Yellow Mama Archives

Jack Coey
Home
Adair, Jay
Adhikari, Sudeep
Ahern, Edward
Aldrich, Janet M.
Allan, T. N.
Allen, M. G.
Ammonds, Phillip J.
Anderson, Fred
Anderson, Peter
Andreopoulos, Elliott
Arab, Bint
Armstrong, Dini
Augustyn, P. K.
Aymar, E. A.
Babbs, James
Baber, Bill
Bagwell, Dennis
Bailey, Ashley
Bailey, Thomas
Baird, Meg
Bakala, Brendan
Baker, Nathan
Balaz, Joe
BAM
Barber, Shannon
Barker, Tom
Barlow, Tom
Bates, Jack
Bayly, Karen
Baugh, Darlene
Bauman, Michael
Baumgartner, Jessica Marie
Beale, Jonathan
Beck, George
Beckman, Paul
Benet, Esme
Bennett, Brett
Bennett, Charlie
Bennett, D. V.
Benton, Ralph
Berg, Carly
Berman, Daniel
Bernardara, Will Jr.
Berriozabal, Luis
Beveridge, Robert
Bickerstaff, Russ
Bigney, Tyler
Blackwell, C. W.
Bladon, Henry
Blake, Steven
Blakey, James
Bohem, Charlie Keys and Les
Bonner, Kim
Booth, Brenton
Boski, David
Bougger, Jason
Boyd, A. V.
Boyd, Morgan
Boyle, James
Bracey, DG
Brewka-Clark, Nancy
Britt, Alan
Broccoli, Jimmy
Brooke, j
Brown, R. Thomas
Brown, Sam
Bruce, K. Marvin
Bryson, Kathleen
Burke, Wayne F.
Burnwell, Otto
Burton, Michael
Bushtalov, Denis
Butcher, Jonathan
Butkowski, Jason
Butler, Terence
Cameron, W. B.
Campbell, J. J.
Campbell, Jack Jr.
Cano, Valentina
Cardinale, Samuel
Cardoza, Dan A.
Carlton, Bob
Carr, Jennifer
Cartwright, Steve
Carver, Marc
Castle, Chris
Catlin, Alan
Centorbi, David
Chesler, Adam
Christensen, Jan
Clausen, Daniel
Clevenger, Victor
Clifton, Gary
Cmileski, Sue
Cody, Bethany
Coey, Jack
Coffey, James
Colasuonno, Alfonso
Condora, Maddisyn
Conley, Jen
Connor, Tod
Cooper, Malcolm Graham
Copes, Matthew
Coral, Jay
Corrigan, Mickey J.
Cosby, S. A.
Costello, Bruce
Cotton, Mark
Coverley, Harris
Crandall, Rob
Criscuolo, Carla
Crist, Kenneth
Cross, Thomas X.
Cumming, Scott
D., Jack
Dallett, Cassandra
Danoski, Joseph V.
Daly, Sean
Davies, J. C.
Davis, Christopher
Davis, Michael D.
Day, Holly
de Bruler, Connor
Degani, Gay
De France, Steve
De La Garza, Lela Marie
Deming, Ruth Z.
Demmer, Calvin
De Neve, M. A.
Dennehy, John W.
DeVeau, Spencer
Di Chellis, Peter
Dillon, John J.
DiLorenzo, Ciro
Dilworth, Marcy
Dioguardi, Michael Anthony
Dionne, Ron
Dobson, Melissa
Domenichini, John
Dominelli, Rob
Doran, Phil
Doreski, William
Dority, Michael
Dorman, Roy
Doherty, Rachel
Dosser, Jeff
Doyle, Jacqueline
Doyle, John
Draime, Doug
Drake, Lena Judith
Dromey, John H.
Dubal, Paul Michael
Duke, Jason
Duncan, Gary
Dunham, T. Fox
Duschesneau, Pauline
Dunn, Robin Wyatt
Duxbury, Karen
Duy, Michelle
Eade, Kevin
Ebel, Pamela
Elliott, Garnett
Ellman, Neil
England, Kristina
Erianne, John
Espinosa, Maria
Esterholm, Jeff
Fabian, R. Gerry
Fallow, Jeff
Farren, Jim
Fedolfi, Leon
Fenster, Timothy
Ferraro, Diana
Filas, Cameron
Fillion, Tom
Fishbane, Craig
Fisher, Miles Ryan
Flanagan, Daniel N.
Flanagan, Ryan Quinn
Flynn, Jay
