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Aldrich, Janet M. |
Allan, T. N. |
Allen, M. G. |
Ammonds, Phillip J. |
Anderson, Fred |
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Armstrong, Dini |
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Art by Hillary Lyon © 2018 |
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Straight Shooter Mark Joseph Kevlock Tigue
took another pull on the straw. That damn McDonald's sweet iced tea was the best he'd ever
tasted. Made the wait almost tolerable.
He was about to get up for another refill when the counter girl from Boston Market
slid into his booth directly across from him.
She was a raunchy blonde number from Noo Yawk who said, "Going to Boston?" "Yup." She
was overweight, but in all the right places. An ass you could get a hold of, but thin delicate
wrists. Heavy just around the middle, like Manet's "Olympia." What the hell was he
dreaming about, anyway? This was a woman. From New York, sure. But still a woman. Not his
territory.
"Business or pleasure?" she said.
"Going to the George Michael tribute concert," Tigue said. Red
flags went up in her eyes. Her breasts backed away across the tabletop. The result Tigue
was going for.
"So you're..."
"I am," Tigue said.
"Huh," she said. "The way you've been sitting here for an hour. Staring at my tits
every time I gave a customer change. I kind of figured you were... interested." Tigue
liked her. A lot. She was a woman: whole, substantial, not air-brushed. There was vitality
and humor behind her aspect. Tigue wanted to keep the conversation going. "You're
facing the wrong direction, you know," she said. The turnpike plaza was
in Framingham, along Interstate 90 west. Boston was to the east. "I'm
used to it," Tigue said. "Been going the wrong way my whole life." The
blonde clicked her teeth like a piranha at the ready. "You don't say," she
said.
"What I mean is, I got off at the mall exit up the road and turned around to come
here."
"Waiting for someone?"
"Yup."
Another red flag in her eyes. But she wasn't a quitter. "I just got off work,"
she said.
"I know."
"Maybe you were waiting for me," she said. "Maybe I was." Her
hair was curly in just the right way. Ringlets that would look unbelievably sexy just after
a shower.
Tigue stopped himself again. Chasing after what you can't possibly have, he said. She
was studying him now, as he finished off his chicken dinner. He ate with gusto—corn,
muffin, potatoes, each with a man-sized chunk of meat, then another pull on the iced tea.
She ran her fingers along the back of his hand where he held the cup. "Something
about you," she said. "I want to get naked with you." The tea went up his
nose, the chicken down the wrong pipe. Tigue choked and coughed and laughed and smiled.
Definitely not his style.
"Am I coming on too strong?" she said.
Tigue's eyes were watering. "For someone with no chance at all, I'd say you're just
about right."
"That's what I figured," she said.
It was all a playful dare. But Tigue had no time for games. It would only hurt more
in the end.
"You think you can turn me?" he said.
The blonde undid another button on her blouse. Only three remained. She shook her
shoulders to enhance the effect.
"I know I can," she said.
"But why try? Why bother at all?"
"Because," she said. "I can tell. People come through here all day long. By the
zillions. All the same. But you're not. You're one of The Unique. Like me." "And
that makes us a matched set?" Tigue said.
The blonde nodded vigorously. "The rest doesn't matter. You'll see." It
was time to get hard. Tigue was rarely anything else. "You have a very jealous
boyfriend," he said.
She was still playing, didn't understand. "Doesn't everyone?"
she said. "You've probably got one too."
Tigue looked out the window. July thunderstorms were his favorite. The sky opened
up and gave you everything it had. The whole affair lasted five minutes. Then the clouds
parted and the sun came back and you could be warm and wet at the same time. "Let's
go outside," she said.
Out they went.
