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Adair, Jay |
Adhikari, Sudeep |
Ahern, Edward |
Aldrich, Janet M. |
Allan, T. N. |
Allen, M. G. |
Ammonds, Phillip J. |
Anderson, Fred |
Anderson, Peter |
Andreopoulos, Elliott |
Arab, Bint |
Armstrong, Dini |
Augustyn, P. K. |
Aymar, E. A. |
Babbs, James |
Baber, Bill |
Bagwell, Dennis |
Bailey, Ashley |
Bailey, Thomas |
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Bakala, Brendan |
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Balaz, Joe |
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The Last Meal of Laughing Boy Reilly Jay Butkowski
C.O. McPherson tapped on the
cell bars with the butt end of his Maglite to get the prisoner’s attention. “Rise and
shine, Reilly. Today’s your big day.” From inside the prison cell, a figure moved around in the
darkness. “Is it the day of my grand cotillion already? Heavens, and I
just don’t know what to wear… Fuck you, screwhead. I know what day it is.” Bobby “Laughing Boy”
Reilly was no debutante. He was a classic bad seed. In and out of juvie hall as a kid,
more time spent behind institutional walls than out. On his 18th birthday, he
graduated to the big leagues by stabbing a guard in the neck with the sharpened end of
a tooth brush, all the while laughing like a goddamned hyena. On his last brief stint with
freedom, he killed a judge’s daughter. Brutalized her to the point where an open
casket funeral was out of the question. Cackled like a maniac at his arraignment; giggled
his way straight through the sentencing. Reilly probably would have been remanded to a
psych ward for the rest of his miserable life, doped out of his head on Thorazine and confined
to a straitjacket, except that the girl’s father intervened and pushed for Death
Row. The
minute Reilly landed on the mile, McPherson knew he was bad news. A guy like that, who
laughed at the value of human life – that wasn’t someone who McPherson wanted
to have long-term in his prison. Guys who show remorse for their crimes, who genuinely
feel sorry about what they’ve done – they’re the ones who turn into
model prisoners. Laughing Boy Reilly was an animal – unstable, unapologetic. The
guard was happy to be rid of him. “Don’t be like that, Laughing Boy,”
said McPherson. “I’m here to take your last
meal request. What’s it going to be? Steak and eggs? Fried Chicken? There’s
a decent Italian joint up the road…” “Gimme your pen.” “Now,
you know I can’t do that,” said the prison guard, calmly.
“Regulations… You might try to hurt somebody…” “C’mon, McPherson, I’m taking
the hot squat in a few hours,” said Laughing Boy Reilly. “I ain’t even
gonna see nobody to hurt ‘em. I just wanna make sure you don’t fuck up my order.
Unless you want to drag me kicking and screaming to Old Sparky…” McPherson knew that
an unruly prisoner taking his last walk was a dangerous and unpredictable prisoner. He
didn’t need the headache of reporting yet another excessive force incident to the
warden – he was already in hot water from the last time he put a prisoner in his
place – and it’s not like he could just dump Reilly unconscious in the chair
before his execution. If stretching the rules a little now bought him a little cooperation
later, maybe it was worth it. “Here,” said McPherson, looking around to make
sure he wasn’t being watched before he handed the writing implement through the bars.
“Don’t try anything stupid.” “Gimme your hand. I gotta write on something.” “No chance,
Laughing Boy. I’m not a moron.” Laughing Boy Reilly let out a peel of laughter. “Can’t blame a
guy for trying… but I still gotta write on something….” “Use the TP.” “This cheap shit?! Tears too easy…” “Oh, for Chrissakes…” exclaimed
McPherson. He rooted around in his pocket, and produced
an old dry cleaning slip from the place the Mrs. took his uniforms to be laundered. He
handed it to the prisoner. “Hurry up, Reilly. I don’t got all day.” The prisoner scrawled something on the back
of the dry cleaning slip, and handed the paper and pen back, grinning like an idiot. McPherson
turned over the slip to see what was written on the back. “You gotta be fucking kidding me, Reilly. Your last
meal on earth, and this is what you want?” “Gotta go out with a laugh,
right? And you better not welch!” McPherson shook his head and left the prisoner. Hysterical
laughter followed the prison guard out the block. * * * True to his word,
Laughing Boy Reilly went calmly to his fate. He put on a good act. If McPherson didn’t
know that Reilly was an unrepentant sociopath, he would have assumed a legitimate jailhouse
conversion had taken place. It was a frigid day, and the execution chamber offered nothing
by way of creature comforts. It was cold enough that McPherson could see his breath while
standing at attention. The priest who gave last rites shivered – whether from the
cold or from coming face-to-face with Laughing Boy Reilly was up for debate. Reilly himself
seemed unaffected by the temperature, as if he had ice in his lungs. The men and women
in the observation room – many of them family members of some of Laughing Boy’s
victims – sat bundled up and stone-faced as the sponge was placed atop his head,
the hood lowered over his face, and the head gear strapped on. The familiar command –
“Roll on one.” – was uttered, and the
generators powered up. No one expected a call for clemency from the Governor’s Office
– particularly not this Governor, who made his bones in Statewide politics as a crusading,
tough-on-crime former prosecutor type – but McPherson couldn’t think of a single
time during his watch that a last-minute pardon ever came in. The phone sat on the wall,
a consistently silent witness to the last minutes of evil men. False hope for the hopeless. “Roll on two.” The executioner flipped the large switch on the wall, and Reilly’s
body strained against the straps in the chair, as 2,000 volts passed through him. Each
second of the half-minute that the voltage was turned on felt like an eternity to McPherson.
