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Adair, Jay |
Adhikari, Sudeep |
Ahern, Edward |
Aldrich, Janet M. |
Allan, T. N. |
Allen, M. G. |
Ammonds, Phillip J. |
Anderson, Fred |
Anderson, Peter |
Andreopoulos, Elliott |
Arab, Bint |
Armstrong, Dini |
Augustyn, P. K. |
Aymar, E. A. |
Babbs, James |
Baber, Bill |
Bagwell, Dennis |
Bailey, Ashley |
Bailey, Thomas |
Baird, Meg |
Bakala, Brendan |
Baker, Nathan |
Balaz, Joe |
BAM |
Barber, Shannon |
Barker, Tom |
Barlow, Tom |
Bates, Jack |
Bayly, Karen |
Baugh, Darlene |
Bauman, Michael |
Baumgartner, Jessica Marie |
Beale, Jonathan |
Beck, George |
Beckman, Paul |
Benet, Esme |
Bennett, Brett |
Bennett, Charlie |
Bennett, D. V. |
Benton, Ralph |
Berg, Carly |
Berman, Daniel |
Bernardara, Will Jr. |
Berriozabal, Luis |
Beveridge, Robert |
Bickerstaff, Russ |
Bigney, Tyler |
Blackwell, C. W. |
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Blake, Steven |
Blakey, James |
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Booth, Brenton |
Boski, David |
Bougger, Jason |
Boyd, A. V. |
Boyd, Morgan |
Boyle, James |
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Burton, Michael |
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Butler, Terence |
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Campbell, Jack Jr. |
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Cardinale, Samuel |
Cardoza, Dan A. |
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Carr, Jennifer |
Cartwright, Steve |
Carver, Marc |
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Centorbi, David |
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Connor, Tod |
Cooper, Malcolm Graham |
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de Bruler, Connor |
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Dunham, T. Fox |
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England, Kristina |
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Harris, Bruce |
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Huffman, A. J. |
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King, Michelle Ann |
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Knott, Anthony |
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Kolarik, Andrew J. |
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Krafft, E. K. |
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Lemming, Jennifer |
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Lifshin, Lyn |
Lilley, James |
Liskey, Tom Darin |
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Lopez, Aurelio Rico III |
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MacArthur, Jodi |
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Matulich, Joel |
McAdams, Liz |
McCaffrey, Stanton |
McCartney, Chris |
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McFarlane, Adam Beau |
McGinley, Chris |
McGinley, Jerry |
McElhiney, Sean |
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McMannus, Jack |
McQuiston, Rick |
Mellon, Mark |
Memi, Samantha |
Middleton, Bradford |
Miles, Marietta |
Miller, Max |
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Montagna, Mitchel |
Monson, Mike |
Mooney, Christopher P. |
Moran, Jacqueline M. |
Morgan, Bill W. |
Moss, David Harry |
Mullins, Ian |
Mulvihill, Michael |
Muslim, Kristine Ong |
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Nelson, Trevor |
Nessly, Ray |
Nester, Steven |
Neuda, M. C. |
Newell, Ben |
Newman, Paul |
Nielsen, Ayaz |
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Numann, Randy |
Ogurek, Douglas J. |
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Ortiz, Sergio |
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Parks, Garr |
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Parrish, Rhonda |
Partin-Nielsen, Judith |
Peralez, R. |
Perez, Juan M. |
Perez, Robert Aguon |
Peterson, Ross |
Petroziello, Brian |
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Pettie, Jack |
Petyo, Robert |
Phillips, Matt |
Picher, Gabrielle |
Pierce, Curtis |
Pierce, Rob |
Pietrzykowski, Marc |
Plath, Rob |
Pointer, David |
Post, John |
Powell, David |
Power, Jed |
Powers, M. P. |
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Prazych, Richard |
Priest, Ryan |
Prusky, Steve |
Pruitt, Eryk |
Purfield, M. E. |
Purkis, Gordon |
Quinlan, Joseph R. |
Quinn, Frank |
Rabas, Kevin |
Ragan, Robert |
Ram, Sri |
Rapth, Sam |
Ravindra, Rudy |
Reich, Betty |
Renney, Mark |
reutter, g emil |
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Rhiel, Ann Marie |
Ribshman, Kevin |
Ricchiuti, Andrew |
Richardson, Travis |
Richey, John Lunar |
Ridgeway, Kevin |
Rihlmann, Brian |
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Ritchie, Salvadore |
Robinson, John D. |
Robinson, Kent |
Rodgers, K. M. |
Roger, Frank |
