![](/imagelib/sitebuilder/layout/spacer.gif) |
Home |
Acuff, Gale |
Ahern, Edward |
Allen, R. A. |
Alleyne, Chris |
Andes, Tom |
Arnold, Sandra |
Aronoff, Mikki |
Ayers, Tony |
Baber, Bill |
Baird, Meg |
Baker, J. D. |
Balaz, Joe |
Barker, Adelaide |
Barker, Tom |
Barnett, Brian |
Barry, Tina |
Bartlett, Daniel C. |
Bates, Greta T. |
Bayly, Karen |
Beckman, Paul |
Bellani, Arnaav |
Berriozabal, Luis Cuauhtemoc |
Beveridge, Robert |
Blakey, James |
Booth, Brenton |
Bracken, Michael |
Burke, Wayne F. |
Burnwell, Otto |
Campbell, J. J. |
Cancel, Charlie |
Capshaw, Ron |
Carr, Steve |
Carrabis, Joseph |
Cartwright, Steve |
Centorbi, David Calogero |
Cherches, Peter |
Christensen, Jan |
Clifton, Gary |
Cody, Bethany |
Costello, Bruce |
Coverly, Harris |
Crist, Kenneth James |
Cumming, Scott |
Davie, Andrew |
Davis, Michael D. |
Degani, Gay |
De Neve, M. A. |
Dillon, John J. |
Dinsmoor, Robert |
Dominguez, Diana |
Dorman, Roy |
Doughty, Brandon |
Doyle, John |
Dunham, T. Fox |
Ebel, Pamela |
Fagan, Brian Peter |
Fillion, Tom |
Flynn, James |
Fortier, M. L. |
Fowler, Michael |
Galef, David |
Garnet, George |
Garrett, Jack |
Glass, Donald |
Graysol, Jacob |
Grech, Amy |
Greenberg, KJ Hannah |
Grey, John |
Hagerty, David |
Hardin, Scott |
Held, Shari |
Hicks, Darryl |
Hivner, Christopher |
Hoerner, Keith |
Hohmann, Kurt |
Holt, M. J. |
Holtzman, Bernard |
Holtzman, Bernice |
Holtzman, Rebecca |
Hopson, Kevin |
Hubbs, Damon |
Irwin, Daniel S. |
Jabaut, Mark |
Jermin, Wayne |
Jeschonek, Robert |
Johns. Roger |
Kanner, Mike |
Karl, Frank S. |
Kempe, Lucinda |
Kennedy, Cecilia |
Keshigian, Michael |
Kirchner, Craig |
Kitcher, William |
Kompany, James |
Kondek, Charlie |
Koperwas, Tom |
Kreuiter, Victor |
Larsen, Ted R. |
Le Due, Richard |
Leotta, Joan |
Lester, Louella |
Lubaczewski, Paul |
Lucas, Gregory E. |
Luer, Ken |
Lukas, Anthony |
Lyon, Hillary |
Mannone, John C. |
Margel, Abe |
Martinez, Richard |
McConnell, Logan |
McQuiston, Rick |
Middleton, Bradford |
Milam, Chris |
Miller, Dawn L. C. |
Mladinic, Peter |
Mobili, Juan |
Mullins, Ian |
Myers, Beverle Graves |
Myers, Jen |
Newell, Ben |
Nielsen, Ayaz Daryl |
Nielsen, Judith |
Onken, Bernard |
Owen, Deidre J. |
Park, Jon |
Parker, Becky |
Pettus, Robert |
Plath, Rob |
Potter, John R. C. |
Price, Liberty |
Proctor, M. E. |
Prusky, Steve |
Radcliffe, Paul |
Reddick, Niles M. |
Reedman, Maree |
Reutter, G. Emil |
Riekki, Ron |
Robson, Merrilee |
Rockwood, KM |
Rollins, Janna |
Rose, Brad |
Rosmus, Cindy |
Ross, Gary Earl |
Rowland, C. A. |
Saier, Monique |
Sarkar, Partha |
Scharhag, Lauren |
Schauber, Karen |
Schildgen, Bob |
Schmitt, Di |
Sesling, Zvi E. |
Short, John |
Simpson, Henry |
Slota, Richelle Lee |
Smith, Elena E. |
Snell, Cheryl |
Snethen, Daniel G. |
Stanley, Barbara |
Steven, Michael |
Stoler, Cathi |
Stoll, Don |
Surkiewicz, Joe |
Swartz, Justin |
Taylor, J. M. |
Taylor, Richard Allen |
Temples. Phillip |
Tobin, Tim |
Traverso Jr., Dionisio "Don" |
Turner, Lamont A. |
