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THE BULLET OF THE ASSASSIN
by John Tustin
He stalked me
since I could remember,
Looking at me with
a combination of boredom
And disdain.
His sunglasses
perched on his head,
Watching me from
the driver’s side,
One eye squinting
shut, the other unblinking
Up against the
rifle scope.
I didn’t know who
he was
Or why he wanted
to kill me
But he went
everywhere I went,
Watching me
impassively from a distance,
His finger dancing
around the trigger
Whether I made a
move or sat still.
I used to think he
was God
Or maybe the Devil
But I am sure
there are others more deserving
Of the time
investment leading to
The fidelities of
salvation or
Damnation.
I always felt like
I just was
And no one cared
And that was that.
I lived a life in
dull aching,
The bullet of the
assassin
Waiting for me in
the rifle
Held in the hand
of a man
Who could kill me
any time
But for some
reason was
Just waiting and
waiting.
I never heard a
shot.
I never saw the
assassin
Change his
expression
From passive to
active.
Who knows when the
bullet
Entered my body
and began
To end me?
One day I felt the
special pain,
Looked down and
knew:
Gutshot
And discovered too
late—
Already
Bled out.
The bullet of the
assassin
Inside,
Telling a man who
thinks
He is just walking
dust
That that is exactly
what
He is
And will be
Forevermore.
THE MONSTER
by
John Tustin
The monster jumps
from roof to roof,
With the formerly
gentle populace in pursuit
Just behind
Or just below.
They have finally
found him
And it is time for
the story to end.
He roars in pain,
his wounds of the body throbbing,
His wounds of the
soul
Freshly opened.
He falls to the
ground
And just before
the rabble surrounds him
With their
shotguns, torches, and pitchforks—
A stray cat comes
up to him,
Swiping her rump
and tail around his prostrate body
As he lies broken
and waiting to die.
He smiles,
reaching out to stroke the kitty
But the crowd
comes forth and the cat disappears
Into shadows amid
their din.
The monster thinks
about that moment and smiles again.
What could be
better than sitting in a chair in a dim light,
Scritching the
neck of a contented cat? Probably nothing.
Then he closes his
eyes and, without a further move or sound,
He waits for what
will come, must come next.
And it does.
DAREDEVILS by John Tustin When I was three, Evel Knievel Attempted and failed
to jump Snake
River Canyon On
his rocket-geared motorcycle. He landed at the bottom of the canyon Directly below The launch pad. Moments ago, After sixteen
beers, I
took a shower With
My left
leg Fast
asleep. I
didn’t fall nearly as far As he. We both failed. We both made it. Today You
can find Evel Knievel Resting peacefully At Mountain View Cemetery, Butte Silver Bow
County, Montana. Me? I’ll be at New
York Presbyterian Hospital In about an hour or so, Resting Without peace. The hole the tombstone shadows Was his last Jump. You’ll have to wait a while Longer To see mine.
THE TRICK IS by John Tustin “The trick is To put the knife In Between the shoulder Blades so slowly And with such Subtlety that The poor bastard Gets bled out Without Even knowing
It.” She said this As she dug It in deeper And the blood Flowed down In silent
rivulets; The floor Soaked red Thick as syrup Around my feet Right in the Middle of Our Body tangled Closed eyes Kiss.
THE
CHAMPAGNE OF BEERS by John Tustin I
was highly doubtful of this claim As the sale was 18
12-ounce bottles for $9.99 But the liquid looked so golden at 10 AM After 10 hours
lifting and dropping For what amounts to about 5% of my monthly rent After
the taxes and the child support. I went into the supermarket hoping That
Corona would be on sale for $12.99 Which is what I
typically pay for an 18 pack of Miller Lite But tomorrow was my birthday and I was imagining It
would be okay to splurge this one day On my third
favorite beer—but it was not to be. Miller High Life, That beer of truckers and milkmen Who
lived before my parents conceived me Was looking so
pretty and golden And, best of all, cheap. I bought the
18 pack And went home to drink it As
I ate and then wrote Before Billy Collins’
and Charles Bukowski’s words Bashing into me gladiator-style. The Champagne of Beers flowed through me. I
did not care for beer #1 but beer #3 was not bad And beer #12
went in like water down a ladder In a mine fire. I read and I listened to music and I wrote And
now Here we are with
another boring poem About my boring life Drinking beer
and writing poems That inhabit no one but
me And you, if you are so unlucky.
THE DEATH AND THE PAINT by John Tustin I will paint pictures
of you In
acrylics On
the fingernails Of old dead women Just before they meet The flames of the
Crematorium. The pictures only alive In my memory And the smoke
emanating, Paint
in there with the ashes. You look so pretty, Just like I
remembered As
I breathe in the death And The paint.
