Yellow Mama Archives

Zakariah Johnson
Home
Adair, Jay
Adhikari, Sudeep
Ahern, Edward
Aldrich, Janet M.
Allan, T. N.
Allen, M. G.
Ammonds, Phillip J.
Anderson, Fred
Anderson, Peter
Andreopoulos, Elliott
Arab, Bint
Armstrong, Dini
Augustyn, P. K.
Aymar, E. A.
Babbs, James
Baber, Bill
Bagwell, Dennis
Bailey, Ashley
Bailey, Thomas
Baird, Meg
Bakala, Brendan
Baker, Nathan
Balaz, Joe
BAM
Barber, Shannon
Barker, Tom
Barlow, Tom
Bates, Jack
Bayly, Karen
Baugh, Darlene
Bauman, Michael
Baumgartner, Jessica Marie
Beale, Jonathan
Beck, George
Beckman, Paul
Benet, Esme
Bennett, Brett
Bennett, Charlie
Bennett, D. V.
Benton, Ralph
Berg, Carly
Berman, Daniel
Bernardara, Will Jr.
Berriozabal, Luis
Beveridge, Robert
Bickerstaff, Russ
Bigney, Tyler
Blackwell, C. W.
Bladon, Henry
Blake, Steven
Blakey, James
Bohem, Charlie Keys and Les
Bonner, Kim
Booth, Brenton
Boski, David
Bougger, Jason
Boyd, A. V.
Boyd, Morgan
Boyle, James
Bracey, DG
Brewka-Clark, Nancy
Britt, Alan
Broccoli, Jimmy
Brooke, j
Brown, R. Thomas
Brown, Sam
Bruce, K. Marvin
Bryson, Kathleen
Burke, Wayne F.
Burnwell, Otto
Burton, Michael
Bushtalov, Denis
Butcher, Jonathan
Butkowski, Jason
Butler, Terence
Cameron, W. B.
Campbell, J. J.
Campbell, Jack Jr.
Cano, Valentina
Cardinale, Samuel
Cardoza, Dan A.
Carlton, Bob
Carr, Jennifer
Cartwright, Steve
Carver, Marc
Castle, Chris
Catlin, Alan
Centorbi, David
Chesler, Adam
Christensen, Jan
Clausen, Daniel
Clevenger, Victor
Clifton, Gary
Cmileski, Sue
Cody, Bethany
Coey, Jack
Coffey, James
Colasuonno, Alfonso
Condora, Maddisyn
Conley, Jen
Connor, Tod
Cooper, Malcolm Graham
Copes, Matthew
Coral, Jay
Corrigan, Mickey J.
Cosby, S. A.
Costello, Bruce
Cotton, Mark
Coverley, Harris
Crandall, Rob
Criscuolo, Carla
Crist, Kenneth
Cross, Thomas X.
Cumming, Scott
D., Jack
Dallett, Cassandra
Danoski, Joseph V.
Daly, Sean
Davies, J. C.
Davis, Christopher
Davis, Michael D.
Day, Holly
de Bruler, Connor
Degani, Gay
De France, Steve
De La Garza, Lela Marie
Deming, Ruth Z.
Demmer, Calvin
De Neve, M. A.
Dennehy, John W.
DeVeau, Spencer
Di Chellis, Peter
Dillon, John J.
DiLorenzo, Ciro
Dilworth, Marcy
Dioguardi, Michael Anthony
Dionne, Ron
Dobson, Melissa
Domenichini, John
Dominelli, Rob
Doran, Phil
Doreski, William
Dority, Michael
Dorman, Roy
Doherty, Rachel
Dosser, Jeff
Doyle, Jacqueline
Doyle, John
Draime, Doug
Drake, Lena Judith
Dromey, John H.
Dubal, Paul Michael
Duke, Jason
Duncan, Gary
Dunham, T. Fox
Duschesneau, Pauline
Dunn, Robin Wyatt
Duxbury, Karen
Duy, Michelle
Eade, Kevin
Ebel, Pamela
Elliott, Garnett
Ellman, Neil
England, Kristina
Erianne, John
Espinosa, Maria
Esterholm, Jeff
Fabian, R. Gerry
Fallow, Jeff
Farren, Jim
Fedolfi, Leon
Fenster, Timothy
Ferraro, Diana
Filas, Cameron
Fillion, Tom
Fishbane, Craig
Fisher, Miles Ryan
Flanagan, Daniel N.
Flanagan, Ryan Quinn
Flynn, Jay
Fortunato, Chris
Francisco, Edward
Frank, Tim
Fugett, Brian
Funk, Matthew C.
Gann, Alan
Gardner, Cheryl Ann
Garvey, Kevin Z.
Gay, Sharon Frame
Gentile, Angelo
Genz, Brian
Giersbach, Walter
Gladeview, Lawrence
Glass, Donald
Goddard, L. B.
Godwin, Richard
Goff, Christopher
Golds, Stephen J.
Goss, Christopher
Gradowski, Janel
Graham, Sam
Grant, Christopher
Grant, Stewart
Greenberg, K.J. Hannah
Greenberg, Paul
Grey, John
Guirand, Leyla
Gunn, Johnny
Gurney, Kenneth P.
Hagerty, David
Haglund, Tobias
Halleck, Robert
Hamlin, Mason
Hansen, Vinnie
Hanson, Christopher Kenneth
Hanson, Kip
Harrington, Jim
Harris, Bruce
Hart, GJ
Hartman, Michelle
Hartwell, Janet
Haskins, Chad
Hawley, Doug
Haycock, Brian
Hayes, A. J.
Hayes, John
Hayes, Peter W. J.
Heatley, Paul
Heimler, Heidi
Helmsley, Fiona
Hendry, Mark
Heslop, Karen
Heyns, Heather
Hilary, Sarah
Hill, Richard
Hivner, Christopher
Hockey, Matthew J.
Hogan, Andrew J.
Holderfield, Culley
Holton, Dave
Houlahan, Jeff
Howells, Ann
Hoy, J. L.
Huchu, Tendai
Hudson, Rick
Huffman, A. J.
Huguenin, Timothy G.
Huskey, Jason L.
Ippolito, Curtis
Irascible, Dr. I. M.
Jaggers, J. David
James, Christopher
Jarrett, Nigel
Jayne, Serena
Johnson, Beau
Johnson, Moctezuma
Johnson, Zakariah
Jones, D. S.
Jones, Erin J.
Jones, Mark
Kabel, Dana
Kaiser, Alison
Kanach, A.
Kaplan, Barry Jay
Kay, S.
Keaton, David James
Kempka, Hal
Kerins, Mike
Keshigian, Michael
Kevlock, Mark Joseph