The sky was spritzing enough so that the motorists who were overly paranoid had
already activated their wipers. A bus pulled into the parking lot and unloaded a platoon
of Japanese teenagers. The boys all looked like they were trying out for the lead in a
John Woo movie—jagged bangs over their eyes. The girls were all bouncing and laughing,
wearing every imaginable fashion accessory, most of it bubblegum pink. Tigue
and his companion were headed right through the middle of their crowd. The downpour was
seconds away. Tigue stopped and turned to face her. "He hired me to kill
you," Tigue said. "Your boyfriend. He wants you dead." The wind was whipping
the American flag above them. The Japanese boys were shooting imaginary guns at one another.
The blonde grabbed his arms and pulled them around her.
"And what do you want?" she said.
Tigue felt the drops, hard and heavy on his back. "I want to spend my
life with you," he said.
"I can't share you with anyone," Noo Yawk said. The Japanese girls were
giggling and pointing at them, talking fast and in another language. "I
can't chance losing you," Noo Yawk said to him. "You'll have to go straight." Then
the shower came. Water in sheets fell upon them. The Japanese kids scattered indoors. Tigue
started to kiss her and to tear open her blouse. His face was buried in her breasts, his
hands up under her tight, tight skirt. It was over for him then. He was turned. All those
years he'd been fooling himself. Living a lie.
He was as straight as they came. The look in
her eyes proved it to him.
"You just never..." she said. "You just never
found somebody to love."
Tigue had been right about the ringlets. Unbelievably
sexy. He held her face in his hands.
"I'll kill him instead," Tigue said. "Your boyfriend.
Tonight."
The downpour ended. The sun broke through. Noo Yawk nodded
and gave to him all that she was and would ever be.
Tigue took it all without question. Inside he felt warm and wet at the same time.
|
Art by K. J. Hannah Greenberg © 2019 |
The Present Mark Joseph Kevlock I
made my way through the trailer park and found the right one and opened the door
and went inside. Out in the park, Christmas lights were everywhere and it was beginning
to snow. Inside the trailer it was dark. There was no sound. I found Peter in the bedroom
standing at the window holding the slats apart watching it snow. His other arm hung at
his side. In his hand was a gun. At first he had no
reaction to my presence. Then he nodded toward the bed and whispered, "They were passed
out drunk when I got home." I looked over and saw in the shadows two people sprawled in
the bed. Clothes were strewn on the floor and some were still atop the sheets. There was
the smell of sex in the air. “This is how I find them every night," Peter said.
"Every goddamn night." “Peter, what's the gun for?" I said. I was whispering
too. ”They
shouldn't be like this," he said. "Not tonight. Not any night, but
especially not tonight." I didn't say anything. More snow fell and Peter didn't move. The
night was half over. "What about if we get out of here?" I said. "Take a
walk. You and me." Peter
didn't say anything. I took a step closer to the bed. I didn't hear any
snoring. "It isn't right," he said. "The way they live. They're like animals.
They fuck like animals." The profanity sounded strange even in this environment.
The whole world was a church tonight. "You're not going to leave,"
he said. "Are you?" "No,"
I whispered back. "I want you to leave." "Sorry." He raised
the gun and pointed it at me. He was still whispering. "Fuck sorry," he said. I
didn't say anything. I didn't move. "'Sorry' is all I've ever heard," he said. "'Sorry for this. Sorry
for that.' Fuck sorry. People shouldn't do the things that they're sorry for." I
turned away from the bed to face him. "What are you sorry for,
Peter?" He
took his hand from the window slats and wiped his nose with the back of it.
"I'm sorry I was ever born." "Why?"
