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Adair, Jay |
Adhikari, Sudeep |
Ahern, Edward |
Aldrich, Janet M. |
Allan, T. N. |
Allen, M. G. |
Ammonds, Phillip J. |
Anderson, Fred |
Anderson, Peter |
Andreopoulos, Elliott |
Arab, Bint |
Armstrong, Dini |
Augustyn, P. K. |
Aymar, E. A. |
Babbs, James |
Baber, Bill |
Bagwell, Dennis |
Bailey, Ashley |
Bailey, Thomas |
Baird, Meg |
Bakala, Brendan |
Baker, Nathan |
Balaz, Joe |
BAM |
Barber, Shannon |
Barker, Tom |
Barlow, Tom |
Bates, Jack |
Bayly, Karen |
Baugh, Darlene |
Bauman, Michael |
Baumgartner, Jessica Marie |
Beale, Jonathan |
Beck, George |
Beckman, Paul |
Benet, Esme |
Bennett, Brett |
Bennett, Charlie |
Bennett, D. V. |
Benton, Ralph |
Berg, Carly |
Berman, Daniel |
Bernardara, Will Jr. |
Berriozabal, Luis |
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Blackwell, C. W. |
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Blakey, James |
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Bloody
Mary
by Dr.
Mel Waldman
Mary Jones, the
owner of the Bloody Mary liquor store in the South Bronx, stood almost six feet
tall and weighed 350 pounds. Women gossiped about the full-figured gal and
labeled her grotesque and bestial. But most men claimed she had the prettiest
face in the borough.
Mary had a few
sidelines—dealing drugs and running an after-hours S & M club. Most folks
feared her. But secretly, Bloody Mary loved Tommy the Toy, her midget lover and
accountant.
Tonight, the
Bloods had ordered a hit on the big mama, initiation rites for a wannabe Blood.
At 11, Tommy dozed
off in the back room.
At midnight,
Harvey Stone, Joe the Beast, and Jimmy the Speed Freak arrived.
At 12:05, a skinny
kid rushed into the store brandishing a .38.
“What the fuck?”
Joe the Beast yelled, pulling out a large piece.
The kid blew his
head off.
Jimmy screamed.
Harvey fainted. He killed them, too.
Mary took out her
.45 Magnum and shot the kid exactly when he blasted her.
Later, Tommy woke
up, kissed Mary’s corpse, took the money, and sauntered off.
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THE GIRL FROM PLANET XES By Dr. Mel Waldman The pencil-thin girl from Planet
XES came into my office six months ago for an emergency session. With protruding bones
and dark brown eyes, the ghostly little thing stood about five feet tall. “Dr. Jacob Weiss referred
me to you.” “How is my former colleague?” The girl stared blankly at me. “Did he give you a referral
letter?” “No.” “Well, what seems to be
the problem?” “I just returned from Planet
XES.” “Planet XES?” “Yeah. The motherfuckers kidnapped and transported me there.
They XESED my brain, body, and soul.” It took her forever to tell me she had discovered a glowing object
in a corner of her bedroom. When she gazed at the minuscule thing, she blanked out and
woke up on Planet XES. “After they XESED me, they
left me alone in a glittering white sphere. The burning light blinded me. And suddenly
I was home again.” I made a couple calls yesterday. Found out Dr. Weiss vanished a
year ago. Now, I sit with the girl. Her
freaky eyes glow fiercely. They XES me, take me there,
enslave me. Planet XES is real. “Who are you, MOTHER-XESER?” I look into her hellfire eyes and burn. REVOLUTION IN THE MADHOUSE by Dr. Mel Waldman In a
jabberwocky universe, you can pull it off, switch places or sneak in and hang out, on the
inside. Why not? Indeed, in
antediluvian Shrink-land, other explorers conducted secret experiments on psyche
wards, tricked the staff, and discovered weird truths, the color of gunmetal, which blew
the minds of the uptight status quo bureaucrats. Now, I’m intoxicated with
this thrilling notion of a one-day or one-week revolution in the madhouse, more breathtaking
and exciting than a pulchritudinous femme fatale. My revolution isn’t crimson
or bloody red; it’s the color of creamy white gardenias or pale pink azaleas, or
perhaps, yellow or white daffodils; my revolution is not a bomb or volcanic explosion;
it’s not about deadly force or any other kind of power; my revolution is soft and
curious, and sweet as an old-fashioned vanilla malted and a slice of creamy cheesecake
with whipped cream; and in a jabberwocky universe, it’s about empathy, compassion,
and love—the ultimate inner space exploration. But here, in the rational universe,
I need the approval of the Committee (that’s a bummer), and an experimental design
(perhaps, you could help me work out the kinks). And, if all goes well (and I
drill a hole through the brick-red wall of resistance and cut the thick red tape), I will
feast on infinite out-of-the-box ideas, high on knowledge; but if not, in a jabberwocky
universe, I can pull it off, alone. COMMENCEMENT DAY by Dr. Mel Waldman The end was the beginning, and it arrived in the summer
of ’65, for time is a cannibal that devoured Mother, a tiny woman clutching a small
ration of life that remained in the quiet ruins of that seething apocalyptic day. Her gold eyes perched on
olive skin gazed at us as she lay in bed. She held a fake plastic cigarette in her minuscule
hand, I imagine. Or was she caressing Father’s trembling hands? An oxygen tank stood tall
on the night table, like a centurion guarding a moribund prisoner. Outside our home, a
womb of death, Brooklyn overflowed with Eros, the life force. We watched her gasp for air, black out,
wake up, open her celestial eyes, and whisper, “I thought I was dying.” And
then she passed away, quietly, and forever. In that cutting moment, I, too, crossed an
invisible boundary, and began a long, unfathomable journey.
VANISHING MAN by Dr.
Mel Waldman I watched the
old man vanish, when he came to stay with me after his third wife kicked him out. He flew
in from Florida. Sometimes he disappeared in the
middle of a conversation, or when he was mute and meandered around my small apartment,
naked and confused. On occasion, he lost control and
suddenly, like a Hemingway bull, he looked ready to charge. But he didn’t. His dark brown eyes glared at
me. He roared and shrieked and when his body shook, I hugged his fragile torso and whispered,
“Dad, I love you.” The little man grew a big fat
smile and proudly displayed his glittering gold tooth. I remember our time together. He often vanished, but
always reappeared, until he left for Florida, and his wife, and destiny. She shipped him off to a nursing home where his merciless
disease ate his mutilated brain. And when I spoke to him long distance, he whispered, “Yes,
no, yes, no,” until he vanished forever. On empty nights, I sometimes gaze
into my meandrous mind, a broken road with scattered potholes of forgetfulness, and
mutter, “Will I vanish too?”
AN UNHOLY VISION: THE TRANSVERBERATION
OF THE INVISIBLE MAN By Dr.
Mel Waldman After midnight, the invisible
man saunters along Ocean Parkway in sidereal time, the
empty wasteland of his barren pitted face pointing upward, his dead eyes whirling around
the Heavens & back to Earth, & drilling through the darkness as he slowly approaches
Coney Island, a distant dream & a vanishing point in his moribund mind; & when he arrives at
the swirling center of the unholy night, he drifts toward the Coney Island Boardwalk &
slithers beneath its low ceiling, lies in the seething swirling sand of the sultry
August night, a sweet phantasmagoria, & falls into a deep abysmal sleep; & suddenly, an unholy vision sweeps across
his dissolving brain cells, & trapped in inner space, he witnesses the transverberation
of the invisible man—the piercing stabbing
death of his fragile diaphanous flesh; & perched on the phantom stars of his multilayered nightmare,
he shrieks hellfire as a frozen icicle burns & slashes his heart until he is still
forever in an unfathomable landscape beyond Space & Time; & tomorrow, after the tempest, his
mutilated corpse lies buried in the deep snow of winter in the sweeping whiteness of Coney
Island beneath the cold barren boardwalk for the invisible man
has passed through the labyrinth of final dreams & discovered the soothing heat of
summer in sweet phantasmagoria, an eerie place & last exit before a chilling unreality
of unending stillness
LADY XES
by Dr. Mel Waldman
She struts across
Mallory Square like a glamorous Hollywood movie star, a deliciously divine diva walking
the red carpet.
