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Adair, Jay |
Adhikari, Sudeep |
Ahern, Edward |
Aldrich, Janet M. |
Allan, T. N. |
Allen, M. G. |
Ammonds, Phillip J. |
Anderson, Fred |
Anderson, Peter |
Andreopoulos, Elliott |
Arab, Bint |
Armstrong, Dini |
Augustyn, P. K. |
Aymar, E. A. |
Babbs, James |
Baber, Bill |
Bagwell, Dennis |
Bailey, Ashley |
Bailey, Thomas |
Baird, Meg |
Bakala, Brendan |
Baker, Nathan |
Balaz, Joe |
BAM |
Barber, Shannon |
Barker, Tom |
Barlow, Tom |
Bates, Jack |
Bayly, Karen |
Baugh, Darlene |
Bauman, Michael |
Baumgartner, Jessica Marie |
Beale, Jonathan |
Beck, George |
Beckman, Paul |
Benet, Esme |
Bennett, Brett |
Bennett, Charlie |
Bennett, D. V. |
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Berman, Daniel |
Bernardara, Will Jr. |
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Blakey, James |
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Petyo, Robert |
Phillips, Matt |
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Pierce, Curtis |
Pierce, Rob |
Pietrzykowski, Marc |
Plath, Rob |
Pointer, David |
Post, John |
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Power, Jed |
Powers, M. P. |
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Prazych, Richard |
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Ram, Sri |
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Renney, Mark |
reutter, g emil |
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Rhiel, Ann Marie |
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Ricchiuti, Andrew |
Richardson, Travis |
Richey, John Lunar |
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Rose, Mandi |
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Salinas, Alex |
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Turner, Lamont A. |
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Ullerich, Eric |
Valent, Raymond A. |
Valvis, James |
Vilhotti, Jerry |
Waldman, Dr. Mel |
Walker, Dustin |
Walsh, Patricia |
Walters, Luke |
Ward, Emma |
Washburn, Joseph |
Watt, Max |
Weber, R.O. |
Weil, Lester L. |
White, Judy Friedman |
White, Robb |
White, Terry |
Wickham, Alice |
Wilhide, Zach |
Williams, K. A. |
Wilsky, Jim |
Wilson, Robley |
Wilson, Tabitha |
Woodland, Francis |
Woods, Jonathan |
Young, Mark |
Yuan, Changming |
Zackel, Fred |
Zafiro, Frank |
Zapata, Angel |
Zee, Carly |
Zeigler, Martin |
Zimmerman, Thomas |
Butler, Simon Hardy |
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Art by Kevin Duncan © 2014 |
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YOU OKAY, PAL?
BY
GREGORY E. LUCAS
Big
Jack drove his battered Fairmont on Delaware Route Thirteen South, rolled down his window, and stuck
his head into the midnight deluge. Rain dampened the sweat
jersey covering his blubbery torso, but he felt too excited about the next kill to care about
anything else. Still can’t see, he thought.
Told you to get new wiper blades, Little Jack, his friend the jackknife said— that voice so real
sounding in Big Jack's schizophrenic head that he never suspected or even cared if it was an
illusion.
Little
Jack—always right, about everything.
The garish mix of lights—greens and yellows from staggered traffic
lights, red tail lights, headlights from approaching traffic—smeared in the rain smacking
his windshield.
Told you to fill up, too, before we left, Little Jack said.
The needle hovered near the E.
He
slowed down. Several cars passed by while he leaned forward, so far that his nose almost touched
the glass, so that he could see better and spot an open gas station. Glowing electric signs—Molla’s
Psychic Readings, Adult Book World, and Danny’s All Night Diner—appeared among darkened
storefronts and empty parking lots that lined the highway. Valero—the gas station’s
logo glowed, but everything inside looked dark. Texaco—closed too.
Howling wind shot rain diagonally across a yellow Sunoco sign glowing above
a parking lot decorated with shattered glass and newspapers sopping in puddles. Two
people, so bundled up in hoods and coats that he couldn’t tell if they were men or women,
sprinted from the lit station’s doorway through the deluge to a Corolla, then drove off. He
drove up to a pump and draped the hood of his sweat jersey over his damp hair.