Tustin, John |
Tyrer, DJ |
Varghese, Davis |
Verlaine, Rp |
Viola, Saira |
Waldman, Dr. Mel |
Al Wassif, Amirah |
Weibezahl, Robert |
Weil, Lester L. |
Weisfeld, Victoria |
Weld, Charles |
White, Robb |
Wilhide, Zachary |
Williams, E. E. |
Williams, K. A. |
Wilsky, Jim |
Wiseman-Rose, Sophia |
Woods, Jonathan |
Young, Mark |
Zackel, Fred |
Zelvin, Elizabeth |
Zeigler, Martin |
Zimmerman, Thomas |
Zumpe, Lee Clark |
|
|
![](/imagelib/sitebuilder/layout/spacer.gif) |
|
![](/imagelib/sitebuilder/layout/spacer.gif) |
This
Most Magical Season by
Bernice Holtzman I walked to
work this morning past Spring Street, and they’re setting up the wooden racks for
the Christmas trees, the giant plastic snow globe, lights, the whole Santaland enchilada. Oh, it’s magical! For a Jewish
girl, I think I get more into Christmas than my Christian friends. I think that’s
because I don’t have to; there’s no obligation whatsoever, my Jewishness
is a get-out-of-Christmas-free card. All that’s expected of me is to eat Chinese
food and see a movie on Christmas Day—so I can just relax and enjoy the fun parts! Actually, Christmas Day depresses me a little, but I love the month
leading up to it: The Holiday Mart in Union Square! Sending cards! Cozy holiday drinks
and dinners with friends; the window displays and strings of lights all over everything;
the smell of fireplaces and hot chocolate and gingerbread. Everyone bustling around, happy,
with bright shopping bags. The little Christmas-themed plays. A Charlie Brown
Christmas, Mr. Hanky’s Christmas Classics, the air of anticipation…. Then, in one day, it’s over.
The discarded, dried-up Christmas trees start appearing on curbs to be carted away. The
garbage cans are full of tinsel and gift boxes. And you still have to get through
New Year’s Eve. … which you know
will be a big disappointment, but you put yourself through it every year anyway, and even
when you stay home like you want to, there are constant reminders of what you’re
missing, even though you know from experience you’re not really missing anything. But those people outside do sound like they’re having fun, and
you don’t dare go into the hallway to throw out the garbage because people will see
that you’re in your sweatpants and quietly feel superior to you like you did with
the disheveled girl carrying laundry in the hallway New Year’s Eve 1992 and now you’re
being paid back, and they’ll know there’s no boyfriend in your apartment and
even if there is, what kind of boyfriend doesn’t take his girlfriend out on New Year’s
Eve? And there’s some
girl who just got engaged on TV right before the ball dropped and she’s making out
with her new fiancé and putting the ring right in the camera and you can see both their
tongues while they’re kissing, she’s making sure of it, and maybe you’ll
burst into tears and maybe you won’t, it’s really anybody’s game at this
point…. But this year will
be different! Right? Right! Please enjoy this
most magical season.