Fortunato, Chris
Francisco, Edward
Frank, Tim
Fugett, Brian
Funk, Matthew C.
Gann, Alan
Gardner, Cheryl Ann
Garvey, Kevin Z.
Gay, Sharon Frame
Gentile, Angelo
Genz, Brian
Giersbach, Walter
Gladeview, Lawrence
Glass, Donald
Goddard, L. B.
Godwin, Richard
Goff, Christopher
Golds, Stephen J.
Goss, Christopher
Gradowski, Janel
Graham, Sam
Grant, Christopher
Grant, Stewart
Greenberg, K.J. Hannah
Greenberg, Paul
Grey, John
Guirand, Leyla
Gunn, Johnny
Gurney, Kenneth P.
Hagerty, David
Haglund, Tobias
Halleck, Robert
Hamlin, Mason
Hansen, Vinnie
Hanson, Christopher Kenneth
Hanson, Kip
Harrington, Jim
Harris, Bruce
Hart, GJ
Hartman, Michelle
Hartwell, Janet
Haskins, Chad
Hawley, Doug
Haycock, Brian
Hayes, A. J.
Hayes, John
Hayes, Peter W. J.
Heatley, Paul
Heimler, Heidi
Helmsley, Fiona
Hendry, Mark
Heslop, Karen
Heyns, Heather
Hilary, Sarah
Hill, Richard
Hivner, Christopher
Hockey, Matthew J.
Hogan, Andrew J.
Holderfield, Culley
Holton, Dave
Houlahan, Jeff
Howells, Ann
Hoy, J. L.
Huchu, Tendai
Hudson, Rick
Huffman, A. J.
Huguenin, Timothy G.
Huskey, Jason L.
Ippolito, Curtis
Irascible, Dr. I. M.
Jaggers, J. David
James, Christopher
Jarrett, Nigel
Jayne, Serena
Johnson, Beau
Johnson, Moctezuma
Johnson, Zakariah
Jones, D. S.
Jones, Erin J.
Jones, Mark
Kabel, Dana
Kaiser, Alison
Kanach, A.
Kaplan, Barry Jay
Kay, S.
Keaton, David James
Kempka, Hal
Kerins, Mike
Keshigian, Michael
Kevlock, Mark Joseph
King, Michelle Ann
Kirk, D.
Kitcher, William
Knott, Anthony
Koenig, Michael
Kokan, Bob
Kolarik, Andrew J.
Korpon, Nik
Kovacs, Norbert
Kovacs, Sandor
Kowalcyzk, Alec
Krafft, E. K.
Kunz, Dave
Lacks, Lee Todd
Lang, Preston
Larkham, Jack
La Rosa, F. Michael
Leasure, Colt
Leatherwood, Roger
LeDue, Richard
Lees, Arlette
Lees, Lonni
Leins, Tom
Lemieux, Michael
Lemming, Jennifer
Lerner, Steven M
Leverone, Allan
Levine, Phyllis Peterson
Lewis, Cynthia Ruth
Lewis, LuAnn
Licht, Matthew
Lifshin, Lyn
Lilley, James
Liskey, Tom Darin
Lodge, Oliver
Lopez, Aurelio Rico III
Lorca, Aurelia
Lovisi, Gary
Lubaczewski, Paul
Lucas, Gregory E.
Lukas, Anthony
Lynch, Nulty
Lyon, Hillary
Lyons, Matthew
Mac, David
MacArthur, Jodi
Malone, Joe
Mann, Aiki
Manthorne, Julian
Manzolillo, Nicholas
Marcius, Cal
Marrotti, Michael
Mason, Wayne
Mathews, Bobby
Mattila, Matt
Matulich, Joel
McAdams, Liz
McCaffrey, Stanton
McCartney, Chris
McDaris, Catfish
McFarlane, Adam Beau
McGinley, Chris
McGinley, Jerry
McElhiney, Sean
McJunkin, Ambrose
McKim, Marci
McMannus, Jack
McQuiston, Rick
Mellon, Mark
Memi, Samantha
Middleton, Bradford
Miles, Marietta
Miller, Max
Minihan, Jeremiah
Montagna, Mitchel
Monson, Mike
Mooney, Christopher P.
Moran, Jacqueline M.
Morgan, Bill W.
Moss, David Harry
Mullins, Ian
Mulvihill, Michael
Muslim, Kristine Ong
Nardolilli, Ben
Nelson, Trevor
Nessly, Ray
Nester, Steven
Neuda, M. C.
Newell, Ben