Get the gas first, Little Jack said. And if he ain’t right—let
it pass.
Big Jack patted Little Jack’s handle in the jersey’s pouch to give
his friend reassurance. He hung his head so that the hood concealed more of his face. He
didn’t often smile before he got ready to kill, but everything, even the weather—who
wouldn’t pull a hood over his head in such an awful storm?—kept working out to his advantage.
Big
Jack swung open the heavy glass door and glanced down at the wrinkled redheaded man who got his
skinny ass off the stool behind the cash register. The man puffed on a cigar, and smoke filled the
air of the tiny office. Another break—he avoided revealing to any hidden security camera even
the little bit of his face that the hood failed to cover by keeping his head turned down and away
as he faked coughing.
He
crumpled the twenty in his left jeans pocket and he felt Little Jack’s ebony handle.
Pay him, he heard Little Jack whisper, but instead Big Jack kept up the fake coughing.
He tore the twenty in his pocket and rage sent tremors into his arms and legs.
“You
okay, pal?”
Big Jack shifted his eyes to scrutinize the man. Red hair—just like
the one Little Jack said they’d kill on this trip.
Little
Jack spoke in a scratchy voice in Big Jack’s head: He ain’t right.
He’s
right, Big Jack thought.
Too old, Little Jack insisted.
“The
smoke,” Big Jack said to the man.
“Want gas?”
Big Jack kept his head down, his
face averted, and coughed as he stepped toward the register. He flexed his hand on Little Jack’s
handle.
Little
Jack wouldn’t shut up in his head—Told you to
gas up first.
“Twenty on pump three.”
The man held out his hand.
Big
Jack took out the twenty dollar bill. He opened and
closed his fist, mangling the bill further, and eased Little Jack to the edge of the pouch.
“Well,
you payin’?”
He placed the balled-up twenty in the man’s hand.
“It’s like spit,” Big Jack told
his pal as soon as the rain blew into his face on his way to the pump. He took the pump off the
hook and squeezed the handle. He still squeezed the pump’s handle even after the dial showed
he’d pumped his twenty dollars’ worth. “Like the spit that redheaded kid did on
me way back,” he told Little Jack.
Big
Jack hung the pump handle back on the hook. He headed back to the station’s office. We made a deal, Little Jack said on the way. We
head south and don’t kill no one tonight unless he looks just like the kid from back then.
Big Jack fidgeted with Little Jack as he stood in
front of the man. He kept his head down, but he could still see the man.
“Somethin’
else?”
Through the swirling smoke the face of the boy who’d spit on him showed
on the man’s wrinkled face.
“Somethin’ else?”
the man said again.
Big Jack forced his fingers to stop trembling in his pocket by squeezing
the cash.
“Pack of Camels—unfiltered.”
“Thought
smoke bothered you.”
It’ll be easy, Big Jack thought. Grab his arm when he takes the cash,
lunge, stab, and split.
He took out a wad of cash and turned his back to
the man while he withdrew a crushed five-dollar bill.
Big Jack brought Little Jack to the edge of his jersey’s
pouch. He spun around and handed the man his cash.
“There
you go,” the man said, and he put the cigarettes on the narrow counter.
Big
Jack swung open the door.
“Your cigs,” the man said.
The
rain spit in Big Jack’s face again. The man’s footsteps behind him made loud splashes.
“You paid for ‘em.”
Big
Jack got in his car. The man tapped the window and kept his face there.
The rain smeared all the likenesses it had to the boy’s face—the
spitter’s face.
Big Jack turned the key.
Patience, Little Jack said when they left the lot. We’ll find the right one.
“Yeah, we’ll find him,” he
told Little Jack, and he drove the Fairmont south through the relentless northeaster.
THE END
|
Art by Steve Cartwright © 2016 |
SILENT
REVENGE Gregory E. Lucas Eddie Sax finds it astounding that
the crime he witnessed on a long-ago winter evening fell so neatly into his plan for revenge
against his parents. Whenever he passes
the music shop where everything happened when he was nine years old, he imagines the experience
as a wicked tale in a book. Once upon a snowy day he shivered
in the driveway, next to his mother. She scraped ice off the Bentley’s windshield
and pointed to the front passenger door. “Open
it. Get in,” she said. “What?”