Yet she does not wear high heels, no stilettos tonight,
in Key West, no see-through gown, diaphanous and devastating, with long slits revealing
lovely legs.
Her sensuous buttocks swing and sway and sashay in tight
and torn blue jeans, and her tiny feet move inside soothing soft-blue slip-ons, Proenza
Schouler espadrilles.
& now, in a low-cut red T-shirt that purrs, XES ROCKS, she enters the dock, mystical and magical, and watches weird performers,
freaky and fantastic.
& all wandering eyes find her, for she is Lady XES, femme fatale of the 21st century,
Lady XES from Planet XES-XESY, XESUAL, and mother XESer of the unfathomable universe, here on earth to be with us,
& vanish every night with the sinking red sun into the eerie sea and the
distant horizon, dying in the Gulf of Mexico, resurrected in the darkness, and returning
tomorrow, perhaps, to XES us for eternity
THE METAMORPHOSIS OF MY IMAGINARY
COFFIN by Dr. Mel Waldman
Come with me into my coffin, my imaginary coffin, a voice within a
dream whispers, then
swirls into a sphere of turquoise light & vanishes. & after, I
awaken, inside a wooden
coffin, ensconced in a
whirling dream, a frostbitten dream
of winter, within an ocean of dreams; & looking up, at the cold wood covered with the flowing chill of darkness, my frozen eyes observe the metamorphosis of my imaginary coffin, nestled in a fierce phantasmagoria, where I am empty
inside this eerie emptiness, & still, like the silenced dead; & through the
blinding black hole I watch a frightening alchemy— wooden coffin
becoming gold & glowing in the House of Non-Existence, then flowing into a turquoise light & vanishing,
becoming raw dust, but resurrected in the bowels of the earth, & soon, a nameless weapon of glory, drills through
the foul earth, rises
furiously toward the snow-covered Heavens, explodes & obliterates the cosmos, & inside this supernatural
coffin, my Post-Apocalyptic home, I lie, alone, for eternity, in a locked box, nothing above, or beyond, only the monstrous Void
A DEATH BEFORE DEATH IN THE DEEP SNOW OF ALZHEIMER’S by
Dr. Mel Waldman My father passed through a black hole and disappeared.
I waited for his return. When
the mind dies, it sleeps in a frozen coffin. Buried in the deep snow, and tasting flakes of non-existence,
as real as the wet, whirling beasts in his vanishing brain cells, he suffered a death before
death. Strangers gazed at him and saw a peek-a-boo man, clothed in a shroud of non-identity,
a ghostly veil of human emptiness. I saw a
man named Father. I watched him vanish into a shattered
time capsule of random, remote yesterdays, swaddled in a strait jacket of unbearable
restraint. I witnessed his death before death.
When the mind dies,
it hides in the deep snow. He disappeared in front of me,
his dark, vacant eyes far away, perched in nowhere. My soul-severed eyes darted and flitted back and forth,
between the mutilated spaces that connected us. I reached out to his moribund mind-spirit.
I could not save him. When the mind dies, it dangles
between nowhere and nowhere. Before his final death, a private
snowstorm swept mercilessly across the wasteland of his mind. The blizzard covered his
battered brain, almost obliterated it. Yet sometimes, he was reborn for
a few seconds or minutes, resurrected by chance neural connections. We’d say hello.
Instinctively, he grew a big fat smile, revealing his precious gold teeth. His eyes were real until
they became vacant again. I discovered death in his dark
brown eyes. In his heyday, he was a fierce,
ferocious man who did not know how to love or be loved.
We raged against each other. But at
the end of his fragile life, I loved him fully, forgave his flaws and sins, and forgave
my own. I witnessed his horrific death
before death. Strangers saw a peek-a-boo man. I saw a
man called Father.
A
DEATH IN OLD BROOKLYN by Dr. Mel Waldman
Old Brooklyn is dead, drifting in inner space, lost & lingering in antediluvian brain cells & dangling between shattered synapses too, Old Brooklyn is dead, & I mourn for the soothing snow of my mythological
childhood, a celestial landscape in constant flux & recreation; I mourn interminably for the boy-dreamer I once was, covered in dead time in the coffin of the past; I mourn for him & this lost spirit-love inside me, & the dream-shards dangling in still life & the scattered sparks of divinity frozen in the seething fires- the porphyry of burning
time, & merciful angels suspended in mid-air before the unending freedom journey; & I mourn incessantly for eleemosynary thoughts merging with celestial visions of the child; Yes, I mourn for so much- too much of my life used & spent & buried in the death-box behind me, a tomb of everlasting vastness & longing, the transverberation of my shrinking
spirit; I mourn unendurably, & sometimes, after a preternatural sunset, in sidereal time, beneath the mystical stars, I gaze backwards into the reconstructed landscape & resurrect the boy & the soothing snow & my mythic childhood within a holy ring of purple-red stones, a prophetic porphyry of fugitive
dreams, & a death in Old Brooklyn rushing away from me in frozen time, here & now, everywhere & nowhere, never touching tomorrow
BLESSINGS BEFORE THE APOCALYPSE by
Dr. Mel Waldman The snow falls interminably. “Come
now with me, into the holy house. It is time to receive the blessings before the Apocalypse.” But the others rush off, vanishing in the rolling hills.
& so, I enter, alone, and when the holy man speaks, his sweet voice is a zephyr brushing
against my olive skin, and his words are a river of revelations, holy susurrations that
flow into me and soothe my shattered spirit, a kaleidoscope of crippled butterflies. “Welcome, fellow travelers of the unfathomable
universe, and bless you.” He
speaks to a chimerical throng of believers, for I am alone, with him, and a sphere of holy
light encircles me. “After
life flows into death . . . and death feeds the earth . . . beyond the ruins . . . is the
ferocious mystery . . . the ineffable miracle of resurrection and . . .” My gold eyes rush to the mammoth window to my left,
swallow the deep snow that covers the moribund earth and I say goodbye to my life and all
that I have loved and the world outside. It is time to pray and hide beneath the canopy
of the prophet’s visions. Ensconced
in the vastness of his words, and this holy place & time, nestled in a cocoon of revelations
& silence, I close my eyes and wait for the Apocalypse, and after, a swarm of monarchs
and mourning cloaks may rise from the ruins and soar, or perhaps, nothing, not even
traces of our dreams, shall exist to reveal who and what we were or why we did
not hear or heed, in time, the deafening words of the prophecy
|
Art by Mike Kerins Š 2016 |
CRIMSON
FACE Dr. Mel
Waldman Look closely at my sweet-smelling face. Come close now. Stop! And smell
the roses. What cologne am I
wearing? Can you guess? I am the Garden of Eden. Take a deep breath and inhale
the seductive scent I wear. Does it belong to Adam, Eve, or the snake? Is it Eternity, or Eros, or the foul
suffocative smell of Thanatos? Come close now. Beneath the sundry masks I wear, do you see the real me? Touch my face—the soft, smooth skin.
