Yellow Mama Archives II

Logan McConnell

Acuff, Gale
Ahern, Edward
Allen, R. A.
Alleyne, Chris
Andes, Tom
Arnold, Sandra
Aronoff, Mikki
Ayers, Tony
Baber, Bill
Baird, Meg
Baker, J. D.
Balaz, Joe
Barker, Adelaide
Barker, Tom
Barnett, Brian
Barry, Tina
Bartlett, Daniel C.
Bates, Greta T.
Bayly, Karen
Beckman, Paul
Bellani, Arnaav
Berriozabal, Luis Cuauhtemoc
Beveridge, Robert
Blakey, James
Booth, Brenton
Bracken, Michael
Burke, Wayne F.
Burnwell, Otto
Campbell, J. J.
Cancel, Charlie
Capshaw, Ron
Carr, Steve
Carrabis, Joseph
Cartwright, Steve
Centorbi, David Calogero
Cherches, Peter
Christensen, Jan
Clifton, Gary
Cody, Bethany
Costello, Bruce
Coverly, Harris
Crist, Kenneth James
Cumming, Scott
Davie, Andrew
Davis, Michael D.
Degani, Gay
De Neve, M. A.
Dillon, John J.
Dinsmoor, Robert
Dominguez, Diana
Dorman, Roy
Doughty, Brandon
Doyle, John
Dunham, T. Fox
Ebel, Pamela
Fagan, Brian Peter
Fillion, Tom
Flynn, James
Fortier, M. L.
Fowler, Michael
Galef, David
Garnet, George
Garrett, Jack
Glass, Donald
Graysol, Jacob
Grech, Amy
Greenberg, KJ Hannah
Grey, John
Hagerty, David
Hardin, Scott
Held, Shari
Hicks, Darryl
Hivner, Christopher
Hoerner, Keith
Hohmann, Kurt
Holt, M. J.
Holtzman, Bernard
Holtzman, Bernice
Holtzman, Rebecca
Hopson, Kevin
Hubbs, Damon
Irwin, Daniel S.
Jabaut, Mark
Jermin, Wayne
Jeschonek, Robert
Johns. Roger
Kanner, Mike
Karl, Frank S.
Kempe, Lucinda
Kennedy, Cecilia
Keshigian, Michael
Kirchner, Craig
Kitcher, William
Kompany, James
Kondek, Charlie
Koperwas, Tom
Kreuiter, Victor
Larsen, Ted R.
Le Due, Richard
Leotta, Joan
Lester, Louella
Lubaczewski, Paul
Lucas, Gregory E.
Luer, Ken
Lukas, Anthony
Lyon, Hillary
Mannone, John C.
Margel, Abe
Martinez, Richard
McConnell, Logan
McQuiston, Rick
Middleton, Bradford
Milam, Chris
Miller, Dawn L. C.
Mladinic, Peter
Mobili, Juan
Mullins, Ian
Myers, Beverle Graves
Myers, Jen
Newell, Ben
Nielsen, Ayaz Daryl
Nielsen, Judith
Onken, Bernard
Owen, Deidre J.
Park, Jon
Parker, Becky
Pettus, Robert
Plath, Rob
Potter, John R. C.
Price, Liberty
Proctor, M. E.
Prusky, Steve
Radcliffe, Paul
Reddick, Niles M.
Reedman, Maree
Reutter, G. Emil
Riekki, Ron
Robson, Merrilee
Rockwood, KM
Rollins, Janna
Rose, Brad
Rosmus, Cindy
Ross, Gary Earl
Rowland, C. A.
Saier, Monique
Sarkar, Partha
Scharhag, Lauren
Schauber, Karen
Schildgen, Bob
Schmitt, Di
Sesling, Zvi E.
Short, John
Simpson, Henry
Slota, Richelle Lee
Smith, Elena E.
Snell, Cheryl
Snethen, Daniel G.
Stanley, Barbara
Steven, Michael
Stoler, Cathi
Stoll, Don
Surkiewicz, Joe
Swartz, Justin
Taylor, J. M.
Taylor, Richard Allen
Temples. Phillip
Tobin, Tim
Traverso Jr., Dionisio "Don"
Turner, Lamont A.
Tustin, John
Tyrer, DJ
Varghese, Davis
Verlaine, Rp
Viola, Saira
Waldman, Dr. Mel
Al Wassif, Amirah
Weibezahl, Robert
Weil, Lester L.
Weisfeld, Victoria
Weld, Charles
White, Robb
Wilhide, Zachary
Williams, E. E.
Williams, K. A.
Wilsky, Jim
Wiseman-Rose, Sophia
Woods, Jonathan
Young, Mark
Zackel, Fred
Zelvin, Elizabeth
Zeigler, Martin
Zimmerman, Thomas
Zumpe, Lee Clark