Making her repeat herself fit the plan— anything to annoy her. “Like it or not, you’re going
to this music lesson.” Instead of opening the front door,
like she’d wanted, he opened the back door of the sedan, slid the guitar in its black
case across the tan seat, and sat down next to it. “Where’s your coat?” she said. “Can’t
you see it’s snowing?” Rather freeze, he thought, than put
on a coat like she wants me to. “Get
it. Now.” Pretend
you don’t hear her, he told himself. He wouldn’t budge. She huffed and
started the car. She backed the Bentley down the long driveway and she drove onto the street
of their upscale neighborhood. It was a Tuesday evening, a week before Christmas. If only
there were no such days as Tuesdays. Tuesday evenings meant music lessons. The bright lights,
the tinsel, the Santas in the malls, the decorated wreaths on doors and all those jingles—what
good were they if his mother demanded that he to go into the city of Wilmington, Delaware
for his lessons? And all that forced practice—hours every day. Scales—the most
boring music foisted onto him. They passed the park where kids
sled down a big hill. No fun for him tonight. He must take his lesson and become a prodigy. His mother leaned toward the
windshield. The wiper blades swatted the snow, hopelessly. “It’s a blizzard, almost,” she
said. “You
can’t see. Go home.” The
car swerved on a slick patch as she left the neighborhood and turned onto the main road.
As they neared the city, traffic thickened. Minutes passed without traffic moving. Horns
tooted. “We can’t be late,” she said. “What?” “You heard me.” He messed-up his hair. “And stop doing that to your hair.” He rubbed his head again and shook
it to annoy her further. An ambulance with a siren and flashing lights fought its way through
the traffic and passed their car. She
tapped the wheel and fidgeted with her hands for ten minutes. The line of cars advanced,
but only at a walker’s speed. After every few feet the cars in front of them stopped
for a moment, and then started forward again. Two smashed cars clogged one side of the
road. Police cars and ambulances with flashing lights surrounded the area. Flares burned
close to a policeman who blew his whistle and directed traffic. “My God,” she said. “Why does everyone stop and look?” She didn’t answer and observed
the rescue workers hoisting a man on a stretcher into an ambulance. Eddie leaned across the seat,
toward his mother. “Do people like to see other people get hurt?” “How could you ask such a thing?”
she said. “Because
everyone stops and checks out the gore.” A shrill whistle caught her
attention. The policeman motioned for her to proceed. She drove up, even with the accident,
and stopped. “The
policeman wants you to go.” She
scrutinized the accident scene once more before forging ahead. *** His mother dropped him off at the
front of the music shop, an old three story brownstone building. “Going shopping. Pick you up in an
hour,” she said. He
let his guitar case bang on three slippery steps. As he reached for the brass doorknob,
the door swung open. He collided with a man in a dark coat and ski mask. Eddie fell and
brushed the snow off the seat of his pants. Without paying attention to the man’s
extended hand, he got up, entered the shop, and walked up the staircase at the end of
the hall. He
stepped inside the dark bathroom on the second floor. Only faint light came from the big
window next to the urinals. Eddie searched along the wall for the light switch. He only
tapped it. I’ll hide in the dark, he thought. If the teacher searches for me here,
I’ll duck into a stall. Ten minutes he’d kept Mr. Jashen
waiting. He unzipped his fly at the urinal and glanced out the window while he urinated.
A pretty young woman hurried down the sidewalk—her waist-length red hair streaming
behind her. She leaned into the howling wind. He zipped up, stepped away from the urinal,
and pressed his face against the rattling glass. After she passed the street lamp,
he noticed a huge shadow. She ran, but the shadow overtook her—Santa Clause’s
shadow. His belly, white beard, and red suit resembled every other Santa. But Santa wouldn’t grab anyone by
the neck, would he? The man covered her mouth. The woman cringed. The man forced her off
the sidewalk, into the backyard below the music shop’s bathroom window. The music store’s wall and deserted
brick warehouses surrounded the yard. Only
a weak yellowish light from a street lamp shone into a small section of the gloom. No one
could view the yard from the sidewalk or street. Only from the vantage point of the music
shop’s bathroom window could anyone see the yard. The man grabbed her, slammed her
into the snow. From side to side she rolled. Her hair fanned out. No cap. No coat. She
wore only an old blue sweater and faded blue jeans with patches across her skinny rear.
