Yellow Mama Archives II

John Doyle

Acuff, Gale
Ahern, Edward
Allen, R. A.
Alleyne, Chris
Andes, Tom
Arnold, Sandra
Aronoff, Mikki
Ayers, Tony
Baber, Bill
Baird, Meg
Baker, J. D.
Balaz, Joe
Barker, Adelaide
Barker, Tom
Barnett, Brian
Barry, Tina
Bartlett, Daniel C.
Bates, Greta T.
Bayly, Karen
Beckman, Paul
Bellani, Arnaav
Berriozabal, Luis Cuauhtemoc
Beveridge, Robert
Blakey, James
Booth, Brenton
Bracken, Michael
Burke, Wayne F.
Burnwell, Otto
Campbell, J. J.
Cancel, Charlie
Capshaw, Ron
Carr, Steve
Carrabis, Joseph
Cartwright, Steve
Centorbi, David Calogero
Cherches, Peter
Christensen, Jan
Clifton, Gary
Cody, Bethany
Costello, Bruce
Coverly, Harris
Crist, Kenneth James
Cumming, Scott
Davie, Andrew
Davis, Michael D.
Degani, Gay
De Neve, M. A.
Dillon, John J.
Dinsmoor, Robert
Dominguez, Diana
Dorman, Roy
Doughty, Brandon
Doyle, John
Dunham, T. Fox
Ebel, Pamela
Fagan, Brian Peter
Fillion, Tom
Flynn, James
Fortier, M. L.
Fowler, Michael
Galef, David
Garnet, George
Garrett, Jack
Glass, Donald
Graysol, Jacob
Grech, Amy
Greenberg, KJ Hannah
Grey, John
Hagerty, David
Hardin, Scott
Held, Shari
Hicks, Darryl
Hivner, Christopher
Hoerner, Keith
Hohmann, Kurt
Holt, M. J.
Holtzman, Bernard
Holtzman, Bernice
Holtzman, Rebecca
Hopson, Kevin
Hubbs, Damon
Irwin, Daniel S.
Jabaut, Mark
Jermin, Wayne
Jeschonek, Robert
Johns. Roger
Kanner, Mike
Karl, Frank S.
Kempe, Lucinda
Kennedy, Cecilia
Keshigian, Michael
Kirchner, Craig
Kitcher, William
Kompany, James
Kondek, Charlie
Koperwas, Tom
Kreuiter, Victor
Larsen, Ted R.
Le Due, Richard
Leotta, Joan
Lester, Louella
Lubaczewski, Paul
Lucas, Gregory E.
Luer, Ken
Lukas, Anthony
Lyon, Hillary
Mannone, John C.
Margel, Abe
Martinez, Richard
McConnell, Logan
McQuiston, Rick
Middleton, Bradford
Milam, Chris
Miller, Dawn L. C.
Mladinic, Peter
Mobili, Juan
Mullins, Ian
Myers, Beverle Graves
Myers, Jen
Newell, Ben
Nielsen, Ayaz Daryl
Nielsen, Judith
Onken, Bernard
Owen, Deidre J.
Park, Jon
Parker, Becky
Pettus, Robert
Plath, Rob
Potter, John R. C.
Price, Liberty
Proctor, M. E.
Prusky, Steve
Radcliffe, Paul
Reddick, Niles M.
Reedman, Maree
Reutter, G. Emil
Riekki, Ron
Robson, Merrilee
Rockwood, KM
Rollins, Janna
Rose, Brad
Rosmus, Cindy
Ross, Gary Earl
Rowland, C. A.
Saier, Monique
Sarkar, Partha
Scharhag, Lauren
Schauber, Karen
Schildgen, Bob
Schmitt, Di
Sesling, Zvi E.
Short, John
Simpson, Henry
Slota, Richelle Lee
Smith, Elena E.
Snell, Cheryl
Snethen, Daniel G.
Stanley, Barbara
Steven, Michael
Stoler, Cathi
Stoll, Don
Surkiewicz, Joe
Swartz, Justin
Taylor, J. M.
Taylor, Richard Allen
Temples. Phillip
Tobin, Tim
Traverso Jr., Dionisio "Don"
Turner, Lamont A.
Tustin, John
Tyrer, DJ
Varghese, Davis
Verlaine, Rp
Viola, Saira
Waldman, Dr. Mel
Al Wassif, Amirah
Weibezahl, Robert
Weil, Lester L.
Weisfeld, Victoria
Weld, Charles
White, Robb
Wilhide, Zachary
Williams, E. E.
Williams, K. A.
Wilsky, Jim
Wiseman-Rose, Sophia
Woods, Jonathan
Young, Mark
Zackel, Fred
Zelvin, Elizabeth
Zeigler, Martin
Zimmerman, Thomas
Zumpe, Lee Clark

9173, 1803, 0094

by John Doyle


 9173 was my ID code for work,

instead of typing in my name, I'd type in this number,

get paid, be this unrustable machine.

