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Adair, Jay |
Adhikari, Sudeep |
Ahern, Edward |
Aldrich, Janet M. |
Allan, T. N. |
Allen, M. G. |
Ammonds, Phillip J. |
Anderson, Fred |
Anderson, Peter |
Andreopoulos, Elliott |
Arab, Bint |
Armstrong, Dini |
Augustyn, P. K. |
Aymar, E. A. |
Babbs, James |
Baber, Bill |
Bagwell, Dennis |
Bailey, Ashley |
Bailey, Thomas |
Baird, Meg |
Bakala, Brendan |
Baker, Nathan |
Balaz, Joe |
BAM |
Barber, Shannon |
Barker, Tom |
Barlow, Tom |
Bates, Jack |
Bayly, Karen |
Baugh, Darlene |
Bauman, Michael |
Baumgartner, Jessica Marie |
Beale, Jonathan |
Beck, George |
Beckman, Paul |
Benet, Esme |
Bennett, Brett |
Bennett, Charlie |
Bennett, D. V. |
Benton, Ralph |
Berg, Carly |
Berman, Daniel |
Bernardara, Will Jr. |
Berriozabal, Luis |
Beveridge, Robert |
Bickerstaff, Russ |
Bigney, Tyler |
Blackwell, C. W. |
Bladon, Henry |
Blake, Steven |
Blakey, James |
Bohem, Charlie Keys and Les |
Bonner, Kim |
Booth, Brenton |
Boski, David |
Bougger, Jason |
Boyd, A. V. |
Boyd, Morgan |
Boyle, James |
Bracey, DG |
Brewka-Clark, Nancy |
Britt, Alan |
Broccoli, Jimmy |
Brooke, j |
Brown, R. Thomas |
Brown, Sam |
Bruce, K. Marvin |
Bryson, Kathleen |
Burke, Wayne F. |
Burnwell, Otto |
Burton, Michael |
Bushtalov, Denis |
Butcher, Jonathan |
Butkowski, Jason |
Butler, Terence |
Cameron, W. B. |
Campbell, J. J. |
Campbell, Jack Jr. |
Cano, Valentina |
Cardinale, Samuel |
Cardoza, Dan A. |
Carlton, Bob |
Carr, Jennifer |
Cartwright, Steve |
Carver, Marc |
Castle, Chris |
Catlin, Alan |
Centorbi, David |
Chesler, Adam |
Christensen, Jan |
Clausen, Daniel |
Clevenger, Victor |
Clifton, Gary |
Cmileski, Sue |
Cody, Bethany |
Coey, Jack |
Coffey, James |
Colasuonno, Alfonso |
Condora, Maddisyn |
Conley, Jen |
Connor, Tod |
Cooper, Malcolm Graham |
Copes, Matthew |
Coral, Jay |
Corrigan, Mickey J. |
Cosby, S. A. |
Costello, Bruce |
Cotton, Mark |
Coverley, Harris |
Crandall, Rob |
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Cross, Thomas X. |
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Danoski, Joseph V. |
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Davies, J. C. |
Davis, Christopher |
Davis, Michael D. |
Day, Holly |
de Bruler, Connor |
Degani, Gay |
De France, Steve |
De La Garza, Lela Marie |
Deming, Ruth Z. |
Demmer, Calvin |
De Neve, M. A. |
Dennehy, John W. |
DeVeau, Spencer |
Di Chellis, Peter |
Dillon, John J. |
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Dilworth, Marcy |
Dioguardi, Michael Anthony |
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Dobson, Melissa |
Domenichini, John |
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Doran, Phil |
Doreski, William |
Dority, Michael |
Dorman, Roy |
Doherty, Rachel |
Dosser, Jeff |
Doyle, Jacqueline |
Doyle, John |
Draime, Doug |
Drake, Lena Judith |
Dromey, John H. |
Dubal, Paul Michael |
Duke, Jason |
Duncan, Gary |
Dunham, T. Fox |
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Dunn, Robin Wyatt |
Duxbury, Karen |
Duy, Michelle |
Eade, Kevin |
Ebel, Pamela |
Elliott, Garnett |
Ellman, Neil |
England, Kristina |
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Farren, Jim |
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Fishbane, Craig |
Fisher, Miles Ryan |
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Frank, Tim |
Fugett, Brian |
Funk, Matthew C. |
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Garvey, Kevin Z. |
