Yellow Mama Archives

Steve Prusky
Adhikari, Sudeep
Ahern, Edward
Aldrich, Janet M.
Allan, T. N.
Allen, M. G.
Ammonds, Phillip J.
Anderson, Peter
Andreopoulos, Elliott
Arab, Bint
Augustyn, P. K.
Aymar, E. A.
Babbs, James
Baber, Bill
Bagwell, Dennis
Bailey, Ashley
Baird, Meg
Bakala, Brendan
Baker, Nathan
Balaz, Joe
Barber, Shannon
Barker, Tom
Barlow, Tom
Bates, Jack
Bayly, Karen
Baugh, Darlene
Bauman, Michael
Baumgartner, Jessica Marie
Beale, Jonathan
Beck, George
Beckman, Paul
Benet, Esme
Bennett, Brett
Bennett, Charlie
Berg, Carly
Berman, Daniel
Bernardara, Will Jr.
Berriozabal, Luis
Beveridge, Robert
Bickerstaff, Russ
Bigney, Tyler
Bladon, Henry
Blake, Steven
Bohem, Charlie Keys and Les
Booth, Brenton
Bougger, Jason
Boyd, A. V.
Boyd, Morgan
Bracey, DG
Brewka-Clark, Nancy
Britt, Alan
Brooke, j
Brown, R. Thomas
Brown, Sam
Burton, Michael
Bushtalov, Denis
Butkowski, Jason
Butler, Simon Hardy
Cameron, W. B.
Campbell, J. J.
Campbell, Jack Jr.
Cano, Valentina
Cardinale, Samuel
Carlton, Bob
Cartwright, Steve
Carver, Marc
Castle, Chris
Catlin, Alan
Chesler, Adam
Clausen, Daniel
Clevenger, Victor
Clifton, Gary
Coffey, James
Colasuonno, Alfonso
Conley, Jen
Connor, Tod
Cooper, Malcolm Graham
Coral, Jay
Cosby, S. A.
Costello, Bruce
Crandall, Rob
Criscuolo, Carla
Crist, Kenneth
Crouch & Woods
D., Jack
Dallett, Cassandra
Danoski, Joseph V.
Daly, Sean
Davis, Christopher
Davis, Michael D.
Day, Holly
de Bruler, Connor
Degani, Gay
De France, Steve
De La Garza, Lela Marie
Deming, Ruth Z.
Demmer, Calvin
De Neve, M. A.
Dennehy, John W.
DeVeau, Spencer
Di Chellis, Peter
Dick, Earl
Dick, Paul "Deadeye"
DiLorenzo, Ciro
Dionne, Ron
Domenichini, John
Dominelli, Rob
Doran, Phil
Doreski, William
Dorman, Roy
Doherty, Rachel
Dosser, Jeff
Doyle, John
Draime, Doug
Drake, Lena Judith
Dromey, John H.
Dubal, Paul Michael
Duke, Jason
Duncan, Gary
Dunham, T. Fox
Duschesneau, Pauline
Dunn, Robin Wyatt
Duxbury, Karen
Duy, Michelle
Elliott, Garnett
Ellman, Neil
England, Kristina
Erianne, John
Espinosa, Maria
Esterholm, Jeff
Fallow, Jeff
Farren, Jim
Fenster, Timothy
Ferraro, Diana
Filas, Cameron
Fillion, Tom
Fisher, Miles Ryan
Flanagan, Daniel N.
Flanagan, Ryan Quinn
Francisco, Edward
Funk, Matthew C.
Gann, Alan
Gardner, Cheryl Ann
Garvey, Kevin Z.
Gentile, Angelo
Genz, Brian
Giersbach, Walter
Gladeview, Lawrence
Glass, Donald
Goddard, L. B.
Godwin, Richard
Goff, Christopher
Goss, Christopher
Gradowski, Janel
Graham, Sam
Grant, Christopher
Grant, Stewart
Greenberg, K.J. Hannah
Greenberg, Paul
Grey, John
Gunn, Johnny
Gurney, Kenneth P.
Haglund, Tobias
Halleck, Robert
Hamlin, Mason
Hanson, Christopher Kenneth
Hanson, Kip
Harrington, Jim
Harris, Bruce
Hart, GJ
Hartman, Michelle
Haskins, Chad
Hawley, Doug
Haycock, Brian
Hayes, A. J.
Hayes, John
Hayes, Peter W. J.
Heatley, Paul
Heimler, Heidi
Helmsley, Fiona
Hendry, Mark
Heslop, Karen
Heyns, Heather
Hilary, Sarah
Hill, Richard
Hivner, Christopher
Hockey, Matthew J.
Hogan, Andrew J.
Holderfield, Culley
Holton, Dave
Howells, Ann
Hoy, J. L.
Huchu, Tendai
Hudson, Rick
Huffman, A. J.
Huguenin, Timothy G.
Huskey, Jason L.
Irascible, Dr. I. M.
Jaggers, J. David
James, Christopher
Johnson, Beau
Johnson, Moctezuma
Johnson, Zakariah
Jones, D. S.
Jones, Erin J.
Jones, Mark
Kabel, Dana
Kaplan, Barry Jay
Kay, S.
Keaton, David James
Kempka, Hal
Kerins, Mike
Keshigian, Michael
