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Adair, Jay |
Adhikari, Sudeep |
Ahern, Edward |
Aldrich, Janet M. |
Allan, T. N. |
Allen, M. G. |
Ammonds, Phillip J. |
Anderson, Fred |
Anderson, Peter |
Andreopoulos, Elliott |
Arab, Bint |
Armstrong, Dini |
Augustyn, P. K. |
Aymar, E. A. |
Babbs, James |
Baber, Bill |
Bagwell, Dennis |
Bailey, Ashley |
Bailey, Thomas |
Baird, Meg |
Bakala, Brendan |
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Balaz, Joe |
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Barlow, Tom |
Bates, Jack |
Bayly, Karen |
Baugh, Darlene |
Bauman, Michael |
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Beckman, Paul |
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Bennett, Charlie |
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Berman, Daniel |
Bernardara, Will Jr. |
Berriozabal, Luis |
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Blackwell, C. W. |
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Blakey, James |
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Pierce, Rob |
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Rowland, C. A. |
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Simmler, T. Maxim |
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Stevens, J. B. |
Stewart, Michael S. |
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So Quietly
Luis Cuauhtemoc Berriozabal
Every night the moon takes off its clothes.
Sweet Jane sits by the fire and like the
moon she is exposed. The little stars
twinkle. The bleeding heart belongs to
Rose, a dark purple bruise in her eyes,
the wall rearranged her pretty nose.
Angel never looked so beautiful,
tattoos of butterflies on her back.
One night the wings were cut and she died.
So quietly the moon flashed its lights.
Gone is the innocence of past days.
So quietly Sweet Jane falls apart.
Young Rose stands in the rain dressed for work.
But nobody is out tonight. The
life Rose leads was not her dream. Somehow
that dream took a trip up to the moon.
Lovely Angel led a quiet life,
resembling that of a saint. But lives
go changing in hard times and quiet
lives end up in dark rooms, alley ways,
as moonlight burns malevolently.
In Her Shoes
Luis Cuauhtemoc Berriozabal
In her shoes
are the stains of life.
In the streets
she soaks up humanity
in violent bursts.
In her heart
ordinary light is
dark and gray.
Spring is winter
and sleep is short.
Every road
is empty. Everything
is empty. The grass
is yellow everywhere.
The sun burns stronger.
No one is trustworthy.
Clocks make her sad.
Under a Green Moon
Luis Cuauhtemoc Berriozabal
Under
a green sky
Lorca’s
ghost runs with the bulls.
At night
the green moon
lights
the streets of Seville with
its polished
eye. The green stars shine down on Lorca’s
ghost.
His dark round eyes
fill
with water. Under the
green
moon the ghost of
Lorca
tripped on a branch. He
stood
up, smiling and
brushing
his arms, feeling no pain.
The Book of the Dead
Luis Cuauhtemoc Berriozabal
In death I find a
dead world
where the only book
on the
shelf is The Book
of the
Dead, which was written
by
Death, the leader
of this
dead world. Death's
book
is long. It contains
riddles
and the hymns of
slaves.
There are bones on
the
cover and a black
pen.
The ace of spades
is on
the back cover. An
Indian
man is pictured with
Death.
Oxen are depicted
pulling
a cart filled with
hundreds
of dead bodies. The
words
are difficult to
understand.
It would take a thousand
years to understand
Death's
language. There
are no trees
in this world. No
flowers
grow here. There
is no honey.
No sweet taste is
found here.
Death caresses no
one.
It treats the dead
savagely.
There are plenty
of stones
here. In this
world Death
watches over everything.
It inflicts sorrow
and pain
upon every single
soul.
Death dances with
its goat-
face as the dead
wail and
moan. Death
slings mud
at the dead. Beauty
is an
accident here. The
words
in The Book of the
Dead
are older than time
itself.
There is no word
for light.
There is no fruit
to eat.
An old dog follows
Death
around. With
steel teeth
the old dog eats. The
Book
of the Dead is thousands
of
pages long. It
depicts Death's
passion for pain
and sorrow.
That is all Death
knows.
Spring Flowers at Night
Luis Cuauhtemoc Berriozabal
I
spent winter
planting
trees
till
my hands bled
into
the snow.
I
dreamt of spring
flowers
at night.
I
was behind
on
the rent.
The
flowers wilted
and
birds pecked
out
my eyes and
flew
away singing.
The Old Man
Luis Cuauhtemoc Berriozabal
Over there
the old man is putting up signs.
The air reeks.
The old man is crying and shouting.
His cries go
unheeded. Losing his sight
he still tries
to wake up the dead in their graves.
The flowers
bloom all around. The old man
tries to breathe
before his soul is taken away.