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Genz, Brian |
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Golds, Stephen J. |
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Grant, Stewart |
Greenberg, K.J. Hannah |
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Gunn, Johnny |
Gurney, Kenneth P. |
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Halleck, Robert |
Hamlin, Mason |
Hansen, Vinnie |
Hanson, Christopher Kenneth |
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Harris, Bruce |
Hart, GJ |
Hartman, Michelle |
Hartwell, Janet |
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Hawley, Doug |
Haycock, Brian |
Hayes, A. J. |
Hayes, John |
Hayes, Peter W. J. |
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Heslop, Karen |
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Hill, Richard |
Hivner, Christopher |
Hockey, Matthew J. |
Hogan, Andrew J. |
Holderfield, Culley |
Holton, Dave |
Houlahan, Jeff |
Howells, Ann |
Hoy, J. L. |
Huchu, Tendai |
Hudson, Rick |
Huffman, A. J. |
Huguenin, Timothy G. |
Huskey, Jason L. |
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Irascible, Dr. I. M. |
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James, Christopher |
Jarrett, Nigel |
Jayne, Serena |
Johnson, Beau |
Johnson, Moctezuma |
Johnson, Zakariah |
Jones, D. S. |
Jones, Erin J. |
Jones, Mark |
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Kaplan, Barry Jay |
Kay, S. |
Keaton, David James |
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Kerins, Mike |
Keshigian, Michael |
Kevlock, Mark Joseph |
King, Michelle Ann |
Kirk, D. |
Kitcher, William |
Knott, Anthony |
Koenig, Michael |
Kokan, Bob |
Kolarik, Andrew J. |
Korpon, Nik |
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Kowalcyzk, Alec |
Krafft, E. K. |
Kunz, Dave |
Lacks, Lee Todd |
Lang, Preston |
Larkham, Jack |
La Rosa, F. Michael |
Leasure, Colt |
Leatherwood, Roger |
LeDue, Richard |
Lees, Arlette |
Lees, Lonni |
Leins, Tom |
Lemieux, Michael |
Lemming, Jennifer |
Lerner, Steven M |
Leverone, Allan |
Levine, Phyllis Peterson |
Lewis, Cynthia Ruth |
Lewis, LuAnn |
Licht, Matthew |
Lifshin, Lyn |
Lilley, James |
Liskey, Tom Darin |
Lodge, Oliver |
Lopez, Aurelio Rico III |
Lorca, Aurelia |
Lovisi, Gary |
Lubaczewski, Paul |
Lucas, Gregory E. |
Lukas, Anthony |
Lynch, Nulty |
Lyon, Hillary |
Lyons, Matthew |
Mac, David |
MacArthur, Jodi |
Malone, Joe |
Mann, Aiki |
Manthorne, Julian |
Manzolillo, Nicholas |
Marcius, Cal |
Marrotti, Michael |
Mason, Wayne |
Mathews, Bobby |
Mattila, Matt |
Matulich, Joel |
McAdams, Liz |
McCaffrey, Stanton |
McCartney, Chris |
McDaris, Catfish |
McFarlane, Adam Beau |
McGinley, Chris |
McGinley, Jerry |
McElhiney, Sean |
McJunkin, Ambrose |
McKim, Marci |
McMannus, Jack |
McQuiston, Rick |
Mellon, Mark |
Memi, Samantha |
Middleton, Bradford |
Miles, Marietta |
Miller, Max |
Minihan, Jeremiah |
Montagna, Mitchel |
Monson, Mike |
Mooney, Christopher P. |
Moran, Jacqueline M. |
Morgan, Bill W. |
Moss, David Harry |
Mullins, Ian |
Mulvihill, Michael |
Muslim, Kristine Ong |
Nardolilli, Ben |
Nelson, Trevor |
Nessly, Ray |
Nester, Steven |
Neuda, M. C. |
Newell, Ben |
Newman, Paul |
Nielsen, Ayaz |
Nobody, Ed |
Nore, Abe |
Numann, Randy |
Ogurek, Douglas J. |
O'Keefe, Sean |
Orrico, Connor |
Ortiz, Sergio |
Pagel, Briane |
Park, Jon |
Parks, Garr |