The Volkers


 Logan McConnell



After a lifetime of city living, Howard didn’t know what to expect when he drove to the Volker’s remote vacation home in the country. What he found was a twisting maze of redwoods lining the isolated roads. By dusk he feared he was lost, and began to panic that he’d be stranded in the middle of nowhere. Eventually he found the residence, grateful to arrive before nightfall.

          He really shouldn’t have been there. As a copyright lawyer, his experience was with companies led by the brightest minds in Silicon Valley, finalizing patents for innovative technology certain to revolutionize the 2020’s. Then he burned out. Howard retreated to the slow pace of a private consultant, which he found enjoyable though uneventful until he received a letter from an Ike Volker seeking a lawyer on behalf of his ailing father, the Peter Volker. Unable to resist work from the legend himself, Howard accepted.

Howard, along with the rest of America, had seen the Volkers many times in movie theaters. Howard’s parents grew up watching Peter Volker and his wife Blanch star in black and white dramas, box office smashes now relegated to the sentimental past. Peter and Blanch’s three children; Ike, Patty, and Joan, were less successful actors, featured in respectable roles, although never the same caliber as their parents. The entire Volker clan eventually disappeared into obscurity, becoming a family of recluses.

          As usual for Hollywood royalty, the power couple divorced. Rumor had it Peter was too domineering to tolerate, so Blanch left her family to live the life of an aging movie queen alone, up until last week, when she died at age 85. Examining her will, Howard suspected she planned to live forever, since the details of the document were vague and several assets unmentioned. This necessitated legal counsel.

          As time-consuming as it was to drive up for an in-person meeting, Howard regrettably didn’t have a choice. At first, Ike insisted everything be done through the mail, forcing Howard to explain with firm insistence that the Volker family had to sign certain documents with an official notary (i.e. Howard) present, in addition to hashing out various complex details. Ike eventually agreed. All this resistance left Howard feeling like an unwanted guest as he parked his car under the shadow of the estate.

The house had the charm of a rusted and abandoned luxury vehicle. All the windows were completely shattered, each one sealed up with boards. The shutters were in need of a fresh coat of paint. One of the gutters was split with decaying orange leaves sticking out. The front door was hunter green, which accentuated the milk white spider webs on the hinges. Howard lifted his legs to wipe his shoes but, finding no mat, skipped that nicety and knocked.

          The door opened to reveal Ike Volker. In his mind, Howard had pictured Ike just as he was last seen on screen long ago: stunning with his tan complexion, blond hair and youthful body wearing an eager grin for the camera. Instead, Ike greeted him with a gaunt, anemic face, his photogenic smile replaced with thin lips and his drab brown eyes locked in a stare as dull as a mannequin’s.

          The silence was broken when Howard heard: “Ike greets the lawyer and welcomes him.” Except Ike didn’t say this. From inside the house, a voice of an elderly man, emitted from some electronic device, had made that announcement. Ike raised his arm, motioning Howard inside. This disconnect between voice and body caused Howard to take a reflexive step back, but out of a fear of being impolite, he entered, the door closing behind him.

          All the lights were on inside, but each bulb was so dimmed that Howard's eyes required a minute to adjust to the near darkness. The faint light was similar to a movie theater, where only a smidge of illumination allowed a patron to find his or her way in from the concession stand or restroom. Howard sniffed the air, almost expecting the aroma of popcorn and butter.

They entered the foyer. Above was a chandelier, the gold center chipped, each dangling crystal coated in dust. On the walls were pictures of Peter Volker, from his early vaudeville days to more dignified roles at the close of his career.

