely was when I
was
Also I'm on the
way with my ax,
and I'll play with
you
for a price no,
no,
No, it was that
one scene from The Last of the Mohicans!
I correct myself,
my own face painted,
after all, and
ready to die
Why ask why, why
understand at all
It's a sickness,
trying to
and changing my
mind in the end
Repressing real
terrors
for the benefit of
acquaintances
Although who
doesn't deserve
an evening of
enjoyment?
I was taught
abhorrence
as a prerequisite
for admiration, after all
Duncan's choice to
ascend in flame so then
represents the
horror and
honor of all good
men
Now I get too
close to the fires
I am tending,
looking for something within
their heat so
painful as to be intimate
Now I understand
the complexity
of each fear that
inhabits such flames
I see now in
Duncan
destiny choosing
him, and him
without choice
I see now in me
why I'll choose you
after the party, despite
everything
Does even the
phoenix regret
what it was born
to do?
Does the surprise
of doubt
overtake the pain
of burning?
Does everything
that mean anything
travel away from
self in sooty plumes?
Goodness, dignity,
at last
Integrity—
all tied up and
writhing
wishing for a way
to live
or an easier way
to die
Even the radically
honest
look in mirrors
with nothing to say
We need others to
invent ourselves
but our souls are
mansions
inherited from
another
We're all trapped
Me? Remember, I
told you
I haven't stopped
smiling for years
You touched me
when I wrote
we're never alone
over and over and
over,
your
interpretation kinder
than my intention
We're in the same
boat yes,
that's sinking,
actually
and cling to each
other not because we care
Catch me on the
right day I'll carry you
Catch me on the
wrong day I'll drown you
Catch me in my
nightmares I'll humor you—
old enough to
recognize a specter
of my own creation
when I see it
Rebecca
N. McKinnon is a born-and-raised Floridian who lives and
writes in Northern Virginia. Her work has appeared in Maudlin House and The
Molotov Cocktail, but she is most pleased with her ten active library
cards. Check out her work on RNMcKinnon.com and follow her writing Twitch
streams @rebeccawrites.