  |
 |
 |
 |
|
Yellow Mama Archives
|
 |
|
Sarah Ansani
|
 |
|
 |
|
Home | Abbott, Patricia | Alan, Jeff | Allen, Nick | Allison, Shane | Anderson, George | Anonymous 9 | Ansani, Sarah | Baker, Nathan | Baltensperger, Peter | Barnett, Brian | Bastard, Scurvy | Bautz, Jon | Beal, Anthony | Beck, Gary | Beharry, Gary J. | Berman, Daniel | Berriozabal, Luis | Black, Sarah | Blair, Travis | Blake, M. | Blake, Steven | Bolt, Andy | Bonehill, L. R. | Bosworth, Mel | Bowen, Sean C. | Boye, Kody | Bradford, Ryan | Bradshaw, Bob | Brandonisio, Michael | Brannigan, Tory | Brennan, Liam | Brock, Brandon K. | Brown, A. J. | Brown, Eric | Burgess, Donna | Butler, Janet | Byron, David | Chiaia, Ralph-Michael | Crandall, Rob | Cranmer, David | Criscuolo, Carla | Crist, Kenneth | Crouch & Woods | D., Jack | Damian, Josephine | Darby, Kurtis | Daly, Jim | De France, Steve | De Long, Aimee | de Marco, Guy Anthony | Dexter, Matthew | Dickson, Clair | Dollesin, Robert Aquino | Draime, Doug | Dunwoody, David | Edgington, M. L. III | Erianne, John | Eyberg, Jamie | Fallow, Jeff | Falo, William | Folz, Crystal | Fortune, Cornelius | Fralik, Tim A. | Fredd, D. E. | Gallik, Daniel | Gann, Alan | Genz, Brian | Gilbert, Colin | Gladeview, Lawrence | Gleisser, Sheldon | Goddard, L. B. | Good, Howie | Goss, Christopher | Gray, Glenn | Grey, John | Grover, Michael | Gurney, Kenneth P. | Hagen, Andi | Hancock, Josh | Handley, Paul | Hansen, Melissa | Harper, Sheri | Haycock, Brian | Hayes, John | Height, Diane | Hilary, Sarah | Hilson, J. Robert | Hodgkinson, Marie | Hor, Emme | Howell, Byron | Hughes, Mike | Hyde, Justin | Irwin, Daniel | James, Colin | Jee, Gaye | Johanson, Jacob | Johnson, John | Johnson, Michael Lee | Johnson, Moctezuma | Jones, Annika | Jonopulos, Colette | Julian, Emileigh | Kabel, Dana | Keller, Marty | Knapp, Kristen Lee | Kowalcyzk, Alec | Koweski, Karl | Kuch, Terence | La Rosa, F. Michael | Laemmle, Michael Ray | Laughlin, Greg | LeJay, Brian K. Jr. | Lewis, Cynthia Ruth | Lifshin, Lyn | Lin, Jamie | Littlefield, Sophie | Locke, Duane | Lopez, Aurelio Rico III | Lovisi, Gary | MacArthur, Jodi | Major, Christopher | Marlin, Brick | Marlowe, Jack T. | Mason, Wayne | McGovern, Carolyn | McLean, David | McQuiston, Rick | Mesler, Corey | Mintz, Gwendolyn | Monteferrante, Luigi | Moorad, Adam | Morecombe, Leslie | Morgan, Stephen | Muslim, Kristine Ong | Nell, Dani | Newman, Paul | Nielsen, Ayaz | Oliver, Maurice | Parrish, Rhonda | Penton, Jonathan | Perl, Puma | Perri, Gavin | Petroziello, Brian | Plath, Rob | Pletzers, Lee | Polson, Aaron | Porder, D. C. | Price, David | Provost, Dan | Purkis, Gordon | Rainwater-Lites, Misti | Ramaio | Rawson, Keith | Ray, Paula | Reale, Michelle | Riverbed, Andy | Roberts, Christian | Roger, Frank | Rogers, Stephen D. | Rose, Mandi | Rosenberger, Brian | Rosmus, Cindy | Ross, Jefferson | Ruane, Sean | Ryan, Match | Sawyer, Mark | Scheinoha, G. A. | Schwartz, Greg | Schwartz, Peter | Scott, Jarg | Scott, Jess C. | Scribner, Joshua | Sever, Janet E. | Shaner, Matt | Shannon, Donna | Sin, Natalie L. | Slais, R. Jay | Slaviero, Susan | Smith, Karl | Smith, Stephanie | So, Gerald | Spires, Will | Stanton, John and Flo | Stevens, Cory | Stickel, Anne | Succre, Ray | Sutin, Matt | Swanson, Peter | Sweet, John | Tallerman, David | Terrell, Perry | Thorning, Janet | Tolland, Timothry | Tomlinson, Brenton | Townsend, K. L. | Tucker, Jason | Valent , Raymond | Veronneau, Joseph | Vilhotti, Jerry | Wilson, Scott | White, J. | Wiberg, Kasja | Winans, A. D. | Winstone, Caroline | Young, Scot | Zafiro, Frank | Zickgraf, Catherine | Zimmerman, Thomas
|
|
 |
|
|
|
|
|
The
Lover’s Moan
Sarah
Ansani
I remember my mother’s secrets about you. A low tone
in her voice, an animal escaping. She told me you were an amazing lover. You fit her. You knew just where to touch and
lick and press.
I am older now and can figure out the rest on my own. The moans she moaned are mine and your
calloused fingers are reborn into another man that presses my hips and hovers above me like you hover
above my mother,
you unfathomable dream. Your mind changed like sheets on
her bed before she met my father.