Remove my masks. Peel them off, if you dare, and discover the crimson face—the bloody
cauldron of rage. Now, do you know who I am? Or are you confused by my
disarming smile, my gentle demeanor, and my melodious voice? Come closer into my arms, look up—into my cannibalistic eyes and
see who I really am and
let your mind and heart dissolve in a long eternal kiss while the killer inside me, the beast with the crimson
face, caresses and strangles you to death. MY POEM, MY PRAYER By Dr. Mel Waldman (on reading Jack Kerouac’s
poem-Hymn) After dark, in the deep of
the night I drink the stars
outside my Brooklyn home & gazing upward
at the glorious unfathomable creations, I turn inward, look into the
mirror of my meandering mind & rushing slowly into inner
space, I pray to our
unknowable Source, bathe in the
beautiful darkness & the omniscient silence, enter the Oneness, & I pray until my
prayer blesses me with creation & a turquoise
butterfly appears & swirls around my brainwaves & in
a poignant moment, perhaps, in the everflowing circle
of the night or in the deep
silence of the dawn, when crepuscular insects awaken with me, I write my poem,
my prayer & on the blank
page of metaphysical creation, in my minuscule blank book, I scribble my
holy creation—my hymn to Brooklyn & to the majestic universe of celestial conundrums that surround it & my words weep the sadness &
joy of prayer & sing a
cornucopia of sweeping emotions in the vastness
where I shed the skin of loss as I create & remember the Coney Island of
my youth, the whirling
wonderland by the sea, where we gathered— & Mother, Father, Sister, &
I devoured Nathan’s frankfurters
& French fries & the soothing innocence of our time & we believed in something beautiful
transcendent & real as lovely as this poem, this prayer & as real as the invisible landscape
of boundless love where Mother& Father live now ensconced in my beauty in the mansion of my mind on the
Coney Island pier of Yesterday, gazing at the rolling
waves of the Atlantic Ocean & the swirling rhapsody of the
Coney Island rides, & smiling
majestically at me in their Seats to
Heaven while I stroll along
the wooden Boardwalk & sing songs of love & scribble words
of glory in the deep silence of creation until my
poem, my prayer comes forth, out of nothingness, the omnipotent music of the Source SILENCE, DEEP SILENCE by Dr. Mel Waldman (on reading Stefan
Brecht’s poem “Silence”) Silence, deep silence inside the swirl & falling into a
fallen divinity & the stone
speaks silence & I listen & drift
into visions of an old man with a Charlie Chaplin
moustache dives
into the river of silence caresses a
little lady glowing with the opalescent light of love & lovelier than Greta Garbo & I weep silence swallow phantom voices Mother’s otherworldly whispers celestial softness
brushing against my olive skin & Father’s ferocious
gorgeous grin gold tooth glittering after dark rushes across
the ruins of silence reaches me growls love & gallops off
through inner space AWAY
FAR AWAY & I drink the river of despair & drown in the deep silence of
the apocalypse & vanish in the
mournful flood of loss as I kiss &
taste the succulent lips of silence & long for
redemption, perhaps, the Queen of
Rebirth, a fallen divinity asleep in the
vastness where the stone speaks silence waiting for
me to awaken her waiting for
us to save each other in the
deep silence
THE SUDDEN DEATH OF MY UNKNOWABLE
FATHER LONG AGO IN LOST TIME, A STRANGER IN THE HOUSE OF MY
SOUL by Dr. Mel Waldman (on reading Joanne Kyger’s poem “My Father Died This
Spring”) Long ago, inside the
labyrinth of lost time, my unknowable father, a faraway man, distant in life & shrouded in
secrets, died suddenly in a Florida nursing home, a ghost of a vanishing man, shriveled up
& emptied of thought, gazing mindlessly at a moribund TV & a soporific
soap opera in the sultry dayroom decades ago, his dark brown eyes fixed on
random images floating in raw
nothingness on a Spring day until the old
phantom, having suffered the 1st
Death of No-Mind, brainwaves dissolving inside the wasteland
of the Deep Snow, slumped over in his rickety chair
& slipped off into the otherworldly Void that swallows all life-the nowhere-hole of
oblivion for those forever bereft of the cosmic breath
of life & banished from
earth & our human flow—the furious beautiful rivers & oceans of Eros. Looking back through a
swirling oval darkness, my weary eyes locked shut, I sit within a
circle of silence & plummet into my private space & a mournful past; but soon, I hear
the cutting voice of an interloper, the hallucinatory soliloquy of the Beat
Poet Joanne Kyger slicing the
seething silence, speaking of her dead father, confessing, “You
can’t say he wasn’t strange and difficult.” I listen to her poignant words
again & again, orange-red flames of mournful music that fill my emptiness
until her haunting voice melts in the merciless fire, becoming a murmur-whisper-susurration,
& vanishing in the abyss. After, I am alone,
once more—terribly alone. Father, my unknowable
father, you’ve passed through the sacred wormhole into the beyond & the lost landscape
of eternity. Now, tell me who you
are & I shall discover who I am. Father, you are a
stranger in the House of My Soul. Yet I welcome you in. Come now, come into my home.
Father, my unknowable father, you are undecipherable & unfathomable like
the universe & the Source of all life. I am too. So come
now, from far away, come into my
home, & let us search together for our truth & let us love
|
Art by Ann Marie Rhiel Š 2017 |
A
BEAUTIFUL
CHAOS
by Dr. Mel Waldman
Follow me
into a beautiful chaos
in
the
flowing rear space
lit up
with
the fire of efflorescence.
Follow me.
&
the clock explodes
within
the whirling yellow-orange labyrinth of unreality
&
still
Rabbi Silverman teaches Torah at a corner table.
Nearby,
I read Yehoshua November’s poem “Prayer”
&
my phantom soul flows up & down the Tree
of Life
&
glows with otherworldly phosphorescence
&
a few feet away,
Mike,
my funny Egyptian Muslim friend,
unleashes
the swirling music of Saturday
Night Fever on his smart cell phone
&
he & the old timers of Dunkin’ Donuts dance
with John Travolta & Karen Lynn Gorney
&
we caress the past with the Bee Gees & Tavares,
free
in
our little Tower of Babel
for
this
is our world
beyond
Heaven & Hell
different voices & tongues
coalescing
in
the blessing of one
PHANTOM
VOICES
FLOATING
ABOVE
BROOKLYN
SING
REVELATIONS
OF
THE
DEAD
by
Dr. Mel Waldman
(on reading D.
Nurkse’s poem-The Dead Reveal Secrets of
Brooklyn)
Phantom
voices
floating above Brooklyn
wafting
to earth
&
resting
secretly on the old roof
of
James Madison
High
invisibly
swirling & whirling beyond time,
&
perched on Pandora’s Box in a preternatural meditation,
phantom voices
sing
revelations of the dead.
&
Mr. B
sails
across Brooklyn on his 1955 Vincent Black Prince,
majestic motorcycle
flying
high from Coney Island to Midwood northbound on Ocean Parkway
&
turning east on Kings Highway & south on Bedford Avenue
sweeping
through
the unreality of sweet phantasmagoria within my whirling dreamscape
my private divinity
&
Mr. B
returns
to James Madison High
&
I-to Yesterday-wearing the ethereal shroud of euphoria/dysphoria
circa
1958
rushing to his English class &The Poetry &
Philosophy Club
&
I kiss
Destiny, the strange seductive flower growing in the Garden of the Past,
I
return to You & caress
my ferocious flower within my Dream-Mind
&
what shall
I find when You awaken within my dream?
With
Your rebirth, what shall I find?
&
ghostly
voices, light & mellifluous as the susurrations of zephyrs &
opalescent angels,
whisper,
The dead never die.
&
an invisible orchestra plays Gershwin’s Rhapsody in Blue
&
phantom
voices sing
&
phantom voices sing
&
phantom voices sing revelations of the dead
&
death is the boy falling into the deep snow of mourning
in
the
very hot summer of despair as sweat falls from his (my) brow
&
He . . . floats with phantom voices
&
I taste the eerie emptiness of mother’s lost lacerated voice
She lies beside her otherworldly oxygen tank, rises suddenly, &
shrieks,
“I thought I was dying,”
&
dies,
blasting
off
into the unfathomable black hole of everlasting stillness.
as
I plummet through the trapdoor of my electrocuted brain
&
I die too.
&
Dr. Z,
my high school Hebrew teacher,
frees
me, asks the dream-boy at James Madison High to read again from Isaiah 2:3-4.
Why?
Why do I pass through this supernatural door?