Parr, Rodger |
Parrish, Rhonda |
Partin-Nielsen, Judith |
Peralez, R. |
Perez, Juan M. |
Perez, Robert Aguon |
Peterson, Ross |
Petroziello, Brian |
Petska, Darrell |
Pettie, Jack |
Petyo, Robert |
Phillips, Matt |
Picher, Gabrielle |
Pierce, Curtis |
Pierce, Rob |
Pietrzykowski, Marc |
Plath, Rob |
Pointer, David |
Post, John |
Powell, David |
Power, Jed |
Powers, M. P. |
Praseth, Ram |
Prazych, Richard |
Priest, Ryan |
Prusky, Steve |
Pruitt, Eryk |
Purfield, M. E. |
Purkis, Gordon |
Quinlan, Joseph R. |
Quinn, Frank |
Rabas, Kevin |
Ragan, Robert |
Ram, Sri |
Rapth, Sam |
Ravindra, Rudy |
Reich, Betty |
Renney, Mark |
reutter, g emil |
Rhatigan, Chris |
Rhiel, Ann Marie |
Ribshman, Kevin |
Ricchiuti, Andrew |
Richardson, Travis |
Richey, John Lunar |
Ridgeway, Kevin |
Rihlmann, Brian |
Ritchie, Bob |
Ritchie, Salvadore |
Robinson, John D. |
Robinson, Kent |
Rodgers, K. M. |
Roger, Frank |
Rose, Mandi |
Rose, Mick |
Rosenberger, Brian |
Rosenblum, Mark |
Rosmus, Cindy |
Rowland, C. A. |
Ruhlman, Walter |
Rutherford, Scotch |
Sahms, Diane |
Saier, Monique |
Salinas, Alex |
Sanders, Isabelle |
Sanders, Sebnem |
Santo, Heather |
Savage, Jack |
Sayles, Betty J. |
Schauber, Karen |
Schneeweiss, Jonathan |
Schraeder, E. F. |
Schumejda, Rebecca |
See, Tom |
Sethi, Sanjeev |
Sexton, Rex |
Seymour, J. E. |
Shaikh, Aftab Yusuf |
Sheagren, Gerald E. |
Shepherd, Robert |
Shirey, D. L. |
Shore, Donald D. |
Short, John |
Sim, Anton |
Simmler, T. Maxim |
Simpson, Henry |
Sinisi, J. J. |
Sixsmith, JD |
Slagle, Cutter |
Slaviero, Susan |
Sloan, Frank |
Small, Alan Edward |
Smith, Brian J. |
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Smith, C.R.J. |
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Smith, Greg |
Smith, Elena E. |
Smith, Ian C. |
Smith, Paul |
Smith, Stephanie |
Smith, Willie |
Smuts, Carolyn |
Snethen, Daniel G. |
Snoody, Elmore |
Sojka, Carol |
Solender, Michael J. |
Sortwell, Pete |
Sparling, George |
Spicer, David |
Squirrell, William |
Stanton, Henry G. |
Steven, Michael |
Stevens, J. B. |
Stewart, Michael S. |
Stickel, Anne |
Stoler, Cathi |
Stolec, Trina |
Stoll, Don |
Stryker, Joseph H. |
Stucchio, Chris |
Succre, Ray |
Sullivan, Thomas |
Surkiewicz, Joe |
Swanson, Peter |
Swartz, Justin A. |
Sweet, John |
Tarbard, Grant |
Tait, Alyson |
Taylor, J. M. |
Thompson, John L. |
Thompson, Phillip |
Thrax, Max |
Ticktin, Ruth |
Tillman, Stephen |
Titus, Lori |
Tivey, Lauren |
Tobin, Tim |
Torrence, Ron |
Tu, Andy |
Turner, Lamont A. |
Tustin, John |
Ullerich, Eric |
Valent, Raymond A. |
Valvis, James |
Vilhotti, Jerry |
Waldman, Dr. Mel |
Walker, Dustin |
Walsh, Patricia |
Walters, Luke |
Ward, Emma |
Washburn, Joseph |
Watt, Max |
Weber, R.O. |
Weil, Lester L. |
White, Judy Friedman |
White, Robb |
White, Terry |
Wickham, Alice |
Wilhide, Zach |
Williams, K. A. |
Wilsky, Jim |
Wilson, Robley |
Wilson, Tabitha |
Woodland, Francis |
Woods, Jonathan |
Young, Mark |
Yuan, Changming |
Zackel, Fred |
Zafiro, Frank |
Zapata, Angel |
Zee, Carly |
Zeigler, Martin |
Zimmerman, Thomas |
Butler, Simon Hardy |
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Loneliness Motel by Michael Keshigian His little hole in the Boston skyline, one window lined with soot facing Fenway Park. In the room overhead, there was a clarinet that
stalked Stravinsky’s “Three Pieces” every
evening. During the day it was
mostly quiet, the