THE SKY IS FILLED WITH WINE by John Tustin The sky is filled
with wine— Bloody blackish red, Moving along the horizon like stained
clouds. The
streets are being inundated With the fallen tears of abandoned children, Maligned women and
loveless men, Every puddle a brackish abomination To the false testimony
that all lives Are sacred. I spilled my beer on the table And the little puddle
of beer Became
torrents of water That fell as waterfalls on the bedroom
floor Reaching
waist high As the tears fell outside And the wine
blotted out the moon In this, The last year I cared about whether or not I would drown.
ANIMAL UNDER THE TABLE by John Tustin There is an animal
under the table; unnamed, without a face. There is a monster in the closet, whispering
to the ghost who inhabits the
space between my walls. There is an angel
swinging behind the closest star that is still farther away than I
will ever reach and there is an
animal’s body carved into the moon that dwells anxiously above me. Its
silhouette reaches my door and scratches at
it, waiting for the animal under the table to crawl out from under while I
try to sleep and let him in. They conspire, they commune while
I lie here, wasting moments, contemplating.
MEN
IN BRIMMED HATS by John Tustin There
are men in brimmed hats with heads bowed. In the distance they
are nothing but shadows cast And silhouettes— Riding
their solemn horses slower than a trot Toward the aching
yellow towns with the sun behind them all the way. There
are men in brimmed hats Standing before the
swinging saloon doors With cigarettes dangling unlit from pursed lips And
the rain pours down like a Hollywood rain upon them In
buckets and buckets, Spilling in tilted
oceans from the hat brims As they just stand outside before
the swinging saloon doors In the yellow towns where every other cloud brings rain. There
are horseback men in brimmed hats— Tipping them with
great broad thumb and forefinger Before scratching their stubbly
chins and moving the cheroot From one side of the mouth to the
other Then squinting a voiceless goodbye
to one yellow town On their way to another With
the sun always behind them. There
are men in brimmed hats And I am not one of
those men: I am another kind.
STONE
ON FIRE by John Tustin Our world is a
stone on fire revolving in agony for the
entertainment of a demented sun. Our love is a
fishless ocean— vast, desolate, bridgeless,
infinite foamed iniquities. Every pebble on
every beach its own tiny stone of fire. Every drop in our ocean its own
fetid nation of gossips and
libertines, insolent slack-jawed charlatans. When the waves hit the beaches, that is when the stones are quenched; that
is when the stones ignite. Our bodies pierced;
the sand drenched in blood, the blood covered in sand. That is when our cities are in shambles, our forests ablaze, our dead-zoned
ocean conducting the lightning in the sky— slick with flames on the surface and
riddled with pestilence below.
THE DEAD MINGLE WITH THE LIVING by John Tustin In
my dreams each night, the dead mingle with
the living and I stand among them, feeling
like both and neither. The
smell of smoke comes in; a fire burning of
rubber and rotten wood: the dead mingle with
the living. In my dreams each night, I
sit within my grandmother’s kitchen with my brother who
transforms into my son. Then
I am in my childhood home, ugly green carpet
all over but my ex-wife owns it somehow and
my daughter won’t come downstairs and
there are cats that lived there but they are all
missing and my ex-wife denies they existed at all and
that door leads nowhere, nowhere
but down down down. I open it anyway and
I descend, finding no happiness nor cats. My
mother is in the kitchen, still dead but now
alive and I hear the water running, she’s
washing the dishes but
when I put down the newspaper and walk into the
kitchen, she’s not there anymore and
the dead don’t mingle anymore because
I’m waking up. I’m waking up and
I smell a fire burning of rubber mixed with
fresh wood.
THE
FLOWER IN YOUR LAPEL by John Tustin I bend to pick the flower and
the vine grabs me by the throat. I search for
smooth stones and I find only ashes. I climb the
mountain and find molehills on the other side. The robin flew
away from me and the alligator winked from the muck. An
owl hooted and a crow responded— I
think they were talking about me— I almost caught
the egrets laughing behind my back. A stiletto is
always a blade to me, never a heel. I only like to see
women in black stockings in a photo or on a screen. I’m offended
if a woman who gets in my bed is anything but bare-legged. Call
me crazy. Many do. I prefer eccentric. I
tried to sniff the flower in your lapel, by the way. I wasn’t afraid, seeing as how it was cut
off and far from its vine. You gave me a squirt of water right
in the eye. You probably don’t
even know you did it. That ought-a learn me, as grandma used
to say. John Tustin’s poetry has appeared
in many disparate literary journals since 2009. fritzware.com/johntustinpoetry
contains links to his published poetry online.
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