King, Michelle Ann
Kirk, D.
Kitcher, William
Knott, Anthony
Koenig, Michael
Kokan, Bob
Kolarik, Andrew J.
Korpon, Nik
Kovacs, Norbert
Kovacs, Sandor
Kowalcyzk, Alec
Krafft, E. K.
Kunz, Dave
Lacks, Lee Todd
Lang, Preston
Larkham, Jack
La Rosa, F. Michael
Leasure, Colt
Leatherwood, Roger
LeDue, Richard
Lees, Arlette
Lees, Lonni
Leins, Tom
Lemieux, Michael
Lemming, Jennifer
Lerner, Steven M
Leverone, Allan
Levine, Phyllis Peterson
Lewis, Cynthia Ruth
Lewis, LuAnn
Licht, Matthew
Lifshin, Lyn
Lilley, James
Liskey, Tom Darin
Lodge, Oliver
Lopez, Aurelio Rico III
Lorca, Aurelia
Lovisi, Gary
Lubaczewski, Paul
Lucas, Gregory E.
Lukas, Anthony
Lynch, Nulty
Lyon, Hillary
Lyons, Matthew
Mac, David
MacArthur, Jodi
Malone, Joe
Mann, Aiki
Manthorne, Julian
Manzolillo, Nicholas
Marcius, Cal
Marrotti, Michael
Mason, Wayne
Mathews, Bobby
Mattila, Matt
Matulich, Joel
McAdams, Liz
McCaffrey, Stanton
McCartney, Chris
McDaris, Catfish
McFarlane, Adam Beau
McGinley, Chris
McGinley, Jerry
McElhiney, Sean
McJunkin, Ambrose
McKim, Marci
McMannus, Jack
McQuiston, Rick
Mellon, Mark
Memi, Samantha
Middleton, Bradford
Miles, Marietta
Miller, Max
Minihan, Jeremiah
Montagna, Mitchel
Monson, Mike
Mooney, Christopher P.
Moran, Jacqueline M.
Morgan, Bill W.
Moss, David Harry
Mullins, Ian
Mulvihill, Michael
Muslim, Kristine Ong
Nardolilli, Ben
Nelson, Trevor
Nessly, Ray
Nester, Steven
Neuda, M. C.
Newell, Ben
Newman, Paul
Nielsen, Ayaz
Nobody, Ed
Nore, Abe
Numann, Randy
Ogurek, Douglas J.
O'Keefe, Sean
Orrico, Connor
Ortiz, Sergio
Pagel, Briane
Park, Jon
Parks, Garr
Parr, Rodger
Parrish, Rhonda
Partin-Nielsen, Judith
Peralez, R.
Perez, Juan M.
Perez, Robert Aguon
Peterson, Ross
Petroziello, Brian
Petska, Darrell
Pettie, Jack
Petyo, Robert
Phillips, Matt
Picher, Gabrielle
Pierce, Curtis
Pierce, Rob
Pietrzykowski, Marc
Plath, Rob
Pointer, David
Post, John
Powell, David
Power, Jed
Powers, M. P.
Praseth, Ram
Prazych, Richard
Priest, Ryan
Prusky, Steve
Pruitt, Eryk
Purfield, M. E.
Purkis, Gordon
Quinlan, Joseph R.
Quinn, Frank
Rabas, Kevin
Ragan, Robert
Ram, Sri
Rapth, Sam
Ravindra, Rudy
Reich, Betty
Renney, Mark
reutter, g emil
Rhatigan, Chris
Rhiel, Ann Marie
Ribshman, Kevin
Ricchiuti, Andrew
Richardson, Travis
Richey, John Lunar
Ridgeway, Kevin
Rihlmann, Brian
Ritchie, Bob
Ritchie, Salvadore
Robinson, John D.
Robinson, Kent
Rodgers, K. M.
Roger, Frank
Rose, Mandi
Rose, Mick
Rosenberger, Brian
Rosenblum, Mark
Rosmus, Cindy
Rowland, C. A.
Ruhlman, Walter
Rutherford, Scotch
Sahms, Diane
Saier, Monique
Salinas, Alex
Sanders, Isabelle
Sanders, Sebnem
Santo, Heather
Savage, Jack
Sayles, Betty J.
Schauber, Karen
Schneeweiss, Jonathan
Schraeder, E. F.
Schumejda, Rebecca
See, Tom
Sethi, Sanjeev
Sexton, Rex
Seymour, J. E.
Shaikh, Aftab Yusuf
Sheagren, Gerald E.
Shepherd, Robert
Shirey, D. L.
Shore, Donald D.
Short, John
Sim, Anton
Simmler, T. Maxim
Simpson, Henry
Sinisi, J. J.
Sixsmith, JD
Slagle, Cutter
Slaviero, Susan
Sloan, Frank
Small, Alan Edward
Smith, Brian J.
Smith, Ben
Smith, C.R.J.
Smith, Copper
Smith, Greg
Smith, Elena E.
Smith, Ian C.
Smith, Paul
Smith, Stephanie
Smith, Willie
Smuts, Carolyn
Snethen, Daniel G.
Snoody, Elmore
Sojka, Carol
Solender, Michael J.
Sortwell, Pete
Sparling, George
Spicer, David
Squirrell, William
Stanton, Henry G.
Steven, Michael
Stevens, J. B.
Stewart, Michael S.
Stickel, Anne
Stoler, Cathi
Stolec, Trina
Stoll, Don
Stryker, Joseph H.
Stucchio, Chris
Succre, Ray
Sullivan, Thomas
Surkiewicz, Joe
Swanson, Peter
Swartz, Justin A.
Sweet, John
Tarbard, Grant
Tait, Alyson
Taylor, J. M.
Thompson, John L.
Thompson, Phillip
Thrax, Max
Ticktin, Ruth
Tillman, Stephen
Titus, Lori
Tivey, Lauren
Tobin, Tim
Torrence, Ron
Tu, Andy
Turner, Lamont A.
Tustin, John
Ullerich, Eric
Valent, Raymond A.
Valvis, James
Vilhotti, Jerry
Waldman, Dr. Mel
Walker, Dustin
Walsh, Patricia
Walters, Luke
Ward, Emma
Washburn, Joseph
Watt, Max
Weber, R.O.
Weil, Lester L.
White, Judy Friedman
White, Robb
White, Terry
Wickham, Alice
Wilhide, Zach
Williams, K. A.
Wilsky, Jim
Wilson, Robley
Wilson, Tabitha
Woodland, Francis
Woods, Jonathan
Young, Mark
Yuan, Changming
Zackel, Fred
Zafiro, Frank
Zapata, Angel
Zee, Carly
Zeigler, Martin
Zimmerman, Thomas
Butler, Simon Hardy