Now, the boy sings poetic words, sings
revelations of the dead,
“. . . and they shall beat their swords
into plowshares and their spears into pruning hooks.”
Then suddenly, Dr. Z & dream-boy vanish,
&
within
the harrowing hour, in a mournful, mutilated room of black flowers,
one unfathomable day,
I hear,
Young X, honor student,
member of the rifle club, has taken his life!
I hear,
as C, the
robotic school official, tells us—the senior class—this soul-cutting truth,
&
rushes off while we meditate on death.
&
phantom voices sing,
. . . the evanescence of
death is everlasting . . .
&
. . . everlasting
is the obscene evanescence . . .
&
K,
the young Kafka of James Madison High,
asks,
Why?
&
I die while phantom voices floating above Brooklyn sing revelations
of the dead
&
within the swirling dream-flower of my life
I
die too forever,
again & again
I
die
|
Art by Elise Daher Š 2018 |
CONUNDRUM STREET. by Dr. Mel Waldman (on reading Lawrence Ferlinghetti’s poem “The
Long Street”) On Conundrum Street I follow a throng of haunted
humans & a cornucopia of
creatures to Coney Island to taste
the cool metaphysical air & inhale
the raw wisdom of the burning sand & the bestial
ocean & ride on the
cosmic Cyclone again & the otherworldly Wonder Wheel & whirling around a chimerical
omphalos I look up at the
Parachute Jump our antediluvian landmark & mourn for the old & weary
& obsolete & the dead &
the lost & the living dead until I saunter off in a trancelike state to Nathan’s to devour sizzling hot
dogs supreme & crackling
crunchy French fries majestic & soon, oblivious of who I am & where I’m going I rush
slowly across Conundrum Street the unfathomable street that swirls
around the world & pirouettes
across the universe & mindlessly I go
on my magical journey & meander through
Brooklyn orphan cockroaches &
odd creatures by my side & weird humans with vacant
eyes still in the wilderness & wild
anorexic beings with turquoise
auras & telepathic powers & peripatetic phantoms too join me & mindlessly I go on my odyssey
through Brighton &
Manhattan Beach & Sheepshead Bay
& Midwood & all the neighborhoods
I know & all the ones still undiscovered & along the way I find
myself in Lily Pond at Brooklyn
College until I wander off to
Brooklyn Heights & stroll along
the Promenade & gaze at the
Twin Towers no longer there & so
it goes on Conundrum Street I time travel too return to
the Garment Center sit with
Father hard working dress
salesman in Horn &
Hardart & listen to the little man’s
voice & the vastness of
his dreams & look dreamily
into his dark brown eyes perched on his Austrian
horse-scarred face adorned with a
Lilliputian equine bite cascading down one cheek above a thin black moustache & a glittering gold tooth majestically revealed protruding with a wide
wicked smile & childlike joy & I
see my Father-God & his bestial beauty unalloyed ecstasy but how odd that
we- are oblivious of our mortality & harrowing destiny & fast-forward
a few decades & recall
the death of Father’s mind & memory the insidious death before death slithering in the remains of a broken brain the snake that eats the past devours synapses severs the self
on Conundrum Street that swirls around
the world & pirouettes across the universe merges time caresses yesterday swallows now & tastes
tomorrow a street that never
ends even when it comes
to a cul-de-sac & bathes in
frozen stillness the peculiar blessing of non-being it follows phantoms through the
House of the Dead to the
other side of Conundrum Street & beyond
|
Art by Elise Daher Š 2018 |
|
Art by Ann Marie Rhiel Š 2018 |
UNFATHOMABLE RHAPSODY OF PSYCHOSIS by Dr. Mel Waldman Unfathomable Rhapsody beautiful & grotesque rushes eerily through
crackling exploding brain cells & the other hears hallucinatory music the harrowing
& haunting Music of Un-Reality & phantom voices riding oceanic
waves flood the wounded self drowning in the
dreamscape & the unfathomable rhapsody rushes through
the apparitional universe. The other
drinks
the overflowing ocean of psychosis swallows a
cornucopia of madness & OD’s
on otherworldly sensory overload but awakens & dances deliriously to the
spectral music of trauma. “Psychosis is a blessing,” a phantasmal
voice whispers. “Or is it a bestial
blizzard of unbearable revelations, a
strange rhapsody or fantastic
requiem for the living dead?” A ghostly
chorus shrieks, “Salvation or sudden death?”
|
Art by Shiela McGuckin Š 2019 |
HOUSE OF UN-REALITY by
Dr. Mel Waldman (on
reading Tomas Tranströmer’s poem “The Blue House”) On trauma-filled
days I return to the
vanishing house of my youth the House of
Un-Reality in Old Brooklyn on East 7th
Street around the corner from
Ocean Parkway a phantom flowing
vastness galloping to the lost
time of Coney & beyond Avenue
Yesterday & Highway to nowhere for even the Coney
Island of the boy exists now only in
a spiraling dream a distant vision a phantasmagoria from far away rushing & cascading down Chimerical
Falls into an ocean of
electrical synaptic chaos & still I return
to Old Brooklyn hunched over in Trauma
Time across the street from
the house I once lived in & I gaze
wistfully at my House of Un-Reality lost in blossoming
waves of longing & melancholy swept away in a swirl
of iridescence dancing butterfly wings & shimmering
peacock feathers & glittering sea
shells pirouetting across a
mythical seascape— a flood of
nostalgia & fluid memories & magically with
the X-ray vision of Superman my gold eyes
puncture the past see through the
brick façade & look inward
where the phantom boy
gallops around a child’s
little universe wearing a Hopalong Cassidy
crown-shaped black cowboy hat the Champie & a Hoppy
double-holster with gold revolvers & black grips for Hoppy’s
a child’s hero in the now of yesterday’s dream a beautiful
blossoming flowing symbol of good
in all black pristine & sinless
man of morality fights evil with
gallantry captures villains &
foe Hoppy’s a child’s
hero mounted on Topper his white horse in a dream in the House of
Un-Reality & the boy’s
oblivious of real gunfire happy in play galloping around
yesterday & soon when the boy inhales
the fire of Father’s fury he’ll become Hoppy
again & be free Hoppy, Hoppy, Hoppy, Hopalong Cassidy
|
Art by Darren Blanch Š 2019 |
THE GHOSTS OF BORGES & OTHERS RUSHING SLOWLY & RISING THROUGH THE UNDERGROUND LABYRINTH OF THE HOUSE OF UN-REALITY By Dr. Mel Waldman (on reading Tomas
Tranströmer’s poem “The Bookcase”) I am not alone in this
alone-ness place here in
the nowhere of nowhere in the House of Un-Reality I am not alone Gold eyes gaze into
the tomb of trauma in the swirling Room of Infinity the eerie omphalos & phantom center of ghosts a barren cornucopia & dystopia
of emptiness & the
human-less vastness & the
wild waves of snow for miles & miles & the blessings of oblivion ineffable vision overflowing in the blind
man’s blizzard the ghost of Borges
in the House of Un-Reality Above, old objects
possess preternatural power in the unspeakable
hour of revelations mundane objects in
metamorphosis approaching transcendence & illumination— mutilated antiques convex & concave
mirrors & swinging doors
through a wormhole into the soul & metaphysical paintings singing of non-being & Bizarro portraits of the dead & wounded walls & harrowing
halls & torn books read
long ago adorned with ashes
& dust ruins & rust & moribund
bookcases with broken shelves & splintered wood & lost selves & obsolete manuscripts & esoteric notes on Post-its about
the nature of the universe & the Apocalypse Below, the ghosts of Borges & others rush slowly &
rise through the underground labyrinth while metaphysical notes
pirouette across non-being unfathomable sound from the
underground & a ghost
rhapsody & in
a transcendental chasm of time a schism in space a pause
in Un-Reality carved with
the celestial hand of Dali & the
fabulous words of Borges this is
the blessing & despair while the
mystical clock chimes nowhere & after the Apocalypse this is the trauma & the ecstasy while the deathless clock chimes divinity & the ghosts gaze into the quantum
universe in search of Schrödinger’s
cat & revelations before rising again in
the ineffable hour of illuminations for a rendezvous
with old objects in metamorphosis— the keepers
of history & the
secret Labyrinth of Infinity & the boundless Mirror
of Anguish & Bliss
|
Art by Ann Marie Rhiel Š 2019 |
I AM BORGES TRAPPED IN THE OVAL MIRROR OF BLACKNESS by Dr. Mel Waldman
I am
Borges trapped
in the oval mirror of blackness gushing darkness in a barren universe of non-being bereft
of the blessings of light a spectral dot in a vacant galaxy whirling around the rim of
a wounded dream dead eyes looking out & cutting through the shroud of the everlasting