Rose, Mandi |
Rose, Mick |
Rosenberger, Brian |
Rosenblum, Mark |
Rosmus, Cindy |
Rowland, C. A. |
Ruhlman, Walter |
Rutherford, Scotch |
Sahms, Diane |
Saier, Monique |
Salinas, Alex |
Sanders, Isabelle |
Sanders, Sebnem |
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Savage, Jack |
Sayles, Betty J. |
Schauber, Karen |
Schneeweiss, Jonathan |
Schraeder, E. F. |
Schumejda, Rebecca |
See, Tom |
Sethi, Sanjeev |
Sexton, Rex |
Seymour, J. E. |
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Sheagren, Gerald E. |
Shepherd, Robert |
Shirey, D. L. |
Shore, Donald D. |
Short, John |
Sim, Anton |
Simmler, T. Maxim |
Simpson, Henry |
Sinisi, J. J. |
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Slaviero, Susan |
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Smith, Willie |
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Snethen, Daniel G. |
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Solender, Michael J. |
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Sparling, George |
Spicer, David |
Squirrell, William |
Stanton, Henry G. |
Steven, Michael |
Stevens, J. B. |
Stewart, Michael S. |
Stickel, Anne |
Stoler, Cathi |
Stolec, Trina |
Stoll, Don |
Stryker, Joseph H. |
Stucchio, Chris |
Succre, Ray |
Sullivan, Thomas |
Surkiewicz, Joe |
Swanson, Peter |
Swartz, Justin A. |
Sweet, John |
Tarbard, Grant |
Tait, Alyson |
Taylor, J. M. |
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Thompson, Phillip |
Thrax, Max |
Ticktin, Ruth |
Tillman, Stephen |
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Tivey, Lauren |
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Torrence, Ron |
Tu, Andy |
Turner, Lamont A. |
Tustin, John |
Ullerich, Eric |
Valent, Raymond A. |
Valvis, James |
Vilhotti, Jerry |
Waldman, Dr. Mel |
Walker, Dustin |
Walsh, Patricia |
Walters, Luke |
Ward, Emma |
Washburn, Joseph |
Watt, Max |
Weber, R.O. |
Weil, Lester L. |
White, Judy Friedman |
White, Robb |
White, Terry |
Wickham, Alice |
Wilhide, Zach |
Williams, K. A. |
Wilsky, Jim |
Wilson, Robley |
Wilson, Tabitha |
Woodland, Francis |
Woods, Jonathan |
Young, Mark |
Yuan, Changming |
Zackel, Fred |
Zafiro, Frank |
Zapata, Angel |
Zee, Carly |
Zeigler, Martin |
Zimmerman, Thomas |
Butler, Simon Hardy |
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Art by Stephen Cooney |
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“ROAD KILL”
by Rex Sexton
I sit in my cheap room, watch the raid from the
window. PD flashers strafe the dead zone dark. Vice squad walkie-talkies crackle
in the chaos, sirens wail, shadows scurry.
They hustle the whores out first, cuffed, kicking
– a prima dumba backstreet ballet of fishnet stockings, skin tight shifts, spiked high heels, nightglow flesh –
all shrieking, cursing, spitting at the narcs.
The John’s follow hard on (no pun on that
one) and nightsticks rain down, as the brawl of good ole boy beer guts, biker brawn, lunge, jostle, try to run.
I pack my suitcase, thunder threads tossed in the
trash, light another Lucky, slug down cathouse Jack. Paylor the pimp, Bubba
the bouncer, are frog-walked out next, sweating bullets in their lounge lizard best.
Back stabbed, double crossed, facing jail, they look like cremating corpses one flame from Hell.
Hookers, strippers, poker machines, drugs, booze,
dice, ex-cons, thugs – by the time anyone wonders where the bartender’s gone (out the back as soon as the first
narc walked in) I’ll be dreaming of you, Ruby (dead drunk on a Trailways Bus).
Life goes on.
****
Drifter digs, you open the door and flop into bed. A single naked light bulb hangs from a ceiling chain.
Devil shapes toss the room as its harsh light swings with the window’s wind. Each night I hear the exiles doing
pratfalls in the dark, as they stagger back and forth to the washroom down the
hall, or try to maneuver through their tiny flops. Across the alley a back street
lounge sleep-streams until dawn. Jazz and blues fill the night with saxophones
and wailing songs. Silhouettes slow dance in the windows.
I watch them through my window, pillow propped
against a wall, sipping rye and blowing smoke while the demons shift around. The
music wraps the night in dream. Ruby and I dance inside a memory.
****
“Into
the night riding that mare
Man on the run –
danger, beware
Nowhere to go, nowhere to hide
Into
the night, grim reaper behind”
Eyes heavy from smoke and the long night, fingers
furtively stroking the cue-stick, I move, back and forth, around the lamp-lit pool table and study the cluster of brightly-colored
balls which seem to float there.
The room rocks and creaks around us in the lamp-lit
dark, as Johnny Gun and the Rustlers ignite a foot stomping line dance in the rhythm and blues bar upstairs, driven by wailing
harmonicas and electric guitars.