willistonbylee.jpg
Art by Lee Kuruganti © 2014

Williston

By

Zakariah Johnson

 

 

Deputy Kent Egeland aimed his sheriff’s cruiser down the black barrel of North Dakota Highway 22 at eighty miles an hour. His knuckles were turning white as he clenched the wheel and listened to Ricky’s ongoing rant. The weather didn’t care it was March; snowflakes had started falling thick and fast just minutes earlier, vanishing into the road to build up hidden slicks of ice. The wind was picking up, too, but Ricky could always shout louder than the wind.

“You owe me, man!” Ricky said.

“Yeah,” Kent said. “I know. And I’ve paid.”

“Not enough.” Ricky said. “You—”

A sudden gust of wind shoved the car over the dividing line, and Ricky shut up as Kent adjusted. Out the driver-side window, Kent peered through the growing flurries over the endless landscape of yellow and brown grass dappled with patches of snow. It was nearly the same scenery he’d seen in Afghanistan this time of year, except for the miles of barbed wire and the abandoned farmhouses bleached gray by the sun and wind.

“You’d never see a wooden house in Kandahar, would you?” Kent said.

“Shirley’s calling.” In tuning out Ricky’s yelling, Kent hadn’t heard the dispatcher’s call. He snatched for the mike to respond.

“Hold on,” said Ricky. “It’s a 10-33; just standby.”

A “10-33” was the call for “attention all units.” A moment later, the hard consonants and penetrating twang of the sheriff department’s female dispatcher cut through the cab.

“Listen up, boys,” Shirley said. “We just lost a 911 call. It came in on a outta state cell phone number, and it got cut off before we could fix its twenty. This is urgent. Assault in progress on a female at an unknown location. I’m gonna play back the recording now. It’s short, so listen.”

Her voice came over the radio again, but Kent realized this was the recording:

 

“911. What is the nature of your emergency?”

“Help me!” a woman shrieked. “He’s gonna kill me! He’s got a knife and he’s…oh God, he’s kicking in the door! He’s—NO!” Her voice morphed into a wordless scream. A man’s voice could be heard shouting stray words and phrases in the background, “…kill you…open this door…”

“What is your location? Where are you?” Shirley said.

“I’m at Calistin! Calistin! Hurry!”

“What’s the number? Are you in an apartment? Are you—” The sound of splintering wood came over the radio, followed by another high-pitched scream, followed by silence.

 

“That’s all we got, boys,” Shirley said once the recording ended. “Where is she? Over.”

Only static answered her. She waited five beats.

“Who knows where Calistin is? Who knows what Calistin is? Over.”

Again there was no answer.

“Hey,” Ricky said to Kent. “What about Celistina?”

“Assault in progress, gentlemen. Where is she?” Shirley said.

“That has to be it!” hissed Ricky. “Answer the call!”

“Egeland here,” Kent said into the mike he found himself holding. “Could she mean Celistina? Over.”

“Celistina; what’s that? Over,” Shirley answered.

“The new Fierzman Energy man-camp,” said Kent. “It’s out on 22 past mile marker…15 or so,” he said. Man-camp was the local term for any new or temporary housing for the thousands of oil workers—almost all young, male, and single—who’d arrived and tripled the county’s population in the previous eighteen months. The modern-day gold rush of the oil-fracking boom was feeding growth that turned locals into strangers in their home towns overnight, and the boom was feeding a growth in crime to go with it.

“It’s all we got. Get over there, Kent. Over,” Shirley said.

“On it. At least ten minutes out. Over,” Kent replied. He flipped on his blues-and-reds and pulled a sudden U-turn, nearly getting hit by a Chevy diesel with a snow plow on the front as he swung into the lane heading away from the county seat of Williston and against the flow of end-of-shift traffic heading toward the Friday bar scene.

“Miller, can you give back up? Over.” Shirley said.

“On my way,” Deputy Miller responded over the radio. “Make it twenty minutes. Hang tight till I get there. Over.”

“You knew right away it was Celistina,” Ricky said quietly in the cab.

“No, I didn’t. We still don’t know it,” said Kent. “That call could have come in from Montana for all we know.”

“Sure, boss.”

Kent knew any woman under attack in a man-camp was probably a prostitute, most likely serving a crowd. With temperatures regularly hitting twenty below zero, the county’s oil boom-towns didn’t have streetwalkers. Instead, numerous Internet “hostesses” supplied house-call services wherever requested. The risk was that when things went bad for a young women working alone in a rural area, a ten-minute wait for the help might as well be ten days for all the good it did her.

“Go faster,” Ricky said. The car was already weaving like a snake through oncoming traffic and around vehicles pulled to the side on the shoulderless road.

“Crashing the car won’t save her,” said Kent.

“Will cowardice?”

Kent nudged the accelerator, if only to keep Ricky quiet. Despite the constant stream of bar fights, prostitution busts, and meth seizures, as a deputy Kent had found more serenity in driving the county roads than he’d ever known collaring gang bangers and heroin addicts back in the Twin Cities. After more years with the National Guard in Afghanistan than he’d felt he rightly owed, there wasn’t anything to go back to in Minneapolis anyway, so he’d jumped at escape by taking a job he’d hoped was in the middle of nowhere. It turned out Williston wasn’t nowhere, but sometimes you could see it from there. He’d even felt himself healing until his former comrade-in-arms had turned up. Ricky’s egging him on to overreact had already earned Kent two reprimands. And he knew he’d take Ricky’s bait every time, despite knowing Ricky’s ultimate goal wasn’t help; it was revenge.