night & tasting broken glass & the swirl of a dust devil & eating
celestial visions I am
Borges diving
into the deep of phantasmagoria a magic lantern on fire exploding with chimerical light
& unreality I am
Borges blessing
you with the metaphysical flow of divinity the metamorphosis & miracle of sacred words
illuminating the unfathomable universe
|
Art by Ann Marie Rhiel Š 2019 |
I AM HESSE by Dr. Mel
Waldman
I am
Hesse soul-hunter a stranger in
the forbidden kingdom of Shadows lost in the bestial landscape I
cross in the celestial light & the oval darkness the eerie swirls of night
in search of my fugitive self Unblessed
& trapped in my antediluvian House of Duality I dangle in inner space between the divine
& demonic like my Steppenwolf half-man
& half-wolf In
the deep of despair, I descend into the Shadows & swallow the flood of
darkness overflowing with loss & death & drink & drown in self-pity
in mourner’s unreality After
Mother’s death & my absence from her funeral I eat everlasting emptiness &
time is a mustang galloping across phantasmagoria & unholy years vanish until I taste
the fire of foul Truths—Father’s death my distant Johannes & my youngest
son’s terrible illness my precious Martin & my wife’s voyage into madness
poor Mia’s schizophrenia—& plummet into oblivion I am Hesse intoxicated & vanishing in the kingdom of sin a
sensuous stranger commanding me to be you within
the bestial bars & lurid dance halls of Zurich for I am my creation Steppenwolf
too Now
I enter therapy with Dr. Lang & float in the sea of Jungian archetypes & see for the very first time through the preternatural window of perception
for this is my crisis & psychoanalysis is my labyrinthine exit out of melancholy
& the abyss &
when the merciless hour of anguish returns I meet with Dr. Jung in search of self &
spirituality & my psychoanalysis is a holy metamorphosis & catharsis for from the
throes of depression comes healing & integration & the transcendent oneness of
a thousand selves I am
Hesse the
soul-hunter floating
in the sea of Jungian archetypes luminous images rushing through the psyche & a cornucopia
of revelations from the collective unconscious Persona,
Shadow, Anima/Animus, & Self & . . . now I unmask my social faces
& gaze into the maw of darkness & see
the eerie female in me in syzygy & the oneness of self the oneness of who I
am
|
Art by Ann Marie Rhiel Š 2019 |
I AM CAMUS by Dr. Mel Waldman Born in the bestial
abyss of poverty I am Camus child-man of the sun & sea tasting the
African sun the sprawling canopy of fire above & the Mediterranean Sea that
bathes my flesh & feeds my unfathomable being in the blazing universe & I am Camus fatherless in a foreign universe Father— Lucien Auguste
Camus—I did not know you killed in WWI I was less than one bereft & left with
Mother & older brother & a chilling anecdote that burned the ferocious truth into
my brainwaves the barren revelation that once you witnessed a public execution & got
deathly ill from this obliteration & this visceral micro-story filled my
emptiness & an un-blessing entered my mind & body became part of me imprinted
in the invisible universe within & so I wrote & wrote & wrote transforming
pain into words for
this is my metamorphosis & yes this is my being
& evolution as a writer Mother— Catherine Helene
(Sintes) Camus—you were deaf & illiterate & after Father’s death we
moved to Algiers & lived with your family condemned
confined incarcerated in a claustrophobic prison cell of poverty a raw merciless
flood mind drowning in the ruinous downpour of reality I am Camus child-man of the sun &
sea intoxicated with the sensuous universe cosmos of splendor cornucopia of gorgeous glorious
galaxies the sensuous universe the African sun nature’s
grandeur everlasting & the everflowing
panorama is a rhapsody the music of the desert & the mountain the sky &
sea & the strange beautiful bestial paradox of
paradise & poverty side by side & man is alone in this grand universe I am alone tasting & swallowing
the chilling fire of cosmic indifference no God no transcendence only the furious waves
of human existence in an ocean of absurdity Heaven & Hell here & now in the African
sun & the Mediterranean Sea & I am Camus & like Mersault,
my fictional creation, I too am a stranger drifting along a seething beach swallowing the
African sun & nature’s majesty & drinking the opalescence luminescence of
the meaningless universe & its monstrous beauty & eating my aloneness
isolation & merciless mortality in the maw of death
my everlasting ebony hole of nothingness the abyss of my nonbeing in the
overflowing cosmos oblivious of me child-man of the sun & sea Fatherless in a foreign universe
I am the isolated man forever the stranger &
the outsider observing the inside world & gazing inward swallowing the Sisyphean struggle of my being quietly singing the song of the
rebel solitary man ferocious sensualist
natural man lover of nature for the sensuous universe is all—it is Father & Mother
& I am the other & its lover I am Camus Father of Catherine &
Jean the twins
call me loving soothing Papa & we play soccer
& I laugh uproariously child-man of the sun & sea & I am Camus lover of women 2 wives
& sundry mistresses Yet with Simone my
1st wife I was alone poor Simone hooked
on morphine Simone Hie we had to say goodbye Francine Faure my 2nd wife gave me more Mother of Catherine & Jean But did I drive my
precious Francine into the unforgiving & unfathomable abyss of madness? Is this my guilt
& un-blessing for my carnal lust? Must I confess again
& again? Yes I love the others too my mistresses my lovers
but you Francine are my precious wife for life & Mother of Catherine &
Jean & to you I am your husband Albert Camus I am Camus child-man of the sun & sea & wounded man who
almost died of TB lover of the grand universe lover of gorgeous galloping nature
lover of 2 wives & sundry mistresses loving soothing Father
of the twins & like you a human
of mortal & carnal sins & now in the fall of 1957 I receive the Nobel
Prize too soon at 44 can’t fathom why unworthy am I Is this Heaven or Hell? I am Camus writer & rebel
in the absurd universe there’s so much more to
write still ensconced in mid-career here in this death-bound existence so much
more to do too soon for early goodbyes I am forever Albert Camus
|
Art by Ann Marie Rhiel Š 2019 |
A
BEAUTIFUL MADNESS ON MALLORY SQUARE by
Dr. Mel Waldman A beautiful madness on Mallory Square the blessings of the tropical sun & the feast of oneness waiting for
a glorious sunset opals in the sky & a celestial cornucopia eerie earthy otherworldly celebration watching the gorgeous galloping red sun plummet into illusion the phantasmagoria of the fire of the sun & the Eyes of all sail above swirl & follow the hypnotic vision in holy union & love waiting for the ineffable moment the fantastic
fall & flow watching the magical sphere drop & merge & vanish with the chimerical horizon of the
Gulf of Mexico & below before & after & across the vastness of the
everlasting Key West party a sunset
celebration for humans of the world visitors & visionaries magicians & circus people musicians & artists a kaleidoscope of entertainers & vendors a mystical gathering & a beautiful madness on Mallory Square
|
Art by Ann Marie Rhiel Š 2019 |
A
BEAUTIFUL DEATH ON MALLORY
SQUARE by
Dr. Mel Waldman A beautiful death on Mallory Square rushing slowly along the pier by the
Gulf of Mexico below the gorgeous sun a sprawling
canopy of blazing red our omnipotent Lady of the Light anointing & devouring & blessing us with delirious revelations & celestial
ecstasy & visions of Palomino Mustangs golden horses with creamy manes & tails gallop
across my Mind’s Eye while strangers say, “hello,” & stroll along the docks wearing eerie auras of divinity waiting for
the grand sunset & the bestial secrets of the night & to the invisible universe, I whisper
the metaphysical why? & magicians & circus folks & “Cookie Lady” & “Cat Man” & madmen
& mystics & artists & musicians & a cornucopia of un-real performers enchant & amaze bewilder & delight us inside the existential maze of Mallory Square & otherworldly travelers grin wisely, enigmatically at you & me & wait for the Great Rondini magnificent escape artist & neo-Houdini to appear
in chains here & now on Mallory Square & free himself at sunset I too wish to be free & ride the celestial waves rushing slowly along the pier by the Gulf of Mexico on Mallory Square where the invisible universe flows & fuels
metamorphosis & transcendence creation
obliteration & resurrection & I
wish to be free like my chimerical Palomino Mustangs galloping