“Ike shows the lawyer to the drawing room.”

Again, that same older voice provided Ike with directions. Ike pointed to two open French doors. Howard approached the drawing room, as the voice said, “Ike locks the front door.” Howard heard behind him not one, but three clicks as Ike locked the door. The family was hell bent on being hermetically sealed off from the world.

          Stepping into the drawing room, Howard became confident the interior’s resemblance to a theater was deliberate. All the seats faced the same direction: high sofas in the back, smaller chairs in the front, tapered in height like an auditorium. Heavy maroon curtains hung from the ceiling, hiding the thick boards nailing the windows shut. Wedged in the corner, bolted to the wall, a large intercom speaker, the source of the voice. The speaker was chrome and modern, out of place in the aged house whose walls were dawned with sepia pictures from the past.

 In the seat closest to Howard (the front row), sat a woman he assumed to be Patty. Her build in the past had been athletic, and the talk of Hollywood was that she performed her own stunts. But here her face was round with flabby cheeks and fat, puffy bags under her eyes.

“Patty rises to greet the lawyer,” said the voice. Patty did so, and lifted a plump hand for Howard to shake.

“Everyone sits, and the three exchange pleasantries.” Ike and Patty complied. Patty opened her mouth, her eyes showing no life behind them as the intercom asked, “how was your drive? Did you find the house all right?” Patty closed her mouth, reminding him of a wind up doll with a grainy recording for a voice.

Howard took a deep breath, choking on the stuffy odor from the worn cushions on antique furniture: once glamorous art deco pieces riddled with nostalgia and moth balls.

“If you don’t mind me asking...who is that on the intercom?” What he really wanted to ask was ‘what is wrong with you and what the hell is going on?’ but this brief time alone with the Volkers was likely just a glimpse of a greater madness. He would proceed with caution, as if they were sleeping beasts, and avoid the risk of upsetting them into a frenzy.

“This is Peter Volker. I am too ill to leave the bedroom. Please excuse this unusual get up,” said Peter from the intercom.

“Well... OK Mr. Volker, but you may want to actually see the docume—”

“Joan brings in finger foods for the lawyer,” Peter interrupted. Joan’s silhouette appeared in the doorway. She walked over holding a silver dish of warm shrimp fanned out in a circle around a saucer of vivid red cocktail sauce.

“Joan sets the tray down,” Peter narrated, and Joan rested the tray on a nearby table. In her past roles, Joan often played the elegant and mysterious woman, looking lustful and attractive on a balcony above the main protagonist, smoking an expensive cigarette in the moonlight. Up close, she was now bony with awkward limbs and skittish eyes.

“Joan goes to the kitchen to chop vegetables for dinner.” Joan complied, leaving Howard with Ike and Patty. “The lawyer sits, eats a snack, and begins the reading of the will.”

Howard did sit but only looked at the shrimp, his appetite slipping away by the second. He turned to the intercom, but couldn’t bring himself to talk to a metal box. So, he spoke as if to Peter, while facing Ike and Patty. As he began, he heard the sound of carrots being sliced in the kitchen.

“So, the will from Mrs. Volker is a bit of a mess, I’m afraid.” Howard pulled the will out of his briefcase. “Blanch Volker acquired several possessions since her will was last updated ten years ago. Most of her assets will be split between her three children. The summer home in the Catskills and two of her cars were just left, ‘to family’. That’ll be the more difficult part, how to divy that up.”


“The lawyer completed his duty.”

Howard rested the document in his lap. “ sir, I haven’t. Even for the more organized sections, I’ll at least need one signature from each of you,” he pulled out another sheet, “and we need to go over transferring the monies to the respective bank accounts. Cross all the T’s and dot all the I’s.” He handed a pen to Ike. “If you’d like to sign here, by the X.”

Ike and Patty sat like sacks of flour, Howard’s words stirred no reaction. If not for their occasional blinking, Howard would assume they had died in their chairs, gone to join their mother.

“Ike and Patty comply with the lawyer’s request.” Ike took the pen, signed by the X, then handed it to Patty, who did the same.

Well that’s a start,’ he thought, grateful to get closer to leaving. Howard lifted his head and spoke a bit louder, “and Joan, I’ll need your signature as well.”

