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Adair, Jay |
Adhikari, Sudeep |
Ahern, Edward |
Aldrich, Janet M. |
Allan, T. N. |
Allen, M. G. |
Ammonds, Phillip J. |
Anderson, Fred |
Anderson, Peter |
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The Perpetual
Motion Machine
Christopher
Hivner
Lying rigid,
the good little soldier,
she waited
for him to finish
and roll off.
He starts to
smack her ass
as he plows through her
like a train
late for the station.
She looks into his
cold, dead eyes,
black diamond mirrors.
She looked old,
too old to still have
her legs in the air
for him.
But who is she then,
if not his wife?
Not a mother,
no children.
She never liked being
a sister or daughter,
not in her family.
He grunted.
The smacks were harder,
her skin felt hot.
Was it still her skin
or was it his now?
She tried to protest
but he didn't hear
or didn't care.
His hands moved over her breasts
pinching and pawing.
She was getting tired,
why did it always
have to hurt?
He finally came,
unloading sloppily
inside of her
and over her thigh.
His eyes shined
shaking hands
with his smile,
a reptilian circle.
She lay still,
waiting for him to get off
but he just stared at her,
as though he knew
what she
had been thinking.
**************
Facts about Bones
by Christopher Hivner
Bones
are alive
when
covered
with
skin
Bones
remain
after
the muscle and flesh
decay
Bones
tell stories
when
found
by
educated hands
Bones
are delicious
in
my soup
when
I’m done with the bodies
Bones
have to be
buried
deep
so
the police can’t find them
Bones
of my victims
want
to be found
but
I am their master
More than Oxygen
By Christopher Hivner
It lay on the spoon,
flattened by her finger,
white flecks
that she needed
more than oxygen.
Her dry tongue
flicked between her lips,
a half-dead snake
anticipating nirvana.
She flicked her lighter,
moving it under the curve
of the utensil
but it didn’t look right,
the fire
not the right color
and then she saw a figure
in the flame
that glowed white
and hissed,
the face was featureless
but she heard it speak:
“Don’t.”
She closed the lighter,
the spoon shaking
in her other hand,
her life’s blood
spilling onto the table top.
Flick,
the flame sparked once more,
this time though
the figure undulated
in dark waves,
leaping at her
and laughing:
“It’s all you
have.”
She closed the lighter,
laying the spoon down
before she dropped it.
Trembling, she caressed
the silver casing
of the lighter,
then opened it part way.
The flame was compressed,
wiggling for freedom
to grow,
reaching for the spoon
to do its job,
but around the eager
black flame
was wrapped a straining
white arm of fire
holding it back.
She lay down on the sofa
holding the lighter close,
ignoring her spoon,
denying the white net.
She closed the top,
opened it again,
closed,
open,
dazzled by the leaping flame,
orange, yellow, red, blue,
each color whispering to her.
She held it
under her hair
singeing the dirty blond ends,
the crackle
alighting in her ears,
the acrid smell
swelling in her nose.
She moved the lighter
up and down her cheek,
the flame
swaying to and fro,
licking her skin
with heat
and pain.
She closed the lighter,
opened it again
to be attacked
by her new lover
who she needed
more than oxygen.
Out
of Love
by
Christopher Hivner
The voice is muted in her head,
she's turned the volume off.
She watches the veins throb,
middle of his forehead,
spittle flies from
fleshy, feminine lips
and hits her on the neck
like a wet kiss,
the kind her boyfriend
gives her
while slamming her
from behind.
Her father's finger
wags closer and closer
to her nose
and her face tightens,
waiting for the
inevitable smack.
She drifts off
dreaming of doing something nice
for her man.
A vision forms
and she smiles just enough.
That earns her
an openhanded crack
across her jaw.
"What are you smilin' at?"
The remote's been broken,
the volume is back up.
Father's corpulent frame stands erect,
his hands fidgeting around his pants.
She thought for a moment
the belt was coming off.
That could mean any number
of very bad things.
But instead he goes quiet,
"No 14-year-old is going to fool me"
and then he's gone,
getting soft in his dotage
she guesses.
She's not even bleeding.
It's time to go,
boyfriend is waiting.
He'll make it all better.
When he hits her
it's out of love.