I lean into each shot like a sleepwalker in a trance,
dizzy from drink, playing combinations
so crazy they make no sense, lost in some Twilight Zone of hustler Zen which, playing stick for meals and flops in two-bit
joints, from time to time, never happened before and probably won’t again.
Shadow shapes crowd the smoky cellar, as still
and silent as apparitions in a dream. The usual specters who haunt the gaming
dives – grifters, gamblers, sharks and jives, pimps, pushers, and other denizens of the night. Amidst the jamming from the rave upstairs, the clapping hands and stamping feet, I hear the rustle of
money changing hands around the room, like the flurry of wind in a crypt, or the flutter of ghosts in the dark.
“Ever make the wrong move,” I hear Johnny sing upstairs, “in
the wrong town, cross the wrong path at the wrong time, play the wrong game with the wrong crowd?”
****
There’s a nightclub in a cellar (in my dream)
small, dark, empty. A ghost woman in a gossamer gown sits at a piano under a spotlight.
She sings:
“Man
in the moon,
lord of the night,
talk to the whispering
winds in their flight.
Man
in the moon,
tell
them to sigh.
I have a new love.”
The singer’s eyes are like holy mysteries. Her pale skin is so perfect, it seems painted on.
Her voice is like something you’d hear in heaven, and I’m wondering if she sings her love song to everyone
lying on a slab in the county morgue?
****
“Easy does it.”
I try to sit up but a big hand pushes me down. I’m lying on the asphalt looking at the moon.
A PD flasher is circling the alley. My head is throbbing. I feel it oozing blood. A rangy lawman crouches over me,
holding a gun. He is pointing it down the street and whispering “ka boom,
ka boom.” He smiles faintly and then his edgy features cloud.
“Someday I’ll clean up this town.” He looks down at
me and frowns. He has coal black eyes and a prizefighter’s face, wild
dark hair with lightning sideburns. “Saw them jump you from down
the block.” He pushes up the brim of his cowboy hat with the barrel of his gun. “Three. They went at you pretty
good with saps, digging in your pockets. They scattered when they heard my siren.
Should of shot the shitheads.” He looks down the street again. “Let’s
see if you can stand.”
The long arm of the law. I grip onto it and struggle to my feet. My head is reeling
and my legs feel numb. The lanky lawman towers over me, looking me up and down.
“Better red than dead, I reckon.” He pokes his fingers through
my hair. “I’ll run you over to General.” He holsters his gun. “That’s in the next town. We can fill out an official Colsen County police
report along the way. Just for fun.”
“On the run, son?” The sheriff lights a cigarette as we drive along through the black windowed backstreets of the small tank
town, takes a long drag off it and tosses me the pack. “Car break down?” I close my eyes as his Zippo flares in
my face. “Seeing the U.S.A. by sticking out your thumb?” He pulls
a clipboard from under the seat and sets it beside him, gropes in his top pocket for a pen.
“Get kicked off the Trailway’s for snorin’ too loud?”
Buildings blur past, crumbling brick boxes, ramshackle
houses folding in upon themselves, shanties, shacks, all smothered by tangled trees and dense foliage, and then a dark rush
of nothingness, as the highway comes at us, its white line unraveling in my
foggy head like a silk snake from the sleeve of an illusionist.
“My wallet.” I fumble at my back pocket, try to shake away the cobwebs from my shadowy consciousness. “They got it.” My head pounds and my back aches. A couple of my ribs feel cracked. I press around my stomach, under the belt, take a drag off the cigarette,
manage not to choke on it and settle back in the seat.
“No ID.” The sheriff says flatly and
scribbles on his sheet. “Vagrancy?” He muses. He blows a perfect
smoke ring at the windshield. It floats like a ghost’s mouth over the
steering wheel and dash, vanishes when it hits the glass. “Just kiddin’
bud. Give me a name, where you’re from, where you’re going, what happened.”
Paylor, Bubba, Ruby, the raid – there can’t
be any kind of A.P.B. out on me. That would be crazy. No one back in Maddon even knew my real name, or anything about me, not even Ruby. All they knew was that Stanton sent me, an old cell mate. Besides,
that was hundreds of miles ago.
“Corbett.” I stub out my cigarette in the ashtray, slide the pack back over to him.
“Jim.” My fingers feel like an assemblage of wooden clothes pins.
I must have really nailed someone. I fold them, stretch them, gingerly touch my swollen face.
Four flat tires seem to occur simultaneously as
the squad car bucks, bounces, bobs along the highway and I look out the windshield to see a migration of snakes slithering
across the asphalt under the squad’s headlights, trying to shimmy like crazy to the other side.