She remained out of sight until Peter said, “Joan enters the drawing room. Joan complies with the lawyer’s request.” Joan followed her father’s words, signing next to her brother and sister’s signature, then remained standing, only inches from Howard, holding a butcher knife in one hand, the blade slimy from raw chicken.

          Joan stood immobile, staring straight ahead. Only her faint breathing betrayed the life inside her. Howard shifted in the seat, leaning away from the woman who appeared broken, too damaged to find her way back to the kitchen. He really wished she’d lose the knife.

          “Joan goes to the kitchen.” She did, and Howard breathed a sigh of relief.

          “The lawyer stands to leave.”

Howard remained seated, placing his finger on the paper, still several legal steps short of an escape. “Unfortunately sir, I do need you to sign here too. If you like, I can come up to your room for your convenience. Then we have to discuss—” 

“Ike hands the lawyer a check.” Ike reached his arm out in a stiff motion, and Howard took the check from his hands.

He looked at the amount. “Oh God...sir...this is...way more than the price for my consultation. Really, this is…”

“The lawyer will be compensated for his discretion.”

The large sum couldn’t change the fact that the drive up was pointless without all four of the Volker’s signatures. This strange arrangement was beginning to get tiresome and the children had proven themselves useless. On the other hand, Peter Volker, although eccentric and clearly deranged, could surely provide a signature if Howard came to him. Perhaps even work with him on the more intricate details of the will.

“We actually got a bit more to do. But before we address that, may I use the restroom?”

“The first floor bathroom needs cleaning,” said Peter.

“I’ll...uh...use it anyway. I’m sure it's fine. I’ll find it myself. No need to trouble getting up.”

 Walking through the foyer he found the bathroom across from a staircase leading to the second floor. Out of sight from the children, he dared to take a few steps up, finding a closed door at the top of the stairs, light spilling out from the bottom.

Checking once again that nobody would follow him (‘how could they?’ he thought, ‘they haven't been instructed to’), he tiptoed upstairs, careful not to cause creaking on the decrepit floor boards, all the while avoiding the splinter-laced wooden banister.

 Once on the second floor he found three other doors down the hall, each with a name displayed: IKE. PATTY. JOAN. No name was outside the door he assumed to be Peter’s. Coming from inside Peter’s room was a low and steady hum, which Howard assumed was some appliance. Perhaps a heater. He knocked softly. No answer. Howard knocked again, this time twisting the knob and walking in. Peter wasn’t there.

Directly in front of Howard, standing up on a table was a smart device he instantly recognized: Janus. Howard was quite familiar with this model, and was on the legal team that drafted the patent. Janus served as a virtual assistant, artificial intelligence that could converse with the user.

Beside that was a microphone for the intercom, the ON button kept down with duct tape. Any noise would be announced through the house. He’d have to tread carefully. Howard read on the screen:

Tuesday (Lawyer version)

>0800: the family wakes up

>0815: the family brushes their teeth

>0845: Joan makes breakfast. Ike reads the mail. Patty brings her father the newspaper.

He scrolled down to the time he arrived.

>18:00: Lawyer (keywords: Sign. Will. Payment. Snack. )

Howard swiped over to the main menu.

          Name: Peter Volker

          Voice: male, older (#11)

          Volume: 75/100




He stopped reading and stepped away, afraid to set the device off. The walls were covered with movie posters, starring Peter Volker. Some as a cowboy, some as a soldier, one as a tuxedoed spy. The back of the small room had a bed, royal blue covers neatly made and tucked in. A newspaper rested on top of the pillow. Beside that was the source of the low hum: a freezer.

The contents of the room allowed the entire morbid picture to fall into place. The children had lived with their father in this house. Peter Volker, as controlling as his reputation claimed, micro-managed the family minute by minute. When too debilitated to walk, he would bark orders into the intercom from his room.

 Sometime, maybe last week, maybe last month, or years ago, Peter died. The children, so used to living under his command, paid top dollar for a programmed smart device to replicate the patriarch’s voice and schedule so nothing would change. They could continue to live the only way they knew how: with dear father dictating each and every decision of their lives.