Kevlock, Mark Joseph
King, Michelle Ann
Kirk, D.
Knott, Anthony
Koenig, Michael
Korpon, Nik
Kovacs, Norbert
Kovacs, Sandor
Kowalcyzk, Alec
Krafft, E. K.
Lacks, Lee Todd
Lang, Preston
Larkham, Jack
La Rosa, F. Michael
Leasure, Colt
Leatherwood, Roger
Lees, Arlette
Lees, Lonni
Leins, Tom
Lemieux, Michael
Lemming, Jennifer
Lerner, Steven M
Lewis, Cynthia Ruth
Lewis, LuAnn
Lifshin, Lyn
Liskey, Tom Darin
Lodge, Oliver
Lopez, Aurelio Rico III
Lorca, Aurelia
Lovisi, Gary
Lucas, Gregory E.
Lukas, Anthony
Lynch, Nulty
Lyon, Hillary
Lyons, Matthew
Mac, David
MacArthur, Jodi
Malone, Joe
Mann, Aiki
Manzolillo, Nicholas
Marcius, Cal
Marrotti, Michael
Mason, Wayne
Mattila, Matt
McAdams, Liz
McCartney, Chris
McDaris, Catfish
McFarlane, Adam Beau
McGinley, Chris
McGinley, Jerry
McElhiney, Sean
McKim, Marci
McMannus, Jack
McQuiston, Rick
Mellon, Mark
Memi, Samantha
Miles, Marietta
Miller, Max
Minihan, Jeremiah
Monson, Mike
Mooney, Christopher P.
Morgan, Bill W.
Moss, David Harry
Mullins, Ian
Mulvihill, Michael
Muslim, Kristine Ong
Nardolilli, Ben
Nelson, Trevor
Nessly, Ray
Nester, Steven
Neuda, M. C.
Newell, Ben
Newman, Paul
Nielsen, Ayaz
Ogurek, Douglas J.
O'Keefe, Sean
Ortiz, Sergio
Pagel, Briane
Park, Jon
Parr, Rodger
Parrish, Rhonda
Partin-Nielsen, Judith
Peralez, R.
Perez, Juan M.
Perez, Robert Aguon
Peterson, Ross
Petroziello, Brian
Pettie, Jack
Petyo, Robert
Phillips, Matt
Picher, Gabrielle
Pierce, Rob
Pietrzykowski, Marc
Plath, Rob
Pointer, David
Post, John
Powell, David
Power, Jed
Powers, M. P.
Praseth, Ram
Prusky, Steve
Pruitt, Eryk
Purfield, M. E.
Purkis, Gordon
Quinlan, Joseph R.
Quinn, Frank
Rabas, Kevin
Ram, Sri
Rapth, Sam
Ravindra, Rudy
Renney, Mark
reutter, g emil
Rhatigan, Chris
Richardson, Travis
Richey, John Lunar
Ridgeway, Kevin
Ritchie, Salvadore
Robinson, John D.
Robinson, Kent
Rodgers, K. M.
Roger, Frank
Rose, Mandi
Rose, Mick
Rosenberger, Brian
Rosenblum, Mark
Rosmus, Cindy
Ruhlman, Walter
Rutherford, Scotch
Sanders, Isabelle
Sanders, Sebnem
Santo, Heather
Savage, Jack
Sayles, Betty J.
Schauber, Karen
Schneeweiss, Jonathan
Schraeder, E. F.
Schumejda, Rebecca
See, Tom
Sethi, Sanjeev
Sexton, Rex
Seymour, J. E.
Shaikh, Aftab Yusuf
Sheagren, Gerald E.
Shepherd, Robert
Shirey, D. L.
Short, John
Sim, Anton
Simmler, T. Maxim
Simpson, Henry
Sinisi, J. J.
Sixsmith, JD
Slagle, Cutter
Slaviero, Susan
Sloan, Frank
Small, Alan Edward
Smith, Brian J.
Smith, Ben
Smith, C.R.J.
Smith, Copper
Smith, Greg
Smith, Paul
Smith, Stephanie
Smith, Willie
Smuts, Carolyn
Snethen, Daniel G.
Snoody, Elmore
Sojka, Carol
Solender, Michael J.
Sortwell, Pete
Sparling, George
Spicer, David
Squirrell, William
Stanton, Henry G.
Stewart, Michael S.
Stickel, Anne
Stolec, Trina
Stryker, Joseph H.
Stucchio, Chris
Succre, Ray
Sullivan, Thomas
Swanson, Peter
Swartz, Justin A.
Sweet, John
Tarbard, Grant
Taylor, J. M.
Thompson, John L.
Thompson, Phillip
Tillman, Stephen
Titus, Lori
Tivey, Lauren
Tobin, Tim
Tu, Andy
Ullerich, Eric
Valent, Raymond A.
Valvis, James
Vilhotti, Jerry
Waldman, Dr. Mel
Walsh, Patricia
Walters, Luke
Ward, Emma
Washburn, Joseph
Watt, Max
Weber, R.O.
Weil, Lester L.
White, Judy Friedman
White, Robb
White, Terry
Wilsky, Jim
Wilson, Robley
Wilson, Tabitha
Woodland, Francis
Young, Mark
Yuan, Changming
Zackel, Fred
Zafiro, Frank
Zapata, Angel
Zee, Carly
Zimmerman, Thomas