“Snakes in a lane.” The sheriff smiles as we roll across the road kill. “Down
the road of no return.” He picks up the cigarette pack with his forefinger
and thumb, studies it and puts it in the glove compartment.
“I feel woozy.” I remember Billy Landen saying when I
clobbered him a good one in my first big fight in the playground after school – which made everybody laugh. “I feel woozy.”
I feel woozy.
Like I woke up in the Twilight Zone.
“Gentleman Jim Corbett.” The sheriff glances at me. His coal black eyes ignite. “Heavy weight champ of the world in 1890? 1910?
Sure it ain’t John L. Sullivan?” He laughs softly to himself,
stubs out his cigarette and picks up the pen. “Go on.”
A sign flashes by for SPECTER, five miles down
the road. The sheriff looks at me and clicks his pen.
“I’m just passing through.” I
try to keep my voice steady, but I still feel dizzy and the psycho sheriff is driving me crazy. “I’m traveling to Miami. I have a ticket on
the Trailways.” I lie (I was dead broke starting yesterday). “But I guess that’s gone too.”
“So what are you doing here,” he gives
me a side look, “a snappy stud like you, out in the middle of nowhere, get bored with the Riviera?”
“I stopped to visit a friend.” I feel the pain settling behind my eyes that I get when I have to make up alibis.
I’m not fast at it. “McDonald, Norman. Couldn’t find him. Maybe he moved?”
“Old guy owns the farm? Na, he’s still around, Eee-i-o in and Yo in.”
The sheriff chortles as he scribbles something
down and then reaches for the intercom.
“Cole to Willow.”
“Go Cole.”
“Drivin’ a drifter over to General. Corbett James. No ID. Twenty something. Caucasian. Stocky. Ugly. Got banged up by
the boys. Bar fight. Back in a
jiffy.”
“Copy, Cole.
Hey bring me some Crispy Creams!”
“Snakes in a lane.” The sheriff winks at me. “Can’t do nothin’ but run over them.” He
pulls over to the side of the road, reaches in the visor and pulls out another cigarette, lights it. “Here’s the rest of your report, best I see it. You
won a bundle at Smokey’s shootin’ pool. Must have been a bundle
or the boys would have let it go. You saw the writin’ on the wall and
snuck out the restroom window. Shoved the money down your pants. The boys saw the writing too, went out back and waited for you.
They didn’t get to explore down yonder.” He eyes my crotch.
“Give it to me.” The
sheriff sticks out his hand and blows a smoke ring in my face.
The radio squawks unanswered calls. Snakes slither across the lonely
highway, as I give it to the small town sheriff, over and over again, across his lightning sideburn, with the dropped sap
I picked up in the alley.
End
“Rag Dolls”
by Rex Sexton PERDITION The morning sun I never see The
evening stars aren’t meant for me I
ride the rode of misery It just
travels on The world was born to dark and
light Good or bad wrong or right I took the wrong turn on the road of
life The sun
comes up to doom and storm I ride the
night and I’m hell bound I ride the
road where nothing meets It’s a long
and lonely road It just travels on –
and on, and on, and on And now another white haze, another
lost day, and I sign my name to another
blank page in the story of a life. lived
in every lost lane, blind alley dead end as the game
gets out of hand and the law gets
smarter and the payoffs come harder and the gravy train I hopped without
hesitation has no destination and the years disappear and
you don’t stop ‘til you get there and
that’s the end of nowhere
The morning sun I never see The
evening stars aren’t meant for me I
ride the rode of misery It just travels on
Tim Holt 1985
“Perdition,” Tim Holt said
and shook his head as the CD ended. He settled
back in his dressing room chair, sipped his bourbon and branch water. “Perdition” was written in Folsom
Prison.” He smiled wryly. Kit
Diamond sat across from him. The two men were having a celebration of
sorts. Kit Diamond had just bought the nightclub. Holt and his country band performed there
most of the year. Contract time was drawing
near. They were getting to know each other,
or, some might say, taking each other’s measure.
It was a surprise that ole Bob had sold the club.
It was his life. Diamond must have
made him an offer impossible to refuse. Why? Holt knew. Holt knew dandies like Diamond. He had met such “gems” in his knock around life. “Yeah, the one and only Folsom that Johnny Cash sang about.” Holt tipped his glass to Johnny. “My cell mate, a guy named Jack Pardee, helped me set it to
music. He was a stand up guy, got me my first
gig at the Hayloft Lounge in Rahling, Arizona.
That’s me and Jack, standing up front in the photograph over there, along
with the band. Look at those sideburns! Always be grateful to old Jack. Way before your time Mr. Diamond but “Perdition” hit the
charts and got me a start. Not many tunes
catch on. Not many of mine have over the years.