He made a small disgusted snort. "Why?" he said. "Fucking
why. I'll tell you why. If you've got all night." "I do." That
caught him a little off-guard. "Well I don't," he said. "Why not?" "Because
I have to pack." "You're leaving?" He gestured to the room
around us. He was still pointing the gun but he was starting to forget about it. "Would
you stay in a place like this?" he said. "I might. If someone I
loved lived here." "I
don't love either one of them," he said. There was still no movement
or sound from the bed. I smelled the air hard for gunpowder. "Every night
I come home to this," he said. "That's a fucked-up world I don't want to live in." "I
don't blame you," I said. "What?" "I don't blame you for wanting to leave." "It
wasn't always like this," Peter said. "They used to have fun. We all used to
have fun. But it didn't last. My mother got lonely because she was here by herself all
day. I don't blame her for that." "What about your father?" "I never
had a father," he said. "I never knew him." I nodded. "If you leave," I said, "you'll never be able to come
back." He was startled by this. "Why not?" he said. "Because
they won't be here." "You're wrong," he said. He was barely whispering now. "They'll
always be here. And they'll always look just like this. This is who they are now. They're
not the people I used to know. They're animals. Both of them. Fucking
animals." The
gun was pointing at the floor now. The light outside was getting brighter and
there was a wind to the storm. "Did you hurt them, Peter?" He didn't
answer. He sniffled but he didn't answer. I waited. "They hurt me," he said finally. I
strained to hear any breathing from the direction of the bed. "Are they okay?"
I said. "Will you let me check on them?" "Keep your voice down," Peter said. "It's a holy night." "I
know," I said. He
was sniffling again and wiping his nose more often with his hand. "You
don't know anything," he said. "She was my mother. She's not allowed
to act like this. Nobody's mother should ever do the things that she does." "Why
did you let her do it?" I said. "Let her?" "You could've stopped
her," I said. "Right when it started you could've stopped them both." Again
he was startled. "She was my mother," he said. "I couldn't stop her from doing
anything." "Not
even this?" "Fuck you," Peter said. "I want you out of here." "You've
got to tell me if they're okay," I said. "You've got to tell me what happened
before I got here." "I
should've never called you." "But you did." "The woman
gave me your number. She said if things went bad you could help." "Sometimes
I can." "Why
bother?" Peter said. "Because in the morning things look different," I said.
"It's almost morning. You should wait and see." He looked
over at the bed and showed no emotion. "I'll be gone by then," he said. "Will
you let me go to them?" I said. "If you won't tell me, will you at least let
me go to them and see for myself?" "They're dead," Peter said. "There's nothing for you to look at
over there." "Dead how?" I said. "I smothered
them," Peter said. "I found them passed out and I got sick of it. I couldn't take it anymore.
They were always there anyway so I thought they should be there forever. I put the pillows
over their heads and pressed down. They were too drunk to fight." "Just
let me go check," I said. Peter raised the gun and pointed it at me. "Keep your voice down,"
he said. "Where did you get the gun?" "It's
a trailer park," he said. I nodded. "You said you were out earlier tonight. Where were you?" "I
have to go now," Peter said. "Don't make me hurt you." "Okay," I said. "I won't stop you." "Aren't
you the police?" "No, I'm not the police. Not anymore." "Who are
you then?" "I
help people. That's all." "I don't need any more help," Peter said. "I'm leaving." "Remember,"
I said. "You can't ever come back." "I don't think I want to." "Okay then." "I'm
going to pack," Peter said. "If you're not leaving I want you to wait outside." "I'll
wait right here." "I'll shoot you," Peter said. "You can
shoot me," I said. "But I'm not leaving this room." "Fine then," he said. "You stay." He left the room and
I heard him with a gym bag digging in the hall closet. A gym bag would hold just about
everything in the trailer that was his. I stepped over to the
bed. There were pillows over the heads of the two bodies. I lifted one. Underneath was
a boy, a teenager. He was a little older than Peter and there was a strong resemblance. "I
told you not to go over there," Peter said. I turned back and he was pointing the gun right at my
face. "He's
your brother," I said. "It's a trailer park," Peter said. "It's where we live." "How
long was it going on?" "As long as I can remember," Peter said. "I told you she was
lonely." "Where were you earlier tonight?" "Stop asking
me that," he said. "Before
you came home you were out somewhere." "I'll blow your face off." "You
were shopping," I said. "The hell I was." "You were buying presents." He
started to sniffle again and the gun was shaking in his hand. "They're fucking animals,"
he said. "You don't buy presents for animals." "But you did." "I'm going to leave now,"
he said. I
reached out and he let me take the gun from his hand and he fell to his knees
sobbing. He tried to keep it quiet and that made the sound all the more painful
to hear. "What,
Peter, what?" He looked up at me and the release was coming. It would
all pour out of him in a moment. It was dawn outside and the wind was howling. “I
was going to leave," Peter said. "I really was. I just came home... to give
them their presents." FIN
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Art by Noelle Richardson © 2019 |
Cup of Sugar by Mark Joseph
Kevlock A fast car races through the night. A
beautiful woman prays in a language that only mothers can understand. A
hard man grows harder with the thought of betrayal. Her eyes, from the passenger side,
make him feel shame. He presses the pedal ever harder. “We
can't tell anyone,” she says. “Her
life would be ruined,” she says. The
hard man grunts. It is all he can do. The
train station lights still gleam in his eyes. Too damn bright. Why do they keep the place
like that? He sees his daughter
curled up like a stepped-on kitten. He puts a father’s hand upon her back. Feels
her recoil. “It’s too damn bright in that
train station,” he says. The beautiful woman cannot cry.