Art by L. A. Barlow © 2017



Steve Prusky



The bar was a skid row stage; its gamblers improv performers, their facial expressions skits apeing greed, desperation, disappointment, panic, hope, and they the only audience in an otherwise empty theater.

An eclectic mélange of pop music from the past forty years; James Brown, The Four Tops, Sting, even older Buddy Holly stuff, and Country when it was still Country competed with incessant thumping coins feeding starving video machine hoppers. Bar top poker machines lined the length of the bar. Mostly street wise Vegas locals crowded the machines. Jonesing rock-hoes played to earn twenty dollar rock double ups served up off the cuff by the bartender, and with luck, they would not have to sell their asses this day to get sprung. Muscled up thugs contributed the proceeds beaten out of their prey; panhandlers gave up their day’s collections, then left to walk the median islands at busy intersections for more. All played peekaboo with the elusive progressive jackpot. Barring a Royal Flush, a less profitable return on their risky investments; four of a kind, full boat, even a dead man’s hand would do.

The dishwater blond woman claimed a stool at the bar earlier that morning. A five dollar poker machine lay before her. Her back faced the entrance. “Country Honk” thumped base tempos two decibels too loud. A tinny treble twang distorted Jagger’s lyrics as if he had substituted an empty soup can and a string for a mic.  Mick’s cockney tainted Memphis drawl resonated from the blown speaker directly above her. She placed a large bill on the bar and said, “A rack and a Long Island iced tea.” A plastic caddy quickly appeared loaded with a mix of one hundred silver dollars and casino-minted dollar size tokens equal in weight and size to the bona fide government struck coins; only in Vegas, the city greed rules, does phony money reign. Her morning wake-up tea arrived thirty dollars into the rack. By noon the woman at the bar had nested six hours at the same stool, the same machine, drinking free and losing.