He reaches
for his heart. The wind starts up.
Death sits at
a freshly dug out grave. A puddle
of water
forms up to the old man’s knees.
Stray crows hack
from the branches of the willow trees.
His brown eyes
fill with worry. The old man quietly
puts up with
death, who has a dry sense of humor.
The Eternal Sleepers
by Luis Cuauhtémoc Berriozábal
The
sleepers dream eternally
in
their graves. They lie still.
They
only open their eyes in
dreams.
The sky is not at
all
stable. The clouds burst.
The
disfigured bodies of
the
sleepers cannot hear
the
rain. They do not turn
in
their graves. They dream as
the
flow of rain falls like
stones.
The sleepers do not
rise
up. For centuries the
thunderbolts
fall around them
like
the violent words of gods.
Shattered Thoughts
by
Luis Cuauhtémoc Berriozábal
These
shattered thoughts
left
my mind dry.
I
felt dumb, but it was
more
like stupid.
I could not calm
my
thoughts. They were
loose.
The full moon stared and
stared
at me. I
felt like a child.
Constellations
shattered
like my thoughts. My
brows
wrinkled up.
Each
minute I
buried
a corpse
that looked just like me.
I Thought of You
by Luis Cuauhtémoc Berriozábal
I thought of
you like ice or a cold winter day.
Your bare feet, blue like a vein, half- dead, lost in sleep;
like
stars without dazzle or a snow-capped mountain.
Your dress matched your eyes. You looked cold with a
faraway
stare. At night there were no bright stars.
You were like a snowman left to melt, a cold
stone. I never knew where you left the old you. In
your cold room like snow
you left a window open.
Big Gulp
By
Luis
Cuauhtémoc Berriozábal
I woke up without hands.
My arms were missing too.
I cursed at the sky and
the clouds burst into me.
I took a big gulp and drank
the rain.
I spit it out in
disgust.
I cursed at the
clouds in the sky and wept.
I walked from town to town.
Drops of rain followed me.
I imagined it was wine
and I became drunk with
rain.
I walked unsteadily.
I felt my heart in my feet.
MAD BIRD by
Luis Cuauhtémoc Berriozábal It seems like
I’m closing windows to keep the ghosts out and
the mad bird that wants to poke out my eyes. That’s
its cure for insomnia. I’m leaning on falling
asleep. I’m closing the curtains to keep the pest out.
The bird is coming after me. It’s closing
in like dawn. My blood runs hot and cold. I stretch out my
arms and let it come. The bird is tapping at my
door. Its shadow left the patio. The ghosts have
come inside as well. The bird is closing in.
It taps upon my eyes. The life inside goes blind. The
window is broken. Loneliness takes a hold
of me. My eyelid closes. The bird flies out the broken
window into the bleak dawn. I awake rested. I
feel a little tired. I feel a little sad. The bird took
one of my eyes just because it could.
MAD
DOGS by Luis Cuauhtémoc Berriozábal Mad dogs used to
be puppies. They grew up and went wild. They turned rabid
and out of control. They bit their tails off. Mad dogs went
straight to hell. They ripped apart their dreams. They did not sell
their souls to no one. They did not have to. Mad dogs drank the
wine and ate the cork. They ate the glass from the broken
bottle and sweetened their blood with wine. Mad dogs took the
road most perilous and came out on top; although there was
little to celebrate or rejoice in.
THE DOLL by Luis Cuauhtémoc
Berriozábal In
the winter darkness a child ghost wept. Her feet were swift. Her hands were cold. She covered
ground without a sweat. In the rain she glowed. Each time she crept up to the window she looked so sad when she looked inside. She wanted to
play with the toys she saw. Her
voice was silent. She tried pushing out a scream. She liked the doll most of all. She tried to
open the door, but she did not have the strength. She
did not know how to go through doors or walls. The doll stared back at her without emotion.
The child ghost wanted to play with the doll and feel alive
once again. THE
WOMAN ON THE TRAIN by Luis Cuauhtémoc Berriozábal I knew this woman. Perhaps I met her
on a train. Maybe
she was a passenger traveling in the same direction I was going. Sometimes it was cold outside and we talked about the weather. Sometimes it was hot and we talked about the heat. We talked about the
trees and the
incessant noise of birds. She talked about the flowers in her garden and somehow the conversation
stopped. The
trains wheels screeched and
the scent of nicotine filled the air. The nights
grew long and
the days grew heavy. Many nights she would not be on the train. Many days I was the lone passenger. After a thousand days and a thousand nights, I saw the woman standing on the platform. She took a different train and I was no
longer sure
if I knew her. She
traveled to
different places and I remained in the same town, always. If she could only remember who I was, perhaps
the talks we
had of winter, she would be a passenger on my train again. We would talk like we always
talked about
the injustice in our lives, about the sadness of being alone, holding back our tears. Perhaps the train would come to a screeching
halt
and we would step out into the city and have a drink. We would talk about our youth when the blues were
just blue
skies and we had the desire to live lives not so frenetic. We
would look out the window and shout out and laugh as the train left the station
for good.