No boots either, just untied sneakers. She wore one glove. It flew off and landed in a
drift as the man threw her to the ground. She slid on her back, away from the man in the
shadows of the buildings that enclosed them. Santa tore off his beard and hat, straddled
her, and yanked her hair. He forced her up again. Slap. Her fair skin, alluring, like the
faces of princesses in the fantasy stories Eddie watched on TV, flashed red. “Sorry,” she said, her voice
barely audible. “Who is he?” the man said, his voice more
distinct than hers. “Nobody. Just a guy who sells tickets at the movie theater,
like me.” Santa
punched her face and blood oozed from her nose. Her legs collapsed, but she didn’t
fall because Santa twisted her hair. Get help, Eddie thought. Santa
threw her and unbuttoned his coat. The pillow that’d fattened him slipped out. He
flung the coat and the pillow and kicked the woman’s ribs. Go now, Eddie said to himself, but despite
the urgency of his inner voice, he remained at the window. Like everyone at the car wreck,
horror absorbed his attention. “Sorry,”
he thought he heard her say. He couldn’t hear her, but he’d watched her swollen
lips form the word. “Slut.” Santa was young, with dark curly
hair and a shaved face. He took off his wide
black belt. The
door—open it. Get someone, Eddie told himself. The brass buckle glistened. Why’s
the man waving it around like that? Eddie asked himself. And look: he’s backing away
from her, and he’s scratching his face. It looks like he’s . . . he’s
almost crying. The man wiped the snot from his
nose with his flannel sleeve. He swirled the belt buckle an inch above the woman’s
bloody face. She slid on her back, saying that she was sorry. Instead of putting her hands
up to protect herself, she made the sign of the cross over her heart. The buckle struck her cheek.
Enough. Eddie dashed toward the door and opened it. Tapping on the window froze him. He
closed the door and ran back. The wind rattled the pane with greater vehemence. The woman—her
eyes, narrow slits among bruises and blood, fixed on Eddie—pleaded for help. He wondered when she’d noticed
him. Only I can help her, he thought. Cold blasted through the window’s edges. Goose
bumps covered his arms underneath the sleeves of his sweat jersey. The man below fixed
his cold black eyes on Eddie, dug into his gaunt cheeks, and wiped snot from his nose again.
A black cat knocked off a trashcan lid in a dark corner. The woman shrieked and the cat
scampered across the yard. A slap. A kick. She lay still in the snow. Dead? And why did
the man start crying? “You get him high before you—” She stirred. “We didn’t—” “Whore.” Eddie pictured what might’ve happened
before she’d run down the sidewalk; he pictured her dashing from one of the nearby
row-homes, fleeing from the man— no time to tie her shoes, put on a coat and a cap,
or to look for both of her gloves. She
slid further from the man who paced and pulled his hair. The man clawed his cheeks; blood
streaked them. Again the sign of the cross—her
last gesture before she slid closer to the wall Eddie stood by. She lay almost
directly below him, her body out of view except for her long legs. Her feet must’ve felt so cold, especially the one without a sneaker.
There it was—the missing sneaker appeared, half -buried in snow, near her missing
glove, far out of her reach. Santa picked up his suit top and
pillow and thrashed the air with them. He
breathed hard and fast. More of her disappeared into the shadows directly below the bathroom
window, all but her ankles and feet. Santa left parts of his suit behind and zigzagged,
like a tired-out boxer or a drunkard, away from the yard, down the sidewalk. Eddie headed
down the hall, toward his teacher’s room. “Where’ve you been?” his teacher
said. Not
answering him, Eddie sat on the armless wooden chair in front of the music stand. “Fifty minutes late,” Mr.