The couple arrived well after lunch hour.

A gusty August Santa Anna wind hurried them in, ripped through the foyer and battered the blond woman at the bar. Mitch Ryder wailed “Devil with A Blue Dress” rattling the ceiling tiles adjacent to the defective speaker above the blond slot queen at the bar. Her hair flattened forward. Her back stiffened plumb. The automatic door closer struggled to beat back the belligerent desert winds. The blond kept drinking, slipped five dollars more in the slot, and finger brushed her hair back, disturbed less by the couple’s blustery entrance than the losing hand just dealt her. “Another hundred closer to broke,” she mumbled to her machine. She hunched over her comped cocktail and became one once again with its content.

“Damned wind, it beat me up; I feel like I just lost a brawl in a dark alley,” he said. He patted and brushed the desert off portions of his sweat-stained clothes. He slapped his frayed Oakland A’s ball cap against the thread-worn knees of his blue jeans.

 “Can’t feel the balls of my feet,” she said. She was a veteran topless pole dancer in the Vegas strip clubs just off the strip locally known as Naked City. Her fuck pumps were designed to enhance her shapely calves on stage, not embark on an urban marathon along five city blocks of sun-seared concrete. “My hair is a burnt Brillo pad, and I just shed a pound of water weight getting here, coated in dust, and I need to pee.” The couple adapted their sight to the neon-lit dusk inside and moved on.

The woman at the bar tipped her glass and emptied the last of her Long Island Ice Tea. She raised it above her head and rattled the melting ice cubes inside impatiently gesturing for another comped refill, “And another rack too,” she said.

The man stopped further up the bar with his back to the blond. His dancer quick-stepped a straight line for the lav. He leaned an elbow on the bar top at a vacant machine, played twenty dollars, and earned a comped double off-brand whiskey neat from the well. He contributed another twenty to the progressive jackpot pool, flashed a two-dollar tip to the bartender, emptied the glass and played another twenty while he scanned the restaurant crowd for those he owed, those that owed him, and undercover cops in fake beards. No one. He fondled the ball of hundreds in his front pocket; crooks have money. But he had debt—bad debt; nagging debt, a vig two weeks past due on a fifteen-point loan, a keep looking behind your back loan. He ordered another double and guzzled it before his tit-dancer returned.

The couple sought a place on the restaurant side. They settled on a cluttered booth in a sea of cluttered booths in need of bussing. They sat together on a faded, abused bench seat with an equally tattered padded back. Parts of the vinyl upholstery had split and stiffened over time; the foam under it lost its firmness after the Mob, who still owned the tavern, left town. Two concave molds had formed on the seats from the past twenty years of punishment by every shaped ass imaginable. Carved graffiti littered the soft pine wood table top. The couple faced the bar.

  “Damned wind’s brutal,” The tit-dancer said; she slipped an arm around her lover’s neck and closed in toward him, leg to leg, hip to hip, shoulder to shoulder.

 “But this is Vegas—the best lit desert oasis in the world—Paradise,” the man said.

“Another county heard from,” she said. Her sultry eyes gave way to an angry glare. “Find work, get a car with air conditioning and tinted windows; that’s Paradise.

“But, I got work.”

“Credit card fraud is theft hon, not work. I was thinking of an occupation that won’t land you back in the penitentiary too soon.

He glanced up at the bar and recognized the woman slumped over her already half empty refill. “I’m sick of your bug infested room at the Blue Angel too?” his dancer said. “Let’s lease a place together as far from Fremont and Eastern as we can, furnished, maybe Boulder City or Henderson.”

“Sure thing, let’s get a cat too, buy bright shiny things, get monogrammed pillowcases, paper the walls,” he said. “Quit carping.” A pregnant pause occurred, then, “I wonder,” he said. “Is she anticipating some sign of epic import rise in a mist from the backwash in her glass?”  