The Rocking Horse by Bernice Holtzman The bag says Primo Gifts Inside
I notice a flyer announcing a new Disney figurine now available The
unwrapped box has a sticker stating “Rocking Horse Music Box” I
remove the gift from the Styrofoam insert And place it on
the Valentine’s Day table Next to roses I bought myself And
look at the green flowers, gold swirls and fake pearls decorating its white plaster body Its painted face expressionless. On
a bookcase behind the table Blurred in the background Is
the stained glass wine goblet I had admired one day A month before
I tore off homemade giftwrapping To find it nestled
in its box A relic from a time of both arms around me when we walked Single
roses just because A card I discovered in the
morning after you had left I reach underneath
and wind its key The music starts and it rocks back and forth The
tune is frantic, too fast for the pace of the rocking A distortion
of something beautiful and fragile Making hollow what
would be resonant at its proper speed It slows for a moment And
the melody becomes familiar Then all sound and motion
stop.
We Have a Bond by Bernice Holtzman I can’t
see you tonight No, not for another month Too much
work to do still Have to cut myself off From all
distraction I’ve thought of you often But stopped myself
from calling I had a dream about you When I slept at my
parents’ house You’re light And I’m darkness We have a bond I won’t call again
until my songs are written So have a good spring Oh, by the way Something happened That girl
at work came on to me again Straddled me in a bar And of
course it felt good It’s been a while,
and I’m a man Why are you crying?
Everything Is the Same
by
Bernice Holtzman The room is quiet, like
yesterday. The shadows fall in the same way, making the same shapes, as familiar as the
furniture. The sheets still feel cool, the walls are still blue, the plant on the windowsill
still leans toward the sun. His
leaving had no significance at all. Everything
is the same. The curtain ripples from the
breeze, the way it always does. He wouldn’t be here at this time of day. He would
be working. The floor still shines from the wax. Its wooden boards are still different
shades. Later he would be with the girl, whose name she knows but won’t bring herself
to say. The sheets are still white. She didn’t think he’d leave. The
walls are still blue. The vase is still ceramic, with painted tulips. Except for a hairline
crack, from the impact—that would have to be fixed—it looks the same. The walls are still blue, with
dark red speckles. She didn’t think he’d
leave. The floor is still different
colors, and now it has one more. He is still here. Everything is
exactly the same. © 1999 Bernice Holtzman
The
Monster in the Mirror by Bernice Holtzman When I was a child I used to play a
game Called “The Monster in the Mirror” I would wait until
it was dark And I would go to my mirror I would stare And stare Until the darkness
contorted my face And I could pretend I saw a monster. I still play the game sometimes Only
now it’s always dark And now I pretend I don’t see him.
The Utilizers by Bernice Holtzman There
were more of us not long ago But
it was determined by the electronic internal tracking system That utilization for the human facilitation units Was below the 85% required by the
expense management agency So their use was terminated by the
Corporation And now I am alone There
is one human management unit left from before the takeover Who understands But
when this unit is eliminated I
will no longer be safe I
enter the complex each morning and show my coded identification card To the security enforcement guard The smiling face in the photograph
does not anymore bear a resemblance To the one waiting
to be approved and waved through And the paper bag
with my cup of coffee the only indication That I require
anything at all.