across my Mind’s Eye unbridled &
unleashed & the beautiful death on Mallory Square that blesses us on this everlasting night where our Lady of the Light dies yes, I wish to be free & unbridled letting go of the reins of the human brain & free as I release the self from
its bestial cage & transformed
as I watch my ego
melt by the Gulf of Mexico below our vanishing Lady here on
Mallory Square where I shall be transcendentally free
|
Art by Ann Marie Rhiel Š 2019 |
A
LUMINOUS METAMORPHOSIS ON MALLORY
SQUARE by
Dr. Mel Waldman A luminous metamorphosis on Mallory Square strangers darting & flitting or rushing
slowly within the wild efflorescence & divine rhapsody of
light & gold eyes drink the opalescence of celestial
design & an eerie paradox a cornucopia of chaos & dazzling illumination & visionary eyes swallow a sweet phantasmagoria beneath the vastness of the red sun inside the invisible Circle of Un-Reality & soon I watch the others who watch me too with love & peace not paranoia time-out from the troubles
of humanity strangers in sync dreaming & waiting for transcendence & watching the hypnotic sun drop into the Gulf of Mexico & disappear & I vanish too within a luminous metamorphosis
my mystical death & nearby at Zero
Duval Street my phantom alter ego sits at the Sunset Pier at the Ocean Key House shrouded in preternatural light waiting for a metaphysical re-union the marriage
of spirit & flesh after death an everlasting
resurrection
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Art by Ann Marie Rhiel Š 2019 |
STRANGE DAYS AT CAFÉ BIZARRO by Dr. Mel Waldman (inspired
by the song and lyrics of Strange Days by The Doors) Strange days at Café
Bizarro intoxicating Un-Reality flooding
my
brain the insane invasion
is here apocalypse nowhere & tomorrow merges
with yesterday flows fiercely reveals my
hallucinatory story the eerie everlasting
past is now far away &
within yesterday is my sin I long for Old Brooklyn but can’t find my way there don’t belong here anymore still craving sweet
phantasmagoria visions of the eerie
everlasting past euphoria dysphoria? & visions of the
grand unknown & dreaming of peace & love with a Doors song & overflowing otherworldly madness blessings of
a visionary the ghost of Jim
Morrison is here in apocalypse nowhere Strange days at Café
Bizarro & the phantom sun
waits for tomorrow & tomorrow is out
there somewhere beyond where I
belong singing a Doors song tasting the sin of Old
Brooklyn & visions of the grand unknown alone in the vastness of
my dreams alone
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Art by W. Jack Savage Š 2019 |
NIGHT REVELATIONS IN BIZARRO COUNTRY by Dr. Mel Waldman I drink the oval
darkness a swirling Sombrero rotating Mexican hat &/or mind-altering vanilla
malted Kahlua on the rocks
with cream my otherworldly dream journey & taste the raw
scent of phantasmagoria an eerie sweetness the bite of paradox & the
bitter maw of illusion a magic lantern & a
dream rushing forth in my trauma-flooded head like the mad waves
of Freud’s ID oceanic storm in the
forbidden darkness or a mad dog in Un-Reality or a demonic migraine that floods
my brain with unbearable pain but in
a grand metamorphosis sweet phantasmagoria gallops across my
Mind’s Eye like a gorgeous mustang & my beautiful
beast of grandeur/transcendence recreates
me
on my everlasting journey into Bizarro Country & in the deep
nothingness I drink the
terrible darkness & devour night revelations the glimmer of divine light & the Mysterium Tremendum
I fear/seek a metaphysical
conundrum here in the nowhere
of Bizarro Country
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Art by W. Jack Savage Š 2019 |
THE ROOM WITH A NO
EXIT SIGN A.K.A. THE
PRISON CELL OF THE
SELF by
Dr. Mel Waldman (on
reading Lawrence Ferlinghetti’s poem— As in a Play by Jean-Paul Sartre) It always happens in the room with a no exit sign dangling from the low
ceiling an antediluvian
room in the primal
swirl of nowhere & the glittering
thing crackling light bulb is scarier than
the Mysterium Tremendum the terrible mystery
engulfing us & an ominous omen in a tiny cell a tomb perhaps in the no-place
of sin with vanishing
visions of Heaven & a flood of red
wine pours out of a no exit sign & crimson &
black walls too from west to east & north to south into the
claustrophobic space & you the one buried in the deep
snow encircling & enclosing the cold mask of an other-ness
face
without a
trace of truth or soothing fire & into the
phantom mouth of the beast a monstrous maw
of demonic invisibility & power that swallows the pariah in the harrowing
hour & once again the past comes
forth & in a waterfall
of blood & a
phantasmagoria of unspeakable
visions cascades over the room for the past is
here forever possessing its prey & in this private
cell the prisoner
travels across the dreamscape no exit no escape on the way to
destiny crossing a cornucopia
of boulevards & avenues across the earth &
beyond bizarro journeys into multiple
galaxies & the multiverse & always the same
news the eerie birth
of the same past the same outcomes around the bend a fatalistic end a frightful
manifestation of the Freudian
repetition compulsion until the Deus ex machina arrives or Freud’s
heir & the false
self-dies here in the room
with a no exit sign a.k.a. the prison cell
of the self where the lost other
lets go expels despair/uncages
love & gives birth
to the real self—rising from the deep
snow
ODE TO OLD BROOKLYN by Dr. Mel Waldman On empty nights
I return to the deep snow of winter & the sizzling
heat of summer & the
grand dream of yesterday so faraway & still I know Old
Brooklyn & my forbidden
dream I do not belong & so I long
to sing an antediluvian song On machine-fueled nights that devour me, severed self,
displaced visionary in the harrowing hour of techno-toy
possession &
cultural obsession I travel to a
timeless place of love & sin rushing slowly through Old Brooklyn in my bestial
brain/broken spirit Now, I sit on my
chimerical-memory chair &
gaze inward into the deep nothingness where I clutch the
lost past the lost rhapsody & soon I see what no longer
belongs to me & still I drink soothing
visions of picture-postcard homes on the Old Brooklyn block we shared because we
cared &
we possessed a one-ness
without
other-ness &
that’s why I watch the boy play ball & Mother
cook for all on
the children’s block no longer there where I wish to
be, not here Instinctively, we understood Martin Buber’s I and Thou but
how? Just kids, we played stickball
& punchball “all
for one & one for all” on the corner
& the rim of our wondrous universe blessing/holding us in a beautiful bond &
sometimes the ball sailed into the world beyond lost forever in
chimerical time gone with an old-fashioned rhyme & suddenly
my Old Brooklyn rhapsody dissolves into cacophony &
Father, a thin mustached tiny man, chases me through
Old Brooklyn never
catches me with crimson
fury clutching
a black leather strap in his mighty hand clutching sin clutching rage but out of
breath can’t
follow me through space & time as I return to
the empty night & the cage of loss & a death vaster than
Death
LOST IN GREENWICH VILLAGE By Dr. Mel
Waldman Looking out the window in my tiny room, I watch the sun drop in the
sky and die, vanishing in the August night. For a few seconds, I imagine I’m back
in Mallory Square, Key West gazing at a gorgeous sunset. And my mind, an old
mustang, gallops into the sweet phantasmagoria of the Heavens, a beautiful
place that feeds my broken soul. Soon, in a trancelike state, I turn around, sit
in a wooden chair and open a paperback book. It is The Secret of Evil by Roberto Bolańo. My gold
eyes dart and flit across the hypnotic pages and now, I too vanish inside his addictive
words and eerie stories. Later, I take my evening INFER
pills for my illness and saunter off into the seething night. Leaving my room on the Upper West Side, I head south on Broadway. Time
dissolves and space shrinks and I meander through the forbidden streets of
Manhattan. By chance or destiny, I find myself in Washington Square Park. I sit
on a bench by the Washington Arch and ponder the beautiful night. The swirl of darkness swallows my brain and suddenly,
I rise and rush off. I don’t know where I’m going. But it seems
I’m heading west. I wander through the West Village
until my weary body stops at the Riviera Café at 7th
Avenue South. “Thought the place had closed down,” I mutter. “But it’s
still here.” I enter the familiar café where we used to dine
every week. A short dark-eyed woman welcomes me and asks,
“Your usual table, Sir?” “Sure,” I say. Yet I don’t recall
where we used to sit nor the tiny woman who knows me.