Cosmology by Christopher
Hivner Dad never showed up, I waited but he was at home asleep. There
were no more Saturdays together after that, my theory of who I was got rewritten that day, my solar
system was reduced, my orbit made tighter. The teacher told my mom I was
a loner who would never amount to anything. I thought I was just a shy kid, turns out I was pegged by the age of 10, a lonely rock adrift in space, not the right size or shape to be anything in particular. I took my demotion in stride, eight years later graduating with honors. I’m told Dad was there, he left before saying a word to me. I passed him in my orbit, his world looked dark and void. My system expanded, a lover
at my side, a woman to understand, a mate to build with, a satellite
in my
sky. Dad died, the lover cheated, telescopes searched for me but I was hidden among the gasses, expelling my outer shell, diminished to my core, let me
alone, let me spin, slowly, until the red shift. Continuing my search to this
day, broke
free from others’ gravity to drift, the answers are in the stardust that forms us, I run my hand through the silt and wonder.
Mouth by Christopher Hivner your words don’t
deflate me because I can see
them for the worms they are squirming through holes in your teeth and the waste they
leave behind stays on your
tongue to ferment into larvae that feed from your saliva, growing long and thick before
spilling out of your mouth,
a dead thing no one trusts
Waiting
for the Black by Christopher Hivner Hand on the doorknob waiting for the flames that
don’t just burn but consume in black glory, but the steel remains cold. Still, I don’t open
the door, deciding instead that the fire will find me eventually and I prefer that to my future.
Smiling
Faces by Christopher
Hivner Smiling faces look back at me from the picture and I know how I will bloody each one. I have a jar to collect the teeth in, paraffin
wax to pin the lips, noses and ears to. I have a skewer for the eyeballs but best of all I have a helium tank for the faces to make balloons for handing out at the Thanksgiving day
parade. Balloons for the kiddies, balloons for the kiddies, to create more smiling faces. Aquamarine by
Christopher Hivner It’s a lure to the depths but you don’t feel the danger. Dimples
of light sparkling off the waves, act as flirtatious winks, kisses from soft lips to
the nape of your neck. The sudden need for more from your new lover leads you to the water’s
edge, foam lapping at your feet, sucking on your toes. Farther
in you wade, the warm ocean swallowing your body, tasting flesh, mixing salts, bringing
you to life with sensual rhythm. The tingles you feel must be the work of the ancient
sea, it couldn’t be the teeth of a prehistoric beast breaking
your skin. The feeling between your legs must be a knowing tongue not a tentacle from the silty floor reaching inside of you to extract what it needs
to feed. You are positive of the devotion of your new lover until
the moment your blood becomes your bath and
you are greeted by your insides floating on the surface around you bobbing in rhythm with the light-dappled waves.
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Art by Ann Marie Rhiel © 2018 |
A Song of Vengeance by Christopher Hivner I walked on fire to reach the outstretched arms, but the flames took its price in flesh. Stripped to muscle and bone I reach for my love, my only family, but my welcome is rescinded. Am I too ugly now to love? Was my worth counted only by my pelt taken
by the fire below? The outstretched arms that beckoned
from the other side of the chasm between us now
hang down, flaccid and pale, while I bleed onto the holy soil. I take a step forward and
my future slips further into shadow. I walked on fire to reach nirvana only to be rejected. Where do I go now? I choose to go forward, toward
my former beacon, my own flayed arms outstretched, blackened fingers balled
into fists, bloody tears in my eyes, a song of
vengeance in my heart.
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Art by Cindy Rosmus © 2018 |
Digging Season by Christopher Hivner The world spun
under me, the
bones of others past and
further past moaned
in song trying
to tell me a secret. Tell me a lie
or a tale, prevaricate
or equivocate, but don’t tell
me your secrets. Pile
the dirt high to cover your
sins, hide
each black mark with the verve of a king
holding court. Don’t
tell me your secrets, or I’ll have to
tell you mine.
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Art by Ann Marie Rhiel © 2018 |
Sometimes the Light Is My
Enemy by Christopher
Hivner The rain fell
in gray sheets, I stood under it to capture as much as I
could to
use when I am lonely in the sun.