But now and then luck strikes and me and the
boys – girl too, now, right Mr. Diamond?
now that we’ve added our star songstress, Gentry Blue – can keep traveling on with our music.” “Cheers
to that,” Kit Diamond lifted his glass, “and to me and you and the band, too.” Diamond
sure did sparkle, rings and cufflinks and a movie star
grin, all under a Hollywood cowboy hat that must have cost a fortune. And
don’t forget Gentry Blue, Holt said to himself with a scowl. “Reason I got arrested,” Holt continued,
“way back when, was a B and E in a little town north of Amalay. B and
E is Breaking and Entering. Got caught right away, did my little time,
and the county sent me on my way. I was already
on the run from a robbery me and my buddy Jimmy Taggert pulled in our hometown, a hardscrabble
hamlet just west of Flagstaff. We were born losers,
me and Jimmy. Born losers in a losing town, I might add,
Mr. Diamond, and that’s pretty bad. My
old man kicked me out of the house on the day of my high school graduation. He said he had supported my sorry ass long enough and he had
to sell the house to expand his business. The
only business he had to expand was monkey business.
He told me to join the army and they’d take care of me since I would never
amount to a hill of beans on my own. He
hurt me deeply, although I should have seen that coming.
There had never been anything between me and him except his legal obligation. I was less than zero. He may have warmed up to me if I wasn’t such an ugly and clunky
kid. But that wasn’t the way it was
meant to be. So me and Jim got our fathers’
guns, everyone in our hamlet had plenty of them, put on masks and shot up the liquor store,
made the clerk get the cash out of the back and took off.
We got three grand altogether. Everyone
knew it was us and they were pissed. Hell
we escaped in Taggert’s rusty junker. That’s
all forgot now, kind of like a town prank, both me and Jim have given it back in
spades. But you see you get into a bad start
in life and who knows what you’ll be? “My mother
died when I was ten, Mr. Diamond.” Holt
rambled on taking note that his “new boss” was quite content for Holt to keep
‘mistering’ him like a hired hand. Holt
could see that coming, and he knew where it would end, which was why it was so important
that he fill his new boss in. Diamond was some kind of high finance wizard, stocks and
bonds. He was also a lounge lizard. He
had gotten into Country Music on a lark. “Country”
could be strange and unfamiliar territory to those, like Diamond, who didn’t know
its rituals, ins and outs and pitfalls. Holt
wanted to set him straight – before it was too
late. “My father was a rounder, or
bounder whatever you want to call a man who never wanted to be tied down by anyone or anything,
family, job, commitments. I figure they had a shotgun
wedding because he didn’t much care for my mother either. She died of cancer. Her
death came swift and furious. We didn’t
have health insurance, no money for doctoring.
There was no remorse on his part that I could see, more like goodbye and good riddance. “Hear me, boy
and understand.” Holt downed his drink and mimicked his
father’s drunken banter. The funeral,
such as it was, was over. “I will do
what I can for you, at least to keep you from being an orphan. I will remain. You won’t be alone. Take comfort
in that. But you are on your own.” Diamond
glanced at his Rolex. He looked around the
dressing room, at the photographs from the past.
Piled in a corner were a stack of antique album covers and cowboy hats. He stifled a yawn. How long would the old yodeler ramble
on with his hillbilly tale of poverty and jail?
Nothing Diamond, a rich kid from Manhattan who went to Princeton. could relate to. He’d been as bored, he guessed, listening
politely to the droning of corporation executives who were trying to impress him with their
expertise and financial largess. Fear.
They knew the end was near. They were
trying to talk him into not firing them.
But something was different about Holt and his banter. If Diamond didn’t
know better he’d think the country singer was trying to warn him. Of what Diamond couldn’t imagine. “We
lived in a shack in back of the tracks.” Holt refilled his drink.
“My father drilled water
wells with his partner, Slim, for the haphazard housing developments that scattered the
landscape back then, popping up at random across cheap, scrub land only the poor would
call home and be willing to live on. He
had all the equipment loaded on a giant old Merc truck. A dying trade,
they traveled a lot, from county to county, keeping one step ahead of city water and other
amenities, like sewage, sanitation, the sprawl of civilization. “Didn’t
see much of them – living wild and crazy I imagine, drinking, gambling, whoring,
fighting. They stopped by now and then, sometimes
with their women, left me some cash and took off again.
I could fend for myself. That was never a problem. I kept my nose clean, kept clear of the
truant officer and any other official that might catch on to what was going down in my
home. No one paid much attention to that
sort of thing anyway in that neck of the woods. Folks left
other folks alone. Now and then one of their women, who were
always changing, would come by and do laundry and cleaning. “Then
they disappeared altogether when I was a teenager, probably following their dying trade
to the land of never never where they could stay wild forever. Looking for adventure around every corner, what most any man would
go for. That’s always a temptation:
live free or die trying. The call of the wild.