crowd on the sidewalks resembled
the spiders in the room, preying
with thick overcoats to catch
the unsuspecting in a
web woven with smog dimly
illuminated with the little light that
penetrated the building alleys, so
dark, he could only shave with
a lamp in his face. Every morning at 7:30
A.M., students
clamored on the staircase, rushing
en route to classes at the
universities and colleges around
the corner, the clarinet player
would flush the toilet then
turn on the shower. Once
in a while, a bird chirped
or tweeted, like a bell chime, so
close to his door, for
a moment, he believed he had
a visitor.
Cemetery
Silence by Michael
Keshigian He
stood in front of the headstone marking
his father’s grave under
a maple tree that shaded
the parcel reserved for
his mother. “I found
that twenty you sent me,”
he whispered, “found
it in the leaves next
to the curb during my run the
day after we moved you
here. I asked for
a sign and you thought
of dropping a
twenty on me. I
knew it was yours, all
the serial numbers matched
your birth and departure date, never
mind the letters, all T, S, & K. Money
is what drove you, but
at least, this time, you answered.” He
concluded the one-sided conversation, hoping
for another sign, but
all that followed was
a long silence, one
that encompassed all the gravestones and
the rows of dead they marked. He
kneeled, got closer to the granite slab, pressed
an ear against it as
if to block the deafening quiet that
enveloped his surroundings. Still
nothing, cemetery silence, the
most disarming silence of all, so
silent, he could hear the still air breathe.
The Departed by Michael Keshigian Bereft of their earthly vessel, they linger, concealed within the camouflage of blue sky, sun, clouds, and willows weeping in the garden. The leaves are aware of their presence, trembling as a chilled breath rustles each stem amid the forest confines where the birds listen then flee to a higher perch, sensing an invisible intrusion. Why else do they sing, but to soothe a meandering spirit. And the shadows, with their shifting silhouettes, must be aware as well. They disappear then re-emerge, visiting that unknown dimension, returning with a contorted yet cryptic message impossible to decode, as they darken in the disposition of the sun when it dances between the clouds and the birds renew their song. Should rain commence, the shadows drown, the departed shudder, and silence envelops as raindrops fall in preordained puddles under watchful, transparent eyes. Only the crow nods in acknowledgement, opening his beak to address the invisible.
DIMINUTION by Michael Keshigian On a tree by
a narrow street upon
a bending bough I
perch in a dream unseen
over people
in a field hovering about
an empty hole obstructed by a box with contents of
what used to be me. Some
are sobbing, most
are somber and few
hide a reluctant
obligatory glint. All see
the hyphen between random
dates engraved upon
granite, transform my
toil to a trophy
abbreviation for living.
EVENTUALLY
by Michael
Keshigian
Staring from the moon in
a dream I saw people of Earth meander aimlessly
from
minute cavities, following burrows to dutiful destination and
back again.
Some moved faster others carried
more and few were prostrate to fantasy. Yet above each hill
hovered
ghosts of intentions not resting, but preparing markers with singular openings
where well meaning will be
placed.