“You’ll be glad I’m with you today,” Ricky said.

“I always am.”

It was about a half-hour before sunset and the snow was thickening into a blizzard as Kent made out the three-by-two-foot sign for the Fierzman Energy “Celistina” trailer park coming into view. Even with new paint, the dozens of pale-white trailers looked grimy against the swirling snow.

“Approaching Celistina,” Kent relayed to Shirley. “It’s a trailer park, looks like about forty units. No office visible. Over.”

“I got the Fierzman HR director on the phone,” Shirley replied. “She’s heading over but said it’s all men there as far as she knows. No women assigned. She gives you permission to search any unit you want—it’s in their housing contracts. Over.”

“Driving in now. Over.”

Kent turned into the gravel drive and stopped, but left the lights and sirens still going. There was a single set of tire tracks in the new snow, telling him he’d beat the day-shifters home. The trailers were arranged in tight groups of fours and sixes spread over more than an acre. A gravel roadway wide enough for two cars wound through the clusters. None of the units showed any lights, but Kent knew that meant little since men who slept days put up curtains to block out the sun.

To Kent’s left, the door of the trailer nearest to the patrol car opened, and a man in sweatpants, a bathrobe, and flip-flops gingerly stepped down the metal steps into the snow. Kent cut the sirens and lowered his window so they could talk.

“What’s going on?” the man asked.

“911 call from a woman. Heard any screaming?”

“Nah. I haven’t heard a thing. I got the TV turned up. No women here anyhow.”

“Is there any other road out of here?”

“No. Just the one.”

“Step back then.”

Kent put the cruiser in reverse and drove it to block the entrance to the camp. The entranceway passed over a four-foot diameter culvert pipe covered with gravel that let cars pass into the court. A steep-sided drainage ditch of the same depth ran in both directions paralleling the highway. With his car in the way, nothing could drive in or out.

“You should have kept him in sight at all times,” said Ricky.

Kent parked. He switched off the siren, but left the emergency lights going and got out of the car.

“What’s the setup here?” he asked the man in the bathrobe. “Does each group of trailers keep the same schedule? Day shift, night shift; know what I mean?”

“It’s all day-shift here. The whole shebang.”

“What are you doing here?”

“I got the flu. Last time I skip my shot, I tell you.”

Kent heard the man’s breathing; it was raspy but relaxed, even talking to a cop, and he smelt of cough syrup. The pocket of his bathrobe was overflowing with used tissues and his nose looked like a frozen chunk of ground beef.

“Go back inside,” Kent told the man. “If another officer comes, tell him to follow my footprints.” The man started to protest until Kent raised his palm, “Just do it.”

The man nodded submissively and then bounded back through the snow to his trailer. The wind slammed the door shut hard behind him.

Ricky started to speak, but Kent cut him off, “There’s nobody else in there.”

Kent turned and walked between the rows of silent, unlit trailers. The snow-covered road passed through the first cluster of four trailers on the left and four more on the right, all set perpendicular to the road. Other than the single set of tire tracks down the middle of the road, there were no signs the snow had been disturbed. He decided against checking any of those. The units were packed close enough the boarders would hear each other snoring, let alone screaming. Most of the oil workers were decent people, not to mention young; and young guys like to be heroes—if there’d been any screaming and anybody were home, he’d already be arresting a bloodied john instead of looking for a missing woman.

After the fourth mobile home, the road turned left. The wind gusted and flurries stung his eyes as Kent walked around the fourth trailer’s corner. Advancing in the snow-packed wind, he made out clusters of six trailers each on both the left and right. Unlike the other batches, these twelve were set longways to the road and had semi-permanent wooden porches with railings tacked on to their fronts. The tire tracks he was following ended at a four-wheel-drive pickup truck parked in front of the second trailer on the right. As Kent passed it, he could hear the tick of the engine cooling and saw the tracks in the snow had barely filled. Whoever lived there couldn’t have entered the court much earlier than he had, certainly not before the call was made. Kent kept walking. He was halfway down the row when he heard a door open behind him and turned to his right.

Through the snow, he made out a man wearing brown denim coveralls and carrying a rifle coming onto the porch. The man was eating a sandwich with one hand and struggling against the wind to close the door with his hand holding the gun. The man didn’t look up and moved in a methodical, unhurried way. The wind shifted and Kent caught the scent of crude oil mixed with cigarettes. The smell alone told him the man had just gotten off a shift; roughnecks would hit the showers the minute they got home.

“At least unstrap your gun,” hissed Ricky.

“Shhsst! Listen!” Kent’s left fist instinctively snapped up, making the infantry “freeze” signal. He cocked his ear toward the fourth trailer in the right row: two empty beer bottles covered in snow sat on the railing. A snow-shovel beside the door was also covered. He jerked his attention to the third trailer on the left. He struggled to hear the sound again, but could only hear the wind. His eyes told him more.

“That’s it!” Ricky rasped in his ear. “You see it? The third one. She could be dying in there!”

Kent looked long enough to confirm that what he saw was real, then turned and jogged up to the man, still obliviously fiddling with the rifle on his porch.

Kent spoke in a hoarse whisper, “Hey…is that thing loaded?”

The man started in surprise as Kent appeared suddenly through the snow. “Oh…no, officer,” he said. “No, I’m just heading to the dump to—”

“Shoot coyotes,” Kent said. The man nodded. “Load the gun. Now.”

The oil worker laid the remaining bites of his white-bread-and-baloney sandwich on the snowy porch railing and started thumbing .243 caliber bullets out of the pocket on his left sleeve. He swallowed and asked, “What’s going on?” His voice was tense but his hands were steady.

“Maybe nothing. Maybe a lot. When did you get in?” Kent asked.

“Hurry up,” Ricky muttered.

“A couple minutes ago,” the man answered Kent. “I left a little early to hunt. My super said it was okay so—”

“How about the rest of these trailers? They work the same shift as you?”