The roar of the lion. They say if you stare hard enough at any critter, monkey,
dog, turtle, whatever, you’ll start to see a human face in there somewhere. I guess you might say the same about Slim and
my dad. Me too, might be hard to find, sometimes.
“My dad did one thing for me. He taught me how to play the guitar.
He was very patient with my clumsy learning, too, for some reason. Maybe because he liked music and liked to sing himself when he was
drunk. It put him in a good mood. He introduced me to country music.
Writing songs became the passion of my life.
I wasn’t much good at singing them and I never did learn to play the guitar
as well as I wished, but I had a way with song lyrics.
Hank Williams was and is my favorite: “I’m So Lonesome I Could Cry,” “Lonesome Whistle,” “Lost Highway”. Hank could really get down in there where it
mattered. And, yeah boy, I was one lost little
fella and I cried all the time and I was scared and I missed my mother. “My father had plenty of CD’s, all the greats. Even sheet music, two guitars, harmonicas and
other instruments to boot. Even a
flute. I got into all of them. I had no one to be with, nothing else to do. I was all alone. There was a small factory
town with about five thousand inhabitants about a mile down the tracks from our
shack. My town soon enough.
I went to school there. I had a bike. I’d shop, go back and forth. Mostly I just stayed away.
The town had become one of those corporate raided places where some big outfit took
it, gutted it, fired everyone.
Almost. Someone changed their
mind and kept it running – at poor pay, no benefits, vacation, pension,
union. Got rid of all that. It
was a poor town now, its citizens changing inevitably
from middle-class to ‘white trash.’ “There
was a cemetery down the road from our shack – the only other way
the town made any money, taxes on the plots. It
was a big, sprawling forest, scattered with headstones. Families came in caravans to bury
their loved ones. Had for a century at least,
tucking them into the willowy, sweet soft earth.
Or laying them in the burial facilities. “Mists, fog,
eerie lights, howls, moans filled the days and nights.
I roamed the graveyards. They were my home away from home. My friends became the names chiseled into the
weathered headstones. Every day was a
dream of Halloween, spooky, mysterious. Every
night in sleep, the departed would creep from their
tombs, vaults, mossy mausoleums, graves and visit me. I’d
visit with my mother, sometimes on warm nights sleep at her grave.
“Life, death, the mystery of being, joy,
sorrow, and everything in between came with them as stories written on the wind between
the birth and death dates. They played
around in my head. Country music filled in such stories for me. Before I knew it, Mr. Diamond, I vowed to be a song writer,
like Hank Williams or the other great ones. And I wasn’t going to give up ‘til I got there. Well, that
never happened but I gave it a shot and tried my best.
I’m grateful I got the chance. “Can I freshen
your drink with more bourbon, Mr. Diamond?
Hope you aren’t getting bored with my dressing room story?” ‘No. Quite the contrary.
I have time for a touch more.”
Diamond hoped he had just let Holt
know the visit would soon be over. “I’m nearing the end.” Holt pored the bourbon. “I’m a gentle man, Mr. Diamond, always have
been. But creation and destruction go
hand in hand. Since you just bought the
club from ole Bob and my contract, which runs for a year, I thought we should
get to know one another better. I could
tell you something more about where I came from and what shaped me in my early years. It may just come into play, someway.”
Creation? Destruction? What the hell was the old fart talking about now? “Take
your time, Holt.” Diamond narrowed
his eyes and wondered what was coming. “Yeah, well, those were mean streets,
filled with hard times, in that little town of HiLo. That is
the odd name of the little berg. It’s
the name of a product, a kind of widget they manufacture.
That poor place couldn’t help being soulless.
We should all forgive each other for our trespass.
“Night
and day, the pounding of machinery from the smoke-stacked factory, the rumble of the
freight trains, is the dream-stream that babbled through your brain from waking to sleeping. Funerals, weddings, the patriotic holiday
festivities, varied life some with small gatherings of working class men and
women and their children. But life
quickly returned to its ghost-walked dead ends.
The pounding took its toll on your soul because at the end of each day
you had nothing to show.
“Life bottoms out, I guess, no dreams
left. Someone with your good fortune, Mr.
Diamond – that silver spoon syndrome, and no offence meant, might not be able to
relate to that and the hopelessness, misery … But OK, say you lay down a buck and
win the lottery, beer, laughs, company …
“I used
to shoot pool after school. I got bolder
around HiLo as I got older. At fifteen I
used to use some of my father’s money for gambling. Not much,
but I liked to show off like I was some kind of high roller. A chip off the old block. I’d shoot my friend
Jimmy, pay for the games. We’d spread some of my father’s
money on the table, pretend that we were betting each other,
just like the big guys. Actually, I was a
pretty good shooter, at least for my age.