Jashen said. “Why?” Mr. Jashen pointed toward the street-side wall. “I
glimpsed your mother’s car. She dropped you off on time.” Eddie removed his guitar from its
case and put his sheet music on the stand. “I
was in the bathroom.” “Not
for fifty minutes.” Eddie
plucked a few strings. Mr. Jashen interrupted. “The check. Full payment.” The check was in the front right
pocket of Eddie’s pants, but he fumbled in his left pants pocket and checked the
two back pockets. “Can’t
find it.” Mr.
Jashen cleared his throat and his big ears reddened. He paced. “Oh, here,” Eddie said. Mr. Jashen snatched the check from
him. “Only
seven minutes left. Play the first few measures.” The worse the better, Eddie
thought, and three measures into the piece that he’d practiced so much that he could
play it flawlessly, he hit three consecutive wrong notes. Mr. Jashen winced. Mistakes like that, Eddie knew, would
provoke Mr. Jashen beyond his tolerance; he’d spring from his chair and pace by the
window and mutter in breathy tones. Eddie deliberately held the next note two beats too
long and struck a wrong chord. “Stop.” Mr. Jashen almost toppled off his chair.
He circled Eddie. “You
know how to play this piece.” “I
didn’t practice.” Silence
lingered before Mr. Jashen said, “The bathroom? No, I don’t believe you. What’s
the true story?” But
if I tell him, Eddie thought, he might make me talk to a policeman. And what will the policeman
do to me when I tell him how long I watched? What will everyone say if they know I let
the woman get hit and kicked? None of them will understand, he told himself. “I
don’t want to take guitar lessons anymore.” “Where were you?” “I hate playing guitar. I want
to play at the park with my friends.” Mr. Jashen glanced at his watch. “Your mother’ll be here any
minute. She’ll help me get to the bottom of this.” Eddie blushed. “I hid in the bathroom because
I don’t want to take guitar lessons.” “Put your instrument away. We’re
out of time.” “Why
don’t you believe me?” Mr.
Jashen buttoned the sleeves of his dark blue shirt and paced in front of the window. “Your mother’s here.” I’ll never, ever, tell them what
happened, he promised himself. The grown-ups, they’re always forcing me to do things
I don’t want, but they can’t make me tell what happened in the yard if I don’t
want to, he thought. Mr.
Jashen gestured with his finger for Eddie to follow him out of the room. Eddie stayed put. He could hear Mr. Jashen calling him
from the top of the staircase. He
pictured the woman, lying unconscious, pelted by the harsh weather. Was it right, he wondered, to keep this secret, to punish them by not
giving them the explanation they demanded when she might suffer more—even die if
he remained silent? Eddie approached Mr. Jashen at the
top of the stairs. Bells jingled on the front door; his mother entered the music shop. “We’re going to get the full
story from you yet,” Mr. Jashen said to Eddie. Eddie followed the guitar teacher
down the staircase. The
power of secrecy—on the bottom step Eddie relished his advantageous position. “Almost the entire lesson, for
all but the last ten minutes, he hid in the bathroom. That’s what he claims,”
Mr. Jashen said to Mrs. Sax. “Is this true?” Mrs. Sax said to her son. “Oh it’s true all right,”
Mr. Jashen said before Eddie attempted to answer. Eddie wandered toward the front
door. “You’ll
get punished for this.” “I
suspect there’s more to this story than what he’s told,” Mr. Jashen said. Eddie remained silent. “He doesn’t want to take
guitar lessons, Mrs. Sax. Other kids want his slot in my schedule.” “He
must.” “I
won’t tolerate his behavior.” She
stamped her foot. Look
how she’s dressed, Eddie thought. Gold and silver always—either a gold dress
with silver jewelry, or silver clothes and gold jewelry. And that hair, piled high on top
of her head, as if that could fool people into believing that she’s not puny. And
Mr. Jashen—dressed head to toe in dark blue, always the same color, like a cop in
uniform. Mr. Jashen raised his hand, a signal
for her to stop talking. But she wouldn’t shut-up, Eddie knew. Eddie pulled her sleeve. “Can we leave?”
Eddie said. She ignored him. Like always, Eddie
said to himself. What I want never matters.
She argued with his teacher again,
insisting that she’d change Eddie’s attitude and that Eddie must continue with the
lessons. “Mom.” “To the car.” Going at last, he thought. He dashed
to the door and opened it. The snow—how could the sky dump so much at once? But
even more wonderful than the snow was his teacher’s declaration. “His
lessons are discontinued. That’s final.” No more lessons. Is it possible?