Patrick McGoohan would've been so proud.


1803 was the alarm code for some shithole I lived in,

it was south of the city,

junkies, arguments,

takeaway smells upstairs.

People told me romantic tales of the southside of the city,

women were called "Penelope" there,

smelled like Milan,

men drove Porsches, wore white collars and yellow cuffs.

From my window I saw a guy drive past—

looked just like King Carlos of Spain.

Fancy that.


0094 is some random number

I just wrote down.

It could also be a number someone's throat

gets slashed for

in 4-minutes time.


The clock is ticking—

is it you,

do you even have time to read

this next poem?


by John Doyle

Oregon, Saturday May 31, 1975

A casket is immediate on this curve,

stone-chipped finish,

distinct from gold—

a quartet of spinning wheels

mark a blood-red descent towards town;

night is mysterious and heavy,

short of breath; its stopwatch

beats to a rhythm of worn-out eyes,

signals getting

slower and slower—

Montreal is,

Montreal was,


will never be.

The wheels stop spinning, eyes go out—no action replays




i.m. Kevin Moran (1930 - 2020)


by John Doyle

A few coffee mugs

cease clinking, stains curdle their yearly snowfall—

ABBA rehearsing supper's encore since 1978,

Derby County - League Champions 1974/1975—

game abandoned due to deaths, taxes—the usual.

Cats reason with me, 

a few hardened sausages land their way—

life being its hard callow-self, hands like raisins, coffee-stained, 

elderly mugs too, in mourning—

seeping glory;

Six bottles of stout a glassy ghoulish-brown

will keep his head above water, until my return—

Derby County and ABBA mugs, starving cats 

who must reason with me—

things he doesn't remember 

enough to forget



by John Doyle


Phillip’s sage Frankie tunes us in to Kurt the Cunt

funny way to grace Sundays, south Dublin witnessing Copenhagen’s dark descents. Phillip’s upstairs making strange noise


accompanied by his wife—your sister sometimes—when she’s not making you crash your car

tuned into passive-aggressive phone calls.

Hoochie—such a placid dog—trots half-moon shapes


on middle-class Dublin’s eighth most desired garden

according to your dad, 

carrying a hand grenade in his chest that soon will make redundant your civil wars.


Phillip’s still upstairs. 

All I need to know is what those noises are. Intercourse is the last thing a din like that gives birth to.

Feed me with this knowledge. Then I can leave—eternally—


go back to wonderful Copenhagen, 

take up where we never left off, 

save the smack-head youth from the clutches of 

Kurt the Cunt. When Pisces defiles Gemini I’ll return


on Sheriff Calhoun’s horse, a horse so beautiful the Bible forbids its death, I’ll find out if Phillip’s still upstairs, 

ask your sister what this all meant, 

if it gets that perverse and twisted

The Indiscretion


by John Doyle


I.F.I. Dublin, March 2017


My seat was a pink-elbowed virgin,

a bait scarved-snipers Dublin draws

this time of the willing equinox;

you settle into your book-club novel,

heron returned to shore having pierced stupid waters, 

like invader, 

like cascading WW2 bomber—

like something that un-knows harmony and takes all its leviathan days 

shaking them from its soaking gob—

across the couch where you took my throne and sat there 

like that witch who’d bitch-slap Charlie Brown as if it were her birthright,

as if it were the predetermined route of life.

Could you pity lukewarm coffee

screaming down a plughole as you hide behind your book-club excuses, knowing,

suitably silent?

That was my seat, life was beautiful there 

and through the skylight the stars for once 

called me by my name—

What name do you ride your mule by—Judas, Raffles, Rizzo? 

Not Stella or Nightingale, that I can safely say.

What shames me more is Iscariot’s son—at the door, telling me nothing—and I smile meekly

The Sadness and Beauty of Car Boot Sales


by John Doyle


Straffan, August Saturdays, sunshine immortal

though sad lately at dreams of its own demise

which none of us are aware of, 

handling a tatty Evening Press dated

3rd May 1972 when Les Harvey 

dedicated eternity to that sun.

Sadness and beauty are hard to decipher on days like these, 

sad like a French cult-classic that needs just yellow softness to tell us 

something bad will soon happen in Europe, after slim-boating jacket man leaves punt lakeside, 

doesn't wish Sweet Marie good night;

beautiful like my dog easily loved by the most cynical face suddenly turning that face away, 

canine damp, though grin wider

than from here to that former station 

some miles up the road.

Wise soul's money says beautiful nearly every weekend

John Doyle is from County Kildare in Ireland. He returned to writing poetry in February 2015 after a gap of nearly 7 years. Since then, he's had 6 collections released, including Leaving Henderson County, in 2020. He is writing his first novel at present and works as a journalist.

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