WHEN NIGHT NO LONGER ENTICES SLEEP
by Michael
Keshigian
The old man has bad dreams, he
sleeps very little. Up from bed he walks on bare feet through
the darkness, bumps then leans, from memory, upon the furniture, his
beating heart reverberates within the room. The window facing the street is
a blackboard, he squints for chalk lines to delineate being from
being no more. A rush of apprehension chills him yet
he continues toward the bathroom for relief and another glass
of water. Standing silently at the threshold, he listens for
raindrops, mice in the walls, or a passing
car, but hears only the raspy breath of lengthening
nights and the footsteps of dead relatives shuffling
in the kitchen.
HONEYCOMB BLUES by
Michael Keshigian This is how it used
to be with him
and his lover, she taught him a new song every
morning, a different
line, her face
in the pillow, tracing her
finger up the
stairway of his
spine with a weightless melody until it
filled his brain and he sang as he rolled over to lock his
lips around
hers so she might sugar his mouth with more
honey, her tongue
tipping sweet melodies backwards in his throat. The day was
longing after
mornings like that, sunlight a lonely companion, though the song droned
like bees
in the hive all day in his head.
SETTLING by Michael Keshigian They
did what they desired, pursued a dream until
it evaporated, relinquishing then to the
arduous commerce of acquisition, allowing sorted perspectives and
temperaments of trophy representations to infiltrate an idyllic affection that
long ago dwindled behind the guise
of co-existence. And now, they are here, at a table of
ruin, years of routine impossible to amend. Dinner is
served, the baked salmon drowns in the clear
glass lake of the plate, the wine’s bouquet has wilted. It
has been decided, the present has its
promise, it yields a blessing, no
expectation, no loss, yet a place to go, vague reasons
to remain. Creature comforts have no hearts to
break.
HOME
AGAIN by
Michael Keshigian Abandoned house, are there only
spiders and rodents residing amid your
rooms? I see my distorted image upon the
fogged glass of the old storm door, and feel like
a prowler, appraising the value of items upon
your walls or tucked in your corners, when,
in truth, I seek to rekindle precious
memories and reconstruct pictures the recent
days have begun to obscure, events the
rain of years are washing away, remembrances, trickling
indiscernibly through the pitted
window of my mind’s eye as I rap my
fist against the glass, hoping the
ghosts will answer.
INHERITANCE by
Michael Keshigian Early morning, a little
snow teases
the outstretched branches with the help of the wind. It is cold,
but inside the stove’s warmth cradles the recliner in the lamplight where he
reads poems. His fingers, thick and calloused, flip pages enthusiastically as he notices
the shape of his nails, much like his father’s, no moons
rising. And like
his father had done, it’s time to contemplate departure. One day, the
stove unlit, will dispense the damp aroma of creosote, the book will
lie closed upon the
arm of the recliner. One day, a relative will enter and
acknowledge that the house is empty, no warmth, no breath,
no poetry, an
indentation upon the seat next to the book. The change will go unnoticed by the snow,
wind, ice, and those few crows meandering for morsels upon the
buried landscape. He returns to reading, the words delight him. What would
become of these joys, he wonders. Someone should take
them. THE VOICE WITHIN by Michael Keshigian It
is the voice inside his head inside
his heart inside his ear, a
voice with no pitch no sound, electrical
currents which guide him, the
voice of experience
under layers of living, the
aggressive voice the deepest voice the buried
voice which speaks to his unrealized
life, his silent life that no one
sees, a life he questions when the
voice screams and beckons him to listen, to
lend an ear, to convince his mind, open
his heart and heed the whispers beyond
denial.
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Art by Ann Marie Rhiel © 2017 |
THE BECKONING by Michael Keshigian Upon a summer’s eve when the lawn
was not yet
drenched with dew and
still radiant from the day’s warmth, when
the tips of white pines rose
skyward like long fingers to
tickle the underside of stars as
the evening air vibrated to
a cricket ostinato, he laid atop the grass, arms and legs extended, and marveled at the infinite distance above him with its clustered collection of variously illuminated rocks and stones, wondering what will become of him once his time in this dimension ended, where he might find himself, what form he might take, and in fact, would he be aware to bear witness. His thoughts transcended and for an instant he became one with the mass about him and believed he heard his name whispered in the harmony about, a single concordant breath, faint and distant,
like a dried
autumn leaf brushed by
a wandering snowflake as
though it belonged, not
to him or his parents who
endowed it upon him, nor
to this place on earth, but
to the vast emptiness and
unanswered question from
which we all appeared, to
which we shall all return.