PLAY DEAD By Luis Cuauhtémoc Berriozábal When I dream, I play dead. I play a joke
on myself. It is a dangerous game. I
take a poison pill. I am always freeing myself
in my dreams. I live a new life. I feel more than mortal. I tire of
struggling through life. I put my head in the clouds. I
see the immensity of the world. I slip into darkness. I play dead.
I always come back to life. I
wish you could join me when I rest in peace.
IN TRAFFIC by Luis Cuauhtémoc Berriozábal The mountains stand like a
painting. The birds fly over it. Nowhere man is stuck in traffic feeling blue over what could
have been. The mind thinks crazy things, so crazy that one could be considered
mad. There
is a cloud in the horizon that will quench the mountain and make the birds rejoice and
disperse. There is an exit coming up ahead. It looks like it is jammed
as well. In
traffic one can daydream a little and listen to the radio. There
are songs that
will make you happy and songs that will make you sad. It is strange how a young man grows old in
traffic.
DEATH
SPEAKS by Luis Cuauhtémoc Berriozábal After Alejandra
Pizarnik
Death speaks in echoes, It tries to frighten you. Fear can affect your health. I try to push it away. I try not to mention its name.
Death wears a dark hat. Rats guard
the hat and always seem to have blood on their
mouths. I desire to be left alone by Death and fear.
TIME
STOPS by Luis Cuauhtémoc
Berriozábal Time sheds its skin like a scar, like an uprooted tree, usually at night so you cannot see. Its wings break away like fallen leaves, like severed hands, like the fallen angel, like dust. In the abyss lighting cannot be seen. Time stops. It is broken. It is sinking. Heaven falls here. It is judgment day. The slime of time falls into the waves. Down it
slides
and howls like
beasts, like man.
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Art by Cindy Rosmus © 2019 |
LIKE BROKEN GLASS by
Luis Cuauhtémoc Berriozábal Rose petals litter the sidewalk, like broken
bottles, perfumed with wine. Tossed and thrown after
the heartache, like broken glass, with
red wine residue. Melancholy under a naked moon. If it was lowered, I could touch its light. The thorns have pricked
the bleeding hands. It might as well
been the heart. Roses
ablaze on the sidewalk. Some
arsonist’s idea of rage. On bare feet he walks
on fire, the rose petals feel
like broken glass.
|
Art by Ann Marie Rhiel © 2019 |
WALK AT NIGHT by
Luis Cuauhtémoc Berriozábal I walk at night to understand the stars. I talk to them and ask them why they
hide in the day. I walk at night under the
bright moonlight. I cannot see the
mountains, but I smell the
flowers. I
walk at night to tire myself out. I go to sleep and dream
about you. I wonder what
you dream?
TERRIBLE ANIMAL By Luis Cuauhtémoc
Berriozábal I am a terrible animal. Blood sustains
me. It is the only thing that
is splendid in my night dreams. I
walk a crooked line. I am a terrible animal. Money
does not satiate me. It
is a pity that I am completely bankrupt in
my soul. I am a casual lover bereft of
morals and soul, an animal in human clothes,
closer to a beast’s heart than a man’s
heart. My soul defies
logic and I fear one day
I will smell the soil where the
dead will cough into my
face and from the other side eight
arms of seven beasts will take my
worthless life.
Night Colors by Luis Cuauhtémoc Berriozábal I dip my mind into the ink of night,
I count the black night and white moon and stars as the colors I use, mix them together for gray
and silver tones. I open my mind up to other colors in the night on particular days, where red
and yellow clash
and orange is born. The footprints on Mars leave thinking, Is there life
on Mars? The red
blood moon amazes me. I wonder if the
moon and stars will ever come down for us. A Date with Destiny by Luis Cuauhtémoc
Berriozábal I have a date with destiny I will always keep it waiting. I have better things
to do than having destiny choose my
fate. I am not a good date. I am
not good at small talk. Long silences are my forte. I could have fun keeping a tight lip, listening, seeing, smiling. Destiny can keep
its shirt on. My thing is to procrastinate until the last moment. This is what drives destiny out of its mind. Aloneness is my destiny. I think I
am already there.
Under Moonlight by Luis Cuauhtémoc Berriozábal A night of laughs under
moonlight after one too many drinks. The Uber driver
on the way not knowing what will get into his ride.