She takes me to a dimly lit corner in the back.
“Your waiter will be with you shortly.” She scurries off. Soon, a lanky waiter arrives. “How are you tonight?” “Fine.” “Will your wife and twin girls be joining
you?” “No.” “Well,
give them my best.” “Of course.” “Will
you be having our Dinner Special #1?” I look quizzically at him. “It’s your favorite meal.” “Sure.” He hurries off. I gaze at the oval darkness through the Riviera’s
glass walls and vanish in boketto. After drifting across
an ocean of vacant gazing, I return to a beautiful place. In
my mind’s eye, we’re lying on the sprawling sand in Manhattan Beach. My
wife Sarah and our twins Anna and Annette are by my side on a mammoth aqua
beach towel. But soon, they scurry across the burning sand
and jump into the cool waters of the Atlantic Ocean.
I sit up and watch them splashing and swimming. When Sarah and the girls return, Anna,
my brown-eyed wonder, cries out, “Daddy, can we go to Coney Island and eat some hot
dogs and fries?” “And can we go on the rides?” Annette adds, her brown
eyes, a shade lighter than Anna’s, stare longingly at me. Sarah grins wickedly and says, “Your father works hard all week,
girls. Maybe he wants to go home and rest.” My
girls hug my chest and beg, “Please, Daddy…” “Okay,
girls. Just for a short while,” I growl. Yet
being with my wife and girls is the thrill of my life. Then
suddenly, my family and Manhattan Beach disappear. I’m floating in boketto,
looking out into the merciless darkness. “What
happened?” a distant voice cries out, cutting through the seething
darkness. “What really happened?” The voice
is eerily familiar. Is it the ominous sound of my alter ego
shrieking from the other side of reality? Or is it Sarah’s mournful voice or
the melancholy voices of my precious girls? Who is calling out to me? Who? Time dissolves and space shrinks again. Like an out-of-body experience,
I watch the Riviera Café and Greenwich village vanish. Where am I? Who am I? I look around and find myself back in my claustrophobic
room. The clock on the night table says 3 a.m. Time to take my bedtime
medicine-a cornucopia of INFER pills. After
swallowing the potent pills, I lie down and read The
Secret of Evil. Time rushes slowly through my brain and I hear someone crying next door.
I place my head against the wall. The crying stops abruptly. After
an interlude of silence, an uncanny voice whispers, “What happened?
What really happened?” I lie down again and notice a
long white envelope next to the clock. Inside, is a
note to myself. I am
in the Riviera Hotel. I take 3 INFERNO pills 3 times a day to cope
with my illness. Someday, I’ll remember… Until then and forever, I love my
wife Sarah and our twin girls Anna and Annette. What shall I get them for Valentine’s
Day, only 6 months away? I ponder these beautiful thoughts as I plummet into a deep sleep-a
therapeutic exploration of the 9 circles of inner space induced by my INFERNO pills. The pain will diminish in time; my doctors tell me.
And now, from faraway, in a safe place, I whisper, “Happy Valentine’s Day.”
AN EERIE JOURNEY DOWN THE INVISIBLE
STAIRCASE by Dr. Mel
Waldman (on reading Margaret Atwood’s poem-Down) & I travel across
the invisible universe within my whirling brainwaves rising & falling in
the wilds of my vanishing mind each moribund moment buried in the deep snow of
unreal days where I breathe the fire of cosmic breath & taste the sweet
phantasmagoria of my daily voyage-an eerie journey down the invisible staircase into
an unfathomable netherworld. Even when the sun
arrives & shoots light into my little home I eat the darkness & within
the sprawling luminosity I see the butchered
battered landscape the wounded crimson terrain overflowing with the broken glass of trauma. Outside, crepuscular insects rise & breathe light & still I descend
the otherworldly stairs into the blackness that permeates my perforated brain. & now, I inhale the scent of anguish
& the foul odor of unbearable losses & a cornucopia of merciless deaths. More unreal
than the strangeness of everyday life is my descent into this frightful realm. Phantoms
shrouded in spheres of invisibility fill my ferocious emptiness & slice my barren being.
Is this piercing/shattering the transverberation of my soul? Immersed in an
antediluvian kingdom, I step into the deep of darkness. What is
this untraceable place? Is it the deep of the divine or the
bestial maw of the demonic? Flooded with the ineffable, I slip farther into the blackness
& plummet into an unfathomable/unknowable Un-Reality overflowing with eerie
voices & unspeakable truths from beyond, buried in the thick bizarro snow
that covers all & falls forever
I LAY WITH TIGERS by Dr. Mel Waldman (on reading Jorge Luis
Borges’s poem-The Gold of the Tigers) I lay with tigers in the
vastness of inner space in the
rush of the ruins of an unknown countryside the Un-Reality of the sweep & swirl
of sweet phantasmagoria & the frightful flow of a fantastic revelation in apocalypse
nowhere here within the phantom mansion of a lucid dream rushing slowly through infinity I lay beside the
beautiful beasts brushing against their majesty & lost within the postern of my lacerated mind behind their terrible torsos & striped skin I listened to their bestial
breaths I lay
behind gold & white & black tigers, never gazing
at their ferocious faces/omnipotent eyes that could
rip my soul apart nor did I taste the
fury & foul scent of heavy tiger breaths
hovering above the eerie earth but still I brushed against their ferocious skin & smelled the exotic aroma of tiger fur a pungent otherworldly odor in inner
space & suddenly, the black &
white tigers vanished without a trace & only
the gold beauties stayed with me & soon a celestial veil
covered me & droplets of serenity oozed
from my mind & my wounded flesh no longer
reeked of terror & the foul odor evaporated
in the nothingness of nowhere evanescing into the sea of divinity & hallucinatory waves carried me to my private Heaven & so I lay with
gold tigers nestled in their harrowing realm & suddenly, the glittering aura of bestial presence
lost its eerie glow & without fear/terror I blessed the dream that possessed me & the beasts within the wilds of my brain & within the celestial ocean of sweet phantasmagoria I watched gold tigers kiss my vanishing soul a ghost of a ghost of glorious light & the phantom flow of opalescence & my beautiful beasts merged with the mystical light in the blackness of my dream & we were one basking in the chimerical sun on this magical night of metamorphosis the night of my transcendence when I lay with tigers & tasted
visions of Heaven
RUSHING SLOWLY THROUGH A LUCID DREAM WITH ROBERTO BOLAŃO by Dr. Mel Waldman Lost in
Greenwich Village, I meander mindlessly around the charming landscape that
enchants & encircles me, an exotic conundrum & magical place/dazzling
maze propelling me westward until I return to the Riviera Café. “Is
this Kismet?” I mutter. Standing on 7th
Avenue South, nestled between 7th Avenue & West 4th
& West 10th Streets, I look through the café’s fantastic window.