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Art by Ann Marie Rhiel © 2018 |
RECOGNIZED by Michael Keshigian He stood there, staring back at me, odd expression upon his face, smiling after I did from the other side of a huge pane window on the newly renovated office building, appearing a bit more disheveled than I remembered. More wrinkles supported his grimace and receding hairline, acknowledging me when I nodded hello. I used to know him well, athletic, sculpted, artistic, a well-defined
physique, but his apparent paunch negated any recent activity. This window man I thought I knew, musician, writer, runner, dreamer, now feasted off the stale menu of advancing age, aches, excuses, laziness, failing eyesight and an appetite for attained rights decades seem to imply. Yet I accepted him, embraced him for who he was, aware that he would be the lone soul to accompany me toward the tunnel’s light when all others have drawn the blinds. “Walk with me,” I say. He stays close.
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Art by Ann Marie Rhiel © 2018 |
A LACK OF RAIN by Michael Keshigian If there were no rain, there
would be far too little noise on the roof or upon the windowpane that would distract
us from the pulse in our inner
ear through the silence at night, no gutter song to lull us to sleep, no applause
of wet leaves for thirst-quenching
relief. In a cloudless sky and barren landscape, the rain would no longer
astonish our senses with torrents that flood the riverbeds then
angrily fall from summit’s edge upon
boulders that spray a foaming mane of platinum. Car wheels would pass like a cough, the absence
of a splash that might instigate our adrenalin,
administers calm instead. The sky
would no longer be crowded with giant
gray eyelids that occasionally coax
the sun to sleep and allow
us to focus upon the mysterious messages their odd, translucent shapes impart. Without the rain, our very lives would
drift instead, fantasy vapors against the cobalt blue, twinkling
and as aimless as dust.
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Art by Ann Marie Rhiel © 2018 |
BLUE GHOST by Michael Keshigian Her eyes and the lake are his
memories, cobalt images of clarity and purity,
running deep. It was in this cove where the
black-spotted loon dove head first into the
heart of blue, attracting the tender pulse of her affection inciting her to follow the
creature into the watery sweep tangled with
milfoil that snarled her hair while the
checkered fowl dutifully hunted for its
young. Her blue eyes wide, blended
eventually with the ripple of current that swept
beneath the surface. He visited that cove
often thereafter, especially those days where the
sun’s gleam highlighted the blue ghost within the
restless ripples that will forever wrap him in
riddles.
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Art by Cindy Rosmus © 2019 |
HOARDING LIFE By Michael Keshigian His home was full of collectibles, paintings,
books, crafts, possessing
various degrees of monetary worth
and desirability, yet what he cherished
most were items of menial worth but
considerable sentimentality, items that
pulled him back in time, a large
coffee can he painted green
for his three-year-old son gathering rocks, elementary
songbooks, a dilapidated
grandfather’s rocking chair, springs so
rusty they would snap if
weighted upon, the old Doberman’s
chew toy, his father’s tools. All buildup from previous
generations he hopes his
children will have the courage
to discard as he did, submerged in
thought, with his mother-in-law’s
mementos while his wife was lost in
remembrance, grasping old
photographs and birthday cards
she once sent with their children’s
infant signatures attached.
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Art by Ann Marie Rhiel © 2019 |
HOMELESS IN NYC by Michael Keshigian He crossed 42nd to get to Fifth towards midtown and just
paces in front of him an old lady
pushed a shopping cart full of
identity. Bags of cans dangled from each
elbow and clanged
as she waddled, dressed in clothes worse than a
country scarecrow though her straw-gray
hair hung longer, tied in a
tail with brown hosiery to match her
stoic, weathered face and it pained
his heart when suddenly she squatted in a deep
knee bend, like she was
picking something off the
sidewalk, and there she froze as he quickly approached to help, unaware of
the problem till a puddle
formed and its river flowed
around his shoes down the curb and in the privacy
of her mind, she transformed his sympathy to confused
helplessness.