“What babe?”

#   #   #

He and the blond woman at the bar quit each other after twelve off and on years of arrests, prison, playing the streets smack back or sprung on rocks. Her sin? Too many long runners chasing the high until her dates ran out of money. His? Sampling her myriad bi-sexual rock hoe friends, at first with her involved, but toward the end without her knowledge. Since the breakup, they slept together on rare occasions when both crossed paths half sober, sprung on rocks, sometimes nodding off on a dose of Afgan black tar. Before, as a couple, they were an institution on Freemont Street, well known amongst the whores, slot cheats, drug dealers, thugs, and cops. The woman at the bar was bound to find them out; both women knew each other from their tit-dancing days together, and they had remained chums since. He figured someone he swindled in the past might vengefully expose the couple to the blond. Come another time, another place, alone with her face to face; he would tell her then. But not now, not here, not by a chance encounter in a downtown Vegas skid row bar, not at the risk of a Bukowski-style Wanda/Tully catfight.

“Look to the left near the end of the bar,” he said. “See her huddling with her cocktail. She’s almost wallowing in it?” The dancer looked up toward the bar spotted her friend and groaned. In full blush, she turned to him, her breath raining warmth in his ear. She whispered, “What now? If she sees us, well, if she sees us…”

 “…You’ll lose a close friend.”

 She pulled away from him, “And you’ll lose a fuck-buddy.” She no longer


 “Doubt I’ll miss that, long as you keep your motor running.”

We were close once,” the dancer said. “Even before you. Not now, though. Bitch been distant lately, or too busy whoring to find time for me.”

“Off and on, I gave up thirteen years of my life with her; that’s time I’ll never get back.” Time is defined within narrowed parameters to a twice imprisoned felon.

“She cheated on you when you were in prison.” The dancer had marked her blond prey prepared to chuck more verbal spears in her friend’s direction.   

“Betrayal begins with implicit trust,” he said. “I’d have done the same to her had she been locked up. She knew that. Look; she’s emptied another Iced Tea dry. She’ll be blind ‘til this time tomorrow.”

“Do you trust me implicitly babe?”


“And then her drinking,” he said. “She’s a sadistic mean bitch; loves to roll around in the dirt scratching and clawing anyone who offends her.”

“Yup, she’s a scandalous drunk alright.” The tit-dancer reflected on her blond friend’s ability to snap on call. The woman kept a butterfly knife in her pocket and had been known to use steel knuckles in the past. The dancer found little difference between fear and respect when applied to that woman. The dancer opted to fear her as opposed to practicing cautious respect.   

“Hell, she’d get blacked out stumbling drunk, clock me in the jaw,” he said. “Then she’d call Metro, blame a two-day old bruised wrist on me, and off I’d go to the city jail, fines, court-ordered anger management class.”

“Shouldn’t have slapped her around so much,” his dancer said.

“I never left a mark on her.”

“Still a bit bitter?”

“No. Remorse? Yes. Bitter? No.”

“After all, it wasn’t all on her; that brown bottle clawed at you as much as it did her.” The dancer placed her hand on top his sturdy leg and caressed it back and forth full length.

“That’s what heavy drinkers do,” he said. He stuttered, a bit distracted as her practiced palm took effect.

“She wasn’t street until you got to her,” the dancer said. “You turned her out. Her golden gash kept you supplied with a steady stream of rocks, liquor, and threesomes with her and her lezzy girlfriends. She’s your creation, your invention; now she’s just your cast-off debris.”

“I’ll call her over; we’ll have a threesome,” he said.

“I’ll pass.” The dancer wistfully stared at her blond friend “When her and I worked together in Naked City she was a decent pole dancer. She always walked away with two, three hundred dollars a night, more than the rest of us. No drugs and she never tricked. I think of what you did to her; you’re good at exploiting the worst in women. Makes me wonder what you have planned for me? Gonna turn me out? Share a needle with me?” His dancer sneered at him eye to eye until he blinked.

“Naa, none of that, just your dirty love later.”

