The Meaning of “Tele”
By Rebecca N. McKinnon
Stories sticky as
Elmer's, pasted permanent
and loud LOUD,
closing some gaps yes,
but at the expense
of other ones opening
I want you to know
the second person's
one step away from
guilt and
always the blameless compliment
the same imagination
that condemns the very child to suffer
nameless dread in darkness
every night, my terror—
Ah, but it's all flashes now, isn't it?
Something for me to say at parties,
answering the call
of
some card game
It was that one
scene from The Shining!
I shout, having
lost
myself purposefully
running around myself
to see more of myself
So
much I have forgiven
only needs a
bleak winter
to be faulted
once more
Every day in life
makes me laugh
more and more
until I'm nothing but teeth
So look alive in your pretty
dress, pretending
you're not dead
Meanwhile I'm not a child anymore,
barely was when I was
Also I'm on the way with my ax,
and I'll play with you
for
a price no, no,
No, it was that
one scene from The Last of the Mohicans!
I correct myself,
my own face painted,
after all, and
ready to die
Why ask why, why understand
at all
It's a sickness, trying
to
and changing my mind in
the end
Repressing real terrors
for the benefit of acquaintances
Although who doesn't deserve
an evening of enjoyment?
I was taught abhorrence
as
a prerequisite for admiration, after all
Duncan's
choice to ascend in flame so then
represents
the horror and
honor of all
good men
Now I get too
close to the fires
I am tending,
looking for something within
their heat so
painful as to be intimate
Now I understand
the complexity
of each fear that
inhabits such flames
I see now in
Duncan
destiny choosing him, and
him
without choice
I
see now in me why I'll choose you
after
the party, despite
everything
Does even the phoenix regret
what it was born to do?
Does
the surprise of doubt
overtake the
pain of burning?
Does everything
that mean anything
travel away from
self in sooty plumes?
Goodness, dignity,
at last
Integrity—
all
tied up and writhing
wishing for a
way to live
or an easier way
to die
Even the radically honest
look in mirrors with nothing to say
We need others to invent ourselves
but our souls are mansions
inherited from another
We're
all trapped
Me? Remember, I told you
I haven't stopped
smiling for years
You touched me when I wrote
we're never alone
over and over and
over,
your interpretation kinder
than my intention
We're in the
same boat yes,
that's sinking,
actually
and cling to each other
not because we care
Catch me on the
right day I'll carry you
Catch me on the
wrong day I'll drown you
Catch me in my
nightmares I'll humor you—
old enough to
recognize a specter
of my own creation
when I see it
Rebecca N. McKinnon is a born-and-raised Floridian who
lives and writes in Northern Virginia. Her work has appeared in Maudlin House and
The Molotov Cocktail, but she is most pleased with her ten active library
cards. Check out her work on RNMcKinnon.com and follow her writing Twitch
streams @rebeccawrites.