The switch was flipped to the off position, and Reilly’s body became still. McPherson held his
breath as the Medical Examiner listened for a heartbeat. “The prisoner is dead…”
announced the ME. Thank God, thought McPherson. “…wait…” The medical examiner’s eyes narrowed in confusion, and then went
wide with disbelief. Deep inside Reilly’s lifeless body, past his black heart,
a sound came through the stethoscope. It was faint and slow at first, but it grew
louder and faster. Pop. Pop. Puh-pop Pop. McPherson hoped it wasn’t
going to work – prayed it wasn’t going to
work – but Bobby Reilly got his last wish after all. With his corpse turned into
a human jiffy-pop, McPherson could almost hear Laughing Boy laughing at them all the way
from Hell. In the prison guard’s jacket pocket, scrawled on the back of a
dry cleaning receipt in poor penmanship and bad spelling, was Laughing Boy Reilly’s
last meal request – a bag of unpopped popcorn kernels, and a cup of olive oil. McPherson had no idea how he was going to explain this one to
the warden...
Jay
Butkowski is a writer of crime fiction and an eater of tacos who lives in New Jersey. His
work has appeared in Shotgun Honey, Out of the Gutter Online, and his own
pulp-serial imprint, Episodes from the Zero Hour!. You can find
his work online at http://rexrockwell.wordpress.com,
or on Facebook at https://www.facebook.com/Jason.Butkowski.Author/.
|
Art by Sean O'Keefe © 2019 |
A
Night Out at Wrath’s By Jason Butkowski The bass pounded a railroad
stake deeper and deeper into his ear, and the strobes fired like machine guns
from the stage, filling the fog-filled club air with staccato lightning bolts. Simon was
disoriented as fuck even before he accepted the little blue pill
from his friend Dave. Dave was shouting something about being too rigid, or being too hard
on the world – it was hard to hear the exact words over the THUMP-THUMP’ing
of the electronica music, but Simon figured that he got the gist. He popped the pill in his mouth without looking,
and chased it down his throat with some concoction consisting of pineapple juice, maraschino
cherry syrup, wine, vodka, and schnapps. The drink was cloyingly sweet — typical
for the kitchen sink abominations served here — and Simon had to swallow twice to
counter his gag reflex. Across the
bar, the guy was staring at him again. The man in
question had no business being in a place like Wrath’s.