“Look at her,” his dancer said. “Probably drunk before we had breakfast. Bet she got new tracks, not on her arms, they're sieves by now. Who but a smack back addict like her hides tracks wearing long sleeves in a hundred-ten degree heat? Stabbing between her toes now, I’ll bet. She’s got a foot in the gutter, and one on the curb’s my guess.” Her comment prompted him to glance at his rolled-up sleeves relieved they covered the crooks of his arms.

“Got granite for a heart too,” he said. “Cold, lifeless; dynamite might chip off a chunk of it, but no amount of effort will ever penetrate it.”

“You turned her cold,” she said. “Call it like it is.”

The woman at the bar put a straw atop her drink, got up from her stool and left with the man to her right. She came back alone twenty minutes later, called out, “Another rack,” and laid down another hundred-dollar bill she had just earned in the back seat of a ’62 Ford Fairlane.

 “She’s pinned her street degree back on her ass and gone to selling it again,” the dancer said.

          “Now here she is, face down in a downtown shit hole bar,” he said. He caught a harried waitress in mid-stride booming authoritatively, “Hey, order here.”

“You again,” the waitress said, “Who’s the new squeeze next to you? Hell, forget it, I don’t care, just don’t stiff me when you leave. Interest you in a top shelf margarita? Maybe, a Maker’s Mark high ball?” the waitress said.

“Nope, double sour mash whiskey as usual here, double gin for her, neat in rock glasses. Just the standard no-name off brand swill from the well; we drink for effect, not taste,” he said. He nodded to the dishes still on the table. The waitress cleared the leavings away, wiped the table down, sneered a grin at his friend, wrote up their meal order and scrambled off.

He spotted a decorative mirror on the wall in front of him strategically placed to reflect the foyer door and all who passed. He said, “Let’s sit on the other side of the booth, backs to the bar, less chance she’ll spot us.”

“Why do you keep screwing her? Word is on the street you’ve been together recently.”

“This is as close as I’ve been to her since we split the sheets.” She caught him lying; all three mutually knew the street-wise cast-offs on Fremont; rumors there spread fast as the click of a minute hand. There were no secrets on the Fremont Street corridor. Their last instance together occurred a few weeks earlier and stretched into a three-day carnal spree; him chasing rocks and smack, and her whoring for the money to buy the shit. Then there were the  Ecstacy-tainted threesomes with her and her rock fiend hooker friends. His current lover had heard about their runner before their first day together ended.

#   #   #

The woman at the bar signaled for a refill and invested five dollars more on another losing hand. The ice cubes were noisier this time; they had little chance to melt.

Their appetites had dulled by the fourth round; their meals sat half eaten and cold. “Drink up,” the man said. “Let’s hoof it to my crib. I got a bottle of Wild Turkey, and the liquor store is just across the street. We’ll shower up, do some lines; you dig up that hot pink thong and corset outfit along with the sparkly make-up shit you left behind last week. We’ll swing from the trees until they come to change the sheets Sunday.” Her eyes slit narrow with lust. She firmly gripped his inner thigh, stroked it softly from his crotch to his knee as a gesture of consent.

“Ah yes, been waiting for you to mention rutting season. Let it begin,” she said. She squirmed closer to him as if she were an estrus doe spraying an overdose of pheromones in the direction of her randy buck.

The couple kept their heads down, avoiding eye contact on their way to the door. They made it to the vestibule unscathed, both lit on ninety proof, wobbling a bit. He opened the door for her to pass. The wind storm had calmed; stillness intensified the desert heat. She brushed close up to him, copped a feel and kissed him. She hummed a throaty moan as her tongue stabbed past his lips, then she moved on. He looked toward the bar and cast an eye at his creation clutching a half empty chimney glass, her face hovering inches above video screen. Then he turned his back to her, assured he had successfully convinced another Phoenix of the streets to languish in her flames than rise. 

Steve Prusky is a native Detroiter transplanted in Las Vegas the past thirty years. His work has appeared in The Foundling Review, Out of the Gutter, A Twist of Noir, Media Virus, and others.

Art by L. A. Barlow © 2017

In Association with Fossil Publications