She is bound to hurl and I might be collateral damage, probably hurl
right back like in the Stand by Me movie. Inside the Uber the driver keeps checking the rearview
mirror. There is a fifty-fifty chance she’s
going to hurl like Linda Blair. She had the split
pea soup. We can’t stop laughing
and coughing. The Uber driver stops the car a block
short of our destination. He said
he spent all day cleaning up
the mess from the night before. He said
not to leave him a tip. A night of hurling
under moonlight, we took turns leaving
a trail of chunks behind one block away from
our destination.
2020 (The Heart and the Thorn) By Luis Cuauhtémoc
Berriozábal Is it over yet? I do not trust it. Maybe 2021 will be much better. One day and it’s just unbearable. Who cares about the sun? Bring on the rain. There is a thorn in my heart infecting everything I feel. I need it pulled out, the heart and the thorn. Put them in a bag. Bury them in the yard, the heart and the thorn.
She Loves You by Luis
Cuauhtémoc Berriozábal She says she loves you because she does, like she loves grass, like she loves
to eat. She
knows this about you. She loves you like The Beatles sang, and how could
that not be enough? How could that be bad? She is like lightning when she smiles.
It leaves you unable to speak. And
for these reasons talk to her, work it out, she
could be the one. In
the sunrise don’t you want to see her, and then at night don’t you want
to love her back?
FLOWERS DANCE by Luis
Cuauhtémoc Berriozábal It looks like the cars are
sleeping while flowers dance
in the rain. It feels like a zombie flick as people move too slow. I just want to get a little elbow room. Social distance is in style. I must be one of those who have always tried it. I do not want to go out, but I have to buy stuff before the zombies take it all. Soon I will be having some flowers if I get visits to my grave. There will come a day for such sadness.
NIGHTS WITHOUT END by Luis
Cuauhtémoc Berriozábal Nights
without end at the pool hall
furiously making a killing against chumps, he collects his winnings and gives it all away, buying drinks
for everyone. The woman he desires
loves someone else.
There is a crack on the
windshield of his Volkswagen van,
as big as the one in his heart, that suffers and shatters nightly. He listens to Jazz and smokes two packs every
single day. He gets lost in the
notes of Miles and
Charlie, but he finds
his way now and then to a place
he excels, the poolstick in
his hand is his sax and trumpet.
Black Widow by Luis Cuauhtémoc
Berriozábal This shadow that envelopes my entire being after you kiss me with closed eyes leaving me blind like a night emptied of stars and moonlight. Your kiss leaves me obscure and without strength. If by chance see the light tomorrow, I will never fall in love again.
Out of My Skin by Luis Cuauhtémoc Berriozábal I walked out of my skin. It did not sit well with me. In the light of the sun my new body burned like fire. I grew wings
just like a bird. I flew free throughout the day. I felt like myself this way. In flight I had little worry. I only hoped not to become one of the fallen, like the
birds I have seen in the yard, lifeless. Nothing makes me sadder. I agonized about my new self as I flew beneath a gray cloud. I felt mournful and grew sullen. The aftertaste of blood filled my mouth. I felt lonely. Nonetheless I kept my wings. I flew through a glass window that looked like water to my
eyes. I attained the highest heights. The window brought me down to earth. It was over for me. There nobody by my side.
The Terrible Shadows by Luis Cuauhtémoc Berriozábal The realities of life are consuming, like terrible beasts feasting
on your soul.
They move in like shadows like some great oncoming storm. Infinity is tiresome. That is why we do not live forever. Time softens wounds, no matter how intense.
Still,
there are limits to survival. Who can live under stress in perpetuity? The terrible shadows are always near. They stretch out all over your
body and digest it. I look all around me in search
of hope. I
peer at the sun as it takes bites of my flesh with an enormous hunger as I become a mortal snack.
What I Expected by Luis Cuauhtémoc Berriozábal Nothing happened, but that was what I
expected. I took a step ahead, a sky of blue suspended above. The sun set and I walked alone in
shadows. Stopping for breaks, I saw flashes of my life unfolding. A dog barked in the distance
fearless and poised with a sense of pride. A star in solitude drew me in as I saw the rest of the sky’s canvas
naked of more stars.
Luis lives in Southern
California and works in Los Angeles. His poetry has appeared in Blue Collar Review,
Fearless, The Journal of Heroin Love Songs, The Rye Whisky Review, Unlikely Stories,
and Yellow Mama Webzine. His books and chapbooks have been published by Deadbeat Press,
Kendra Steiner Edition, New Polish Beat, Poet's Democracy, Propaganda Press, Pygmy Forest Press, and Ten Pages Press
(e-book).
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In Association with Fossil Publications
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