Eddie wondered. To
Eddie: “I told you—go to the car.”
Then to Mr. Jashen, “We’ve got to leave before this storm worsens, but we will
come back next week.” “Mrs.
Sax.” Decide
now, Eddie told himself. Keep the beating a secret or
help the woman. He pictured the woman out back—her bare hands, her patched jeans,
and her foot without a shoe—imagined the snow that was obliterating the city, burying
her. A
solitary wanderer staggered on the sidewalk, her princess hair mangled,
streaming across her bludgeoned face. She folded her bleeding arms tight into her shivering
body, limped into clouds of swirling snow, and disappeared. A gust chilled the doorway
while flurries swarmed around the streetlight. Thirty
years later it’s still a secret—the crime he witnessed
on his night of silent revenge. THE
END
NO
ONE EVER ASKED WINSLOW THIS (Inspired by Winslow Homer’s
painting Boy Fishing.) by Gregory E. Lucas Are
we to bear in mind the agony, the tragic fate of the netted rainbow
trout, frantic
in a desperate struggle to survive, thrashing
its dark fanned caudal fin in bursts against
the rim so low above the stream and tilted just
enough to spark illusions of
springing free from the entangling mesh its captor
trails through the cold subtle current that flows
through this Adirondack wilderness? Should
we consider at all the fish’s plight while green
and brown and blue ripples spread out at mid-morning
toward a gently sloping fall? While a sky shines the brightest
gold and tints likewise, the farthest granite
mountain peaks? While the nearby forest—blurred,
black, and green— beguiles us with its depth and mysteries? Are
we to set all unpleasant thoughts aside, savor the
full sweet joy of this teenage boy —his head
covered by a floppy straw hat, seated at the canoe’s stern, the
bow tipped high to catch the sun’s warm glow on
the gunwale’s ribs— as he casts his line in a broad
arc downstream, the rod almost aligned with one suspender stretched
across his long-sleeved flannel shirt colored
the same as a perfect summer sky? Or,
when he tucks his chin behind a shoulder, deepening
the shadows lingering on his face, are
we to marvel that pain and boyhood thrills, commingling
as they do here with rare ease, evoke such charm in
this remarkable scene? THE ADIRONDACK GUIDE (Inspired by a Winslow Homer’s painting The Adirondack Guide.) by Gregory E. Lucas Floating
in dreams as much as in his boat, forgetful of his task to lead
a group along the Ausable’s beguiling
route through secret depths of wilderness
remote as any hermit’s home might
ever be, a far-off call clashes with his
reveries. But too late the Adirondack guide
looks back; no longer are his followers in
view, and in wavelets, dappled with
shadows blue from barren trees,
his extended oars refract in the silver
stream that mirrors autumn’s charms with shimmering pools of yellow, red, and
gold gathered by a birch submerged
in cold scum nearby, while his eyes flash
with alarm.
WHY BACK TO GLOUCESTER,
BOYS? (Based
on Winslow Homer’s painting Breezing Up.) by Gregory E.
Lucas Why
back to Gloucester, boys? The breeze kicks up. This
is an afternoon that mustn’t end. We lean.
Our sail puffs full as we gain more speed and the
splash across the port’s side freshens up
our catch—a dozen bass flapping in
our hull. This is an afternoon that mustn’t
end. Never mind those dense gray clouds. The
rest are fair against soft blue, disproving threats of
storms. The sunlight brightens, warms your shoulders, deepens
the mast’s and tackle’s shadows, spreads a
trail of pretty glitter on our wake. It’s
breezing up boys, breezing up some more. Relax but
grip the starboard gunwale tight. This is an afternoon
that mustn’t end. Gloucester can wait awhile for
you and me. It’s breezing up, breezing up yet
more, And a day like this might never come again.
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Art by Ann Marie Rhiel © 2018 |
Chesapeake Night by Gregory E. Lucas Moonlight glittered on the Chesapeake.