Most of the male clientele could be comfortably separated into groups: Guys who wore stupid
hats. Guys who looked like Jesus, but with too much eye-liner. Guys with bad facial hair
and no eyebrows. Guys who wore tank tops and dog collars. Guys who looked like Edward
Scissorhands. Guys with fingerless gloves and mesh shirts. Guys who looked like
what would happen if Jesus and Edward Scissorhands had a love child. This asshole
was wearing a shirt and tie. And Goddamned khakis. In fucking
Wrath’s. What the fuck was he doing
there?! It could have been the drugs
talking — God knows that Simon was no stranger to chemically enhanced paranoia
— but he was definitely vibing some kind of ill intent coming from across the
bar. When the aged-out College Republican realized that he was found out and that
Simon was staring back at him, the prick quickly looked elsewhere to try desperately to
maintain his blown cover. “Fuck this,” Simon muttered to
himself. He left the main bar area and went downstairs to the dance floor,
where he figured he could lose the fucker in the sea of gyrations taking place
below street level. Simon wondered what King of
the Yuppies wanted with him. His imagination went wild — one minute, he thought
the guy must be some elite hit man sent to kill him for an unknown offense
against a Russian mob czar, and the next, shirt-and-tie guy was just a lonely,
lost fucker looking to get a handjob from one of the rainbow-dreaded denizens
that frequented the club. Simon absently started
grinding on a woman who looked like a middle-aged Deb from Empire Records,
complete with grey shaved head. Her slender arms were raised towards the low ceiling,
baggy cardigan sleeves pooled in navy blue lagoons past her elbows, her bony wrists bent
as if the product of bad taxidermy. Did the asshole follow him
downstairs? Simon excused himself and went
to hide deeper into the crowd. He caught a glimpse of khaki in his periphery. He pushed past a woman in a sheer skirt and
thigh-high leather boots, and an older guy with a handlebar moustache, wearing a studded
denim cutoff — the studs on his back spelled the word “Daddy.” Shirt-and-Tie
seemed like he was right on his heels. Simon ducked behind the neon
drink sign at the end of the Basement Bar. He could swear he felt breath on the
back of his neck. He double-backed on his path. He looked around and didn’t see
any sign of his pursuer. The chase had momentarily
ended, and the hunter had disappeared into thin air. And then,
the sudden urge to piss hit Simon like a wrecking ball to the groin.
He momentarily forgot about the
suburban ghost of Christmas Future, and Simon made a bee-line for the men’s
room. He unzipped his jeans and stood in front of the urinal. And that’s
when the khakis walked in. “What
the fuck do you want from me?!” shouted Simon, turning
to face his nemesis. “Are you the Simon Roberts,
who lives at 317 Chestnut Street?” Simon was
stunned. “... how do you know where I live?” he asked, frightened.
“You were involved in a fender
bender with a Mazda last week, and you left the scene. Cameras outside the building
caught you on video...” “You’ve been served,”
said the button-down menace, a piece of court documentation dangling from outstretched
fingers as he extended his hand forward. And while
Simon was being served, that’s when Dave’s little blue
pill kicked in. Blood flowed involuntarily. Tissues subconsciously stiffened. Simon had unknowingly taken Viagra. Standing in the men’s room, engorged
member in hand, Simon had no idea what to say, but “sorry” as he awkwardly
tried to stuff the trouser snake back in its cage. The process server’s
jaw dropped. He flung the papers and fled, Simon’s continued fumbled apologies
trailing after him out the door. The next day,
Rob Smith quit his uncle’s law firm of Smith, Collins, Friedberg, LLC.
Months later, he would tearfully come out to his mother, who always kind of suspected it
and told her son that the family would love him, no matter what. Today, Rob the process server lives in Vermont
with his husband. They sell beeswax candles and other assorted tchotchkes from a roadside
gift shop. He has mostly moved past the trauma of that fateful night in the nightclub,
when, as he tells it, he was “almost violated by an over-sexed Goth Satanist with
a raging hard-on and fire in his eyes.” When
he tells the story, he emphasizes that he barely escaped with his life and virginity
intact, but that the fear of being found out for his secret desires led him to have the
courage to live a more authentic life. As for Simon,
he stopped taking the little blue pills offered up by his friend
Dave — or at the very least; Simon now remembers to inspect them before he chases
them with the Franken-drinks they serve at Wrath’s.
Jay
Butkowski is a writer of crime fiction and an eater of tacos who lives in Central
New Jersey. His short fiction has appeared in Shotgun Honey, Out of
the Gutter, Near to the Knuckle, Yellow Mama and Story and Grit
magazines. He’s a co-host of the Asbury Park Noir at the Bar reading series,
and has self-published two short story anthologies through his neo-pulp imprint, Episodes
from the Zero Hour!. He’s also an editor at Rock and a Hard Place magazine,
a multi-genre journal of dark fiction. You can find his work online at http://rexrockwell.wordpress.com, or on Facebook at https://www.facebook.com/Jason.Butkowski.Author/.
Sean O’Keefe
is an artist and writer living in Roselle Park,
NJ. Sean attended Syracuse University where he earned his BFA
in Illustration. After graduation, Sean moved to New York City
where he spent time working in restaurants and galleries while pursuing various
artistic opportunities. After the birth of his
children, Sean and family move to Roselle Park in 2015.
He actively participates in exhibitions and art fairs around New
Jersey, and is continuing to develop his voice as a writer. His
work can be found online at www.justseanart.com and @justseanart on Instagram.
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In Association with Fossil Publications
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