“One day, it was bound to happen, this
biker comes in, scopes me and Jimmy out and, maybe just to fuck with us, challenges us
to a game. This incident was a big day in
my life, Mr. Diamond, maybe the biggest. That’s
why each word of it sticks in my brain. “Hey, girlie boys,” the big brute
says, “you two faggots want to play for some real money, or are you too chicken?” “I was kind of scared, but I told
him I wouldn’t mind playing him.
What could really happen? I’d
lose a little grocery money, maybe. It was
a big mistake.
“I won the break shot and broke the rack. Everybody thought it was a hoot, the chubby kid
shooting the Hell’s Angel type guy. He
was a big bearded bruiser with a jagged scar on his forehead.
“Playing the four ball cross-corner.” I leaned over the table and squinted at the shot. Beers tilted, cue-sticks rapped, money changed
hands as I banked the four ball shot.
“Playing the five ball next,” I
studied the table, “to kiss in off the eight.”
Wow, I remember thinking, this was going great.
“Wanna call your shot deadhead.” The biker says.
He smirked and took a pull off his beer, wiped his mouth. “He
called his shot.” My buddy Jimmy piped
up. He called four cross-corner, five to
kiss. Everybody heard him.” “Tell
your buddy to call ‘em so’s I can
hear him.” The biker growled. “If I don’t hear them they don’t
count.”
“I sank the six, nailed the seven, all
lined up, a gift from heaven. I did so with trembling
hands. Looked like the biker was looking for a way
to fight with me, slap me around.
“Beat it, pal.” The giant said to the shoeshine guy who set down his box near the game.
“This is one of my regular shows, bro.” The shine guy said puzzled. “Not
tonight, bro.”
The biker snarled. “You’re
bringing me bad luck.”
“Man, I got nothing to do with you!” The guy protested. “And you don’t
want to.” The biker laughed. “I calls the eight – side pocket off a
ricochet, and the biker says: “You drop that one, punk and me and you gonna do
a little funk.”
“Geometry, artistry, maybe a little black
magic thrown in is what it takes to make the eight ball run. To collect from the biker, I needed a gun. He was gonna slap me around, most likely, maybe worse. If I sank the shot I was in big trouble, that was for sure. “But then something happened.
Destiny walked in. Innocent enough, the girl was definitely an innocent, but one
cursed with mortal sin. “She
was small, flat-breasted, almost like a boy, with thin
ratty hair and something odd about her eyes. I had seen
her once before. I was leaving and she was strolling in. She showed up out of nowhere, now and then, I
gathered, baggy dress, battered shoes, moving
like a sleepwalker through our dead end bar and poolroom.
“She was all smiles through crooked teeth
as she sashayed amidst the mob of drunken men cooing ‘gentlemen, gentlemen.’ “This
way princess! One of her eager footmen, Bill
Crawly said and crooked his finger at her, his face wide open in a shit eating
grin, as he led her out the back door.
And if you’re wondering how I remember all this so vividly Mr. Diamond,
you’ll see why when I get to the end.
Someone’s junker was being moved out there. I wanted
to leave. I kind of knew what was going to happen. Neither me nor Jimmy had had a woman.
Two geeky losers. I don’t think
it’s the way either of us wanted one. Buck Williams opened the back door.
The junker in the alley ready.
“Your coach awaiteth.” Crawly said and bowed.
“We’ll settle up later, punk.”
The giant said, leering at me as the place
cleared out. And I followed the men like
a robot. Jimmy beat a retreat. He looked scared. He’d
had enough of the biker and these guys.
While outside the girl pitched and
swayed like a puppet on a string, purring and preening like a cat in heat. In a blink she pulled the baggy dress over
her head. She stood as naked as a nymph. “Get
your ass in the car! Nesbit ordered. “Her
voice was light and lyrical, with a sugary southern drawl, I remember, and it freaked me
out. You boys certainly carry on about
a girl! She was saying. She sat in the
back seat, sipped a beer and patted her hair.
“Get on your back and spread ‘em
slut! Someone commanded. Nesbit again, I think. The guys started forming a line. “All
in due time,” The raggedy girl said
with a sigh, not acting sexy but coquettish, as if her dance card were filled but she
would try to accommodate all her suitors.
Shivers were running up and down my spine. I
knew in her mind she was the heroine of some dime store
novel. I found that spooky, her alternate
reality. “The night is young boys,”
she said in a flirty way, “ and I am yours.”
“The belle
of the ball, I remember someone say with a laugh.
I got her ball, someone else grunted.”
“But I got it first! The biker roared and shoved his way to the front. He climbed into the car, grabbed the girl by the hair, gave her a hard
slap. Her head must have been ringing. He shoved her on her back and pulled down his
pants. The car rocked as he humped her and
cursed.