“Yeah. All of ’em. Both sides.”

“Then listen,” Kent said, pointing across the narrow road. “If anybody comes out of that trailer, you order them to halt. Keep your finger off the trigger and don’t fire first. Got it?” The hunter squinted through the snow toward the trailer and nodded.

“Let’s do this!” Ricky said.

“Cover me!” Kent said over his shoulder as he began running across the snow toward the darkened trailer lying third in the opposite row. Without slowing his run, he looked again at where someone’s hand had wiped away a few inches of new snow from the railing. Closing in, the tracks from at least two sets of man-sized work boots in the snow on the porch also became clear. There were no tire tracks around the trailer, but at least two people had come out on that porch in the half hour since the snowstorm had begun.

Even in the seconds it took him to cross the narrow lane, he knew his justification was thin. Such flimsy suspicions would never support a warrantless entry in Minneapolis, or even in the Williston that had existed two years ago, now only in memory. It was company-owned housing and he had permission, but a no-knock entry still reeked of civil rights violations, inadmissible evidence, and a probable firing. Kent heard all that in his mind, but he heard Ricky yelling louder: “Go, go, go!”

Gun drawn, Kent burst through the door, his silhouette backlit by an aura of light and blowing snow. The two men on the couch jerked up their heads as he suddenly burst in, splinters pelting them as the door twisted and hung crooked by its top hinge. One was shirtless, the other naked. The ammonia smell of burning meth filled the room.

“Nobody move!” Kent shouted.

Eyes adjusting, Kent saw the third man, on the floor between the other two, lying face down, clothed except for his buttocks. On either side of his blue-jeaned legs other legs—bare, shaved, and female—lay feet up. Kent held his gun out to cover both men on the couch as he lunged forward on his left leg, grabbed the man on the floor by his hair, and yanked up.

“You, get off the woman, now!”

Kent stood up again, pulling so hard on the man’s hair that he lifted him off the ground, bending his neck backward. The man rocked back on his knees and started to turn, but Kent cracked him hard over the head with the barrel of his pistol and the man went down hard. Then the men on the couch ran in different directions —the shirtless one toward the master bedroom and the naked one toward the bathroom at the opposite end. As they ran, Kent cast a quick glance down at the woman, naked and unconscious. Her face was bloodied and flattened, her neck cut and scratched by the electrical cord now wrapped loosely around it. “Celistina” had been the right place after all.

“Go left!” shouted Ricky. “Get the one in the bathroom!”

Kent knew more than he’d ever wanted to know about trailer interiors after six months of responding to domestic incidents, wrestling with drunks or crazed tweakers in their narrow corridors and tiny bathrooms. He knew the bedroom had a window large enough to climb out of, and perhaps a coat the man could grab before jumping out into the snow and escaping. The bathroom window was too small for escape—the other man would have only have gone there for a weapon.

Kent heard the wavering voice of the roughneck from the road, “Hold it right there!” Outside, a pistol fired once, followed by a rifle firing twice. Continuing forward into the dimly lit mobile home, Kent turned left and moved down the hall toward the bathroom, holding his gun out in front of him in a two-armed stance. The first door on the left, the bathroom door, lay in splinters on the floor. As Kent advanced, the naked man stepped out through the open doorway. The man’s left hand and most of his body had moved into the hall before Kent saw the pistol in his right hand. The hand was rising. Kent kept his eye on his pistol’s front sight as he fired three times into the man’s chest from six feet away.

Moments later, a half-deafened Kent paused to watch as the gun-smoke wafted over the dead man’s body like a departing soul before being sucked away through the bullet holes in the wall by the cleansing prairie wind.

Then he heard Ricky yelling, “There’s still one outside!”

Kent ran back through the living room. The man he’d pistol whipped wasn’t moving. The woman was still unconscious. Kent peered out the smashed doorway but couldn’t see through the blur of wind and snow.

“You good out there?” he called.

“I’m…yeah, good here.” Kent recognized the oil worker’s voice.

“Police officer coming out. Don’t fire.”

Kent stepped gun first through the shattered door frame onto the porch. The man with the rifle stood in the gravel road over a shirtless man lying face down in the soppy, reddened snow. The dead man’s pistol was still in his hand and two large exit wounds had cratered his back.

“I didn’t have a choice—”

“I know,” Kent said. He gently squeezed the hunter’s shoulder. “You did good. Go back to your porch and set the rifle down. More help’s on the way.” Turning away, Kent put his hand to the microphone on his shoulder and pushed the broadcast button: “Egeland here. Shots fired. Three suspects down. Four people in need of assistance. I need immediate backup and ambulances. Approach is clear. Scene is clear. Over.”

He heard Shirley relaying his requests but ignored her string of questions as he went back into the trailer. Inside, the unconscious man seemed to be breathing all right, so Kent cuffed him. Then he knelt beside the naked woman. Finding her pulse, he was startled by how cold her skin was. He pulled the ratty blanket off the couch to cover her against the cold wind blowing in from the shattered doorway. Then he began untwisting the cord from her neck.

“You lived again,” Ricky said. “Feeling proud?”

“No,” Kent said. “Just stupid. Ninety-nine times out of a hundred, kicking in that door would’ve been a disaster. But that’s what you want, isn’t it?”

“I just want what you owe me.”

Kent tuned out Ricky’s voice again as he focused on removing the cord, and he softly spoke to the woman as she began to stir. As his hands followed the first-aid methods he’d performed too often to forget, his mind drifted off to a different winter field…

 

“Where are they?” Kent whispered. “I don’t see them.”

“Behind the second house, I think,” Ricky replied, nodding to the right. “Get ready.”

Kent watched as Ricky lowered his rifle to detach a grenade from his vest. At that instant, a shape appeared in the alleyway to their left. Kent was stepping behind Ricky to aim his M4 rifle when another figure appeared to the right, around the corner of the mud-brick house they’d been watching. Ricky tossed his grenade past the corner of the house as the shapes on left and right opened fire on them with AK-47s. Kent shot the man on the left; then he turned to shoot the second target as the grenade went off at the man’s feet and ripped apart everything below his knees, spinning him twice with his arms curled over his head like a ballerina as he fell.