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Art by Ann Marie Rhiel © 2019 |
Lessons Learned by Christopher Hivner How many times have I thought
about you? The
tilt of your smile, the exactness
of your eyes, the
way you screamed when I closed
the door on
the box. You
didn’t know it but I was
watching by
remote camera as you pounded
your fists bloody on
the splintered lid. I found myself losing breath along with you as you
suffocated. You
thought I didn’t care, that’s why
you called me those bad words, why your eyes
bled while
you wailed my name. You were
punishing me because
you believed I didn’t care. When you took your last
breath I
saw the sadness in your eyes at how I had disappointed you.
That look haunted me. I’m much more caring now with my girls. When the light leaves their
eyes, they
pass softly knowing they
were loved, thanks
to you.
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Art by Ann Marie Rhiel © 2019 |
Bones by Christopher
Hivner Cut to the
chase, motor mouth running, gone to the north where the problems freeze in the cold, let me alone or wreck my bones, make the decision I can’t riding with Miss Misery and the Bad Luck
Trio, pound the drums, no bass,
no guitar, shut the singer’s
mouth, beat the drums, bam bam bam they can feel that in hell and even up
north in the frozen ground.
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Art by Daniel Valentin © 2019 |
The Berserker
Train by Christopher Hivner Jump off the tracks, here comes the Berserker Train. Listen
to that whistle blow with
the screams of
the dying, thrill
at the sight of
the box cars decorated
with the bodies of the dead, mouths propped open in a never-ending moan of pain. The whistle blows again as the train roars down the track at a speed that smokes the wheels, the
conductor sitting in the engine dark hood over his face, his deep, rumbling laugh rolling into the hillside, thin white fingers at the controls while small children shovel the bones of their parents into
the stove. At
the other end the
caboose teeters on
the edge of derailment filled with 100 clowns, tongues torn from infants braided into their hair, machetes between their teeth, they foam at the mouth waiting for the train to stop for another meat hunt. The Berserker Train is coming to your town on rails covered in blood. Listen for the screams and then run. They love the chase.
Close Your Eyes
by Christopher Hivner
I have something for you
in the palm of my hand.
It hums, vibrates,
and bites.
This is for you,
a gift,
it’s blue and metallic,
alien-looking,
and it draws blood.
Try it out
it was created especially for you,
cylindrical and smooth,
it revels in the feel of your skin
before opening its jaw.
I hope you like it,
the way it shines
into your eyes,
burning,
so you can’t see
when it expands
its belly
to consume you.
I have something for you
and
it’s hungry.
Say My Name
by Christopher Hivner
The stars shine in unison
when you speak.
Bells around the world
peal in delicate balance
as the words form on your tongue.
A mellifluous breeze
blows along the shoreline
when you say my name
so bite down
and say it.
I need to hear the word
to wake up,
I know you put me down,
the dirt I’m buried in
has your smell.
Open your mouth and say my name.
I gave the flattery you desire,
twisting my tongue
in flower petal words
to send you lightning,
my pride is deep in the earth
while my anger rises,
say my name.
You don’t need me,
say it.
You don’t want me,
say it.
I want out,
say the name,
say my name
with your lying mouth.
When the Sun Turns to Sorcery
by Christopher Hivner
A good opening
lays bare the ending
at least with stories
of lust and greed,
but what of wandering players
who don’t know
up from sideways,
who leak into the night
one cell at a time
so they can’t be seen?
Their stories
are nebulas
moving from night to day,
from standstills to searching,
part of society in the march of hours,
lost in the ether
when the Sun turns to sorcery.
The stars rotate
behind them,
the air bites,
in a bloodless affirmation
of the under being crowned
as king of velvet riches,
an empty prize,
smile and wave
to your sleeping subjects,
The opening begins
with the promise of a tale
for the saints,
until the ending
shows the truth of the night;
it is us,
minus the Sun
and its puffery,
searching for meaning
among the diamonds.
Christopher Hivner writes from a small town
in Pennsylvania surrounded by books and the echoes of music. He has recently been published
in Grievous Angel, Blood Moon Rising and Weird Reader. A
collection of short stories, The Spaces Between Your Screams, was published
by eTreasures Publishing. website: www.chrishivner.com, Facebook:
Christopher Hivner - Author, Twitter: @Your_screams
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In Association with Fossil Publications
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