Once started, she will never stop. “The tart,” she says, suddenly. The
hard man takes rubber off the tires through a turn. “It’s
still in the oven, I think.” The hard man grunts, eyes
aflame. “Let it burn the whole damn
house down,” he says. There will be no name-calling.
No dialogue. The hard man will not acknowledge the humanity of his victim. Blood for blood. He bites through his lower lip
and does not feel it. The beautiful woman prays. The
neighbor’s house arcs within reach of the headlights. “Too
pretty for her own good,” the woman whispers. The
hard man hears only the blood pounding in his ears. The
front door is open, inviting. A television babbles. A man in a bowling shirt guzzles a
beer. The hard man
hears nothing. He slaps the bottle from his neighbor's lips. The
bowling shirt has a wife. She cries out, startled. The
hard man sees his daughter, five years ago, learning to bake. Cherry tart. His favorite. “I'll
make it for you, Daddy.” He strikes the neighbor with an
open fist. A closed fist would kill him. The neighbor’s wife is dialing
the cops. Bowling shirt crushes the phone from her hand. No one must know what
he did. The hard man backhands his
neighbor across the kitchen. The man in the bowling shirt
topples against the counter. A yellow Tupperware container
spins its curlicued “S” into view. The hard man asks his daughter
at the train station why she ran. “A cup of sugar,” she whimpers,
lifetimes later. “All I asked him for was a cup of sugar . . . to finish your
tart.” The hard man splits in two with
rage. His conscience stays in the part
left behind. Bowling shirt begs now, a sinner
dragged into the light. Like the lights of the train
station. Too damn bright. The Tupperware brims with sugar. A
stepped-on kitten hasn't courage enough to throw herself beneath the wheels. The
hard man grips his neighbor by the throat, upends the container. An
avalanche of sweetness pours itself down a filthy passage. Bowling
shirt gags. A beautiful woman lifts a daughter in her arms at a
train station. The daughter’s eyes say that no man will touch
her ever again. The sugar pours until empty. A hard man grows hard forever.
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Art by Noelle Richardson © 2019 |
Darker Than Dark Mark Joseph Kevlock
You can't hardly hear anything from inside here. I try anyway because there's really
nothing else to do. I hear sort of a muffled sound like I had a pillow over my head. It's
Momma's voice. I know it is because the muffle sounds so angry. Papa didn't get angry when
he was alive. Momma didn't either until he died. I still can't understand how it
was my fault. Momma says everything is my fault. My elbow gets a little
cramped, but there's no room to stretch it out. The dark doesn't bother me,
really. I like dark. But I wish I had a little more room. I guess I'm supposed to die.
I wonder how long it will take. Momma will probably change her mind. She usually does.