Newman, Paul
Nielsen, Ayaz
Nobody, Ed
Nore, Abe
Numann, Randy
Ogurek, Douglas J.
O'Keefe, Sean
Orrico, Connor
Ortiz, Sergio
Pagel, Briane
Park, Jon
Parks, Garr
Parr, Rodger
Parrish, Rhonda
Partin-Nielsen, Judith
Peralez, R.
Perez, Juan M.
Perez, Robert Aguon
Peterson, Ross
Petroziello, Brian
Petska, Darrell
Pettie, Jack
Petyo, Robert
Phillips, Matt
Picher, Gabrielle
Pierce, Curtis
Pierce, Rob
Pietrzykowski, Marc
Plath, Rob
Pointer, David
Post, John
Powell, David
Power, Jed
Powers, M. P.
Praseth, Ram
Prazych, Richard
Priest, Ryan
Prusky, Steve
Pruitt, Eryk
Purfield, M. E.
Purkis, Gordon
Quinlan, Joseph R.
Quinn, Frank
Rabas, Kevin
Ragan, Robert
Ram, Sri
Rapth, Sam
Ravindra, Rudy
Reich, Betty
Renney, Mark
reutter, g emil
Rhatigan, Chris
Rhiel, Ann Marie
Ribshman, Kevin
Ricchiuti, Andrew
Richardson, Travis
Richey, John Lunar
Ridgeway, Kevin
Rihlmann, Brian
Ritchie, Bob
Ritchie, Salvadore
Robinson, John D.
Robinson, Kent
Rodgers, K. M.
Roger, Frank
Rose, Mandi
Rose, Mick
Rosenberger, Brian
Rosenblum, Mark
Rosmus, Cindy
Rowland, C. A.
Ruhlman, Walter
Rutherford, Scotch
Sahms, Diane
Saier, Monique
Salinas, Alex
Sanders, Isabelle
Sanders, Sebnem
Santo, Heather
Savage, Jack
Sayles, Betty J.
Schauber, Karen
Schneeweiss, Jonathan
Schraeder, E. F.
Schumejda, Rebecca
See, Tom
Sethi, Sanjeev
Sexton, Rex
Seymour, J. E.
Shaikh, Aftab Yusuf
Sheagren, Gerald E.
Shepherd, Robert
Shirey, D. L.
Shore, Donald D.
Short, John
Sim, Anton
Simmler, T. Maxim
Simpson, Henry
Sinisi, J. J.
Sixsmith, JD
Slagle, Cutter
Slaviero, Susan
Sloan, Frank
Small, Alan Edward
Smith, Brian J.
Smith, Ben
Smith, C.R.J.
Smith, Copper
Smith, Greg
Smith, Elena E.
Smith, Ian C.
Smith, Paul
Smith, Stephanie
Smith, Willie
Smuts, Carolyn
Snethen, Daniel G.
Snoody, Elmore
Sojka, Carol
Solender, Michael J.
Sortwell, Pete
Sparling, George
Spicer, David
Squirrell, William
Stanton, Henry G.
Steven, Michael
Stevens, J. B.
Stewart, Michael S.
Stickel, Anne
Stoler, Cathi
Stolec, Trina
Stoll, Don
Stryker, Joseph H.
Stucchio, Chris
Succre, Ray
Sullivan, Thomas
Surkiewicz, Joe
Swanson, Peter
Swartz, Justin A.
Sweet, John
Tarbard, Grant
Tait, Alyson
Taylor, J. M.
Thompson, John L.
Thompson, Phillip
Thrax, Max
Ticktin, Ruth
Tillman, Stephen
Titus, Lori
Tivey, Lauren
Tobin, Tim
Torrence, Ron
Tu, Andy
Turner, Lamont A.
Tustin, John
Ullerich, Eric
Valent, Raymond A.
Valvis, James
Vilhotti, Jerry
Waldman, Dr. Mel
Walker, Dustin
Walsh, Patricia
Walters, Luke
Ward, Emma
Washburn, Joseph
Watt, Max
Weber, R.O.
Weil, Lester L.
White, Judy Friedman
White, Robb
White, Terry
Wickham, Alice
Wilhide, Zach
Williams, K. A.
Wilsky, Jim
Wilson, Robley
Wilson, Tabitha
Woodland, Francis
Woods, Jonathan
Young, Mark
Yuan, Changming
Zackel, Fred
Zafiro, Frank
Zapata, Angel
Zee, Carly
Zeigler, Martin
Zimmerman, Thomas
Butler, Simon Hardy