Golden
embers that the moon had cast below wings of
gulls spinning arabesques entranced me, so I put all my concerns aside to immerse
myself in all the tranquil charm. Sails
blooming in the distance, silhouetted against the burnished sky, rekindled hope that a
solitary voyager might grasp bliss eluding lovers cuddled
among amorous dreams in the clamorous dark.
Waves lapping rocks, sibilant as they rushed between the
crevices, hushed inner voices soon buried underneath the windswept
sand. It blazed, I tell you—that trail across the sea. It lured me
off the porch to the pier’s edge. Spellbound,
I stripped and dove into ideals promised me by the phosphorescent waves as long as I
swam steady amid the glow and allowed the outgoing tide
to carry me if I tired in the distance from the shore. Pausing only
once to float on my back and loaf in a hammock of troughs
and crests (wishing I could gather a bouquet of stars), I resumed my
swim across the shimmering bay, carried on,
until I had swum so far away from shore that the pier dissolved into a speck. Then
passions succumbed to cautionary views, but so
enamored by the dreamy glow was I that though I headed for my home, my mind continued
on its travels toward the moon hovering above the sparkling
trail, turning midnight into a fairy tale.
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Art by W. Jack Savage © 2018 |
Sunrise
on Port Royal Sound, SC by
Gregory E. Lucas Come back; come back into the
pre-dawn sky. Never vanish behind a brightened dome. Like the
last held breaths on the threshold of death, Those stars portrayed the likeness
of your face Then lost their struggle to prolong themselves. What need was there to splash against the night The gentle
gleam of your vivacious eyes If such a gift would dwindle
to a dull Stain of multifarious hues embossed Above Port
Royal Sound at Hilton Head? No breeze disturbs the glassy inlet’s surface That just a
moment ago pulsed with wavelets. Such stillness
seems a gathering of forces Prepared for their release onto the seascape. While the sun’s tip spreads
tints across the sky: Soft yellow strands, (the semblance of your hair), Reds—blues
as strong as love holding true— The kind
bath of morning’s rays renews your touch.
There, where the green marsh grasses shelter cranes, Whose white
wings beat the summer air, hope springs And thrives
with the promise of your keeping near. Here are clouds reflected in a shallow pool, Taking shape
to form another sketch of you That spreads past boundaries,
throughout the world. The stars have faded altogether now. Our
new-formed constellation will appear again, But only in memories and candied
dreams. The sun continues on its steady course. My day
begins, colored by imprints of your love.
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Art by Ann Marie Rhiel © 2018 |
The Final Dream by Gregory E.
Lucas After dreams of everlasting dreamless sleep
upon a crescent moon that glides among stars glittering above an ocean
calmer than the calmest lake, night turns to the gleam of a
not-so-long-ago summer afternoon: on a giant seagull’s back, you fly a few feet
above the whitecapped waves. Your past-self, strong, healthy, swims below
you. Turbulent pools shimmer. A school of little
fish leaps through rainbowed haloes while the salted
wind carries the lifeguard’s shrill repeated whistles that mix
with the closest swimmers’ screams and pierce the cacophony of shouts from the
shoreline. Reflected sunlight glints above tremulous
currents, where the long shadow prowls below the ocean’s
surface and suddenly lunges toward you
who swims like an Olympian to save your
life—dear life— impossible,
then, to ever surrender. Fins flash. Splashes everywhere as the
lifeguard extends her arms, reaches out her hands whose
fingertips change to feathery clouds that lift you from the surf and set you
down on a crescent bed, softer than the softest sand, while the
seagull wails like a mourner and soars toward a veil of darkening wisps. Gregory E. Lucas
writes fiction and poetry. His work has appeared in issues of Yellow
Mama and in many other magazines such as The Horror Zine, Bewildering
Stories, Dark Dossier, Blue Unicorn, Blueline, The Lyric, The Ekphrastic Review, and Neologism.
He lives on Hilton Head Island in South Carolina.Gregory E. Lucas writes fiction and poetry. His
work has appeared in issues of Yellow Mama and in many other magazines such
as The Horror Zine, Bewildering Stories, Dark Dossier, Blue Unicorn, Blueline,
The Lyric, The Ekphrastic Review, and Neologism. He lives on
Hilton Head Island in South Carolina.
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In Association with Fossil Publications
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