My friend Charlie sits in a corner. Inside,
I reveal an eerie dream. My short rotund Charlie grins
wickedly; his celestial smile gallops into my invisible universe. “The turquoise
sky dissolves; years/decades evaporate; sail/swirl into . . .” Charlie gazes quizzically
at me; his thin moustache quivers. He whispers a chimerical vision, “An olive-colored
man, blonde woman, & dirty blond baby rest on the beach, 3 souls entwined.” He shrieks, “Where are they?” “Is this
Kismet?” I mutter. The white sand
is a gorgeous galloping expanse of love/loss. “Is this Kismet on Fire Island or
a pristine beach on Cape Cod?” A vast unbearable silence sweeps through us,
lacerates our celestial oneness, points to the secret story,
perhaps, a ferocious fate. “One beach whispers love
entwined. The other is the deafening voice of death.” The
past returns forever in a bestial swirl of brainwaves.
A dust devil shoots up from oblivion & the dead caress our shattered souls in inner
space. We sit in the Riviera Café. Charlie
dissolves/vanishes & then one by one the café & the woman & child & the
beach/beaches & Greenwich Village evaporate. But where am I?
ODE TO OGUNQUIT by
Dr. Mel Waldman Is
this the dreamer’s year; here in this unfathomable
nowhere within the
swirl of a soft diaphanous Un-Reality? Now,
I return to the “beautiful place by the sea” my intoxicating Ogunquit & sit in Bessie’s in
a nostalgia booth where
I say goodbye to the phantom youth again &
celebrate my truth by a hanging
lamp of subdued light dazzling
insight flowing freely
in my Mind’s Eye like
a child’s kite sailing in the turquoise sky & in the phantasmagoria
of a sensuous dream I
rediscover Perkins Cove A
haven/harbor of
love & a
metaphysical door to
transcendence/serenity supreme enchanting metamorphosis in “the beautiful place
by the sea” within
the wilds of a wondrous dream &
at Jackie’s Too I taste the mystical
blue of the sea while a curious
seagull perched on the rocks stares at me &
waits mindlessly, perhaps, for
the unknowable moment the
scent of peace &
love by
the opalescent sea &
on the Marginal Way the celestial
cliff-walk I travel on I inhale the wind &
the sea & the prophetic day an
overflowing panorama of visions that reveal the oneness/blessing of cosmic
breath like gorgeous
galloping zephyrs floating by brushing
my olive face & gone vanishing in a holy death & sudden goodbye for all must die even the non-living & still in
my Mind’s Eye I always see “the beautiful place by the sea” everlasting in the sweet
phantasmagoria of my vanishing dream/my
life—a delirious memory rushing slowly out
to sea the
faraway phantom sea
THE
DOOR IN THE
OLD HOUSE IN BIZARRO
COUNTRY by
Dr. Mel Waldman (on
reading Margaret Atwood’s poem “The
Door”) Above & beyond the old
house looms in my mind’s eye & I see
the flowing cliffs & the turquoise sea below & now I watch myself rush
slowly up the winding path in winter’s wind & snow to the antediluvian home
that opens up for me & I enter. The illuminated house is human-less,
a labyrinth of gorgeous glittering rooms, a desert of opalescence without life, & within
this vastness of French windows & doors, secret rooms, attics, & spiral staircases,
I drift through the vacant house & discover a decrepit wooden door that does not belong
here. There, on the other side of this Lilliputian threshold, I shall know. The creaky door
opens. I enter. A swirling blackness swallows me. I find a light switch. Click.
& there is light. Down the stairs & into a dusty basement I go. &
now I know. In this mirrored room,
I remove my mask, breathe freely, and gaze into my past. I see
folks dining in restaurants sharing food, holy breaths &
air; going to work, coming home; time off-time out, summer vacations &
trips, concerts, movies, & Broadway shows; or a walk in the park-lovers touching,
tasting succulent lips-love sacredly entwined. Now, I taste the vastness of loss. Trapped
in Bizarro Country, I gaze through a mirrored universe, longing for the past & dreaming
of tomorrow’s exit.
THE SEASON OF THE
APOCALYPSE by
Dr. Mel Waldman In the season of the
Apocalypse I am one human in the harrowing vastness mourning/remembering
blessings lost & the cost of life Often, I sat with the others in the little park of un-reality
tasting desolation through unfathomable time & into the summer of despair Now in the eerie fall
moribund humans watch mutilated leaves earthbound & dying & I am here
in this frightful place where folks abruptly vanished I exist in this
Lilliputian space nestled in the invisible dome of death that covers all, a
shattered butterfly awakening & reborn in the fall of the Apocalypse Who shall survive? Shall
I? I beseech the Without End in the deep of
nowhere. In the season of the Apocalypse, clinging to this time this place, I taste doubt
& search for divinity I believe because I
must BILL’S OTHERWORLDLY OUTDOOR
CAFE ACROSS FROM CAFÉ BIZARRO by Dr. Mel Waldman Across the way at Bill’s
Café the phantom universe opens up at midnight like a lost
lacerated flower blossoming/birthing in the black hole of the unfathomable night a shattered
flower—adorned with mystery & illuminated/ lit up by spheres
of celestial light lit up/ & shooting
forth from nowhere & Covid visions
of Café Bizarro appear— here/ in Bill’s otherworldly outdoor Café in the everlasting
hour of no-time & so/ I am a survivor
gazing at the mirrored universe & oval eyes galloping across the vastness see the overflowing ocean of divinity & a purple
amethyst swirls on the rim of Un-Reality & I too dangle/ in Covid time
& space & invisibility & from Bill’s
otherworldly outdoor Café across from Café Bizarro I witness
the Covid shattering & watch Café Bizarro dissolve/ & so do the
folks inside/ sitting together— holding
hands
that shatter & kissing lips that melt away in the mirrored
universe of yesterday across the way
at Bill’s Café with some folks singing & dancing/ devolving & vanishing in the back room/ across the way
at Bill’s Café across the way at Bill’s
Café across the Covid way Dr. Mel Waldman is a psychologist, poet,
and writer whose stories have appeared in numerous magazines including
HARDBOILED DETECTIVE, ESPIONAGE, THE SAINT, PULP METAL MAGAZINE, and AUDIENCE.
His poems have been widely published in magazines and books including A NEW
ULSTER, CLOCKWISE CAT, CRAB FAT LITERARY MAGAZINE, ESKIMO PIE, INDIANA VOICE JOURNAL,
LIQUID IMAGINATION, THE BROOKLYN LITERARY REVIEW, BRICKPLIGHT, SKIVE MAGAZINE, ODDBALL MAGAZINE,
PABLO LENNIS, POETRY PACIFIC, POETICA, RED FEZ, SQUAWK BACK, SWEET ANNIE & SWEET PEA
REVIEW, THE JEWISH LITERARY JOURNAL, THE JEWISH PRESS, THE JERUSALEM POST, HOTMETAL PRESS,
MAD SWIRL, HAGGARD & HALLOO, ASCENT ASPIRATIONS, YELLOW MAMA, THE BITCHIN’
KITSCH, SOUL-LIT, TWO DROPS OF INK, and NAMASTE FIJI: THE INTERNATIONAL
ANTHOLOGY OF POETRY. A past winner of the literary GRADIVA AWARD in
Psychoanalysis, he was nominated for a PUSHCART PRIZE in literature and is the author of
11 books.
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In Association with Fossil Publications
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