Lay Down Sally

by Jack Coey

         

  Sweeney sat on the examination table in his underwear and across the room was a young woman, maybe, two or three years out of college with her hair in a bun and a business suit and horned-rimmed glasses. She wrote down notes as Sweeney talked to help him find a half-way house for his recovery after they found him unconscious in an alley. He told her the story of his father. They say it was an accident when he fell overboard on a fishing trip with his business partner who he knew had some unscrupulous stuff going on, but Fish and Game investigated, and said he was standing up when a wave rocked the boat enough to pitch him into the water. My Ma never was convinced of that.

“What did she think?”

She thought his partner pushed him overboard to keep his shady dealings a secret. But the investigators said he was intoxicated and couldn’t help himself when he went into the water. The accident was never solved for us and it became like this presence in the house with Ma and me. Don’t they say something about unresolved murders and how the victim haunts the living for justice?

“Oh, My!”

It was around that time Ma bought me a violin and wanted me to learn how to play it. I think it was her way of trying to move beyond the questions about my father. She made me practice in the front parlor, and at first, I hated it. But then I started playing it the way I wanted to, and it was so much fun! I made stuff up and it drove my Ma crazy. It got so I played conventional stuff when she was around, and then, improvise when she was out of the house.

“Sounds like you were becoming more independent from your mother.”

You make it sound normal when it was an act of betrayal as far as she was concerned. We had some doozie screaming fights over it. Finally, after graduating from high school, I ran away to the city. I slept in the park and begged money during the day. One day, I saw the ad in the paper, Maestro Van Lunenburg, Master Violinist. Now accepting students. Fee Negotiable. 128 Foster Street, Second Floor Walkup. Audition Required.

I had no way to pay the fee, but I was curious to see what he would say about my playing, so I went to see him. I found the address and saw the sign that read: The Maestro’s Studio, One floor up. I opened the door at the base of the stairs and heard the screech of a poorly played violin. I started up the stairs. I stood outside the door with a sign: The Maestro’s Studio. Through the door I heard,

“Relax the bow hand! Relax the bow hand! You’re distorting the sound!” There was a momentary improvement in the sound until it reverted to a screech. Then it stopped.

“You must relax in order for you to perform at your maximum level. Ve must vork on relaxation before you even touch the instrument. If you don’t teach yourself relaxation then you vill never be able to perform in front of others, yes?”

I knocked on the door. It flew open. I jumped.  

“Yes?” demanded a short man with a full head of curly white hair and a Van Dyke beard and half-glasses hanging around his neck.   

“I would like to audition for you.”

“Come back in an hour.” Door slam.  

 

I waited by the door an hour later, and as before, the door swung open and there was The Maestro. I came into the studio and there were music stands and several violins. There was an overstuffed chair where The Maestro sat while students played. The Maestro sat in his chair.

“Begin,” he said.

I took several moments to settle myself on a stool and began to play. After several minutes, The Maestro waved his arms. I stopped playing.

“Do you read music?”

“No.”

“All right, then, I vant you to follow me vhile I show you the music.”

The Maestro took up a violin and began to play the notes to a score. He played a bit, stopped, and listened while I imitated what he did, if he was satisfied, he went on to the next bit. I added my own flourish.

“No, no, no,” scolded The Maestro, “you must play vhat I play!”

I tried to satisfy The Maestro but couldn’t help myself.

“You play very nicely,” said The Maestro “but you vill never play in an orchestra for you don’t take direction. There are traditions that must be maintained, no? Having said that, however, you might find yourself in a jazz combo of some sort vhere improvisation is desirable, yes? I vish you the best of luck and I can do nothing more for you.”

I stood up from the stool, tucked my violin under my arm, and let myself out. 

Sweeney stopped talking. The social worker had her head bent, writing.

“It sounds like you don’t like structure,” she commented.

Yeah, I suppose that’s true. I was on the street begging when a street musician told me about a jazz club in the seedy part of town. I looked for it and saw the sign: The High Note Jazz Club. I went inside the dim, smoky room. There was a trio on stage playing and five or six patrons bobbing their heads to the music. I sat at a table. It was a piano, saxophone, and trumpet. I put my violin on the table. When the musicians took a break, the saxophone player beckoned me to the stage.