Ricky wasn’t firing, but when Kent turned to check on him Ricky shouted, “Get the other one!” Kent ran toward the corner of the house, colliding with a third man who came rushing from the other side. Kent’s size advantage made their fight a short one.

He hurried back to Ricky, now on his back clutching at his sides where the bullets had penetrated his body armor.

“Why didn’t you shoot?” Ricky said.

Kent was pulling out blood-clotting powder to seal the wounds, but he could tell it was too late. “I had to step around you. Shh…try to be still.”

“You hesitated. Warriors don’t hesitate…we can’t…warriors……you owe me…”

It had been the last thing Ricky ever said.

 

Kent snapped back to the present when the woman started to moan.

“Shh,” he said. “Try to be still.” Over the rushing wind, he could dimly hear the sirens of what he assumed was Miller’s patrol car arriving at the trailer park’s entrance. “You’re going to be okay.”

“What’s next, boss?” Ricky interrupted.

“I think…I think this is where we say goodbye, Ricky.” Kent said.

“No way. You need me—your hesitation’s going to get you killed.”

“Not true. Not then, not now. I’m a cop. Acting like a soldier—like a lunatic—storming into houses, hitting first every time, that’s what’ll get me killed.”

“You still owe me.”

“Dying won’t bring you back. See this woman we’ve saved? Consider her life payment in full.”

“I’ll never forgive you.”

“Then I’ll have to forgive us both. Goodbye, Ricky.”

“Goodbye?!” the woman gasped, gripping Kent’s arm. “Don’t leave me…”

“Shh, I’m right here,” said Kent.

“Who are you talking to?” she whispered, her eyes fluttering closed as she slipped back into unconsciousness.

“Nobody,” he said. “Just you. Be still, I’m staying right here.”

She shivered hard, and Kent slipped under the blanket, holding his chest to hers to keep her warm and from going into shock. The wind whistled and moaned through the open doorway at their feet, but the only sounds he heard were his own gasping sobs that began to convulse him as her arms clasped him tight. Ricky’s voice was gone.

 

 

###

willistonbynoelle.jpg
Art by Noelle Richardson © 2014

evie.jpg
Art by Noelle Richardson © 2015

Evie’s Song

 

By Zakariah Johnson

 

 

 

“It’s only goin’ down, on the rainiest nights

When the sinister prowl, on the roads without lights.”

 

Rain beats an unwavering drumroll on the roof of Evie’s little Honda. The car’s overworked fan whirrs along, struggling to defog the clouded windshield. Chewing her lower lip, Evie squints through the clouded glass at the blurry yellow circle hovering ahead, taps her brakes, and squeaks to a halt as the light turns red.

There are no street lights in the sprawling office park, but she’s pretty sure she sees a four-door sedan, its lights off, idling on the other side of the intersection. Between the wavering sheets of rain, the big car seems to phase in and out of existence. Evie tugs a frayed, purple bandana dotted with sequins from her raincoat and rubs it over the windshield. Through the circle she makes, she confirms the sedan is really there. Instinctively, she flicks her headlights off and on three times to alert the other driver he’s traveling dark.

“Probably a drunk,” she sniffs, hoping to convince herself. “No, probably just tired, or confused by the storm.”

Whatever the driver’s reason for neglecting his lights, Evie feels righteous for warning him. It’s not an act many citizens do anymore. The city’s drivers have given into fear, fear of the “urban legend” (as the newspapers declare it) sweeping through their gated communities and featureless apartment blocks of a vicious gang initiation targeting Good Samaritans like her. The modern myth goes like this: that newbies trying to join a gang are sent to prowl the nighttime streets with their headlights off, until the first car flashes them a warning. Then, to earn their colors, they must then run it down and kill everyone inside.

“Complete nonsense,” say the papers, quoting the mayor, the chief of police, and the local college sociology chair-woman. “Tourists and business have no reason to stay away. This is a safe, family town.”

Evie doesn’t read the papers. She’s never had an Internet connection and has no idea what an “urban legend” even is. Her world is much smaller, smaller still since losing her sister to violence years ago. But Evie believes in community and hands out first chances like free candy to everyone she meets—including whoever it is watching from inside the big car, half-hidden in the blinding rain across the intersection.

***

In the darkened sedan, three men see the lights of Evie’s Honda blink off and on three times. Two of the men smile. The third man catches his breath.

“There’s your mark,” says the driver to the unbreathing man beside him.

“Looks like your lucky night, James, my boy,” mocks another voice from the back seat.

***

Evie sees the smudge of red turn to green through her blurred windshield. The sedan’s headlights snap on. Evie shifts her lavender rain boot from brake to gas, and her little Honda moves forward. Humming tunelessly, she passes the other car without turning her head, but from the corner of her eye sees there are three figures inside. Looking in her rear-view mirror, she watches as the other car turns in a wide arc, plows through the overlapping rivulets of water, and starts to follow on her.

“No, they’re not following me,” she insists, heart racing. “They’re just...going in the same direction.” But to where? In the office park, all businesses are closed. The area has no bars, no diners, no way stations of any sort…

“And no police,” Evie thinks.

She chews her lip again and picks nervously at the well-worn callous on her thumb. She catches herself humming, stops, and squares her shoulders. She jerks the steering wheel and turns sharply into a vacant parking lot. The sedan’s tires squeal behind her. She guns her engine and speeds toward the back of an empty, three-story office building. Her pursuers turn as well. Their headlights cut across her car and white-out her foggy windows a second before she darts around the corner of the building.

“No, no, no,” she chants. “Please, Jesus, don’t let them follow me.”

Behind the building, she finds an empty parking lot hemmed in by a tall, chain-link fence and blocked from view by buildings in all directions. Her car is perpendicular to the big sedan as it rolls in and stops thirty feet away, its brights blinding as they bore into her. The sheets of rain obscure the drivers’ views of each other. Evie clasps the bandana but does not wipe away the fog from the passenger-side window. She does not want these men to see her.

***

From the sedan’s front passenger seat, James peers through the deluge at the little Honda trapped before him. Their car’s massive V8 engine rumbles deeply as they idle, vibrating the cab. James hopes the vibration is enough to hide the shaking in his hand from the other two as he presses the 9 mm flat against his leg.