“I remember hoping they wouldn’t kill her, accidently. It was winter. Night
had fallen, I left the alley, no moon or bright stars to guide my way, just broken bottles
glistening in street-lit gutters. I got my
bike and rode home through the cemetery. I
thought about country music, and the blues, where there’s always plenty of bad news,
which some lost girl at the Honky Tonk piano wails about, tearing your heart out, as
she sings her tales of a cold and heartless world, amidst the drunken toasts,
smarmy jokes, cigarette smoke, asking what can you do when no one follows the
Golden Rule? Or where can we go when
we’re down and there’s no way out? Or when will true love conquer all?
Is there any love in the world at all? Everyone’s been there. Maybe even
you, Mr. Diamond. If not you will be someday. It’s where fog hides when the sun shines. You sit, drink, try
not to think. But the lost girl is like the shadow you thought you erased when you slipped
into that dark place, crying out to your soul about everything you needed to escape and
don’t want to know. Somehow it makes
you feel better, knowing that someone, somehow, cared enough to put all the sorrow into
words, as you would if you could. I wanted
to do that someday. But not tonight.
“What happened brought back the way my
father treated my mother. Treated me.
The way men treated women. The
way people treated each other. The way
that biker treated me and the girl.
Wailing words were not enough.
“I got one of my father’s guns. Lucky it was one he picked up somewhere that couldn’t
be traced.
I didn’t know about such things at the time.
I knew where the biker would probably be.
There was a hangout, a roadhouse, down the highway.
It took me an hour to get there on my bicycle.
I sat in the lot and waited. Finally
he came out. “Remember
when you told me to call my shots?” I
hollered as I walked toward him. He
stared at me blankly at first. But then
he remembered. “You’re one dead mother
fucker!” I screamed, as I shot him
in the face. Three times altogether before
I was done. ‘Just to watch him die’
I guess. “So
that’s my little down home story, Mr. Diamond.
It will be our little secret. Reason
I tell it is because you and Gentry have become an item since you bought the club and
own the contract to my band. “Love is strong as death,” Mr. Diamond,
“passion as cruel as the grave.” I
read that in the bible. Lots of great
stuff in the bible, Mr. Diamond. There
are two kinds of love, it says in the bible, the soul
kind and the bodily kind. I saw the bruise
you put on Gentry’s arm, Mr. Diamond, showing her your power and grabbing her, hard
when you were mad. “Now
for the short time you and Gentry are going to be romancing each other, and it will
be a very short time Mr. Diamond, I want you to be more gentlemanly when you are around
her in the future. Gentry has a sweetheart,
one of the boys in the band. Someday they
will marry and settle down. “Gentry
has her demons, sad to say. We all do. Gentry is another little rag doll from my
home town. When I went home for my
father’s funeral I found this lost little girl and her white trash family
living in our old shack by the railroad tracks.
Her mother was a junky and her ole man a drunk. She
ran around in rags and the kids treated her like junk. Pretend playmates was all she had. Imaginary boyfriends later on.
Life was a ghost’s dream way back when for Gentry. I did what I could for Gentry and her family, from a distance, of course,
playing gigs from state to state and town to town.
I sent what little money I could spare, trying to make her life better, wrote letters,
got her music lessons from a woman I grew up with.
“And
then things changed. She became a knockout.
Men with money chased after her – life in the
fast lane, living large – she still can’t resist the Diamond Jim charge.
Your charge Mr. Diamond. For love
or money? Right now, Gentry will vanish in a
blink. Same old ghost world, as I see
it, ‘cept now Gentry haunts it in mink.
But she’ll go back to her real soul mate when the fever breaks, so don’t
get too comfortable. She gets tired of
what you guys have to offer. Don’t lose
your head when it happens. Stay cool Mr.
Diamond. Remember our little secret. “I
have plenty more of them.”
End
Rex
Sexton is a Surrealist painter exhibiting in Philadelphia and Chicago and his
writing has that illusory element. His latest book of
stories and poems “Night Without Stars” received 5 stars from ForeWord
Clarion Reviews, which commented on the “wild beauty”
and “joy of this collection … the prose rabid, people hustling
to survive their circumstances …” Another recent
collection of stories and poems “The Time Hotel” was described
by Kirkus Discoveries as “… a deeply thought-provoking …compelling reading
experience.” His novel “Desert Flower” was called “ … innovative
and original …” by Large Print Review and “ … so
skillfully devious it could have been written by Heinrich von Kleist
two centuries ago in Germany,” in
another Kirkus review. His short story “Holy Night” received the Editor’s Choice
Award in the Eric Hoffer Award competition and was published
in Best New Writing 2007. Recent poems have been published in
reviews such as Mobius, The Poetry Magazine, Willow Review, Mother
Earth International and Edge, recent fiction in Saranac Review, The
Long Story, Straylight, Left Curve, Children, Churches and Daddies, Art Times, and
Foliate Oak.
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In Association with Fossil Publications
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