Howard didn’t need to look in the freezer to know what lay inside, a thought too overwhelming to stomach. He hoped to disprove his own theory by opening the freezer to find something harmless, like pizzas or steaks. That his intuition was wrong, a victim of an overactive imagination.

His fingertips pried the top open, feeling the cold air run up along his hands and arms, releasing a hissing sound. Through the sliver of light he saw the frigid eyes of Peter Volker, lids frozen open, the body of a star sealed shut and preserved alongside his legacy, cared for by his most devoted fans.

Howard recoiled and whispered to himself, “who the hell are these people?”

“This is Peter Volker.” Howard jumped. “I am too ill to leave the bedroom. Please excuse this unusual get up,” Janus announced, eager to answer his question.

“Stop,” whispered Howard, but that only made things worse.

“Joan stops stirring the soup.”

Howard heard the scraping of furniture against the hardwood floor down below. Footsteps at the base of the stairs grew louder along with his thudding heart. These steps were different from before. These were not docile and submissive saunters but a panicked and unhinged hustling coming right for him. He held the screen close to his face and scrolled through the menu, his fingers trembling, searching for some command to make them go back downstairs.

“Daddy!” Ike screeched. He arrived faster than expected, and in a bolt of startled terror Howard dropped the device, where it broke in half on the floor. In the doorway stood Ike and Patty, with Joan a few feet behind them, her hands up to her face, still clutching the handle of the knife.

A dead silence spread through the house. The three Volkers stared at the cracked case and busted circuits they had relied on for their shared delusion, too stunned to move, as if reliving their father’s death all over again.

Ike snapped. “You killed daddy!” Ike and Patty swarmed Howard, forcing him to the ground. Patty used her weight to press on Howard’s chest, and Ike’s moist, soft hands gripped his throat, all the while crying, “you killed daddy, you killed daddy…”

In his fight for survival Howard barely noticed Joan creeping behind them, her arms jerking wildly in the air, the light reflecting off the blade of the knife. “What are we supposed to do? What are we going to do! Ike! Pat! What do we do now?” She asked, pacing. Howard’s vision started to fade. He grew dizzy. Patty pounded on his chest. Ike barked in his face. Howard kicked at them to no avail.

In a surge of energy he managed to force Ike’s hands off his neck just enough to whisper, “Ike stops choking the lawyer.” His voice was hoarse from strangulation, and he was unsure if they understood him. Ike stopped. “The children backed away from the lawyer.” All three did.

Howard massaged his throat and looked up. The faces had lost a bit of their venom, but each one was still quite shaken. He contemplated making a run for it, but between the three of them (and Joan’s knife) he doubted he could make it out alive.

“Joan goes back to make dinner.” The three looked at one another. Joan cautiously stepped away, heading downstairs. “Ike and Patty help the lawyer off the ground.” Ike reached out a hand, helping Howard to his feet. “The lawyer, Ike and Patty go downstairs together.” They did.

His breath returning, Howard ran to the front door. Claustrophobia gripped him as he pulled on the door. It didn’t budge, locked shut with three different combination locks.

Howard’s voice rose, shouting into the air, “the Volkers unlock the door.” He spun around, finding Ike and Patty standing shoulder to shoulder by the base of the stairs. Joan stuck her head out from the kitchen. Three pairs of hungry, glassy eyes looked back, all glaring at Howard one warning: don’t stop. His release was the one command they would not obey.

To avoid another attack, Howard muttered, “the lawyer joins the Volkers in the dining room for dinner.” As he ate the roasted chicken and sipped his soup, he would pause throughout the meal to instruct Ike to cut his potatoes, Patty to drink some juice, or Joan to add more salt.

The hesitance between him and the family subsided, and a truce was struck: he would avoid slaughter if he played along. Howard was resigned to this fate until he thought of a way out. So, he continued for one week, then two, then three...

The lawyer was losing hope.

Logan McConnell is a 29-year-old health care worker. He is a lifelong reader and new to writing fiction. He has an upcoming short story for Schlock! Webzine this winter. He is influenced by the works of Mary Shelley, Octavia E. Butler. and Thomas Ligotti. He currently lives with his boyfriend in Tennessee. Twitter: @LMwriter91

Site Maintained by Fossil Publications