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Art by K.J.Hannah Greenberg © 2019 |
A HOT
SUMMER NIGHT AFTER WINE by Michael Keshigian He
found himself at the symphony where the sophisticated people milled about, dropping names while
drinking champagne served
in the entrance foyer. A quite haughty yet beautiful woman approached him, stepped out
of her dress and
sat in the seat next to his, her attire falling to her ankles. She stated that only he, presently, and her husband,
not in attendance, had
peeked the enhanced cleavage created by her push-up under garments. The spotlight turned from the
conductor upon
his podium to highlight her abundant breasts, though the diamond necklace
around her neck produced
a glare that blinded his stare and caused him to fall forward while the orchestra played the
“Habanera” from
Bizet’s Carmen. He awoke squeezing the ample
pillows upon
which he slept. An
hour later, he stared out the window at the rain-drenched lawn when a black bear
entered his
field of vision, a
huge, angry bear, walking upright, with matted fur from the ensuing cloudbursts that created a stick-like
figure when
the beast turned sideways, lifted his head toward dark heaven and roared a window-shattering
plea then
galloped toward the house for respite, pounding thunderously at the door which woke him for the second
time this night.
CONCEPTION by
Michael Keshigian Barefoot in white slacks and her husband’s sweater, she plays the piano
most seriously, bungling
Mozart with a grimace then a grin, the lamplight flickered unnoticed upon her
fingers. The field from where
her progeny once
thrived has withered, grown voices and opinions have fled the confines of the
arena where
music, like
a tranquilized tiger, swerves again. Her foot presses pedals, fingernails carelessly flit
keys, and
in her womb a
musician is conceived. The house is no longer empty, Half-full with sound, she nourishes herself.
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Art by Ann Marie Rhiel © 2019 |
MARRIED
LIFE by Michael Keshigian Noise to his silence, light to his darkness she walks through
his brain singing
and spins melodies in his head. He hears her small breathing when she hides in closets with no
handles and
surprises him in the shower, her body all soapy. She slips in and out of beautiful yet he sees her just the same and sometimes wonders how she arrived and what her mission
might be. The years sneak by like mice across
the field, yet
she remains as inexplicable as her underwear hanging on the line in his basement workshop. UNFORESEEN ENDINGS by Michael Keshigian An old man lived
here before our purchase, raised in this home, he became a widower years later, forced into reclusiveness as a
result of a menial pension, lack of societal skills and death
of his spouse. It didn’t
end well for him, the neighbors
say, always alone, downsizing to three rooms from eight that existed, enough to
cook, sleep, and exercise
his passion for writing in a
six by ten area with a desk, chair, and computer as necessary tools to engage his fantasies between appointed meals at indiscriminate times, piling dishes till the end of the
week. Stuffed in desk drawers we found printed pages of
returned manuscripts, identified with
his name and address atop five to fifty lines of various
poems, trifolded, but extended
flat, no longer restricted
to an envelope, the
second drawer, a file, compiling
a record of those efforts no longer imprisoned in the first
level. A lonely story related
by isolated artifacts, a story
neither one of us considered would become our own. A home withered, released by
time, as if severed by
an axe from the expectation
assumed at all beginnings.
THE PROJECTOR by Michael Keshigian Upon the old film projector my father once treasured, a few revolutions
remain, moaning
as it casts paltry
images of black and white upon the portable screen as we seek refuge in a bygone
era. Rapt,
we stare at the curdled frames of
lost memories, departed parents and us, their offspring, squinting at our younger selves, we frolic under the
glow of
ancient lights, carefree
lunges beneath the cold-water sprinkler that emanated from rusty faucets attached to a three-decker
abode, the
summers unfaltering, we
gathered, smaller, more flexible, clowning, our parents, so young, no wrinkles, more
hair, happy
and healthy, all
of us summoned for a group pose by the off-screen director. How silently time
runs its course, with
strange, peculiar hints if the changes are noted. We yearn to climb back, recapture innocence
and joyfulness the
calm, silver light exudes. Then it ends, the old reel flapping, the brief nostalgic rekindling has also run its
course.