He never heard these things about you. He knew about the calls late at night when
the government was asleep and the wires were not tapped. That you knew why Yankee Doodle Dandy called the feather macaroni. About the millions owed to you by the president and the whores you
spent real money on. Did their lips resist yours like mine?
Do not think that I was too
young to remember the stone features on my mother’s face when she looked at my father, wanting to see you
instead. That the simple gesture of turning on the radio while my mother was away made it okay for you to climb into
the back seat with me, asking me if I liked this, if I liked that, as Eric Clapton sang Tears in Heaven.
There were things, Michael, I liked about you. Your home above
Sam’s Shoes was dark. You played Vivaldi and vanished into the kitchen to make tea, forcing me to sit on your
couch (your bed) with my mother. We sat silent together.
To this day, I wonder why my mother and I took the
cash from your hands. A gift, you said. Were you buying my memories of you
sleeping in our garage? Or of you sleeping in that torn green tent that smelled of fish in our front yard? Or memories
of driving with my mother only to find you in the library’s dumpster?
I liked my mother’s happiness that day you randomly arrived in
a car you did not really know how to drive. With money you did not know how to keep. Both of you picked me and a friend
up from school just the way my mother and father never did. My mother smiled that day as you drove my friend home as
if you knew where you were going . . . . . . for once.
That was the last day I saw you. You were leaving Pennsylvania for Virginia—Did her name provide solace for you? Was her breast
one that never went dry for you?—You left despite my mother’s moans that went unheard when you went away. Despite
her grasp on the curtain of the last window she would see you through. I stopped counting my money and wondered why
she held on to things that did not hold in return.
My mother moaned the day you died. The Lover’s Moan, she called it later, as we sat together and talked. Her speech was full of praise
for your sick mind. Phrases: paranoia, very sick man, schizophrenia, kept
me silently moaning inside.
That was my last memory of seeing you. A picture of your dead body on the railroad tracks in
Charlottesville, Virginia.
Not a scratch or bruise, just internal bleeding. But we always knew about the internal bleeding.
You had no family.
My father drove my mother down to see your body. She gathered the things you owned in a grocery bag. She took a misshapen
ring from your thin finger that did not fit her.
When they arrived home, my father described the University of Virginia. My mother preached
The Lover’s Moan when we were alone together. And still she prays for
you and to saints that I can’t remember.
40¢
Sarah Ansani
When I was a tramp picking oranges from California branches, prancing foot to foot between
green leaves, learning to whistle tunes between the trees, ones my mom used to sing, till she became just another track
on the railroad to God, that circle of life that I see formed on the cracked lips of tramps, in front of their yellowed
teeth and tongues numbed by drink and chew that plastered the walls of boxcars and made the hay beds stick to my skin in
black-brown blotches like old band-aid glue that did not rub off in the rain that I cried in that night when that bust
down boxcar took off without the old man in the red sweatpants and his rusted harmonica, Veronica, that charmed us for
a while between Estacada and Metaline where out of line children stuck out their tongues then pulled them back in as
if they could taste my air that lingered like smells from bakeries or like the memories of sprinklers on the lawn and
the rainbow it formed, or how I traced my finger along the orange arch, that see-through ribbon of air, or the memory of
that harmonica’s song and how as the others danced I rolled my marble along the floor from hand to hand and sat
in my own splintered corner of the car watching cows pass as if they were all just cows, just hide and flesh and grass,
just like we were all just tramps traveling the miles between here and there, trading matches for razors so I can cut my
hair to the length it was when I saw my first cow or ate my first orange, and sharpen my nails for those nights when
I felt something between my legs, my lips, my newspaper bedding, my arms and breast, or so I could better climb the
trees higher where the best oranges grew like suns forming on shoulders of giants where I would also stand still and
stretch out my arm wondering if the tree would adopt me as limb and let me blossom green leaves and orange oranges from
my palms and call them mine, and form dew rather than phlegm from my lips, sap rather than tears from my eyes that were
always clean like the skin under the ring or the watch I pawned for more matches, a gallon of water, a magazine with
a woman that looked like my mom on the cover, dog biscuits so to get along with mutts, loaves of bread so to get along
with men that provided the condoms already used in Sioux falls where the rocks looked orange as the sun went down and
towns felt safer because when it got quiet, the water drifted people to a deep sleep that drowned the shuffling of
our feet past plastic pink flamingos and mailboxes waiting for letters that we often stole in attempts to have families
that wished us merrys and happys and my favorites, the sorrys that finally found me without socks, a blackened eye,
marble in my pocket, a quarter, dime, and nickel with a face on one side, and a home on the other, but they all meant
nothing when put together at the corner bakery where the smells linger and then they meant nothing again as I remembered
the harmonica, the orange arch of air in the sprinklers, and how the oranges were ahead of us and the tramps pulled me
up from my corner for a dance to a tune for the trees and when they all shuffled off the floor for another drink,
I
danced a little more.
Sarah Ansani is a recent graduate
of Sweet Briar College
and is pushing forward to earn her M.F.A. in poetry at Chatham
University. She is published in Sweet
Briar College’s literary
journal, Red Clay and is also published in North
Central Review. Her writing revolves around her various interests such as the working-class-hero, blue collar lifestyles,
survival in all its mechanisms and forms, tramps/hobos/bums, among many other areas of interest. She finds all this so interesting
because those lifestyles and ideals are where true passion lies. Or so she believes!
|
 |
|
 |
|
 |
|
|
|
|