I used to have a watch that had a button you pressed and it would light up and show you
the time. I wish I had it now. The TV is playing, loud. Game show songs. You can hear them
through anything. Momma puts the game shows on every day. Then she calls the contestants
stupid, even though she doesn't know the answers herself. I try to sit down, but there
really isn't enough room. My knees bump one way and my butt gets stuck the other. Something
smells not too good. I don't think about it, for now. It's a school day. I
should be in school. Momma keeps me home from school when she needs someone to
watch the baby. She has a lot of doctor's appointments. Like today. Except she
didn't go to the doctor's. She went somewhere else. I'm starting to get cold and
sweating at the same time. I hate to sweat under my arms. It's so unladylike. Momma says
I have to be a lady to get the hell out of this town. She says she won't support me when
I turn sixteen. Maybe she'll change her mind about that, too. I shouldn't have followed
her, I know. I got curious, I guess. No, not that. I sort of knew what I'd see. I guess
it was just time to see it. I went too far and I got punished. I try to remember that.
I try to remember that I deserved it. I'm pretty sure my shoe is untied. There's that smell
again. I think it's a rotten egg. If I start to panic, I'm going to pee my
pants. But I'm getting too scared not to. It's the loudest game show in the
world if I can hear it in here. Momma doesn't care how loud she plays the TV.
She doesn't care about a lot of things. My nose is crying now and getting my lip all
wet. I might have a tissue in my pants pocket. Why did I follow Momma like that? I knew
she wasn't going to the doctor's. That man was ugly, like a weasel. I wouldn't let a weasel
on top of me. And if I did, I wouldn't want anyone to see. That's really why she got mad.
Because I watched for so long. Then I laughed, at the end, when they made those noises.
Her and the weasel. Momma smacked me all the way home. I've been in here before. When Papa
died in that cave-in. Momma dragged me out of school to tell me that it was my fault
that the mine collapsed. I need that tissue pretty bad. I try to reach down,
but my pants are all soaked. I did pee myself. This is awful. I need to get
out. I don't hear the TV anymore. If Momma left, how can she let me out? I
don't wanna die. There's still a shelf above me that she didn't tear out with the others.
I can't even stand up straight. I might spill something. What's that noise? Someone's pounding
at the kitchen door. I really can't breathe now. I don't blame Momma. She's had a hard
life. I make it worse. No one's answering the pounding. Maybe I'll scream. I don't think
I can. My whole body feels like ants. Maybe I am screaming. There's a loud crash from over
by the door. I think someone broke in. I wish my pee could leak out to show them. But the
seals are airtight. Spill-proof. I guess I'll pound, just in case somebody cares. I hear
voices, but they're men. I knock my knees and elbows against the front and back. It's
getting darker than dark. I don't think my eyes are open. I love you, Momma,
even though I'm a burden. They're shouting now, just on the other side. I think
Momma used a two-by-four, like she does, to wedge the doors shut. So far, I
didn't even try to open it. My pants sure smell bad. Why does Momma like weasels?
Am I supposed to like them, too? Everything's shaking like a washing machine. There's no
air left. I didn't need it anyway. I'm afraid to die. I'm afraid. Help me. Please help
me. God oh God oh God. Something cracks and the door flies open. All the light in the world
blinds me and I fall forward out of the refrigerator. The men catch me, I think. They curse
a lot like they're sad. I guess they're policemen. Policemen are always sad. Somebody drags
Momma down from upstairs. She doesn't look at me as they take her away. I don't expect
she would. I'm a pretty big disappointment. FIN
Mark Joseph
Kevlock (used to spell it: Kiewlak) has been a published author since 1990. In the
past couple of decades, his work has appeared in Black Petals, Hardboiled, A Twist
of Noir, Plots with
Guns, Thug Lit, The Bitter
Oleander, Mysterical-E,
and Shotgun Honey. Recently, he has
had stories accepted in Havok, Surprising Stories, and Youth imagination. He
has also written for DC Comics (FLASH 80-PAGE GIANT #2).
Noelle Richardson comes from a relatively
large family and has been illustrating and painting for
about twelve years. She writes a little on the side, plays a couple of
instruments and dabbles in tattoo design.
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In Association with Fossil Publications
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