“There’s your future sitting there,” says Moses from the driver’s seat beside James. “It’s Will-to-Power time, boy.”

“What?” says James. “What’s that mean?”

“It means, my jittery friend,” Smoke’s voice resonates from the back seat, “tonight’s the night you unchain your god-like potential from the shackles of your bourgeois morality.” (“Not bad,” Smoke thinks, “Gotta remember that for the blog.”)

James turns toward the voice to buy more time.

“Don’t look at me—look to yourself!” Smoke demands. “Now get out of this car and finish it before I put one in you.”

Still shaking, James stuffs the gun into the pouch of his sweatshirt and slowly opens the sedan’s door. He climbs out stiffly, like a new-born fawn unsure of its legs. The cold rain strikes him and he’s instantly soaked. He pushes the door closed so reluctantly that it barely latches, and he stands beside the car, leaning his head forward, squinting to see Evie through the downpour.

“We appear to have misjudged that lad,” Smoke says to Moses, as James shivers beside the car without advancing.

Mo purses his lips as he blows out a sigh. “Let’s do this,” he says. He and Smoke open their doors without hesitation and climb out.

***

Through the rain, Evie sees the blurry image of the first man emerge from the sedan. He stands beside his car without advancing, but then his companions open their doors and climb out as well, leaving the vehicle empty. Evie pulls up her rain-hood and exits her driver-side door, the side where they still can’t see her. She is so small, the purple cowl of her hood barely reaches level with her car’s roof.

She hears two of the men laughing. The last two who emerged from the car wear matching bandanas whose sharp color she can see clearly. The first man who climbed out doesn’t wear one. Evie steps forward around the front of her car.

As she rounds the bumper, the building’s security lights fall on her water-slicked raincoat, lighting it up like fireworks, and the men see her clearly for the first time. They see a woman dressed from head to toe in shiny purple raingear. A woman with lavender, horn-rim glasses. A woman with a sequined purple bandana dangling loosely from her left hand and pointing something at them with her right.

Moses and Smoke lurch back, but James can’t move. His mouth stretches like a drain spout as his eyes absorb what he sees. In his head, the lyrics to an underground hit suddenly fill his ears:

 

It’s only goin’ down, on the rainiest nights

When the sinister prowl, on the roads without lights.

The black-and-red wheel, has come full circle;

And you’ve lost your last deal—to the Lady in Purple!”

 

“No!” James screams. “You can’t be...you’re a myth! A myth!”

He pulls his gun too quickly. Its hammer snags on his sweatshirt pocket and it fires uselessly at the ground. Smoke and Moses snatch for their own weapons, but neither’s gun has cleared the waistband when three quick pops crack like rim-shots through the drumming rain. The three men drop like sandbags, guns bouncing uselessly beside them. Flying in an arc, three shiny, brass shells land on the lavender reflection that stretches toward them like an accusing finger.

Lying in the cold, swirling water, James’s hands flap uselessly at the bubbling hole in his throat. In what remains of his consciousness, the throb of the V8 engine beside him reminds him of yet another song. It’s not the underground song called The Lady in Purple—“Evie’s Song,” though she’s never heard of it. Instead, James hears an older tune, one his grandmother sang to him years before, a lullaby he cooed as a baby when his life still held the promise of joining a better choir…

***

Evie uses her frayed bandana to wipe the fingerprints off the small semiautomatic. She lets the gun fall at her feet, but keeps the bandana. She’ll attach three more sequins to it tonight. She gets back in the Honda and drives around the other car, leaving the bodies to cool beside it in the falling rain.

At the first stop sign, she crosses herself and mumbles a prayer, the prayer for her sister, the prayer she always chants on nights like this. Were these men who’d done it? She knows she’ll never know for sure. And just because of that, she will never stop hunting.

# # #





One-Armed and Dangerous

By

Zakariah Johnson

  

      Gabe checked in with the prosthetics-lab receptionist, then chose a half-hidden seat beside the fish tank. The obligatory television blared montages of robotic miracles—working hands, flexing ankles—but Gabe ignored it in lieu of the aquarium. Nearly three feet long, it was bigger than any he’d ever seen. One of the tetras in the tank was missing part of a fin, but it swam okay. That struck Gabe as appropriate for the office.

      Waiting to be called, he zeroed in on the tank filter’s Zen-like bubbling and “went away,” as he called it, disassociating from his surroundings as he’d learned to do to survive since infancy when facing a tense situation. Zoned out watching the tank, he didn’t notice the guy rolling up on him till he spoke:

      “Hey, Buddy?”

      Gabe turned to see a man beside him in a wheelchair. The guy looked about mid-twenties. He had one complete arm, part of another ending above the elbow, and no legs. His electric wheelchair had a joystick control.

      “You aren’t going to ignore me, too, are you, bro?” the man asked, grinning. His hair was cut in a military style. “We have to stick together.”

      “Do I know you?”

            “Not yet. I’m Peter.” The man extended his one hand. Gabe shook it. “It’s bad enough the public won’t say ‘hi’ on the street, let alone look at us. We got to look out for each other.”

       Gabe nodded. “Sorry.”

      “Naw—save your pity. We get enough of that,” Peter scoffed. He scrutinized Gabe’s left arm that ended in a stump above the missing wrist. Stress and malnutrition had always made Gabe small for his age, but he’d gained a couple inches since going into foster care the past year. It was partly why he was here—he’d outgrown his last hand. The state would pay until he turned eighteen.

      “Just missing the arm, huh?” Peter asked.

      Gabe gave up on the fish. “Yeah. Just the arm.”

      Gabe knew Peter wanted him to ask about his own missing limbs, but he didn’t. If he’d been chatty growing up, he’d be dead. He knew when to talk and when not to, the latter being most of the time.

      “It’s all right to ask me,” Peter said, gesturing to his missing limbs. “We know everybody wants to, right? It’s all they see—the parts we’re missing. But they never ask. Why is that?”

      “I don’t know,” said Gabe. In his fifteen years on earth, learning secrets had never paid off in his favor. He refused to ask.

      “You a veteran?” Peter asked.

      “Nuh-uh.”