©
2010 Bernice Holtzman
Fire by Bernice Holtzman 1. If You Were Fire If you were fire Then I could be
air Surrounding you, but never confining Always allowing
you your freedom To expand and rise as you saw fit Sometimes
I’d gently fan your edges Coaxing you higher Exciting your color deeper and brighter A
tribute of sparks popping from you And dissolving
into me. But I think I
would end up being a glass Turned upside down over you Meaning only
to touch you Embrace you Shelter you Feel your warmth But slowly and
finally Snuffing you out. 2. If I Were Fire If I were fire My flames would be too wild for you to handle You
would shrink from my heat Beating me back with your
disapproval Walling me in until I was tamed Contained
by your limits Of manageable size. You would never let me go out completely, though For
then who would give you warmth When you needed it? ©
1999 Bernice Holtzman
Colors
by Bernice Holtzman
It was the most beautiful day
of the year, Johnny thought, as he sat playing in his backyard. He couldn’t remember
the sky ever being so blue, with white cotton-puff clouds forming animal shapes against
it. The bright yellow sun shone through the branches of the big oak tree in the corner
of the yard, turning some of the leaves emerald and lime, while the ones in the shadows
were a dark forest green. A warm breeze was blowing, making the glistening lawn look
like rippling water, and bathing Johnny in the scent of freshly trimmed grass. The last time
Johnny could recall a day this perfect was the day last fall, the day of the family road
trip into the mountains. Johnny had sat in the car, face pressed against the half-open
window, the wind whipping over his head. The sky had looked turquoise that day, with the
mountains a festival of color. His father was at the wheel, the back of his dark-haired
head alert as he watched the road; his mother was in the passenger seat beside him, and
Johnny had the back seat to himself. His mother’s cinnamon-colored hair blowing in
the wind matched the leaves on some of the trees. Every leaf he saw matched something,
Johnny thought, the orange ones the color of fire, pinks like candy roses on birthday
cakes, and red leaves matching the cars Johnny liked to count whenever he went on long
road trips. He had counted twenty red cars so far. Some of the flowers in the backyard
were red. There were orange-red geraniums, deep purple-red rose bushes, and ruby-red flowers,
big and exotic looking, that Johnny didn’t know the name of. There were tulips that
looked like Easter eggs, with their perfect, oval buds colored pale pink, buttery yellow,
white, and lavender, and small purple and white striped flowers that reminded Johnny of
peppermint candy. With the green grass under him, the blue sky and white clouds above him
and the rainbow of flowers all around him, Johnny thought that every color in the world
was right here in his backyard. Their car continued along the country
road, swirls of autumn color whizzing past them. Two more red cars had passed by. The road
narrowed, bringing them closer to the trees on either side of them. Johnny saw a pheasant
under one of the trees, his tiny head bobbing on his plump body, his blue, green, and gray
feathers in sharp contrast to the pink and gold leaves around him. Johnny laughed and
pointed, and his mother’s hair flew around her shoulders, her green eyes bright and
happy as she turned to look and laugh with him. Everything seemed to happen together, in
flashes of color and sound: his mother’s laughter and screams, the car coming out
of nowhere, his father’s pale hands wild on the black wheel, the horn, loud and warped,
sparkles of glass like diamonds suspended in air, red speckles on cinnamon, red, gold,
and pink hurtling toward them. Then the purest, most brilliant white. Johnny’s mother was calling
him inside for dinner. Had he really been in the backyard that long? The day was almost
gone. The leaves on the big oak tree were mostly all dark green now, and the lawn had changed
from a shimmering sea to a cool, still lake. The remaining sunlight played on his mother’s
hair, weaving threads of gold through the cinnamon. Her pretty green eyes shone with love.
He remembered those eyes crying, his father’s voice comforting, and pieces of other
voices: “…extensive damage…,” “…permanently
blind…,” “…so sorry…,” “…he’s lucky to be alive…,” then her
voice, pleading, “Are you sure, Doctor, are you sure?”
Johnny walked
toward his mother, ten steps to the rose bushes, fifteen to the geraniums,
twenty to the exotic flowers, thirty to the Easter egg tulips and peppermint candy flowers,
and ten more steps to the stairs of his back porch. Johnny stopped at the foot of the porch
and turned his face to the sun setting in the sky. The white clouds had turned to silver,
and the yellow sun was now a red ball at the bottom of huge splashes of blazing pink, bright
purple, and royal blue. Johnny smiled. It was the most wonderful sunset ever.
Bernice Holtzman’s paintings and collages have appeared in shows at various
venues in Manhattan, including the Back Fence in Greenwich Village, the Producer’s
Club, the Black Door Gallery on W. 26th St., and one other place she can’t
remember, but it was in a basement, and she was well received. She is the Assistant Art Director for Yellow
Mama.
|
![](/imagelib/sitebuilder/layout/spacer.gif) |
|
![](/imagelib/sitebuilder/layout/spacer.gif) |
|
![](/imagelib/sitebuilder/layout/spacer.gif) |
|
|
Site Maintained by Fossil
Publications
|
|
|
![](/imagelib/sitebuilder/layout/spacer.gif) |