BOSTON COMMON by Michael Keshigian In order to think, to contemplate and appreciate dilemmas brought
on by modern life, he
often took to strolling through the public gardens amid the calmness of time-honored
trees and
sprawling greenways that
survived the patriotic acts of revolution, just far enough away from the street crowd
and traffic noise, building
at the intersection of Bolyston and Tremont. Distractions down the winding, narrow tar paths
were minimal, no
vendors, beggars, prostitutes, or public speakers attracting crowds this day, only a place to find
refuge. So
he reflected upon his quickly dissipating, limited allotment of time, his acquiescence to a battle
once
valiantly fought, his
lack of owning responsibility, the feigning privilege and apathy gathering years seem to imply and the folly of
those who still engage. A
female runner skirted by, lithe, youthful, amazingly trim, stealing his daydream. Boston is wonderful,
he muttered, the
air so full of rebellion. He wandered off again into a comic reverie of pursuit and the tender excitement
of discovery. I
must find my running shoes, he mused.
NIGHTS IN CUMMINGS COVE by Michael Keshigian Those
nights illuminated by the moon whose white dagger severed the wet surface, highlighted the stalks upon
Gypsy Glen which
stretched off the shoal into
the crooked air and
the lake wore a tarnished chink upon
its silver armor. The
white pines, stilled by the sheen, waited till their presence faded back to distorted disfigurements. The cold air was always crisp and smelled of wild roses that circled the shoreline, soon exposed as the moon’s silver
eye adjusted its stare toward the
brush and
patches of mulch gingerly
caressing the lapping lake. On
nights such as these, he
would gaze at the cottages, nesting
beachside, their lights flickering in night’s magnificent isolation, little did he suspect this
absence of adoration, the
opportunity to commune, would
become a longing that
would follow him.
DWINDLING
KNIGHT by
Michael Keshigian Life loomed large in
childhood, an
acre, easily a mile, the
apple tree, a spectacle of gigantic
dimensions, germinating
fruit the size of melons amid
grass and wildflowers higher than a house and alive with as much
mystery as
the imagination allowed, infested
with long-legged creatures and flying predators, confronted by a brave
soldier, possessing
stout heartiness, armed
with broken branch sword, trash lid shield and
brown-bagged helmet gear precisely
slit for covert surveillance against an enemy
constantly plotting to
overthrow the king, to rule the kingdom, were
it not for the worthy defender daily engaging danger
to ensure security and
safe passage for those nesting within
the domain, though
the threat diminished with passing years as did the proportions to a mediocre backyard, displaying a frail
fruit tree in
grass no taller than ankle height with
no visible reminders of intense conflicts. The enemy had disappeared, deployed, no doubt,
to younger battlefields, accompanied
by the imagination now
desperately clinging to creative output to preserve a degree
of youthful enthusiasm for
an aging warrior.
LANDLORD by
Michael Keshigian The tenants left him
a bar of soap, two
rolls of toilet paper, shredded
paper towels, and a ripped sponge
mop with bucket. He
tried to rub the white wall clean, discovered
it impossible, realized they tried
as well. He
decided to paint it over. Hair choked the bathroom
sink, long
hairs, male and female, they
both wore ponytails, short of acid, nothing
else would work. The
hardwood floor wore
rubber scuffs and high-heel turns, no doubt they danced
and laughed, but
only broom-swept it clean. He began to know who
they were, seldom
did he speak to them, the
check always arrived in the mail. They breezed through,
a great wind, leaving
behind a trail of dirt, a
thank you of sorts, the residual continuity
of broken leases and
painstaking interviews. He seized their soap, a green veined, marbled
bar, curved
like a woman, took
a bath after
he cleaned the tub, and
dried with no towel, in the air with
the walls and floors.
Michael Keshigian’s
fourteenth poetry collection, What to Do With Intangibles was released
in January 2020 by Cyberwit.net. He has been widely published in numerous national
and international journals, recently including Boston Literary Magazine, Studio
1, Edison Literary Review, Bluepepper, and Tipton Poetry Journal
and has appeared as feature writer in twenty publications with 7 Pushcart Prize and 2 Best
Of The Net nominations. (michaelkeshigian.com)
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In Association with Fossil Publications
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