      “Then count yourself lucky you won’t be. When you walk through hell, some of it sticks to you.” Peter paused, and Gabe steeled himself for The Question. Gabe didn’t like The Question; was glad for whatever squeamishness, embarrassment, or courtesy kept most people from asking it. But his fellow amputee had no such qualms:

       “So,” Peter asked. “How’d you lose the arm?”

#

      “Hold him up!” Cody yelled, slipping gloves over the bleeding knuckles of his hands.

      Gabe looked at Cody through the one eye he could still see through as Jerry lifted him off the basement floor. Wink shuffled around, trying to help, but Jerry was over 300 pounds compared to Gabe’s 120, so Wink did nothing, as usual.

      “Where’s my bag, Gabe?” Cody’s punches continued, but Gabe didn’t feel them anymore, hadn’t since the first few had broken his collar bone and he’d “gone away,” withdrawing into a state of semi-shock and semi-awareness. He’d learned to “go away” when his father, then his mom’s procession of “boyfriends,” beat him or worse. Only his brother had never struck him. Gabe wouldn’t forget that, couldn’t blame his brother for only saving himself by swiping Cody’s dope and fleeing town. Gabe glowed warm inside the pain, fantasizing how his brother might beat the odds stacked against them both since birth. He’d never talk.

      Cody was panting. They’d been beating him for an hour, with Cody doing most of the work. If Jerry had been hitting him, Gabe doubted he’d be breathing. Wink had phoned him to come over and “discuss things,” as he put it. Gabe came because—what else could he do? Jerry had opened the door and jerked him inside, then dragged him down to the basement. When the gag fell off and Gabe didn’t yell, they didn’t bother replacing it. Lucky again, he thought, since Cody had smashed his nose shut in the first ten minutes.

      “Screw this,” Cody said, shaking his aching hand. He jerked Gabe’s head up by the hair. “You enjoying this? You want it to stop? Tell us where your brother is. That’s all we need to know. Then this ends.”

      Gabe had lost some teeth, thought he’d swallowed one, knew his ribs were broken and things were bleeding inside, but he answered same as before through his busted lips: “I don’t know where he is. I don’t know where your bag is. I don’t even know if he took it.”

       “Then who did?” Cody snarled, his eyes flicking between Wink and Jerry.

      “I don’t know,” Gabe mumbled, his head slumping as Cody released him. Jerry dragged him over and laid him against concrete wall.

      “Shit!” Cody yelled, kicking the washing machine. “We’re dead if we don’t get it back!”

      “What if he don’t know?” Wink asked. “What if his brother didn’t tell him? I mean, he’s just a kid—”

      Gabe heard a smack and Wink started whining, “Ow! What the hell, Cody?”

       “He knows, and he’s gonna tell us.”

      The calm in Cody’s voice told Gabe the end was coming. Of course Gabe knew his brother had taken the bag to Milwaukee to sell, probably for far less than it was worth; knew he was off to Chicago after that; then to Texas to enlist where nobody knew him. The thought made him smile.

      “Something funny?” Cody crouched and hissed into his ear: “You made me do this, Gabe. This is all your fault, okay? Bring him!” Wink held the door and Jerry carried him upstairs and rolled him into the bathtub.

      “Last chance, Gabe. Where’s it at?”

      Staring up at the moldy ceiling, Gabe tongued the empty sockets in his gums and said nothing.

       “Do it,” Cody said.

\       Gone far away, Gabe had thought himself beyond all pain until Jerry grabbed his left arm in his beefy hands and snapped it below the wrist. Finally screaming, Gabe convulsed, spraying vomit over Wink, who was holding him down. Then Jerry grabbed Gabe’s flopping hand and yanked it down, unrolling the red flesh off the white sticks inside. Gabe’s distant mind returned enough to stare as the blood pulsed over the jagged ends of his exposed bones. They released him and he fell back in the tub cradling the mangled arm in the other.

      “Damn, that’s some blood. Look at him shaking—I bet he can’t even talk now!” Wink said.

      "Let’s get some towels.” Cody and Wink left the bathroom.

      Jerry sat down on the edge of the tub. “Too bad, Gabe. You seemed all right, little man. Sorry it had to—urk—

      Gabe pierced Jerry’s throat with the jagged ends of his bones, blinking at the sudden spray of blood on his face. Jerry’s eyes bugged, hands clasped to his neck as Gabe stood and nudged him off the edge of the tub, grabbing the pistol from the small of Jerry’s back before he toppled over. Wink and Cody’s running shook the floor and Gabe turned and fired as they rushed in. Wink’s skull popped at the first shot, the next two penetrating Cody’s side as he twisted helplessly to shield himself. Cody collapsed and began dragging himself into the living room until Gabe put two more in his back. He wrapped the towel tight to staunch his own bleeding, shot Jerry in the temple to be sure, then dropped the gun in the toilet and left.

       Sometime later, a black-and-white found the fourteen-year-old wandering the streets in shock. He told them and the doctors he had no memory of what happened. The social worker who contacted his mom swore she’d never send him back to that snake pit. Gabe’s brother never called.

#

      Gabe didn’t tell Peter any of that. Didn’t mention he’d gotten a grant from Medicaid, supplemented by a robotics lab in Chicago, to get fitted with a true bionic arm, one with moving fingers under synthetic flesh that might even pass for real. His septum had been restored through surgery, and he had a set of false teeth better than the rotten ones Cody had knocked out. Gabe had hit the jackpot, really. All for the price of silence.

       “Whew,” Peter responded to the tale Gabe was spinning him. “You lost your arm just flipping off a bicycle?”

      “Yeah. Flesh-eating bacteria got in the cut, they said.”

      “That’s some bad luck. I’m already down to my last arm; guess I better give up cycling to be safe?”

      Gabe grinned at the joke. The nurse came out and called his name. Gabe stood up and clapped Peter on the shoulder, “Let’s keep it between us, okay?”

      “Always,” Peter said as they bumped fists. Then Gabe followed the nurse through the clinic’s swinging doors, and left them flapping in his wake like the exit from hell.

THE END


Zakariah Johnson plucks banjos and pens horror, thriller, and crime fiction on the south bank of the Piscataqua. His recent stories have appeared in Hoosier NoirBristol Noir, and Thriller Magazine. Follow him @Pteraton on Twitter.

In Association with Fossil Publications