“Jam, man?” he asked.

I was thrilled.

“JoJo, bring the gentleman a chair,” ordered the musician to someone. The two other players came back and the saxophone player said,

“Go,” to me.

I started to play The Birth of the Blues, and after a bar, the piano came in, then, the trumpet and saxophone. It was tentative for a while, and then we clicked, and ended jamming. The piano started the next song and I listened and joined in and each instrument took a solo. In between songs, the piano player lit a joint and passed it. I watched as the musicians took a hit, and figured I was to inhale it, and hold it. I took the joint, and put it to my mouth, and coughed, and the musicians laughed, and I got the smoke in my mouth, and inhaled it, and got lightheaded, and passed the joint back to the trumpet player, and they started to play, and between the music and joint I’d never felt anything like this before, and after that, there was whisky, and the next I knew, I woke up on the floor with a towel over me and a man looking down on me.

“You wuz somethin’, man,” he said.

The social worker shifted her weight in the chair.

“Go on,” she said.

It was around this time I met Sally. I used to hang in the waiting area of the bus terminal, and she was there looking for johns though I didn’t know it then. She was the same age as me and looked to be on the street. She had dirty blond hair, dirty, torn jeans, and a blouse with no bra. I kept watching her and after a while she sensed I was watching her. She saw me watching her and smiled. She smiled; I smiled back – she smiled, and I smiled back; she stood up and walked over to me.

“Do you know what time it is?” she asked.

“Ten after three.” There was a clock on the wall.

“You waiting for a bus?”

“Naw, just someplace to sit is all.”

“My name’s Sally. You play the violin?”

“Yeah.”

She looked around.

“What’s your name?”

“Sweeney.”

“Oh! That’s different.”

I smiled.

“I got teased for it plenty.”

“People can be cruel.”

I looked at her. I saw her breasts through her blouse.

“You waiting for a bus?” I asked.

“Naw, I’m people watching.”

“Oh?”

We were silent until I asked,

“I’m hungry. Could I borrow five bucks to get a hotdog?”

“Oh! Sure. Come on, let’s go to the snack bar and get something to eat.”

She stood up and so did I. When she paid, I saw a bundle of twenties. When we were eating, I asked,

“Do you live here?”

“Yeah.”

“What do you do?”

“I clean an office for a businessman. You’re a musician?”

“Sort of.”

“Will you play for me sometime?”   

“You like violin music?”

“I’m not supposed to?”

“No…no, not at all. Most young people like electric guitars is the way I see it.”

“My mother used to…” pain welt in her eyes.

“Come on, let’s go to the common and I’ll play for you.”

I told her I would be at the terminal tomorrow in the afternoon if she was interested, and the next day, sure enough, she was there, and we sat and talked. She had a lot of money for cleaning an office and so I was always mistrustful of her in some way, but then again, she had a meekness or timidity about her that was irresistible. She invited me to her hotel room on the edge of town and we ate Kentucky Fried Chicken and made love and it was the most powerful experience of my life. I mean the lovemaking, not the chicken. And I was beginning to put it together about how she made her money and that gave me pain.

“I can see that.”

I stayed with her in the motel and during the day I begged for money while she cleaned offices which I never believed, and I gave her money that I’d begged, and we would drink a bottle of wine together, and I played a lullaby for her while she fell asleep.

The social worker stopped writing and looked at him.

I guess I hoped if I could love her in a real way, she would give up being with other men, and we could get jobs, and even if we were poor, we could love one another and that would make it all right.

The social worker was still, looking at him.

You know I watched a lot of movies on TV, and it always works out in the movies, and I believed it was the same in life too, and so I asked her about giving up the other men and she could get a job as a waitress or cashier even, and she acted overjoyed at the idea, and of course, I wanted to believe it too. She got a job as a cashier at a supermarket and we talked about getting a place together, and I was making some money playing gigs at the Jazz Club or even on the street. My hopes were sky-high until the day I came home and saw the police cruiser parked by our door and she was led out by two policemen screaming,

 It’s not true, it’s not true.

A quizzical look came over the young social worker’s face.

“So, you have difficulty trusting others?” she asked.  

                                

   The End.




Jack Coey lives in Keene, NH.

In Association with Fossil Publications